    |    |    | 01 Traum 02 Hier wird Brandenburg sein 03 Tod des Heiligen Adalbert 04 Montag 05 Dienstag 06 Mittwoch 07 Donnerstag 08 Freitag 09 Samstag 10 Sonnntag |
Das Triptychon handelt von der Beziehung zwischen den Altpreußen und den Teutonen -
den ersten christlichen Kriegern, Missionaren und Erbauern.
Ich stelle die preußischen Heiden als nackte Götter des Pantheons der Altpreußen dar.
Ende des 10.Jahrhunderts töteten die Preußen den Bischof der Stadt Prag, den Heiligen Adalbert. Zu Beginn des 11.Jahrhunderts töteten sie den Missionar Bruno. In den darauf folgenden drei Jahrhunderten kam es zu mehreren Kreuzzügen gegen die Preußen. Nichtsdestotrotz wurde im 14.Jahrhundert das Territorium der Altpreußen von deutschen Kolonisten vollständig besiedelt. Dutzende Schlösser und Städte wurden gebaut. Mir scheint, daß die Bezeichnung Preußen, die sich auf die kulturelle Bildung deutsch-sprachiger Völker bezieht, eine seltsame Wahl ist.
Ich halte den Titel der Ausstellung "Komet Preußen" für zutreffend. Von einem mystischen Standpunkt aus betrachtet, hat ein Staat, der sich den Namen eines feindlichen Stamms gegeben hat, den Raum, der ihn umgibt, zu sehr romantisiert. Romantismus an sich kann nicht lange bestehen und die ganze Geschichte Preußens ist ein Beispiel für historischen Romantismus.
ALEXANDER ZAKHAROV
1960 Born in Moscow
1976-1980 Attended Academy of Art, Moscow
1982 Admitted as Member of Youth Department of Artists Union, Moscow
Member of "Center", Moscow
Member of "88", Moscow
Member of RAAG, Moscow
1994 Artist in Residence, Brandywine Workshop, Philadelphia
1997Member of The Print Club of New York
Museum and Public Collections
C.A.S.E. Museum of Contemporary Russian Art, Jersey City, New Jersey
Jane Voorhees Zimmerli Museum, Rutgers University, New Brunswick, New Jersey
United Nations, Russian Club, New York
New York Public Library, New York, New York
Museum of Imagination, Hudson, New York
Duke University Museum of Art, Durham, North Carolina
The Fogg Museum of Art, Harvard University, Cambridge, Massachusetts
The Portland Museum of Art, Oregon
The State Russian Museum, St. Petersburg
The State Pushkin Museum, Moscow
Kolodzei Collection of Russian and Eastern European Art, Highland Park, New Jersey; Moscow
Nizhny Novgorod State Art Museum, Novgorod, Russia
Grants & Awards
Grant: Pollack?Krasner Foundation, New York, New York, 1991
Artist in Residence: Brandywine Workshop, Philadelphia, Pennsylvania, 1996
First Prize: Society of Illustrators, New York, New York, 1997
Selected Solo Exhibitions
2009
Alexander Zakharov: Mimi Ferzt Gallery, New York
2008
Alexsander Zakharov: Painting & Photography, Ru Arts Gallery, Moscow
2007
Alexander Zakharov: Paintings and Watercolors, Mimi Ferzt Gallery, New York
Reflection of Reality, Museum of Contemporary Art, Jersey City, New Jersey
2006
Alexander Zakharov: Etchings, Drawings, Paintings…1996 – 2006, Mimi Ferzt Gallery, New York
2005
Alexander Zakharov, Ru Art Gallery, Moscow
2003
New World, United Nations, New York
Big, Little World, Art Gallery Dacha Zhukovka, Moscow
2002
My Mind’s Eye, Mimi Ferzt Gallery, New York
2001
Sentimental Travel, Mimi Ferzt Gallery, New York
1999
Sky, Earth, Water, Mimi Ferzt Gallery, New York
1997
Under the Magnifying Glass, Mimi Ferzt Gallery, New York
1995
New York Scenes, Mimi Ferzt Gallery, New York
1994
Origins of Man, Schoeni Gallery, Hong Kong
1990
Stuart Levy Gallery, New York
Selected Group Exhibitions
2008
“Playground”
Sculpture, painting, photography
Ru Arts Gallery, Moscow
Moscow Art Show, Moscow
Ru Arts Gallery
Miami Basel, Miami
Ru Arts Galery
Bridge Art Exhibition, London,
Ru Arts Galery
2007
Moscow Art Show, Moscow
Ru Arts Gallery
Art expo
Taipei, China,
Khankhalayv Art Gallery
2006
Khankhalayv Art Gallery, Moscow
Moscow Art Show, Ru Art Gallery, Moscow
Art Cafe Gallery, Moscow
2004
Portraits, Mimi Ferzt Gallery, New York
“pen, ink”, Mimi Ferzt Gallery, New York
2003
Paul Sharpe Contemporary Art, New York
2002
New York City Workshop Exhibition, New York Students Art League, New York
2001
Sentimental Travel, Mimi Ferzt Gallery, New York
1999
Nudes, Mimi Ferzt Gallery, New York
Animals in Art, Boston Center for the Arts, Massachusetts
1997
International Print Exhibition, Portland Museum of Art, Oregon
International Miniature Print Exhibition, Connecticut Graphic Arts Center, Norwalk, Connecticut
International Print Show, Barrett House Galleries, Poughkeepsie, New York
Celebrating the Still Life, Mimi Ferzt Gallery, New York
1996
Scratch, Thread Waxing Space, New York
The Sciences: A Cultural Context, New York Academy of Sciences, New York, Binghamton
University Art Museum, New York
1994
Ideal Landscapes, de Saisset Museum, Santa Clara, California
Ascending Angels, Mimi Ferzt Gallery, New York, New York
1993
Mimi Ferzt Gallery, New York
Homosexual Ideology, Russian American Art Collective, New York
8+8, Schoeni Art Gallery, Hong Kong
Old Symbols, New Icons in Russian Contemporary Art, Stuart Levy Gallery, New York
1992
Expectations of a Miracle, Russian Art at Home and Abroad, San Francisco, California
1991
The Russian Bestiaries, Maya Polsky Gallery, Chicago
Soviet Russian Art Exhibition, Granovsky Gallery, Hong Kong
Michael Kizhner Fine Art, Los Angeles, California
1990
The Russian Experiment, Castle Gallery, New Rochelle, New York
Art & Artifacts, Golda Meir Association, New York
1989
Russian 20th Century & Avant?Garde Art Auction, Phillips, London
Hauswedel & Nolte Auction, Hamburg
Furmanny Lane, Galerie Peter Novietsky, Warsaw
Galerie Bodenschatz, Basel, Switzerland
Gallery Blanche, Stockholm, Sweden
1988
Museum of Modern Art, Zagreb, Yugoslavia
Manege Central Exhibition Hall, Moscow
Halla Gwardi, Warsaw, Poland
Maison des Juenes, Moscow
The Union of Artists Gallery, Kyiv, Ukraine
The Armenian Representation Hall, Moscow
1987
New Chamber Art, Arbat Exhibition Hall, Moscow
1986
Manege Central Exhibition Hall, Moscow
1984
Manege Central Exhibition Hall, Moscow
 | 01 Friederizianische Totenrede" |
1925
geboren am 31. März in Breslau als Sohn des Malers Walter Heisig und seiner Ehefrau Hildegard; erste
künstlerische Unterweisungen beim Vater, der im Jahre 1941 an den Folgen eines Berufsunfalls stirbt.
1941/42
ab Oktober 1941 Besuch der Kunstgewerbeschule in Breslau
1942–45
Bernhard Heisig meldet sich 1941 freiwillig zur Wehrmacht, wird Anfang September 1942 eingezogen und im Sommer 1943 der 12. SS-Panzer-Division Hitler-Jugend zugeteilt.
Nach Invasion und Ardennenschlacht ist er Anfang 1945 an den Kämpfen um die »Festung« Breslau, seiner Heimatstadt, beteiligt und kommt mit Kriegsende in sowjetische Gefangenschaft;im Herbst 1945 Rückkehr als Kriegsinvalide zu seiner Mutternach Breslau (jetzt Wroclaw).
1946/47
Arbeit bei der polnischen Künstler-Genossenschaft »Paleta«; Ende 1946 Übersiedlung mit seiner Mutter nach Zeitz in Sachsen; dort Tätigkeit in grafischen Betrieben. Im Jahr
1947 wird Bernhard Heisig Mitglied der SED.
1948 Wiederaufnahme des Studiums bei Walter Münze an der Kunstgewerbeschule in Leipzig
1949/51 ab Oktober 1949 Fortsetzung des Studiums an der Leipziger Akademie für graphische Künste und Buchgewerbe
(heute: Staatliche Hochschulefür Grafik und Buchkunst). Sein Lehrer ist Max Schwimmer.
1950
Mitglied des Verbandes Bildender Künstler Deutschlands (VBKD)
1951–1954
nach dem Sommersemester 1951 Abbruch seines Studiums an der Leipziger Hochschule als Folge der Debatte über den »Kampf gegen den Formalismus«. Bernhard Heisig lebt als freiberuflicher Künstler in Leipzig.
1954–1960
Nachdem sich im Sommer 1953 das kulturpolitische Klima positiv verändert hatte, wird Bernhard Heisig im Jahre 1954 als Assistent an die Hochschule für Grafik und Buchkunst, Leipzig, berufen; ab September 1956 Dozent. Er übernimmt die Leitung einer Fachklasse für Grafik.
Wahl zum Vorsitzenden des Verbandes Bildender Künstler (VBK), Bezirk Leipzig. Er behält diese Funktion bis 1959.
1961
Bernhard Heisig wird zum Professor ernannt und zum Rektor der Leipziger Hochschule für Grafik und Buchkunst
gewählt.
1964
Wegen seiner Rede auf dem V. Kongreß des Verbandes Bildender Künstler über eine restriktiver gewordene
Kulturpolitik wird Bernhard Heisig mit der offiziellen Begründung der »Nichterfüllung der erzieherischen
Aufgaben gegenüber den Studenten« als Rektor abgelöst,kann jedoch seine Lehrtätigkeit fortsetzen.
1965
Preis des Illustratoren-Wettbewerbsder »Internationalen Buchkunstausstellung« in Leipzig für seine Illustrationen
zu Bertolt Brechts »MutterCourage und ihre Kinder«. Für dieLithografie »Der faschistische Alptraum« wird Bernhard Heisig voneinem internationalen Preisrichtergremium die Goldmedaille der Ausstellung zugesprochen.
1968
kündigt Bernhard Heisig seine Lehrtätigkeit an der Leipziger Hochschule.
Er arbeitet wieder als freiberuflicherMaler und Grafiker.
1968/69
Reisen nach Bulgarien
1970
Kunstpreis der Stadt Leipzig
1971
Preis der Intergrafik, Berlin/DDR
1972
Wahl zum Ordentlichen Mitglied derAkademie der Künste der DDR.Nationalpreis II. Klasse der DDR.Kunstpreis der Freien Deutschen Gewerkschaftsbundes (FDGB). In diesem Jahr übernimmt Bernhard Heisig zum zweiten Mal den Vorsitz des Leipziger Bezirksverbandes der Bildenden Künstler (bis 1974).
1974
Beim VII. Kongreß des Künstlerverbandes im Mai 1974 wird Bernhard Heisig zu einem der sechs Vizepräsidenten
des Verbandes Bildender Künstler (VBK) der DDR gewählt.
Reisen nach Italien und Frankreich.
1976
wird Bernhard Heisig erneut zum Rektor der Leipziger Hochschule für Grafik und Buchkunst berufen; gleichzeitig Übernahme einer Fachklasse für Malerei und Grafik.
1978
Nationalpreis I. Klasse der DDR. Bernhard Heisig wird auf dem VIII. Kongreß des Künstlerverbandes
zum Ersten Stellvertreter des Präsidenten bestimmt.
1983
Reisen nach Holland und Belgien
1987
Bernhard Heisig gibt das Amt des Rektors der Leipziger Hochschule ab, geht jedoch seinen Lehrverpflichtungen
als Leiter einer Fachklasse und Mentor einiger Meisterschüler auch weiterhin nach.
1988
Beendigung des Schuldienstes
1989
Im Dezember Austritt aus der SED. Rückgabe der Nationalpreise. (Die damit verbundenen Dotationen
wurden von Bernhard Heisig den Studierenden der Malerei an der
Leipziger Hochschule zugewandt.) Kündigung der Mitgliedschaft in der Akademie der Künste der DDR.
1992
Umzug nach Strodehne, einem Dorf im Havelland, zusammen mit seiner Frau, der Malerin Gudrun Brüne,wo beide heute ihre Ateliers haben.
 |  | 01 Autorretrato de un desconocido 02 Vagabundo y el genio de la vegetation |
Carlos Forns Bada nasce a Madrid il 23 marzo 1956.
Risiede a Sevilla sino al 1966. Tra il 1973 e il 1976 frequenta la Facoltà di Architettura di Madrid. Nel 1976 inizia gli studi presso la Facoltà di Belle Arti di Madrid, lasciandola nel 1978. Nel 1981 riceve una borsa di studio dal Ministero della Cultura. Nel 1989 partecipa, su invito della rivista d’Arte Cimal, al CITAC, un incontro di giovani artisti europei, curato da Antonio d’Avossa, durante il quale vive e lavora per un mese insieme a Jean Michel Othoniel, Sthephanus Heidacker e Andrea Nurcis, tra gli altri. Viene poi scelto – con Sigfrido Martín Begué – dalla dita Loewe, in occasione del suo 150° anniversario, per disegnare le vetrine dei suoi negozi. Vive e lavora tra Valencia e Madrid, dipingendo per lunghi periodi di tempo a Roma.
Sin dai suoi esordi si caratterizza per una pittura fortemente plastica, molto vicina alla poetica dei Valori Plastici. Poetica che, successivamente e in tempi recenti, ha assunto una qualità stilistica sempre più personale, nella visionarietà di una flora apparentemente immaginaria, ma sempre desunta dal vero, in cui si va inserendo la solitudine di uomini percorsi da una malinconia appena dissimulata dalla componente accesa, e perciò altamente ironica, del cromatismo. La sua è una ricerca improntata a una forte carica spirituale temperata da una solida concretezza che lo porta a esprimere immagini di grande suggestione evocativa, intrise in una atmosfera avvolgente, senza tempo, grondante di luce, interrotta a tratti da ombreggiature che più che oscurare sembrano intagliare i corpi evidenziandone la plasticità.
Tra i principali esponenti della pittura figurativa in Spagna e in Europa (un suo dipinto del 1989, acquistato da Edy de Wilde per la Fondazione ARCO di Madrid, è stato inserito tra le cento migliori opere spagnole del secolo Ventesimo), ha al suo attivo una ricca e intensa attività espositiva avviata nel 1976.
Trentasei sono le esposizioni personali sinora tenute: 1976, Galería Edurne, Madrid; 1978, Montacargas–Gordillo, Facultad de Bellas Artes, Madrid, (Installazione); 1979, Momento de que pende la Eternidad, Galería Ovidio, Madrid; 1980, Regreso del Abismo, Galería Estampa, Madrid; 1981, Galería Ovidio, Madrid; Regreso del Abismo, Galería Dos i Una, Barcelona; 1982, Galería Estampa, Madrid; Galleri Dobloug, Oslo; 1983, Galería del Ateneo, Málaga; 1984, Fotografías, Galería Ovidio (con Julián Gandía), Madrid; Carlos Forns Bada 1983-84, Galería Ovidio, Madrid; 1985, Galería Rafael Ortiz, Sevilla; Galería García Cubo, Marbella; 1986, Cuadros, Galería Palace, Granada; Galería Estampa, Madrid; 1988, Galería Estampa, Madrid; 1989, Raab Galerie, Berlin; Galleria Gian Ferrari, Milano; Il teatro dell‘amore, Centro di Cultura Ausoni, Roma; 1990, The Geological Garden, Raab Gallery at Millbank, London; 1991, Gian Ferrari Arte Contemporanea, Milano; 1992, Forns Bada, Sala Esposizioni del Banco Zaragozano, Zaragoza; 1993, Galería Columela, Madrid; 1996, Viaggio in Tunisia, Il Polittico, Roma; Galería Estampa, Madrid; Espai Lucas Arte Contemporáneo, Valencia; 1997, Viaje al Centro de la Tierra, Galería Rafael Ortiz, Sevilla; 1998, Galería Estampa, Madrid; 1999, Giardini dell‘Estasi, Il Polittico, Roma; 2000, Jardín Iridiscente, Galería Víctor Saavedra, Barcelona; 2001, Naturalia Park, Galería Estampa, Madrid; 2003, Jardín de los camaleones, Galería Estampa, Madrid; Los discípulos en Sais, Il Polittico, Roma; 2005, Crepúscolo de primavera, Galería Estampa, Madrid; 2006, Sinápsis, Galería Mito, Barcelona; 2007, Teatro botánico, Il Polittico, Roma.
Tra le partecipazioni a Fiere d’Arte, vanno ricordate le due personali ad ARCO di Madrid con la Galería Estampa nell’anno 1989 e con la Galleria Gian Ferrari Arte Contemporanea nel 1992.
Sono centoventinove le esposizioni collettive cui ha partecipato. Tra le più importanti si citano: 1977, 28 Salon de la Jeune Peinture, Musée du Luxembourg, Parigi; 1978, Trayectoria, Galería Edurne, Madrid; 1979, Interiores, Galería Estampa, Madrid; El Lápiz señala al Asesino, Galería Ovidio, Madrid; 1980, 15 Artistas de Bellas Artes, Palacio de Velázquez del Retiro, Madrid; Línea, Espacio y Expresión en la Pintura Española Actual, Museo Nacional de Bellas Artes, Río de Janeiro, (Itinerante); Obra Gráfica Internacional, Galería Laguada, Granada; 1981, Picasso, Galería Estampa, Madrid; Pañuelos, Galería Sen, Madrid; Obra Gráfica de Artistas Contemporáneos Españoles, Galería Antonio Machado, Madrid; Modelo para una fiesta, Galería Ovidio, Madrid; 20 artistas, Mercado Público de El Escorial, Madrid; Doce Aniversario, Galería Sen, Madrid; Arquitecturas Modernas, Universidad de La Laguna, Las Palmas; Escuela de Arquitectura y Colegio de Arquitectos, Valladolid; Universidad Menéndez y Pelayo, Palacio de la Magdalena, Santander; 1982, Salón de los 16, Museo de Arte Contemporáneo, Madrid; 2 Internationale Jugendtrienale, Kunsthalle, Nüremberg; Musée Cantonal des Beaux-Arts, Lausanne; La Ciudad Balneario, Palacio de la Magdalena, Santander; Arquitecturas Modernas, Galeria Metrònom, Barcelona; El Color en la Poesía, Galería Antonio Machado, Madrid; Juegos de Arte, Galería Estampa, Madrid y Galería Palace, Granada; Su Disco Favorito, Galería Fúcares, Almagro (Ciudad Real); El Pavo, Galería del Ateneo, Málaga;1983, La Luna, Galería Sen, Madrid; Diez Años, Galería Ovidio, Madrid; Cadeaux, Galería Estampa, Madrid; Pintura sobre Papel, Galería Sen, Madrid; Recuperación del Dibujo, Museo de Arte Moderno, Buenos Aires, (Itinerante per l’America); 1984, Las Ciudades, Galería Moriarty, Madrid; Madrid, Madrid, Madrid, Centro Cultural de la Villa de Madrid, Madrid; Libros de Artista, Galería Estampa, Madrid; 1985, Bodegones, Galería Oliva Mara, Madrid; En la Figura, Sala de Exposiciones del Monte, Sevilla; Utlendinger i Galleri Dobloug Giennom 10 Ar, Galleri Dobloug, Oslo; Granada como ficción, Galería Palace, Granada; Joven Pintura, Sala de Exposiciones del Colegio Oficial de Médicos, Madrid; 1986, Homenaje al Cubismo, Galería Rafael Ortiz, Sevilla; Cinco Pintores, Galería Ciento, Barcelona; La Caza de Acteón, (Installazione con Julián Gandía e Ignacio Gómez de Liaño), Galería Seiquer, Madrid; Cometel Cometa, Galería Ovidio, Madrid; 1987, Voglia di scultura, Galleria Gian Ferrari, Milano; X Aniversario, Galería Estampa, Madrid; Supermerc‘art, American Prints, Madrid; La Postal del Verano, Galería Rafael Ortiz, Sevilla; 1988, Rape of Europe, Raab Gallery, London; Ratto d‘Europa, Galleria Gian Ferrari, Milano; Mediterráneo, Galería Seiquer, Madrid; Flores, Galería Estampa, Madrid; 1989, La Postal del Verano, Galería Rafael Ortiz, Sevilla; Opening Exhibition, Raab Gallery at Millbank, London; CITAC, Casa de Cultura, Bellreguard; Sala Parpalló, Valencia; 1990, Group Show, Raab Gallery at Millbank, London; Mischiare le carte: immagine speculare, Gian Ferrari Arte Contemporanea, Milano; The Landscape and The Cityscape, Raab Gallery at Millbank, London; Disegno & Disegno, Galleria Contemporanea, Padova; Europa, Galería Sebastià Jané, Barcelona; 1991, El Arte de Coleccionar, Fundación Arco; 1987-1991, Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria; Summer Show of Gallery Artists, Raab Gallery at Millbank, London; Un‘Alternativa Europea, Galleria Civica-Palazzo dei Diamanti, Ferrara e Fondazione Bandera, Busto Arsizio; 1992, Fantastic works on paper, Raab Boukamel Galleries, London; Obras para una colección, Galería Seiquer, Madrid; 1993, Año XV, Galería Estampa, Madrid; Colección Fundación ARCO, Centro Cultural Conde Duque, Madrid; Objetos Cotidianos, Galería Sephira, Madrid; 1994, La Huida a Egipto, Galería Estampa, Madrid; Abanicos, Galería Bat Alberto Cornejo, Madrid; Zapatos usados & talleres de artistas, Fundació Pilar i Joan Miró, Mallorca; 1995, III Mostra Unión Fenosa, Estación Marítima, A Coruña; 1996, Artistas solidarios, Centro de Recursos Culturales de la Comunidad de Madrid, Madrid; L’Oggetto, il Mobile, l‘Interno, Il Polittico, Roma; Arcos da Lapa, Progetto d’intervento urbano, Rio de Janeiro; A Pascual Lucas..., Espai Lucas Arte Contemporáneo, Valencia; 1997, El Quijote Hispanoamericano, Calcografía Nacional, Madrid; Adquisiciones Recientes. Marugame Hirai Museum, Arco ’97, Madrid; Ida y vuelta, Espai Lucas Arte Contemporáneo, Valencia; V Mostra Unión Fenosa, Estación Marítima, A Coruña; De papel, Galería Marisa Marimón, Orense; Via Crucis, Galería Estampa, Madrid; XIII Premio de Pintura l‘OREAL, Centro Cultural Conde Duque, Madrid; Artistas solidarios, Museo de Arte Contemporáneo, Sevilla; 1998, Icone del Volto, Il Polittico, Roma; La Pittura delle Gioie, Collezione Permanente BVLGARI, Sede della Direzione Generale, Roma; Misure Uniche per una Collezione, Young Museum, Palazzo Ducale, Revere (Mantova); 1998-1999, Galería Estampa, Madrid; El Quijote Hispanoamericano, Fundación Provincial, Caracas; Ciudades, Ayuntamiento de Madrid, Estampa ’98, Madrid; 1999, Misure Uniche per una Collezione – Parte seconda, Young Museum, Revere, Mantova e Museo Internazionale dell’Immagine Postale, Belvedere Ostrense, Ancona; Pacaembú, Laboratoire – Sculpture Urbaine, Sao Paulo; Singular, Galería Víctor Saavedra, Barcelona; Colección Banco Zaragozano. Arte Contemporáneo, Lonja de Zaragoza y Sala de Exposiciones del Banco Zaragozano, Zaragoza; La Pittura Ritrovata. 1978-1998, Venti anni di riallineamento alla pittura di immagine, Museo del Risorgimento, Complesso del Vittoriano, Roma; 99 del 99 en SEVIHLLA, Sala Exposición Convento Santa Inés, Sevilla; Duplice Versante, Museo Internazionale dell‘Immagine Postale, Belvedere Ostrense, Ancona; El Bodegón, Galería Alfredo Viñas, Málaga; 2000, Via Crucis, Chiesa di Santa Lucia del Gonfalone, Roma; 2001, Festa di compleanno: Albert, Forns Bada, Kirby, Pearlstein, Il Polittico, Roma; La Pittura delle Gioie, BVLGARI Contemporary Art Exhibition, Tokyo International Forum; Kyoto Takashimaya; Isetan Tokyo Museum; 2002, D’Après – Un Ballo in Maschera, Foyer del Teatro dell’Opera di Roma; Il figlio prodigo, Chiesa di Santa Lucia del Gonfalone, Roma; 2003, XXV Aniversario, Galería Estampa, Madrid; Forma e colore in movimento, Instituto Cervantes, Roma; N’ebbe compassione, Chiesa di Santa Lucia del Gonfalone, Roma; L‘amore del padre: motivo di un ritorno, Sala Esposizioni della Camera di Commercio, Terni; Pieza a pieza, Instituto Cervantes, Roma; Die wiedergefundene Malerei – Eine europäissche Situation, Kunstraum Palais Porcia, Wien; 2004, Cento – Le Figure de Il Polittico, Il Polittico, Roma; Pieza a Pieza, Instituto Cervantes, Varsavia, Polonia; Per Amore. La raccolta Caggiano, Complesso di Santa Sofia, Salerno; El circo, Galería Estampa, Madrid; Opening Exhibition, Wunder K, Valencia; 2005, Polittici, Il Polittico, Roma; 2005, Colección los ochenta II, Galería Ovidio, Madrid; 2005, Medias y Extremas Razones, Caja San Fernando, Sevilla; 2005, What is realism, Albermale Gallery, London; 2005, Chiaroscuro, Flowers East Gallery, London, 2005, Cruz y ficción, Galería Mito, Barcelona; 2006, Collectors are wellcome, Galería Estampa, Madrid; 2006, Quindici anni, Scuderie Aldobrandini, Frascati (Roma); 2006, La Movida – Artes plásticas, Sala Alcalá 31, Madrid; 2006, La Movida – Arquitectura y diseño, Sala del Complejo El Águila, Madrid; 2006, Cap-i-cua, Galería Mito, Barcelona; 2007, Reconocimientos, Sala Picasso, Círculo de Bellas Artes, Madrid; 2007, Papers, Galería Mito, Barcelona; 2007, Arte e Omosessualità. Da von Gloeden a Pierre et Gilles, Palazzo della Ragione, Milano, (a cura di Vittorio Sgarbi).
  |   |   | 01 Against the Grain 02 Double Down 03 Billy the Kid 04 They Come to Snuff the Rooster 05 Happy Trails 06 Baselitz in Ecstasy |
Casey Vogt creates ornate, mandala-like compositions that serve
as a backdrop for politically-charged figurative scenes. The most
recent figures explore Americans' relationships to drug use, the War On
Drugs, and the pharmaceutical industry. The backgrounds are composed
of masses of layered dots and myriad colors, recalling a pharmacopoeia
of pills.. They act as a painterly and metaphysical contrast to the
socio-political narratives presented by the figures. With their
euphoric colors and psychedelic compositions, Vogt's work proposes
painting as another mind-altering substance.
EDUCATION
-M.F.A., Miami University, Oxford, OH. 2009.
-B.F.A., cum laude, University of Akron: Myers School of Art, Akron, OH. 2004.
SELECTED EXHIBITS and LECTURES
2009 -MFANow, This is Paint!: Infusion Gallery, Los Angeles, CA. International Painting Exhibition.
Jurors: Nicolette Kwok, Victoria Lu, Edward Lucie-Smith, John Millei, Maura Reilly, Kay
Saatchi, Bernar Venet.
-156th Ohio State Fair: Cox Art Center, Columbus, OH. Group Exhibition.
-Fresh & Witty: Summit ArtSpace, Akron, OH. Group.
-Meaning and Nothingness: Lee Gallery, Oxford, OH. Solo Exhibition.
-Western Spirit Art Show: Old West Museum, Cheyenne, WY. Group.
2008 -Undecided: Harris Gallery, Oxford, OH. Group.
-Oxford to Oxford: Powerhouse Community Arts Center, Oxford, MS. Group.
-Five Minds: John C. Brian Gallery, Yellow Springs, OH. Group.
2007 -Politics: Greenwich Gallery, Cincinnati, OH. Group.
-Steve Levey and Casey Vogt, Akron, OH: Jason Rulnick Gallery, New York, NY. 2-Person.
-17th Artists of Rubber City Juried Show: Mocha Maiden Gallery, Akron, OH. Group. Third Place.
-Young Painters 2007: Miami University, Oxford, OH. National Painting Exhibition.
Juror: Jerry Saltz.
2006 -48 Hours of Making Art: Lake Erie College, Painesville, OH. Invitational.
-Convergence 2006: College of Wooster, Wooster, OH. Group.
-Restless in Akron: Summit ArtSpace, Akron, OH. Group: Guest Curator.
-16th Artists of Rubber City Juried Show: Mocha Maiden Gallery, Akron, OH. Group.
-Fresh Art: Summit ArtSpace, Akron, OH. Group.
2005 -Cockeyed: Experimental Gallery, Akron, OH. Group: Curator.
-Queer/Query: The Church, Akron, OH. Group.
-Intrinsic: Lake Erie College, Painesville, OH. Invitational.
-Engendered: Lake Erie College, Painesville, OH. Invitational.
-Patterns, Rhythms and Cycles: Mt. Scott Art Center, Portland, OR. International Exhibition.
2004 -Turtledoves: The Church, Akron, OH. Solo.
-Culture Fluid: Clemson University, Clemson, SC. National Print & Drawing Exhibition.
-What’s in Marfa, Texas?, LECTURE, Student Art League, Myers School of Art, Akron, OH.
2003 -The Halpert Biennial ’03: Appalachian State University, Boone, NC. National 2-D Exhibition.
-Young Painters 2003: Miami University, Oxford, OH. National Painting Exhibition.
Juror: Barry Blinderman.
-Mute: Anne Arundel Community College, Arnold, MD. National All-Media Exhibition.
-8-Hour Drawings VI: Allegheny College, Meadville, PA. Invitational Group Exhibition.
-8-Hour Drawings VI, LECTURE, Allegheny College, Meadville, PA. Invitational.
-Recent Paintings, LECTURE, Student Art League, Myers School of Art, Akron, OH.
2002 -Mental Masturbation: The Ice House, Akron, OH. Group.
-A Moment of Zen: Projects Gallery, Myers School of Art, Akron, OH. Solo.
-Lunch Counter: Upper Atrium Gallery, Myers School of Art, Akron, OH. Solo.
2001 -Become Lubricated: Projects Gallery, Myers School of Art, Akron, OH. Solo.
-Recent Paintings, LECTURE, Student Art League, Myers School of Art, Akron, OH.
SELECTED GRANTS & AWARDS
-Winner: MFANow International Painting Competition—2009.
-Nominee: Joan Mitchell Foundation Graduate Award—2009.
-Graduate Achievement Award: Miami University—2009.
-Graduate Assistantship: Miami University—2007-2009.
-Finalist: Northern Ohio Live Achievement Award for curating Restless in Akron—2007.
-Finalist: Young Painters Competition—2003, 2007.
-Winner: Ohio Arts Council Grant; Individual Excellence Award—2007.
-Winner: MOCA Cleveland Nesnadny & Swartz Visiting Critics Program—2006.
Visiting Critic: Valerie Oliver Cassell, Assistant Curator Contemporary Museum of Art Houston.
-Winner: University Park Alliance Design Competition—2004.
-Finalist: Alexander Rutsch Award National Works on Paper Exhibition—2003.
-Myers School of Art Materials Grant—2003.
-Daschiell Travel Grant—2003.
-Myers Scholarship—2003.
-Folk Scholarship—2002.
-Roetzel, Cletus & Clara Academic Scholarship—2002.
-2nd Place: Myers School of Art Juried Show—2002.
-Harris Scholarship—2001.
-Myers School of Art Juried Show—2000, 2002, 2003, 2004.
-Dean’s List, University of Akron—1999-2004.
COMMITTEES & ORGANIZATIONS
-SFA Dean’s Student Advisory Council, Miami University—2008-2009.
-Graduate Representative to the Faculty, Miami University—2008-2009.
-Graduate Student Association, Miami University—2007-2009.
-University Graduate Students, Miami University—2007-2009.
-Fine Arts Faculty, Staff, and Majors, Miami University—2007-2009.
-Advisory Committee to the Chair, Myers School of Art—2003.
-President, Student Art League, Myers School of Art—2002-2003.
-Artist-in-Residence Committee, Myers School of Art—2002.
PUBLICATIONS
-The Miami Student, “Grad student gains exposure in international art competition,” February 10,
2009: pg. 2, 1 b/w image.
-Northern Ohio Live, “Awards of Achievement,” October 2007: pg. 30, 1 color image.
-Angle #29, “Abundant Ohio.” November 2006: pg. 17.
-Akron Beacon Journal, “Restless in Akron.” October 8, 2006: pg. E7, 1 b/w image.
-West Side Leader, “Restless in Akron,” October 5, 2006: pg. 6, 1 b/w image.
-Akron Life & Leisure, “Restless in Akron.” September 2006: pgs. 11-14, 3 color images.
-Cleveland Free Times, “Art news.” May 4-10, 2005: pg. 49.
-Channel 3, Cleveland, OH. “Akron painting shows nude Bush being crucified.” Mar. 19, 2003.
TEACHING EXPERIENCE
-Teacher Assistant: Advanced Painting, Miami University—Spring 2009.
-Teacher Assistant: Three-Dimensional Design, Miami University—Spring 2009.
-Professor of Record: Two-Dimensional Design, Miami University—Fall 2008.
 | 01 Fusain 180cm*146cm, 2002 |
Born 1947 in Boulogne Billancourt. Lives and works in Paris.
1967 Ecole des Beaux arts de Grenoble / Atelier Jean-Marie Pirot
1971-72 Ecole National des Beaux Arts de Paris / Atelier Yankel
Soloexhibitions (Choice)
2008 Pierre Bergé & Associes, Bruxelles
2007 Galerie Larock-Granoff, salon du collectionneur, Paris
Hotel Le Lutétia, Paris.
2006 Exposition dans la ville, Montélimar.
Place Salvador Allende, Bagnolet.
Place Saint-Sulpice, Paris.
"Le Passion", Collégiale Saint-Pierre, Aire-sur-la-Lys.
2005 "L'Ascension", Eglise Saint-Sulpice, Paris.
Sculpture à l'honneur, Cour d'honneur de la Préfecture, Versailles.
2004 "La passion du Christ", Galerie Larock Granoff, Paris.
"La passion du Christ", Eglise Saint-Sulpice, Paris.
2002 Galerie Larock Granoff, Paris.
1998 Galerie Larock Granoff, Paris.
1994 Galerie Jean Briance, Paris.
1993 Galerie Charles Sablon, Paris.
1992 Galerie Charles Sablon, Paris.
1991 Galerie Jean-Pierre Harter, Paris
Galerie Alain de Monbrison, Paris
1985 Galerie Jean-Claude Riedel, Paris.
1980 Musée de Villefranche sur Saône.
Groupexhibitions (Choice)
2007 1 ére Biennale de sculpture, Yerre
"Taille Humaine", Artsénat 2006, Jardin du Sénat, Paris
Parcours sculpture - Artparis, Grand Palais, Paris
2005 "Le lendemain du Kaos", Daniel Hourdé & Amahiguéré Dolo, African Muse Gallery, Paris
1993 "Parcours d'un mécène", Collection Mourtala Diop
(J.Chamberlain, J.Dubuffet, L.Cane, César, Hains, A.Jacquet, A.Kirli,..)
Fairs
2008 ART PARIS, Galerie Larock-Granoff, Paris
2007 ART PARIS, Galerie Nathalie Seroussi, Paris
ART PARIS, Galerie Larock-Granoff, Paris
2006 ART PARIS, Galerie Larock-Granoff, Paris
2005 FIAC, Galerie Larock-Granoff, Paris
2004 FIAC, Galerie Larock-Granoff, Paris
Salon du Carousel, Galerie Philippe Sinseux, Paris
2003 Pavillon des Arts, Genève, Suisse
2002 FIAC, Galerie Larock-Granoff, Paris
2001 Louvre des Antiquaires, Paris
FIAC, Galerie Larock-Granoff, Paris
Salon de Mars, Galerie Larock-Granoff, Genève
2000 Salon de Mars, Galerie Larock-Granoff, Genève
1999 FIAC, Galerie Larock-Granoff, Paris
1998 FIAC, Galerie Larock-Granoff, Paris
1997 FIAC, Galerie Larock-Granoff, Paris
 |  |  | 01 Fishers of Men (2005-2006) 02 Fishers of Men (2005-2006) 03 Saviour Saved |
David Trullo ( Madrid, 1969)
FISHERS OF MEN (2005-2006)
Dyptich, 400 x 50 cm (each 200 x 50), b&w photographs on dibond.
‘Follow me and I will make you Fishers of Men’
St. Matthew, 4-19
‘Fishers of men’ is an essay which explores the representation of masculinity.
It starts with the figure of the Christian apostles, as an example of the ‘homo virtus’, or man of virtues, confronted to the figure of the ‘bear’, a gay man full of hair as the stereotype of the ‘hipermale’ The idea is to compare the use of iconographical items that are common to the representation and appearance of both groups.
The representation of the 12 apostles in western art has barely changed over centuries: it offers a catalogue of references that are used today in very different contexts. For instance, the beard has represented signs of maturity, stability and confidence. Also God and Christ are almost always depicted with a beard since the Middle Ages. For the bears, though, it has become as well a powerful sex-appeal feature.
It is interesting to focus on the case of St. John the Evangelist. He is the only one who seems not to belong to a compact group where it is difficult to identify single ones. He looks young, feminine and beautiful. He is the exception which makes the rule work. The rest of the apostles will be seen today as a homogeneous group that could be described as a ‘sect’. The appearance warns of a particular attitude to life, (in the case of bears of sexual preference) Just by extrapolating all these elements to a new contemporary phenomena, we find that the bears actually copy (Without knowing? Because of lack of historical references?) all the signs that made the apostles a male group which excludes the rest of men. It is amazing how bears reproduce those appearance signs with incredible accuracy: bearded, hairy, corpulent…Even in the ‘bear language’ we can find examples of the endless subcategories that could be based on a particular apostle. Then, St. John the Baptist would be a so called ‘chaser’ (somebody who fancies big hairy men, but who is not a bear himself); Judas could be a ‘leatherbear’, and so on.
The Project is composed of 12 portraits of ‘bearmodels’ who play the role of a particular apostle. They are based on prints and paintings that were very common in Spain in the 17th century. All of them wear or carry objects or symbols that used to help the believer in order to recognize each of them, according to the traditional representation and iconography. They are also identified with names, not the biblical ones but nicknames that are used today, as they are not saints but ordinary people who ‘play holy’ (St. Matthew is now Matt, St. John is Johnny, St. James is Jim, and so on)
The project is to be exhibited in two collections of six images, with a gap in the centre. Six apostles look to the right, and the other six to the left. The empty space in the centre suggests the presence of Jesus. But he is not there: the master is not there anymore. They are left alone.
I am not interested in provoking, or take a particular theme and do a remake, better still I am interested in how symbols and images make us see endless realities, how they all change or adapt to different codes, how people use them to seduce or abuse or control or to be happy. Some people might see this work as a sacrilege, others a joke, hopefully they would use my images as they would use any other: to seduce or abuse or control or to be happy.
David Trullo, Madrid, May 2006
Degree in Fine Arts, Universidad Complutense de Madrid, 1993
Solo Exhibitions
Ecce Homme, Rita Castellote Gallery, Madrid, 2007 *
Heroes, Alcorcón Arts Centre, Madrid, 2004
Vierzenheiligen, Galleria Magenta 52, Milan, Italy, 2004.
Underwear, Larra 10 Gallery, Madrid, 2003.
Alive and Dead, Carmen de la Guerra Gallery, Madrid, 2003.
Memorabilia, C.C. La Canela Arts Centre, Cádiz, Spain 2001.
Better Youth, PhotoEspaña 01, Carmen de la Guerra Gallery, 2001.
Le Bois Humain, Estampa 99, Prints And Editions Fair, Madrid.
Pink Spasm, Carmen de la Guerra Gallery, Madrid, 1999.
Crédito, El Foro, Madrid, 1995.
RGF+DDT (with Roberto González)
Pardo Bazán Gallery, La Coruña, 2007.
Rita Castellote Gallery, Madrid, 2007.
Alcorcón Arts Centre, Madrid, 2007.
Espacio 48 Gallery, Santiago de Compostela, 2007.
Awards, Residencies and Grants
2002 Artist in Residence, Irish Museum of Modern Art, Dublin, Ireland.
2002 3rd Prize, Ibiza Biennale, Spain
1998 'Eros' Photography Prize, El Foro, Madrid.
1997 2º Prize, 'Portrait of a Lady', Polygram Spain.
1994 National prize, XII City ofLeganés Photography Prize, Madrid.
1993 Young Artist Prize, XII Ciudad de Alcorcón Art Competition, Madrid.
1993 Spanish Youth Institute grant for the workshop with Eiichiro Sakata.Rencontres Internationales de la Photographie, Arles, France.
1992 Runner up, Young Images, Amadís Gallery, Youth Institute, Madrid.
Publications
1996-2004 Libro Objeto S.T. Artist's Book, Madrid.
1999 A brand for Y2K, Istituto Europeo di Design, Madrid.
2002 Portraying the dead, Source, Photographic Review, Belfast.
2005 Studija, Visual Arts Review, Latvia.
2006 Arte Fotográfico Magazine, Madrid.
  |  |  | 01 Cow aus der Serie For a Definition of the Nude 02 Hahn aus der Serie For a Definition of the Nude 03 Schwein aus der Serie For a Definition of the Nude 04 Pfau aus der Serie For a Definition of the Nude |
Dimitris Yeros was born in Greece in 1948.
He was one of the first Greek artists to present Performances, Body Art, Video Art and Mail Art.
He has had 54 individual exhibitions of his works held in Greece and abroad: in Köln, Düsseldorf, New York, Kassel, Strasbourg, Oxford (Oxford University), Darmstadt, Indiana, USA (Ball State Art Gallery), Heidelberg, Nicosia, Milan, Bochum (The Bochum Museum), Berlin, Wuppertal, Mannheim and elsewhere.
He has also participated in numerous international group exhibitions, Biennales and Triennales in many parts of the world.
The following books with his works have been published: the collection The Sparkling Bathtub (Kastaniotis, 1976); the photoseries Photopoem (Phyllo, 1977); the art book Yeros with text by Yannis Patilis (Phorkys, 1984); Dimitris Yeros, a book-catalogue of painting works (The Bochum Museum, 1986); D. Yeros, a book of painting works with an essay by Professor Chr. Christou (Prefecture of Biotia, 1998); Theory of the Nude, a book of photographs with an introduction by P.Weiermair (Planodion, 1998); Periorasis, a book of photographs with a foreword by Michel Deon and an introduction by P. Devin (Phyllo, 1999); For a Definition
of the Nude, a book of photographs with an introduction by
P. Weiermair (Phyllo, 2000); D. Yeros, a book of painting works with an essay by John Wood (Ermoupolia 2001).
At present he is working on another book with photographs based on the poems of Constantine P. Cavafy.
Works by Dimitris Yeros are to be found in many private and public collections in Greece and abroad.
He collaborates with the John Stevenson gallery, and Throckmorton Fine Art in New York, Vance Martin Fine Arts in San Francisco and the Athens Art Gallery in Athens, Greece.
 |  |  | 01 Imaginary China-Imaginary Prussia1 02 Imaginary China-Imaginary Prussia2 03 Imaginary China-Imaginary Prussia3 |
Edward Lucie-Smith was born in 1933 at Kingston, Jamaica. He moved to Britain in 1946, and was educated at King's School, Canterbury and Merton College, Oxford, where he read History. Subsequently he was an Education Officer in the R.A.F., then worked in advertising for ten years before becoming a freelance author. He is now an internationally known art critic and historian, who is also a published poet (member of the Académie Européenne de Poésie, winner of the John Llewellyn Rhys Memorial Prize), an anthologist and a practising photographer.
He has published more than a hundred books in all, including a biography of Joan of Arc (recently republished by Penguin in paperback as a 'classic biography'), a historical novel, and more than sixty books about art, chiefly but not exclusively about contemporary work. He is generally regarded as the most prolific and the most widely published writer on art, with sales for some titles totalling over 250,000 copies. A number of his art books, among them Movements in Art since 1945 , Visual Arts of the 20th Century, A Dictionary of Art Terms and Art Today are used as standard texts throughout the world. Movements in Art since 1945, first published in 1969, has been continuously in print since that date, and has been completely updated five times since first publication. A new edition was published in March 2001. He has been curator of a number of exhibitions, including three Peter Moores Projects at the Walker Art Gallery Liverpool, (surveys of contemporary British art), The New British Painting (which toured US venues in 1988-90) and two artist retrospectives, Lin Emery and George Dunbar, both for the New Orleans Museum of Art. He has been a jury member for the John Moores prize exhibition in Liverpool, and for biennials in Cairo, Sharjah, Alexandria and Belgrade. He was recently curator of 'New British Art'. at the Orion Gallery in Ostend (April-June 2001), and of 'New Classicism: Artists of the Ideal', which opened at Palazzo Forti, Verona (April-September 2002).
His photographs have been the subject of solo exhibitions in London, Brussels, Barcelona, Tel Aviv, Rome, Kuala Lumpur, and St Petersburg. A book of his photographs, 'Flesh & Stone', was published by the French imprint Ipso Facto Publishers, in October 2000. There was an American museum show at the Butler Institute of Art, Youngstown, Ohio, in February/March 2003.
His work as a photographer is included in the collections of the National Portrait Gallery, London; the Reina Sofia Museum, Madrid; the New Orleans Museum of Art; the Butler Institute of Art, Youngstown, Ohio; the Herzog August Bibliothek, Wolfenbüttel, and the Frissiras Museum, Athens.
 |  | 01 #\\\ and #\\\ 02 (((( |
Elizabeth Ferry blurs the edges between the corporeal and
ethereal. Ranging from simple grids to elaborate stacks of folded
fabric, Ferry composes color and form into rhythms that perpetually,
illusionistically reconfigure themselves. Through carefully cued light
and site specificity, they shift from mundane materials to
enigmatically charged visual sensations. For example, at first glance
Ferry’s grids appear as formal white structures set upon a wall painted
with bright colors. However, a move from side to side reveals that the
edges of the structure are painted with discordant dashes of
fluorescent hues that refract upon the wall. Subverting the fast pace
of everyday transactions between people, places, and information, Ferry
applies abstraction and illusion to offer moments of sensitive
reflection.
Education
2008 MFA, Visual Arts, Sam Fox School of Design and Visual Arts, Washington University in
St. Louis, MO
2005 Post Baccalaureate Studio Art and Art History, Knox College, Galesburg, IL
2004 BA Studio Art, Knox College, Galesburg, IL
2002 Maryland Institute College of Art, Baltimore, MD
New York Studio School of Drawing and Painting, New York, NY
Selected Exhibitions
2009 (upcoming) Cacophonic, Raid Projects, Los Angeles, CA
Optimistic American Discords, Werkstattgalerie, Berlin, Germany
*Recent Paintings, Sangamo Club, Springfield, IL
Recent Paintings, Ilse Avenue, Springfield, IL
306: Chicago Site, Around the Coyote Gallery, Chicago, IL
2008 Slinger 2, Boots Contemporary Art Space, St. Louis, MO
Ateliers #8425, Cité Internationale des Arts, Paris France
306, Hoffman LaChance Contemporary, St. Louis, MO
The hip, the sick and the beautiful! TWENTY 08, Phillip Slein Gallery, St. Louis, MO
Faculty Show, California State Summer School for the Arts, Cal Arts, Velencia, CA
flux, Thesis Exhibition, Washington University, Mildred Lane Kemper Art Museum,
St. Louis, MO
2007 New Work, Des Lee Gallery, St. Louis, MO
1st Annual Loyola Works on Paper, Loyola University, Chicago, IL
Faculty Show, California State Summer School for the Arts, Cal Arts, Velencia, CA
*Moving Through the Landscape: Large Scale Collage and Small Works on Paper,
(solo) Noir Art Emporium, Jacksonville, IL
Point Reyes Painting Invitational, The William Lester Gallery, Point Reyes, CA
MFA1, Des Lee Gallery, St. Louis, MO
Fresh Faces, 20th Street Art Gallery, Sacramento, CA
Selected Awards and Recognitions
2010 The Augustus Saint-Gaudens Memorial, Nominee, Nomination by artist Petah Coyne
2009 MFA Now: The Next Generation of Painting, International painting competition
2008 Artist in Residence, Cité Internationale des Arts, Paris France
John T. Milliken Artist Travel Grant
Marshall Class of 2008, Washington University in St. Louis
Joan Mitchell MFA Fellowship, Nominee
2007 Dedalus Foundation Master of Fine Arts Fellowship, finalist
Top 21 [painters] Under 31, Southwest Art Magazine
2006 Clara Bromeyer Memorial Scholar, Washington University in St. Louis, MO
Selected Publications
2009 MFA Now, International Painting Competition: The Next Generation of Painting,
Volume ii
2008 Some Local Art Please, Allison Sieloff, RiverFrontTimes, Slinger 2 Write Up
Visual Arts Bright Spots, Ivy Cooper, St. Louis Beacon, Slinger 2 Write Up
Review: 70's Vibe at Hoffman LaChance, Ivy Cooper, St. Louis Beacon, 306 Review
2007 Top 21 [painters] Under 31, Southwest Art Magazine, September issue
 |  | 01 Doped Soccer (2008) 02 American College (2008) |
  |   |   | 01 Rostam in late Summer Revisited 02 Rostam in late Summer Revisited 03 Rostam in late Summer Revisited 04 Rostam in late Summer Revisited 05 Rostam in late Summer Revisited 06 Rostam in late Summer Revisited |
1945 Born in Tehran, Iran
Lives and works in Tehran and Paris
EDUCATION
1969-1970 New York University – Film School – NY, USA
1964 University of the Seven Seas - Orange, California – USA
(Foreign Student Scholarship - The World University Tour)
1963-1969 Arizona State University – Tempe, Arizona, USA (Bachelor of Arts – Applied Arts of the Theater)
1953-1963 Primary and Secondary Education in England
CAREER
1984-2009 Permanent Artistic Director
13 Vanak Street Gallery – Tehran, Iran
XVA Gallery – Dubai
1970-1980 Resident Designer
Iran-America Society Cultural Center – Tehran, Iran
N.I.R.T. Theater Workshop – Tehran, Iran
City Theater – Tehran, Iran International Festival of Arts – Shiraz, Iran
Artistic Director
Zand Gallery – Tehran, Iran
Hayden - Zand Gallery – Washington DC – USA
Member of “La Maison de Artistes”
SELECTED SOLO EXHIBITIONS
1990-2009 Silk Road Gallery – Tehran, Iran
13 Vanak Street Gallery – Tehran, Iran
Hervé Van der Straeten Gallery - Paris, France
Seyhoun Gallery – Tehran, Iran
XVA Gallery – Dubai, UAE
B21 Progressive Art Gallery – Dubai, UAE
Aaran Art Gallery – Tehran, Iran
1970-1990 Iran-America Society Cultural Center – Tehran, Iran
Litho Gallery –Tehran, Iran
Zand Gallery – Tehran, Iran
Farideh Cadot Gallery - Paris, France
Seyhoun Gallery – Tehran, Iran
13 Vanak Street Gallery – Tehran, Iran
Omega Gallery - Athens, Greece
Sheikh Gallery – Tehran, Iran
Evènement du Jeudi – Paris, France
SELECTED GROUP EXHIBITIONS
1980-2009 Salon d'Automne de Paris – Paris, France
Iran Heritage Foundation Show – London, England
“Iranian Contemporary Art“ – Barbican Art Gallery,
London, England
“Regards Persans”- Espace Electra – Paris, France
“Iran Under the Skin” - Case Asia Barcelona, Spain
“Gods becoming men” - Frissiras Athens, Greece Olympic Games
“The Contemporary Persian Scene: The American and European Experience”, Leila Taghinia - Milani Heller Gallery – NYC
Contemporary Art Museum – Tehran, Iran
Christie’s Auction and Preview Exhibition – London, Dubai
“Welcome”- Kashia Hildebrand Gallery, NYC
“Photography Collection” - Centre Georges Pompidou
(2006-2007)
Art Paris – Abu Dhabi, UAE
“Routes” – Waterhouse & Dodd, London
“Demons and D-Artboards”, Rossi & Rossi, London
“In a Different Light”, Osborne Samuel, London
“Continuum”, Sistani Gallery, London
1970-1980 Basel International Art Fair - Basel, Switzerland
Hayden - Zand Gallery – Washington DC, USA
Zand Gallery – Tehran, Iran
Contemporary Art Museum – Tehran, Iran
PUBLICATIONS
Art Asia Pacific Artist Profile – September / October 2009
Contemporary Practices Journal Artist Profile – March 2008
Canvas Magazine Artist Profile – September 2007
Edward Lucie-Smith “Erotica”, The Fine Art of Sex; Hydra Publishing 2002
Edward Lucie-Smith “Art Tomorrow”, Pierre Térrail Editions – Paris 2002
Art Review Magazine February 2002
Paris Musée Editions, France
Editions: London, England “Regards Persans”
The Barbican “Iranian Contemporary Art”; Booth-Clibborn Publications
COLLECTIONS
La Caisse des Dépôts et Consignations Paris, France
Michket Krifa Collection Paris, France
Goulandris Collection Athens, Greece
Contemporary Art Museum Tehran – Iran
Lloyds Bank Geneva, Switzerland
Nemazee Collection New York, USA
Rose Issa Collection London, England
Harmonia Mundi Collection Arles, France
Centre Georges Pompidou Collection Paris, France
Farhad and Shirin Moshiri Collection Tehran, Iran
Cy Twombly Foundation Collection USA
ARTISTS’ TALKS
Art Basel 40, 2009 “Good Words, Good Thoughts and Good Deeds: Art Practice in the Time of Crisis and War”
Lida Abdul, Fereydoun Ave with Sara Raza
   |    |   | 01 Helping Hand 02 Morning 03 Nightcrawlers 04 Rise II 05 Rise I 06 do the dodo 07 Kees 08 Backturner |
* 1972, lebt in Den Haag, Niederlande.
„In meinen Bildern möchte ich zeigen, wie wir als schwache Geschöpfe
mit unseren eigenen Unsicherheiten kämpfen und dass wir die innere
Kraft besitzen, viel mehr zu sein als das, was wir uns selbst zutrauen.“
www.frankgabriel.nl
2004
groep galerie faubourg amsterdam
2005
solo galerie faubourg amsterdam
2006
groep galerie faubourg amsterdam
groep abc treehouse gallery amsterdam
groep galerie matiz den haag
2007
groep werkstattgalerie berlin
groep galerie matiz den haag
2008
solo onderstroom den haag
group galerie mooi-man groningen
solo visionfuture nice, fr
solo dullers apeldoorn
2009
groep uitnodiging biennale UMAM nice, fr
 | 01 Königin Luise |
1954 born in aktjubinsk, russia
lives and works in berlin, germany
education
1972-77 polygraphic institute moscow (painting and graphic art)
1977 first place citation for his diploma, "master of fine arts"
1978 member of the association of painters of moscow
participates in numerous exhibitions of the association of painters and of nonconformist artists, moscow
1985 moves to the west, lives currently in germany, spain and new york
1988-93 studies at the academy of fine arts, vienna
1993 "magister artium" of the academy of fine arts, vienna (painting and graphic art)
gold medal of the academy (fueger gold prize)
solo exhibitions
2005 experimental art foundation, adelaide, australia
2002 freud`s dreams museum, st. petersburg, russia
2001 galerie eikelmann, düsseldorf, germany
2000 "the myths of king ludwig ii of bavaria", novaja akademija, st.petersburg, russia
1999 computer-panorama for the foyer of the king-ludwig ii- musicaltheatre, füssen, germany
1999 galeria maria salvat, barcelona, spain
1997 italian culture institute, berlin, germany
1994-95 stuart levy fine arts, new york, usa
group exhibitions
2004 "na kurort", kunsthalle baden-baden
"gods becoming men", frissiras museum, athenas, greece
2003 "remembrance - russian post-modern nostalgia", yeshiva university museum, new york (catalogue)
"fiction of history", museums biennale, krasnojarsk, russia
"foreign visions", foundation starke/berlin and museum of contemporary art skopje/macedonia (catalogue) "berlin-berlin", german ministery of foreign affairs, berlin, germany (catalogue)
"naked before gods", parnu museum of new art, parnu, estonia
2002 "shock and show" - festival of international contemporary art, triest, italy (catalogue)
"a brief history of collage and assemblage, zimmerly museum new brunswick, new jersey, usa (catalogue)
"artists of the ideal", palazzo forti, verona, italy, (catalogue)
2001 "between earth and heaven", museum of modern art, ostende, belgium (catalogue)
2000 - 2001 "jesus christus", russian state museum sankt petersburg and thevatican museum, san marino (catalogue)
1999 "play and passion", russian state museum, sankt petersburg, russia (catalogue)
"a 25 year retrospective on nonconformist russian art - the kolodzei art foundation" , kennan institute, washington dc,usa and the woodrow wilson center, washington dc (catalogue)
1998/99 „american pop art - russian sots art“, frederick weisman art museum, minnesota university, minneapolis, usa (catalogue)
1998 „neo-academism and elektronic art“, novaja akademija, st. petersburg, russia (catalogue)
1996 permanent exhibition of the norton dodge collection at the zimmerly museum, rutgers university, new brunswick, new jersey, usa
1994 "monumental propaganda", smithsonian institution, washington dc, usa
"ideal landscapes", de saisset museum, santa clara university, santa clara, usa
"post world new order: restructured myths", stuart levy fine art, new york, usa
1976-85 participates in numerous exhibitions of the association of nonconformist artists, moscow
1976 "first exhibition of the avantgardists", malaja gruzinskaja, moscow
collections
works in numerous international official and private collections.
among them are:
russian state museum, st.petersburg, russia
zimmerly museum of art, rutgers university, new brunswick, new jersey, usa
hofstra museum collection, hofstra university hempstead, usa
museum of contemporary art skopje, macedonia
museum haus am checkpoint charlie, berlin, germany
freud`s dreams museum, st.petersburg, russia
italian culture institute berlin, germany
museum of european art, buffalo, new york, usa
kolodzej art foundation, oklahoma city, usa
church of cadaques, spain
st.georg-church, ulm, germany
ministery of post and communication, ulm, germany
   |    |    | 01 Aus Jims Welt 02 Aus Jims Welt 03 Aus Jims Welt 04 Aus Jims Welt 05 Aus Jims Welt 06 Aus Jims Welt 07 Aus Jims Welt 08 Aus Jims Welt 09 Aus Jims Welt |
Gerhard Hintermann (1966) lives and works in Zürich.
His latest series
«Jims world» is a hommage to the Swiss photographer Karlheinz Weinberger, 1921–2006. Photographer for the legendary gay magazine, Der Kreis.
Weinberger led, during those times a typical double life. Working daytime in a warehouse and in his sparetime, making erotically charged pictures of Beatniks, Rockers and men with tattoos. Late in life, Weinberger became known for his Monographie, photos from the Beatnik scene.
From 2001 till 2006, Gerhard Hintermann attended Karlheinz Weinberger, his mentor and friend. During this time he also organized Weinbergers extensive archive.The lively discussions on photography they led during those years, affects Hintermanns own work up till this day.
Photos taken in Weinbergers home, shortly after his death, reflect his bourgois life mixed with the Beatnik lifestyle cult. Next to a sofa with crocheted covers, cherub figurines and a standard-lamp, attributes of bourgois „Gemütlichkeit“, hang the emblems of motorcycle
clubs – mismatched worlds.The typical conflicts of gay men throughout the Post War aera.
Large-sized colour photos printed on vat paper stand for a posthume portrait and are also an allegorie for life as a gay in the 20th century.
The photos are supplemented with a slide-show, pictures which so far have not been on view.
Ausstellungen
2008 Gruppenausstellung "Demokratie&Gewalt", Werkstattgalerie, Berlin
2008 Ausstellung "Negativ-Positiv", Galerie Widmer+Theodridis, Zürich
2007 Ausstellung der Arbeit „Negativ-Positiv“, einer Fotoinstallation
zum Thema HIV in der Werkstattgalerie, Berlin.
Öffentliche Politaktion gegen neokonservative Strömungen in der Stadt Zürich.
2006 Portraitfoto des Schriftstellers Janos S. Buchwart in dessen
Buch „Brian Kraftkerl – ein sortiertes Alpdrücken“ aus dem
Gedichtzyklus "Blumen der Nacht".
2004-2007 Veröffentlichungen in der NZZ und in den Zeitschriften ’GAY.CH’ sowie ’akut:magazin’.
2004 Bilder für das Buch „Mein Schwules Auge“ Konkurs Verlag, Claudia Gerke Tübingen.
2001-2006 Persönliche Betreuung von Herrn Karlheinz Weinberger, Fotograf, seinem Freund und Mentor, bis zu dessen Tod im Dezember 2006.
2001-2003 Mitarbeit im Fotoarchiv von Karlheinz Weinberger im Auftrag der Galerie Schedler, Zürich.
2001 Veröffentlichungen von Fotos der Stadt Zürich und Portraits von Zürichern im Magazin ’Dialogay’ (Genf)
  |   |  | 01 Crash 02 Ultramarino 03 Untitled 04 Anfibi 05 desideriadi |
Gianluca Chiodi nasce a Edolo (BS)
il primo giorno di primavera del 1966.
Dopo l'infanzia trascorsa a Milano si traferisce con la famiglia a Reggio Emilia dove prosegue la sua formazione scolastica e successivamente inizia a lavorare nell'azienda del padre.
A trent'anni, il desiderio di maggior indipendenza, lo spinge a trovare lavoro in uno studio fotografico, mosso dalla passione per il suggestivo mistero di consegnare al tempo l'istante catturato e fissato con la macchina fotografica.
L'amore per il senso estetico e l'abile utilizzo della luce, lo portano presto a lavorare per il mondo pubblicitario senza però trascurare la costante ricerca di nuovi "modi di vedere".
Nel 2003 la proposta di una Personale presso un Caffè Letterario, lo porta a produrre, grazie all'innato senso sinestetico, "MOKA", una serie di immagini rubate al quotidiano rituale tutto italiano del caffè, che realizza direttamente sul fornello di casa ottenendo una serie di "macro" cariche di sensualità tattile/olfattiva e che stampa direttamente su alluminio per rafforzare il rapporto soggetto/supporto.
In questa occasione viene notato da un incaricato dell'Assessorato alla Cultura di Reggio Emilia che gli commissiona, per una personale, lo sviluppo del tema "ANTICORPO": qui l'artista si esprime fotografando corpi nudi che restituisce alla materia con l'ausilio della luce e del pennello con un abile e personale utilizzo del colore nero. Le immagini vengono stampate questa volta su tela pittorica e rimandano a corpi "caravaggeschi" carichi di sensualità; nasce in questo modo "OPERA AL NERO", un'esposizione che, con notevole successo di pubblico e critica, cominicia ad indicare (illuminare) a Chiodi la strada da percorrere.
Nel 2004 ha avuto, nel cuore di Brera, una collettiva presso lo storico Gallerista Luciano Inga Pin. Per questo evento Gianluca Chiodi produce ed espone "DISTONIE", un'originale interpretazione "deformata" del corpo umano, ottenuta non attraverso la tecnologia della computer graphic, ma utilizzando semplici mattoni di vetrocemento capaci di restituire "nudi disciolti" di particolare bellezza riprodotti su un nuovo supporto alternativo, una lastra di plexiglass, e nuovamente la conferma di essere apprezzato dalla critica e dal pubblico.
La ricerca prosegue in costante evoluzione; l'artista si trasferisce a Milano e, sempre con "OPERA AL NERO", rivisita alcune icone classiche dell'arte seicentesca del Merisi da Caravaggio e di altri autori dell'epoca.
Successivamente l'incontro con la Gallerista modenese Antonella Mattioli e l'idea di una nuova personale: da qui "L'AMORE AI TEMPI DEL COLERA".
Nell'autunno del 2005 ha partecipato alla collettiva "PUNTO E A CAPO: NUOVA CONTEMPORANEITA' ITALIANA" a cura di Edoardo di Mauro, Centro Arte Contemporanea - Castello di Rivara (To).
Sempre quest'anno viene selezionato per la partecipazione al Premio Cairo nella sezione "fotografia" con l'inedito "MYOPIA": gli scatti fotografici effettuati da "dietro" un paio di lenti da vista correttive (le sue) restituiscono all'interlocutore la romantica visione del miope, ottenendo immagini che varcano il confine della realtà unendo lo "sfuocato" del difetto visivo al "fuoco" morbido e circoscritto delle lenti.
Gianluca Chiodi continua a vivere a Milano lavorando ogni giorno con crescente passione, entusiasmo e creatività.
ESSENTIAL BIBLIOGRAPHY
Agazzani, Alberto, in L’Amore ai tempi del colera, Galleria Factory, Modena, 2005;Agazzani, Alberto, in Ecce Homo, in “Sui Generi. Figure in posa”, Centro di Promozione Culturale “Le Muse”, Andria (BA), 2006; Agazzani, Alberto, in Viaggio al termine dell’arte, in “Figurae”, Galleria Factory, Modena, 2006; Edoaardo Di Mauro, in l’Amore ai tempi del colera, Fusion Art Gallery, Torino, 2006; Edoardo Di Mauro, in Punto e a capo, Castello di Rivara, Torino, 2006; Edoardo Di Mauro e Franz Paludetto, in Calice Ligure: città degli artisti, Calice Ligure,
2006; Agazzani, Alberto, L’Amore ai tempi del colera. Opera al nero, Galleria “Primo Stato”, Reggio Emilia, 2007; Ridolfi, Roberta, in On air, Galleria “Gramigna”, Sant’Angelo in Rizzola (PU), 2006; Agazzani, Alberto, in Il labirinto di Babele, in “Antologia della Figurazione
contemporanea. Italia: le ultime generazioni 3”, Skira Editore, Milano, 2007; Agazzani, Alberto, in Il teatro di Hypnos e Thanatos, in “Hypnos e Thanatos”, Centro di Promozione Culturale “Le Muse”, Andria (BA), 2007; Agazzani, Alberto, Furia Corporis, Galleria Factory,
Modena, 2007; Agazzani, Alberto, in Oltre la realtà, Galleria Chiari, Roma 2008; Agazzani, Alberto, in 7. Vizi Capitali, Centro di Promozione Culturale “Le Muse”, Andria (BA), 2008.
   |    |    | 01 Best Worst 02 Eyes on The Prize 03 Love & Marriage 04 Smoke I 05 Take Away 06 Smoke II 07 Cheeky Monkey 08 Kiss 09 Little Hercules |
Gio Black Peter inszeniert sich in seiner Heimatstadt mit exzessiven Sex-Performance-Shows und –Videos, arbeitet als Maler, Zeichner, Fotograf, Musiker und Gelegenheitsschauspieler. So war er beispielsweise in Bruce LaBruce letztem Film, dem in Berlin gedrehten schwulen Zombie-Trash-Streifen „Otto Or Up With Dead People“, zu sehen.
Die Bilderwelten des in Guatemala als Giovanna Andrade geborenen und im Alter von fünf Jahren in die USA emigrierten Künstlers beschäftigen sich gleichermaßen mit der sexuell aufgeladenen queeren Subkultur und der farbenfrohen New Yorker Straßenkunst.
Gio Black Peter verwendet für seine Zeichnungen vorgefundene Materialien wie z.B. U-Bahnpläne und Plakate als Malgrundlage. Seine expressiven Kunstwerke werden so in vielschichtiger Weise zu einer Reminiszenz an das alte New York - ein mit Graffiti bedeckter Dschungel, in dem das Gefühl der Gesetzlosigkeit regierte und jede Nacht ein neues wildes Abenteuer versprach.
 |  | 01 Körperrolle 02 Körperrolle |
 |  |  | 01 Coercion 02 Enfraction 03 Lacerate |
Grant Vetter’s Rendition paintings are slathered with sinewy
gobs of fleshy hues. The works effect the transcendent painterliness
of Abstract Expressionism, but also the corporeal gore and almost
forensic examination of mutilated skin. The word “rendition” implies a
subjective experience or recollection, but is also defined as
“deportation for war crimes” and “torture by proxy.” Although Abstract
expressionism was often seen as a symbol of democratic freedom and
individual expression, Vetter explicitly takes up the themes of trauma,
subjection and oppression as it relates to the current War on Terror.
Education
2009 M.F.A. University of California, Irvine, emphasis in Critical Theory
2008 M.A. Masters of Art in Communication, EGS (European Graduate School)
2005 B.F.A. Art Center College of Design
Solo Shows
2009
Ab-Extradition, Constant Gallery, Culver City, Los Angeles, Ca. (catalog)
Group Shows
2010 (upcoming)
Capitalism in Question (because it is), juried by Daniel Joseph Martinez
Pitzer Gallery at the Center for Social Inquiry, Claremont, Ca. (catalog)
2009
Monster Monger and Retailers of Other Strange Satellites: Part II
Compact Space, Los Angeles, Ca.
Monster Mongers and Retailers of Other Strange Satellites: Part I
LA Art, Culver City, Ca. (catalog)
Set Pieces, UAG Gallery, University of California, Irvine, Ca.
MFA Conversations: Part I, curated by Marla Koosed
I-5 Gallery, Brewery Art Complex, Los Angeles, Ca.
Welcome to the Neighborhood!, curated by Morgan Wells
Tight Space, Santa Ana, Ca.
Abstraction Now, curated by Franklin Hill Perrell,
Firehouse Plaza Art Gallery, Garden City, NY.
Analogus, juried by Lucy Lippard
Runnels Gallery, Eastern New Mexico University, NM. (catalog)
2008
Brand 37, Works on Paper: Here and Now, juried by Kim Abeles
Brand Art Center, Glendale, Ca. (catalog)
On, Of, and About Paper, curated by Shelly Bancroft and Peter Nesbett
OCCCA (Orange County Center for Contemporary Art) Santa Ana, Ca. (catalog)
Classicism, Modernism and Beyond: Lasting Traditions and Current Trends in Painting
curated by Darby Bannard, Gallery RFD, Swainsboro, Ga.
Number Two, UAG Gallery, University of Irvine, Ca.
Transforming Matter, curated by Marjorie Kaye, Caladan Gallery, Beverly, Ma.
2007
Acute: Small Works from 22 Los Angeles Artists, Room Gallery, Irvine Ca. (catalog)
Catalyst Retrospective, curated by Michael Ano, Catalyst Gallery, Irvine, Ca.
Wonderoom, curated by Sami Sieglbaum and Elana Melissa Hill, Catalyst Gallery, Irvine, Ca.
2006
JSA (Jim Shaw’s Army), curated by Pentti Monkonen, Rental Gallery, Chinatown, Ca
   |    |    | 01 FEAR 02 VAMP 03 PROTECTION 04 STARTER I 05 LANCE III 06 TEAMWORK 07 PEACEFUL WARRIOR 08 SPINE 09 HANGING |
Innerhalb von nur drei Jahren wurde Henning von Berg mit seinen Bildern weltweit bekannt. Dank etlicher 'Eyecatcher' avancierte "HvB Photography" zu einem internationalen Label mit Wiedererkennungswert.
Nach 13 Jahren als angestellter Ingenieur, wechselte er 1997 zur freien Fotografie. Schnell erregten seine ungewöhnlichen Gruppeninszenierungen internationale Aufmerksamkeit. Bereits einer der allerersten Schnappschüsse wurde aufgenommen in die Anthologie "NAKED MEN - 90 of the World's Greatest Photographers".
Als Klassiker gelten "NAKED BERLIN - The Liberal Capital" (das weltweit einzige Männerakt-Shooting in einem Parlamentsgebäude) und "NAKED SYDNEY - Upside Downunder" (splitternackte Frauen in Downtown Sydney).
Henning von Bergs Hauptthemen sind 'Charakter-Portraits' und 'Akt-Studien'. Zu den Lieblingsobjekten gehören Aristokraten und Prostituierte, Körperbehinderte und Leistungssportler, gewöhnliche Leute und Prominente. Seine Spezialität sind Aufnahmen mit natürlichem Sonnenlicht. Bevorzugt arbeitet er mit Amateuren (männlich/weiblich), wobei das älteste Modell eine 108-jährige Dame ist.
Die berühmtesten Fotos spielen an ungewöhnlichen Orten, denn er mag ausgefallene Locations. Die auffallendsten Motive werden überall auf der Welt ausgestellt in Museen und Galerien, bei Festivals und Kunststiftungen.
Mittlerweile kann der Autodidakt auf vierhundertsechzig Veröffentlichungen zurückblicken. HvB-Fotos wurden in 53 Büchern abgedruckt. Für die amerikanische Kunststiftung Tom Of Finland Foundation wirkt er als Co-Kurator für Museums-Präsentationen und als 'Foundation Liaison' für Europa. Parallel agiert er für Buchverlage erfolgreich als 'Photo Book Scout' und verhilft als Editor unbekannten Kollegen zu Bildbänden. Bei nationalen und internationalen Fotowettbewerben fungiert er als Juror.
Aktuelle Projekte sind eine Portraitserie von alten und uralten Menschen, eine Aktserie mit Athleten und Behinderten, ein Buch mit attraktiven Frauen und ein Akt-Band mit Männern.
Henning von Berg lebt abwechselnd in Berlin, Amsterdam und Los Angeles.
    |     |     | 01 Men's Dance 02 Finale 03 Frontprojection 04 oT 05 Continuum 06 oT 07 oT 08 oT 09 oT 10 Finale 11 RhapsodieInstallation 12 RhapsodieInstallation |
The Rhapsodie Installation
Hugo Dalton, 2009
Gallery Werkstatt presents a new body of work by British artist
Hugo Dalton: The Rhapsodie installation is a response to the
artist’s recent residency with Christopher Wheeldon’s ballet
troupe Morphoses. The work explores the nature of performance
and its preparations focusing specifically on dancers
repetition movement during rehearsals. Appling this technique
Dalton has painted a dancer’s arm onto the walls and ceiling
over and over again creating a rhythmic spiral of marks. The
intimate space becomes further animated though projected
‘Lightdrawings’, the viewer’s body interrupts the beams of
light as they move around the gallery. In so doing the audience
becomes a performative element within the installation.
Supporting photographs by renowned photographer Tom
Mannion document the stage set created by Dalton for the
world premier of Wheedon’s new work at Sadler’s Wells
earlier this month. Included in the main room are six drawings
these are taken directly from the artists preliminary ideas for
the ballet set. Each has been reworked and layered one
drawing on another in order to show the complex world of
classical ballet.
Opposite these drawings and framed by the mural is an illuminated
‘Pointe-drawing’. Created in response to the ballerina’s
ability to dance on tip toe, this work also is created through
repetition, Dalton has punctured the paper over and over to
create flowing organic lines of the dance.
Dalton's current commissions include a major new work for
Barneys, New York; private residence commissions in the
United States and Spain; and a public installation for Tate patrons'
Derwent London. The artist has a permanent work in
Liberty of London, spreading over three floors of the iconic
Tudor building, also at the Roundhouse in Camden and the
Hospital Club, London.
Dalton's collectors range from David Roberts to Sam Parker
Bowles, Amanda Eliasch, Mirabaud & Cie Geneva, Anthony
de Rothschild, Kay Saatchi and the University of the Arts,
London, the Today Art Museum, Beijing. He has exhibited at
the Institute for Contemporary Art, London (ICA), has had solo
shows at the Cat Street Gallery, Hong Kong and at the Fine Art
Society, London.
Education
Fine Art and History of Architecture BA, Goldsmiths College London, 1999-2002
Art Foundation Course Central St Martins College, London, 1997
Residencies
Dosa 818, Los Angeles, July 2004
Hastings Museum, Sussex, 2002
Awards
Bachelor of Arts Goldsmiths (First Class Honours) London 2002
Art Scholarship to Malvern College 1992-1996
Solo Exhibitions
The Chaconne Light Drawings, Fine Art Society, London 2008
Life Stilled, Earth Moving, Rossetti Studios, London, 2006
Group Exhibitions
Monochromed 2: Whiteout, Fine Art Society, London, 2007
Arts Unwrapped, London, 2007
20 Hoxton Square, London, 2007
Full Stop, The Arts Club, London 2006
London Art Fair, Business Design Centre Islington, London 2006
Monochromed, Fine Art Society, London, 2006
Chase, Royal College of Art, London 2005
Uth, New Inn Yard Gallery, London 2004
Commissions
Barneys, New York, 2008
English National Ballet School/Royal Opera House, London, 2008
Portobello Dock, Derwent London PLC, 2007
Parker Bowles Apartment, London, 2007
StirlingHouse, London, 2007
Rowland House, Greenwich, Connecticut, United States, 2007
Liberty of London, London 2006
‘Granny Takes a Trip’, The Shop at Bluebird, London 2006
Rothschild House, London 2006
Parker Bowles Apartment, London 2006
Real Hair, Chelsea, London, 2005
Casa Paloma, Formentera, Spain 2005
Real Hair Website 2005: www.realhair.co.uk
Saatchi House, London, 2005
Cromwell Tower, Barbican, London, 2005
Forsyth House, 2005
Real Hair, Chelsea, London, 2004
Real Hair, Chelsea, London, 2003
Conrad House, 2002
Walwyn House, London 2002
Collections
Nu Lu Pat
David Roberts Foundation
University of Arts London
Maggie Thornton, Redfern Gallery
Amanda Eliash
Anthony de Rothschild
Sue Stirling
Kay Hartenstein Saatchi
Publications
Helen Kirwan Taylor, Evening Standard Magazine, June 2007
‘Artist Pro le: Hugo Dalton’, Cartier Magazine, July 2006
John Grasham, ‘Art Scene Pro le’, Tatler Magazine, May 2006
David Downie, ‘In Full Bloom’, Departures Magazine, April 2006,
Bronwyn Cosgrove, ‘Modern Murals’, Saturday Telegraph Magazine, March 2005
‘New in Store’, Art Review, March 2003
Other Projects
Brick lane, Ruby Films, 2007: lm titles sequence design
Anthony D’O ay, 9 Dering Street, London, 2004, exhibition installation
Christian Kim, Dosa inc. London, 2004: creative consultant
Pippa Small Jewellery, Rebecca Hossack Gallery London 2003: exhibition installation
Nelson Sepulveda, Art Director, Bloom Magazine Paris, 2003: design and installation assistant
Linden Shultz Architect, Los Angeles 2002-4: architectural design assistant
 |  | 01 Impiorum flatrum 02 Res male gesta est |
   |    |    | 01 Desaster(2008) 02 Missing(2008) 03 Suspect(2008) 04 Mother Delta (Anna Sabac el Cher) 05 Guten Morgen Preußen(Textdocumentation) 06 Morgensglück (Ehepaar Gertrud Perlig & Gustav Sabac el Cher) 07 Vater & Sohn vor Wasserpyramiden" 08 Preussisches Schicksal 09 Reflexionsbecken |
Jean-Ulrick Désert is a visual artist living and working between USA and Europe.
His conceptually based projects vary from Sculpture, Photography, Video, Prints, Performance and deal with shifts in perception and the fluidity of meanings.
Citizen: American/USA, born in Port-Au-Prince (Haïti)
Lives and works in Berlin (Germany) and New York City (USA)
SOLO EXHIBITIONS AND PROJECTS
2006
• Postkarten von meinen Lieben ( Postcards from my Loves) : Public works Billboard installation at Marienplatz Train station Munich, Underwritten by the « Kunst am Bau » program of Quivid & the Baureferat München (Munich Municipal Department of Construction), organized by Frau Monika Pemler, Munich (Germany)
• «The Passion» « Ein Spiel/viele Welten » (One Game/Many worlds ), Stadtmuseum München & Haupstadtmünchen Kulturreferat (Munich Historical Museum and Munich Municipal Council of Art), Official cultural event of the FIFA World Soccer Cup 2006, organized by Patricia Müller, Munich (Germany)
2005
• Das BURQA Projekt : An den Grenzen meiner Träume begegnande ich dem Geist meines Doppelgängers ( The Burqa Project : On the Borders oif My Dreams I Encountered My Double’s Ghost), Installation in collaboration with the exhibit « Xenopolis/Von der Faszination und Ausgrenzung des Fremden », Liftarchiv im Kreisverwaltungsreferat München (Exhibition space within the Department of immigrations of the City of Munich), Munich (Germany)
2004
• Jn.Ulrick Désert, Kunstverein Wolfsburg (The Art Society of Wolfsburg), organized by Dr. Prof. Justin Hoffman, Wolfsburg (Germany)
•The White Man Project, Artist in Residence–Project #14, Solo Exhibition project, BRUCE-Brave New Art Foundation, organized by Hester Chan and Sebastiaan Bokhorst, Rotterdam (The Netherlands)
• Métamorphoses Sublimes from the series « Lock Your Mind Exhibition », Apartman Projesi (in partnership with SOX36, Berlin), Tunel Asmalimescit Beyoglu, organized by Süreyyya Evren & Stephan Kurr, Istanbul (Turkey)
2002
• The BURQA Project : On The Borders Of My Dreams I Encountered My Doubles’Ghost, Point of Entry Exhibition Series. Solo project installation, The Lower Eastside Tenement Museum and the Lower Manhattan Cultural Council (LMCC), organized by Moukhtar Kocache director LMCC and Dr.Ruth J. Abram présidente, New York (USA)
• Das BURQA Projekt : An den Grenzen meiner Träume begegnande ich dem Geist meines Doppelgängers (The BURQA Project : On The Borders Of My Dreams I Encountered My Doubles’Ghost), Solo Exhibition project, SOX36 Das Schaufenster, organized by artist-curators Naomi Potter and Stephan Kurr, Berlin (Germany)
GROUP EXHIBITIONS & PROJECTS
2009
• Guten Morgen Preußen (Good Morning Prussia) «Komet Preußen (Comet Prussia) » Werkstattgalerie, Berlin Germany
• Invisible(Berlin) Wall «Save Berlin » Stadtbad-Wedding in Partnership with Ex-Berliner Magazine, Daniel Borden curating-organizer, Berlin Germany
• Paint-by-Number Trophies «Signs taken For Wonders» Jack Shainman Gallery, Isolde Brielmaier curator, New York (USA) *Catalogue
• Shrine of the Divine Negress No.1 (Schrein der Göttlichen Négress Nr.1) « 10th Havana Biennial / Integration & Resistence in the Global Age » representing Germany & Haiti, Cabañas K
Curatorial team : José Manuel Noceda, Margarita González, Nelson Herrera Ysla, Ibis Hernández Abascal, Margarita Sánchez Prieto, José Fernández Portal, Dannys Montes de Oca Moreda, Havana (Cuba). Project support from IFA/Institut für Auslandsbeziehungen e.V., Stuttgart and TA Projects Berlin (Germany) *Catalogue
• Negerhosen2000 Blondies&Brownies « Kreyol Factory : Islands & Their Worlds/ Les iles & leurs mondes » La Grande Halle de la Villette, Yolande Bacot curator, Paris (France)
•White Lessons(Lecture) « Re/Positioning – Critical Whiteness / Perspectives of Color » Neue Gesellschaft für Bildende Kunst, Berlin (Germany)
2008
• Stimme des Herzen « Glück gehabt » NGBK Public Art project, Bernauer Strasse UBahn/Subway Billboard, Berlin (Germany) *Catalogue
• « Democracy and Violence » Werkstattgalerie Berlin (Germany)
• Untitled Paint-by-Number No.1« Strich und Faden » Kunstraum Richard Sorger, organized by Tulip Enterprises, Berlin (Germany)
• « Kunst für München –Quivid ’08 » Wettbewerbsgewinner und Realisierungen 2005–2008, München Baureferat, Munich (Germany)
• Negerhosen2000 and The Burqa Project: On the Borders of My Dreams I Encountered My Double’s Ghost in « Infinite Island : Contemporary Caribbean Art » , The Brooklyn Museum, curator Tumelo Mosaka, New York (USA)
2007
• Negerhosen2000–The Travel Albums, « Die Tür für eine andere Zukunft aufmachen » ( Open the Doors towards an Alternative Future ), Neues Problem Galerie, organized by Uwe Jonas & Birgid Schumacher, Berlin (Germany)
2006
• Codex Testimoniorum Amoris and Les Toiles de in « Sexwork: Art Myth Reality », Neue Gesellschaft für Bildende Kunst & Haus am Kleispark & Kunstraum Bandhanien, organized by Stéphane Bauer, Boris von Brauchitsch, Katharina Kaiser, Maika Leffers, Jörg Leidig, Judith Siegmund,
Ulrike Solbrig Berlin (Germany) * Catalogue
2005
• ABCs of My Private Life and Negerhosen2000 in « Living for the City », Brooklyn Institute of Contemporary Art Inaugural Project Exhibition, BICA-The Brooklyn Institute of Contemporary Art/ Jack Shainman Gallery, organized by curators Isolde Brielmaier and Trevor Shoonmaker, New York (USA)
• Codex Testimoniorum Amoris in « Xenopolis/ Von der Faszination und Ausgrenzung des Fremden » (Of The Fascination and Marginalization of The Other»), Rathausgalerie, organized by curators Dr.Angela Koch and Conceptual Artist Pia Lanzinger underwritten by the Landeshauptstadt München Kulturreferat & The Villa Waldberta, Munich (Germany)
• Artistic Sampler Dossier in « Über Schönheit / About Beauty, Web Component Exhibition : http://www.ueber-beauty.com », Haus der Kulturen der Welt (Maison des cultures du Monde), curator Shaheen Merali, Berlin (Germany)
2004
• Les Toiles de Jouy in « Zeichnung », The Schwules Museum, organized by comissaires Jörg Leidig and Wolfgang Theis, Berlin (Germany)
• Suicidal Meditations/Woolworth Building (video projection) in « Veni Vidi Video II », Studio Museum Harlem, organized by curator Christine Kim, New York (USA)
• Die Hosen runter lassen in « Anatomically Correct », 473 Bdwy Gallery, organized by curator Kóan Jeff Baysa, New York (USA)
2003
• Suicidal Meditations Of My Own Death in « Apotheke Mitte Kunstausstellung », organized by Artists Hans Booy & Paulus Fugers, Berlin (Germany)
• Die Hosen runterlassen in « SUBVERSIV, ‘Sieben fotografische Positionen aus Berlin » Kunst(B)handlung Ausstellungsraum, organized by artist Rinaldo Hopf, Munich (Germany)
2001
• Surrender, La Main / Surrender, Le Chapeland, in « Surrender, I want to give you my devotion, Nimm hin es ist mein Geist und Sinn», Aeroplastics Damasquine Contemporary Arts Gallery, organized by curator Rafael von Uslar, Brussels (Belgium)
• Negerhosen2000 in « Blondinchen und Braeunchen, Weiss Weiss bin auch ich », Aktionsforum Praterinsel, (Large Scale installation), Landeshauptstadt München Kulturreferat, curator Rafael von Uslar Munich (Germany)
• Negerhosen2000 : Post Cards From Germania in l’Exposition de la Maison, Galerie de la Cité Internationale des Arts, organized by fondatrice Mme. Simone Brunau, Paris (France)
2000
• Negerhosen2000 in « Blondies and Brownies: Aspects of Multiculturalism and Racism at the End of the Century », Torch Gallery, organized by curator Rafael von Uslar, Amsterdam (The Netherlands)
• Interior Lives:La vie Parisienne du Duke and Duchess de Windsor in « Sur La Thème de Paris », Galerie de la Cité Internationale des Arts, organized by director-founder Mme.Simone Brunau, Paris (France)
• Pillar in « Vier KUNSTVLAAI4 Art Fair Amsterdam » pour Jim Beard Gallery and Projects, in collaboration with artist Ingrid Jejina, Westergasfabriek, Amsterdam (The Netherlands)
• The Hip Decadence of Reductive Glamour in « Stadt München Biennial » At the Hotel Winston/ Gallery Stadt München, organized by artist-curator Simon Ferdinando, Amsterdam (The Netherlands)
1993–1999 Museum Exhibition Designer
Ralph Applebaum Associates New York. Clients : Sotheby’s, Whitney Museum, Corcarran
EDUCATION
1993 Master: Columbia University GSAPP,
Thesis year Prof. Bernard Tschumi, Prof. Stanley Allen, New York
1985 BArch: Cooper Union for the Advancement of Art and Architecture.
Thesis year Prof. John Hejduk, Prof. Bernard Tschumi, Prof. Peter Eisenman, New York
ART GRANTS / AWARDS & RESIDENCIES
2009 IFA Institut für Auslandsbeziehungen (Germany) : Havana Biennial Representation Support
2006 Kunst am Bau Commission : Landeshaupstadt München Baureferat/ Quivid & Department of City Construction, Munich (Germany)
2006 Pilot Projekt Gropiusstadt : Artist in Residence Program, Berlin (Germany)
2006 Villa Waldberta : Stadtmuseum Muenchen & Landeshauptstadt München Kulturreferat, One month residency, and Grant Feldafing (Germany)
2005 Pilot Projekt Gropiusstadt : Artist in Residence Program, Berlin (Germany)
2005 Villa Waldberta : Landeshauptstadt München Kulturreferat, Three month residency and Grant, Feldafing (Germany)
2004 Lower Manhattan Cultural Council’s Residency Program: The Woolworth Building Studios, Six month Studio and Grant, New York (USA)
2004 BRUCE Gallery - Brave New Art Foundation : Artist in Residence Project #14, One month Artist residency and Grant, Rotterdam (The Netherlands)
2002 Lower Manhattan Cultural Council & The Lower Eastside Tenement Museum : « Point of Entry » Grant and Exhibition New York (USA)
2001 Cité Internationale des Arts : Artist in Residence Fellowship Grant, One year artist residency, Studio underwritten by Ministère des Affaires Étrangères & Raoul Ricci Fondation, Paris (France)
BIBLIOGRAPHIE
Stuart Hall, Identités and cultures. Politiques des Cultural Studies, Translated from the English by Christophe Jaquand, Series initiated by Maxime Cervulle, Cover Art by Jean-Ulrick Désert :
Negerhosen 2000 (2001-2007), Éditions Amsterdam 2007 Paris ISBN 978-2-915547-43-62007
Thomas Spear (Editor), Une Journée haïtienne, Forward by Edouard Maunick, Cover Artwork : Jean-Ulrick Désert Rara des Jacobins (2007), Co-publication by Mémoire d'encrier & Présence africaine 2007 Montreal–Paris, ISBN 978-2-923153-84-1 & ISBN 978-2-7087-0784-9
Boris von Brauchitsch, Sexwork - Kunst Mythos Realität: Art Myth Reality, Cover Artwork by Jean-Ulrick Désert : Les Toiles de Jouy–Thailand (2004), Éditions Kehrer Verlag für Kunst, Kultur und Fotografie, 2007 Heidelberg, ISBN-10: 3939583170/ ISBN-13: 978-3939583172
Tumelo Musaka/ Annie Paul/ Nicollandte Ramirez, Infinite Island: Contemporary Caribbean Art, p.100–105, Co-publication by The Brooklyn Museum & Philip-Wilson 2007 New York & London, ISBN 085667641 1 EAN 97808566777 641 3
Jean-Pierre Frimbois, Art actuel des caraïbes–confluences and émergence, p.80–85, Art Actuel #52/ Septembre–Octobre 2007 Paris
Angela Koch, In Tolerable between-construction of Strangeness and Alterity and the Potential of Tolerance in the Self, using the example of The Burqa-Project by Jn.Ulrick Désert : Dangerous Crossings : The Grammar of Tolerance– editors–Farida Heuck/ Ralf Homann/ Pia Lanzinger, German and English p.166–178, Publisher Verlag Silke Schreiber 2006 Munich, ISBN: 3-88960-087-5
Trevor Schoonmaker Deborah Grant and Jean-Ulrick Désert: Looking to Read p. 7–9 in the exhibition catalogue Fine Print, Isolde Brielmaier–Editor and Co-publication of the Ramapo College of New Jersey & Ramsey Press 2006 New Jersey
Holland Cotter, Fanciful to Figurative to Wryly Inscrutable : New York Times July 8,2005
Pekka Rantanen (University of Tampere, Finland), Non-Documenatry burqa pictures on the internand / Ambivalence and the politics of representation International Journal of Cultural Studies, Sage Publications 2005 London/ Thousand Oaks CA/ New Dehli, Volume 8(3):829-351 DOI:10.1177/1367877905055681
Ranjani Gopalarathinam, Fit for Kings (BICA), Time Out New York Jul28-Aug3,2005
Tania Baar, Suche Ehemann mit EU-Pass «Xenopolis»-eine Ausstellung in der Rathausgalerie erzählt von der Faszination und Ausgenzung des Fremden : SüddeutscheZeitung SZ Extra Austellungen & Literatur #108, 18.05.2005 p.9
Cornelia Gockel, Faszination und Ausgrenzung Die Ausstellung «Xenopolis» erzählt vom Umgang mit Fremden : SüddeutscheZeitung #109, 13.05.2005 p.37 (B35)
Editeurs–Sonja Beijering/ Simon Ferdinando/ Renée Ridgway Migrating Identity– Transmission Reconstruction, catalogue d’éxposition , Éditions SEB Foundation 2004 Pays Bas , p.104 ISBN: 90-8546-022-0
Hans-Adelbert Karweik, Zuckersüß, doch recht bitter Wolfsburgurger Nachrichten 01.Oktober 2004, p.39,
Kunst:100.000 Bierdeckel mit Literatur, Arbeiten von Jn.Ulrick Désert Wolfsburger Allgemeine 18.Sep.2004 p.25
Lebkuchenherzen im Kunstverein,Neue Austellung von Jn.Ulrick Désert- Burqa Projekt Wolfsburger Allgemeine 17.Sep’04 p.21
Hans-Adelbert Karweik, Goandhe-Zitat auf Bierdeckeln Wolfsburgurger Nachrichten 17.September 2004, p.33
Matthias Reichelt die Geschichte des SOX36 Kunstforum International Bd.170 Mai-Juni 2004 p.263-265 Ruppichteroth Germany & Éditions TZ-Verlag
Jörg Sundermeier, The First Fist is the Deepest TAZ (Tages Zeitung) 03.03.2004 p.25 Berlin Germany
Stephan Kurr/Naomi Potter SOX36 Programm 2000-2002 Schauram in Kreuzberg, caralogue de les installations, Éditions Enrich Weiß Verlag 2002 Bamberg Germany, ISBN 3-9285 82 7
Erica Pearson, LMCC/tenement Museum Point Of Entry Installations ACI-Public Art Review USA Fall/Winter 2003 p.32-34
Rafael von Uslar & Irmtrud Wojak–éditeurs Blondies and Brownies weiß weiß bin ich auch ich, Catalogue d’éxposition, Allemand–Anglais, Éditions Klartext 2001 Essen Germany, ISBN 3-89861 000 4, 190 pages,
Andrea Naica-Loebell, Was war los in München 1950-2000, p.131, Éditions Sutton Verlag GmbH 2002 Erfurt ISBN 3-89702-439-X
Dr.Justin Hoffmann, Blondies and Brownies/Aktionsforum Praterinsel-Wurzelkeller, Springerin, Bd.VII Heft2, 2001, p.75/76 Autriche
Klaus Brenninger, Momente/Stadtcafe München, SüddeutscheZeitung 26.03.2001
Bernd Müller, Negerhosen2000/Ein ungewöhnliches Kunstprojekt in München, in: Sergej München 03.2001, p.40 Germany
Gordon Brent Ingram/ Anne-Marie Bouthillandte/ Yolanda Randter–éditeurs Queers in Space, essai principal par Jean-Ulrick Désert Queer Space p.16–25, Éditions Bay Press 1997 Seattle Washington USA
LECTURES / TEACHING (Guest critic) EXPERIENCES
2009 White Lessons & the Lagom Project-Whiteness in the works of Jean-Ulrick Désert, Neue Gesellschaft für Bildende Kunst (NGBK), Berlin (Germany)
2007 Caribbean Diasporic Practice First Person, Brooklyn Museum, New York (USA)
2007 Untitled Romances on Sexwork, Neue Gesellschaft für Bildende Kunst (NGBK), Berlin (Germany)
2006 Neither here nor there, Union College, New York (USA)
2006 Neither here nor there, American Studies Association, Oakland (USA)
2006 Jn.Ulrick Désert, A multi-media practice, California College of Arts, San Francisco (USA)
1998 Museum Exhibition/ Installation Design Principles, (Cours) Adult program, NY University (USA)
1997 The Post Mortem Re-Construction of Jacqueline Lee Bouvier Kennedy Onassis in « Don't Make Me Read You: Practice, Desire, Mandaphysics » The Cooper Union Irwin S. Chanin School of Architecture Lecture Series, New York (USA)
1995 Queer Space University of Southern California, Los Angeles (USA)
California College of Arts, San Fransisco CA, invited by director Mabel Wilson
The Cooper Union (School of Art) New York, invited by Prof. Lorna Simpson
Princandon University (School of Architecture) New Jersey, invited by Prof. Mabel Wilson
Columbia University (New York–Paris program) New York, invited by director Danielle Smoller
Columbia University (Paris–New York program) New York, invited by Prof. Christian Biecher
Parsons School of Design (AED program) New York, invited by Prof. Mabel Wilson
Yale University (GAD program) New Haven, invited by Prof. Laura Kurgan
City College New York (Design program) New York, invited by Prof. Pander Lynch
 |  |  | 01 The Damned 02 The Sitting Room 03 White Wedding |
John Kirby was born in 1949, in Liverpool, Great Britain. He currently lives and works in London, after lengthy periods spent in Ireland and Brighton. His «existentialist», highly autobiographic paintings are considered to be some of the best examples of figurative art in recent years. His works are found in major private and public collections throughout the world, including: the Contemporary Art Society; the Ferens Art Gallery, Hull; the Irish Contemporary Art Society; the John Hansard Gallery, University of Southampton; the Collection of the Royal College of Art; the Tate Gallery, London; the T.I. Group; the University College of Wales, Aberystwyth; Santa Lucia Church, Rome.
 |  |  | 01 Overload 02 Overloaded 03 Overloading |
Jon Barwick constructs mixed-media paintings that acknowledge
the hyper-paced, technology-driven, media-saturated society of the
Twenty-First Century. The multi-layered compositions reflect the
complexities of the information age, and capture the singular moment of
everything happening at once. Imagery for these works originate as
drawings and doodles but are scanned, photographed, printed, or redrawn
before reaching the final composition. By maintaining a dialogue
between the hand-drawn and computer-generated, Barwick creates visual
metaphors for our day-to-day interaction with technology. The
resultant fields of color and imagery are at once beautiful and
overwhelming. They present a sublimation of information.
Education
2009 MFA, The University of Georgia, Athens, GA
2005 BFA, Magna Cum Laude, Columbus State University, Columbus, GA
2004 Study Abroad, London, UK
Exhibitions
2009 Die Zeit of Drawing, Climate Gallery, New York, NY
A-Bomb, Artoconecto, Miami, Fl
Six By Six Gallery, New York, NY
Cornerstone, Workspace Harlem, New York, NY
This Is Paint, Infusion Gallery, Los Angelos, CA
NYAXE Gallery, Palo Alto, CA
Movers and Shakers, Museum of Contemporary Art, Atlanta, GA
2008 Jon Barwick: Recent Work, The Art Spot Gallery, Atlanta, GA
Overload, Athens Institute of Contemporary Art, Athens, GA
Athica Emerges, Athens Institute of Contemporary Art, Athens, GA
Double Take, UGA Alumni Center, Atlanta, GA
Mondohomo, Atlanta,GA
Classicism, Modernism, and Beyond, Gallery RFD, Swainsboro, GA
2007 Postcards from the Edge, James Cohan Gallery, New York, NY
Night of 1000 Drawings, Artist’s Space, New York, NY
Freshly Minted, UGA Alumni Center, Atlanta, GA
Mondohomo, Atlanta, GA
Georgia Society of Contemporary Painters, Athens, GA
Art Talk, Public Critique, Lamar Dodd School of Art, Athens, GA
2006 Meritage Gallery, Columbus, GA
Awards
2009 Nominee Joan Mitchell Foundation Grant
MFA Now International Painting Competition Winner
2008 Southern Competition Winner, New American Paintings
Teaching Assistantship, University of Georgia, Athens, GA
2007 Teaching Assistantship, University of Georgia, Athens, GA
2006 Graduate Assistantship, University of Georgia, Athens, GA
Southern Competition Winner, New American Paintings
2005 Best Art Award, Arden Journal
Friends of Art Scholarship, Columbus State University, Columbus, GA
2004 Fort Scholarship, Columbus State University, Columbus, GA
Passailaigue Art Endowment, Columbus State University, Columbus, GA
Publications
2008 New American Painting, vol. 76
2007 Georgia Strange
2006 New American Paintings, vol. 64
2005 Arden Journal
2003 Columbus Ledger-Enquirer
1999 Playgrounds Magazine
Professional Experience
2008-2009 Instructor on Record, Intermediate Painting, Advanced Drawing, Lamar Dodd School of Art
2007-2008 Instructor on Record, Aqueous Media, Intermediate Drawing, Lamar Dodd School of Art
2006 Teaching Practicum, Lamar Dodd School of Art
Gallery Assistant, Lamar Dodd School of Art
Collections
The Columbus Museum, Columbus, GA
  |   |   | 01 Gino 02 Gino 03 Gino 04 Gino 05 Gino 06 Gino |
Louisiana photographer and painter, received a Masters of Fine Art from the University of New Orleans. His work has been exhibited extensively in America and Europe, he now lives and works in Paris.
EXHIBITIONS:
Duplex Expo, Paris, 2006
New Orleans Museum of Art, group exhibition, April 2005
“CLASSICISM SUBVERTED: Gay Art in the 21st Century” Paris, France, April 2005
"Gods Becoming Men" The Frissiras Museum, Athens, June, 2004
"Naked Before God" The Museum of New Art, Pärnu, Estonia June, 2003
JONATHAN WEBB: Solo Exhibition, Arabesque Gallery Paris November, 2002
JONATHAN WEBB: Group Exhibition, Marigny Gallery, New Orleans, 2000
JONATHAN WEBB: Solo Exhibition, Marigny Gallery, New Orleans, Louisiana, 1999
JONATHAN WEBB: Group Exhibition, Throckmorton Fine Arts, New York, New York, July 1998
JONATHAN WEBB: Solo Exhibition, The Gallery of Southern Photographers, New Orleans, Louisiana, November 1997
MASTERS THESIS EXHIBITION. UNO Fine Arts Gallery, New Orleans, Louisiana December 1997
GRADUATE GROUP SHOW. UNO Fine Arts Gallery November 1997
THE CONTEMPORARY ARTS CENTER: 20th ANNIVERSARY SHOW. New Orleans, Louisiana (January 1997)
JONATHAN WEBB: Group Exhibition, The Gallery Of Southern Photographers, New Orleans, Louisiana (December, 1996)
PHOTOGRAPHY GROUP SHOW. LESLIE-LOHMAN GALLERY. New York, New York (May 30-July 24th, 1995)
WORKS ON PAPER: RECENT DRAWINGS, PRINTS AND PHOTOGRAPHS. Louisiana State University, Baton Rouge, Louisiana (April 7-May 10th, 1995)
THE BODY PHOTOGRAPHIC. The Contemporary Arts Center, New Orleans, Louisiana (January 28-March 5th, 1995)
TWO MAN EXHIBITIONS (WITH ROBERTO RINCON)
CUERPO HUMANO. University Nacional De Costa Rica Heredia,
Costa Rica (October, 1996)
AMOR SAGRADO Y PROFANO. Museo Del Jade. San José, Costa Rica (December 15th 95-January 18, 1996)
PUBPLICATIONS:
Male Bodies: A photographic History of the Nude 2004, Emmanuel Cooper
ADAM: The Male Figure in Art Edward Lucie-Smith, 1998
Ars Erotica Edward Lucie-Smith; 1997
 | 01 Preußisch Blau |
1945 geboren in Radebeul bei Dresden, aufgewachsen in Gronau/Westfalen.
1965 Übersiedelung nach Berlin
1965-69 Studium an der Staalichen Akademie für Grafik, Druck und Werbung, Berlin
1969 Staatsexamen. Seitdem tätig als freischaffender Künstler.
1972-78 Gründungsmitglied der Gruppe "Aspekte" in Berlin
1975 Kritikerpreis 1974 Verband der Deutschen Kritiker e.V.
Studienaufenthalt in der Villa Massimo, Rom
1984 1.Preis im Art-Künstlerwettbewerb "Deutsche Landschaft heute"
Einzelausstellungen
1967 Galerie am Abend, Berlin
1968 Galerie Miniature, Berlin
1970 Galerie Lietzow, Berlin
1971 Galerie Ostheimer, Frankfurt
Galerie Lietzow, Berlin
1974 Paula Modersohn-Becker-Haus, Bremen
1975 Galerie Lietzow, Berlin
1976 Galerie APEX, Göttingen
1977 Kunsthalle Kiel
Kunsthalle Recklinghausen
Museum Oberhausen
"Neun Bewerber um das Annemarie- und Will-Grohmann-Stipendium, Staatliche Kunsthalle Baden-Baden
1978 Galerie APEX, Göttingen
1980 Kunsthalle Düsseldorf
1982 "18 Bilder einer Sammlung" Galerie Rampoldt, Berlin
"Bier, 2*Biederbick und Vogelgesang" Staatliche Kunsthalle Berlin
1984 "Frühe Arbeiten" Galerie Lietzow, Berlin
1988 Städtisches Museum Göttingen
Galerie APEX
Städtisches Museum Oldenburg
Ausstellungsbeteiligungen (Auswahl)
1967-72 diverse Beteiligungen u.a. in Berlin, Hamburg, München,
Stuttgart
1973 "Fetisch Jugend-Tabu Tod" Haus am Waldsee, Berlin
Kunsthalle Kiel
"Prinzip Realismus", Akademie der Künste Berlin, Recklinghausen, Freiburg, München
"Politische und gesellschaftliche Karikaturen", Wilhelm-Busch-Museum, Hannover
"Mit Kamera, Pinsel und Spritzpistole- Realistische Kunst in
unserer Zeit", Städtische Kunsthalle Recklinghausen
"Zielscheibe Mattscheibe", Westdeutscher Rundfunk, Köln, Rathaus der Stadt Marl, Bildergalerie der Stadt Bergkamen, Rathaus der Stadt Neheim-Hüsten
"Das Neue Portrait", Galerie Abis, Berlin
1974 "Prinzip Realismus" verschiedene Städte Skandinaviens
"Liebe und Tod", Stolberger Burg, Stolberg, Salon de la Jeune Peinture, Paris, X.Biennale de Menton, Menton
"It's Wonderful life", Galerie Poll, Berlin
"Prinzp Realismus", Kunstverein Konstanz
"18 Deutsche Zeichner", Staatl. Kunsthalle Baden-Baden
1975 "Les Tendedances Actuelles de la Peinture en Allemagne" Centre Culturel de la Ville de Toulouse
"Der Einzelne und die Masse", Ruhrfestspiele Recklinghausen
1976 Neuerwerbungen der Berlinischen Galerie
Künstlerhaus Bethanien, Berlin
5 Jahre APEX, Göttingen
1977 "Berlin Now", Goethe House New Yorck
Documenta 6, Kassel
"D-Realismus", Kunstverein Kassel
"Aspekte Großstadt", Berlin, Hannover, Frankfurt, München, Edinburgh, London
1978 Fourth Triennale- India (sieben Deutsche Realisten)
Neu Dehli (Zeichnungen von Realisten)
Galerie Poll, Berlin, Amersfort, Paris
"Partei ergreifen" Ruhrfestspiele Recklinghausen
"Ugly Realism" Institute of Contemporary Arts, London
"Internationaler Realismus heute" Kunstverein Hamburg
1979 "Neue Formen des Realismus", Warschau, Recklinghausen
"Kunst in Berlin von 1960 bis heute", Berlinische Galerie, Berlin
"European Dialogue", The Third Biennale of Sydney
"Hommage a Rouault", Musee des Beax-Arts, Mons
1980 "Forms of Realism Today", Museum of Contemporary Arts, Montreal, Toronto, Vancouver
"Liebe, Dokumente aus unserer Zeit", Kunsthalle Darmstadt, Kunstverein Hannover
"Realism and Expressionism in Berlin", Frederick S. Wight Art Gallery, University of California, Los Angeles
"Große Düsseldorfer Kunstausstellung", Kunstpalast Ehrenhof, Düsseldorf
1981 "Dimension 81, Neue Tendenzen der Zeichnung", Kunstverein München, Berlinische Galerie, Berlin
"Große Düsseldorfer Kunstausstellung", Kunstpalast Ehrenhof, Düsseldorf
1982 "Gefühle und Härte" (Kunst in Berlin), Kulturhuset, Stockholm
1983 "Mensch und Landschaft in der zeitgenössischen Malerei und Grafik", Moskau Leningrad
"Realistische Zeichnungen, 8 Künstler aus der Bundesrepublik Deutschland", Neue National Galerie, Berlin
"Großstadtdschungel", Kunstverein München
"Köpfe und Gesichter", Kunsthalle, Darmstadt
1984 "Die Vergangenheit der Zukunft", Schloß Wolfsburg
"Otto-Nagel-Preis 1984", Alte Nazareth Kirche, Berlin
"Der Krieg trifft jeden ins Herz", Ausstellung Belorussischer und Westberliner Künstler in Minsk und Berlin
"Deutsche Landschaft Heute", Orangerie Schloß Charlottenburg, Berlin
1985 "Die andere Eva", Kunstpalast Ehrenhof, Düsseldorf
"Krankheit und Kranksein", Institut für Arzneimittel, Berlin
"Der Grimm auf Märchen", Universitätsmuseum für Bildende Kunst, Magdeburg
"Das Selbstportrait im Zeitalter der Fotografie", Würtembergischer Kunstverein Stuttgart, Akademie der Künste, Berlin
"Allegorien- Realismusbewegung 1945-1985, Kunst in der Bundesrepublik Deutschland", Neue Nationalgalerie, Berlin
1986 "1936 verbotene Bilder- 1986 Vielfalt der Bilder", Deutscher Künstlerverbund, Bonn
"Köpfe", Galerie Poll, Berlin
"Große Kunstausstellung NRW Düsseldorf", Kunstpalast Ehrenhof, Düsseldorf
"15 Berliner Künstler in Brasilien", Sao Paulo, Porto Alegre, Rio de Janeiro, Recife
1987 "Ecce Homo", Alte Brüderkirche Kassel, Grot Kerk Leenwarden, Hospitalhof Stuttgart
"Momentaufnahme", Staatliche Kunsthalle Berlin, Joao Pessoa Paraiba, Blumenau Sao Paulo
"Ich und die Stadt", Martin Gropius Bau, Berlin
"Schrecken und Hoffnung", Hamburger Kunsthalle, Münchner Stadtmuseum, Staatliche Gemäldegalerie Moskau, Erimitage Leningrad
"Positionen des Realismus 1967-1972-1987", Galerie Poll, Berlin
   |   |   | 01 History painting 02 Politics 03 The Prague Spring 04 Imperialism 05 Nationalism 06 Solution 07 War_Democracy_Capitalism |
Born 1980 in London
2004 – 2007 Royal Academy Schools
M.A Fine Art.
2001- 2004 Middlesex University
Ba (Hons) Fine Art (1st class)
Exhibitions (Group)
2009 Future or Ruin.
CharlieSmith London.
2009 The Future Can Wait
Ellis Rumley Projects
London
2009 New London School
Galerie Schuster
Berlin
2008 The Future Can Wait
Ellis Rumley projects
London
2008 Anticipation
(20 invited artists)
Kay Saatchi & Catriona Warren
Selfridges London
2008 The Painting Room
Transition Gallery
London
2007 New Contemporaries
Touring to Cornerhouse Manchester
Club Row London
The New Art Gallery Walsall
2007 Royal Academy Schools Show
Royal Academy of Art
London
2007 The R.A.5
Lennon Weinberg Gallery
London
2006 R.A.W.C
Wisniez castle
Krakow Poland
2006 Premiums
Royal Academy of Arts
London
2005 Hollow Salon
London
Awards
The Richard Ford Award
Museo del Prado
Madrid
British Institute Award. 2005.
Royal Academy of Art
Publications
Garageland ( Art, Culture & Ideas )
Issue 7.
The Future Can Wait, Catalogue
Ellis Rumley Projects
Saatchi After Saatchi
The Times ,26.07.08,
Art Monthly
Oct 2007 (David Barrett)
New Contemporaries 2007
Catalogue (Ltd)
Miser & Now
Q & A
Issue 10 2007.
 |  |  | 01 Portrait Of Aiden Shaw 02 Christoff 03 Friedrich |
Graduated Royal College of Art 2003
Exhibitions include…..
Beyond The Hungry Away, Scout Gallery, Sept 2003
Men Becoming Gods, Athens, 2004
Western Biennale, Davis California USA, 2005
Depth Of Field, Mac Gallery, Birmingham 2006
Meditations On Reality, Mantua, Italy, 2007
Tindell Effect APT London 2007
    |    |    | 01 Körperfragmente 02 Körperfragmente 03 Körperfragmente 04 Körperfragmente 05 Vernetzungen 06 Vernetzungen 07 Körperfragmente 08 Körperfragmente 09 Körperfragmente 10 Körperfragmente |
1959 Geboren in Freiburg
Studium der Malerei an der Freien Kunstschule Nürtingen
1987-1992 wohnt und arbeitet in Berlin
1992-1994 in New York und Berlin
1994-1995 in New York
1996-2002 in Berlin
seit 2002 in Berlin und Lahr / Schwarzwald
Lehraufträge an unterschiedlichen Kunstschulen
Einzelausstellungen (Auswahl)
1989 Kunstverein Niebühl
Galerie Neue Räume, Berlin
1992 Galerie in Fonte, Berlin
Galerie im Körnerpark, Berlin (Katalog)
1994 Galerie Trapez, Potsdam
1994 “Works on Paper”, June Kelly Gallery, New York
1995 „Warten auf Francesco”, Galerie Wolf, Berlin
1998 “New Paintings“, June Kelly Gallery, New York
„Malerei”, Galerie Wolf, Berlin
1999 „Peintures“, Galerie Espace Suisse, Strasbourg
2000 Galerie Petersen und Partner, Berlin
2001 Neuwerk Kunsthallen,Konstanz mit Rinaldo Hopf
„Paintings“, June Kelly Gallery, New York
2002 „Olio in Silenzio“, Galerie Mesaoo Wrede, HH
Galerie art-pro-art, Lahr (Katalog)
2003 Kunstwerk, Herford
Galerie Espace Suisse, Straßburg
2004 „Kontraste“, AKAD-art, Stuttgart
SWR-Studio, Freiburg
2005 Kunstverein Paderborn mit Dorit Croissier
Kunstverein Kinzigtal
ehem. Synagoge Kippenheim
2006 Städtische Galerie Erstein, Frankreich
Speyerer Literaturtage
BBBank Manheim
2007 Galerie Owens, Renchen
Herzzentrum Bad Krozingen
2008 Morat-Institut für Kunst und Kunstwissenschaft, Freiburg
Kunstverein Georg Scholz Haus, Waldkirch
Gruppenausstellungen (Auswahl)
1988 Stipendiatenausstellung Civitella d`Agliano, IT
1989 Galerie in Fonte, Berlin
1990 Henning, Berlin
1996 ABSTRACT IDEAS OF PAINTING, Gallery Slover Mac Cucheon, Houston
1998 TRAIT, Galerie Espace Suisse, Strasbourg
1999 VERGANGENHEIT IST HEUTE, Kunstverein Villingen-Schwenningen
2002 ART CHICAGO, mit June Kelly Gallery, New York
ÜBERBLICKE, Galerie Mesaoo Wrede, Hamburg
MITTEN INS HERZ, Galerie tammen & busch, Berlin
2003 ZWISCHEN DEN WELTEN, Bad Segeberg, Rathaus
2004 Galerie Mesaoo Wrede, Hamburg
Stipendien und Förderungen
1987 Arbeitsstipendium der Notgemeinschaft der Deutschen Kunst, Berlin
1988 CORPO, Stipendium des Progetto Civitella d`Angliano und des Kunstfonds Bonn
1989-2000 Werkvertragsprogramm, Berliner Kunstförderung
1994 Arbeitsstipendium der Käthe-Dorsch-Stiftung, Berlin
2008 E-Werk Mittelbaden
Sammlungen und Institutionen
Morat-Institut für Kunst und Kunstwissenschaft, Freiburg,
Neuer Berliner Kunstverein, Landesbank Berlin,
Zentral- und Landesbibliothek Berlin - Amerikanische Gedenkbibliothek -, Sammlung der SPD im Willy Brandt-Haus, Berlin
BBBank Mannheim
Kunst am Bau
Fenstergestaltung Neuapostolische Kirche, Lahr
Fenstergestaltung Rathaus, Lahr
Sportzentrum Neukölln, Berlin
Sporthotel Freyler, Kenzingen
   |    |    | 01 BRD-Schwimmer 02 Königin Luise 03 Drei mal Sechs 04 Romeo: Carsten mit Messer 05 Erinnerung an Romeo und Julia 06 Selbstportrait mit weißer Perücke 07 Moderne Kunst 08 Unruhen- Brandsatz 09 Warum Kunst? |
Martin von Ostrowskis work is composed of performances, paintings, sculptures and installations. Since 1996 the question “Why art?” occupies the artist. He is not interested in “What is art?”, there are already so many statements about it, he is more asking why he himself makes art, why viewers look to art and are intensifying time with it. The artist got so many answers and also counterquestions, which he uses in his work.
The viewer sees always that what he is able to see, what he wants to see, what he has experiences in his life. So art has much to do with misunderstandings and irritations between the artist and the viewer and that can be so fruitful.
In 1994 Ostrowski used his semen as pigment for paintings, he just masturbed on grey coloured canvases. Since 2003 he collects his own semen and the semen of friends to paint male portraits and figures on dark coloured canvases. The semen can be seen as a transparent shining varnish on the black background.
From 2003 he made of this own produced organic material selfportaits with a positive meaning like his semenpaintings: I exist as I do digest, as I do produce semen. The artist is free to use his very personal material to paint with it, to show that he is part of the organic world. In semen the genes of the artits are kept for reproducing a human being together with a female egg. In his shit, microorganisms the artist lives in symbiosis with, and the digestion of food are conseved, the artist needs for his life. The artist is part of a great incalculable complex organic world, he is almost lost in it, is searching for a reason why he produces art. Martin von Ostrowski stands in the tradition of the German romantic movement, broken with irony and he sums up his work as aggressive romanticism.
Solo Exhibitions
1983 Self, Galerie Muthesiusstraße, Berlin
1985 Project for a grave of Queen Luise, Gras fressen, Berlin
1988 Galerie Nikolaus Sonne, Berlin (catalog) Art Jonction, Nizza
(catalog)
1989 Villa Arson, Nizza (catalog)
Take a new view, Galerie Nikolaus Sonne, Berlin (catalog)
1992 Galerie Nikolaus Sonne, Berlin
1993 Prussian Baroque, Galerie Nikolaus Sonne, Berlin
Narcissist - the whole life, Anderes Ufer, Berlin
1994 Galerie Erhard Witzel, Offenbach
1995 Burn baby, burn, with Florian Trümbach, Gleditsch 45, Berlin
1996 Romeo and Juliet, Galerie Nikolaus Sonne, Berlin
1997 Aggressive Romanticism - Ideal Faces, Kulturbauerei, Berlin
Paintings and sculptures, Galerie Erhard Witzel, Wiesbaden
Aggressive Romanticism, Kultours, Kassel
1998 Gehag Forum, Berlin
1999 Galerie Klaus Friese, München
Künstlerhaus Bethanien, Studio I, Berlin
2000 Why Art? My Prussia! Movin’ Art Gallery, Berlin (catalog)
2001 Your Prussia too?, Schloss Ludwigsburg, Ludwigsburg
2002 Childhood in S., Studio Paul Revellio, Sachsenheim, (catalog)
2004 “Why Art?”, Installation Gehag Forum, Berlin
2005 Stiftung Starke, Berlin
KioskShop berlin, Berlin
Group Exhibitions
1988 Montreal - Berlin 88-89, Galerie Lavalin, Montreal (catalog)
1989 “DER KONGREß”, Galerie des Deutschen Künstlerbundes, Berlin
(catalog)
Vollbild Aids (2), Bern, Lausanne
1991 “DER KONGREß”, Kunstverein Göttingen (catalog)
Interferenzen, Kunst aus Westberlin, 1960-1990, Riga,
St. Petersburg (catalog)
1992 “DER KONGREß”, Galerie EIGEN & ART, Leipzig
1994 Material Gips, Nassauischer Kunstverein, Wiesbaden, (catalog)
1997 1+1, Galerie Erhard Witzel, Wiesbaden
2000 Ausbrüche, Galerie im Pferdestall, Kulturbrauerei, Berlin
Finale 2000, Galerie Lüttinghaus-Hoessrich, Kronberg
2003 Überindividuell, zusammen mit Gerhard Haug, Hans-Peter Klie,
Marianne Stoll,Toni Wirthmüller, Haus am Kleistpark, Berlin
(catalog)
Marylin Monroe - Life Of a Legend, County Hall Gallery, London
2004 Überindividuell, new installation, Justus-Liebig-Haus, Darmstadt
Marylin - Una Vida De Leyenda, Reales Ataranzanas, Valencia
1. Berliner Kunstsalon, Arena Berlin
Marylin - Bir Efsanenin Yasami, Vakko, Istanbul
2005 lebenslang liebens:würdig, 12 positions about getting older,
c.p. art - Galerie am Buttermarkt, Cologne
2. Berliner Kunstsalon, Arena Berlin
Artistic Career
1958 born in Bietigheim-Bissingen, a town close to Stuttgart, Germany
1981 move to Berlin, start to work as artist,
paintings and performances
1983 co-founder of the gallery “Muhesiusstraße”, later called
gallery “Gras fressen”
1988 French State Award “Villa Arson”
1989 co-founder of the group “DER KONGREß”
1990 Dissertation in History of Art at the Free University Berlin:
"German Monumental Fountaines 1813 - 1871"
2004 Foundation of the artist group OPEC together with Hans-Juergen
Esch and Susanne Pomrehn
The artist lives and works in Berlin
   |    |   | 01 Spunkmagazine(2008) 02 Slava Mogutin and Brian Kenny on the roof(2006) 03 Slava Mogutin and Brian Kenny sitting on the roof(2006) 04 SPI(2007) 05 Change!?(2008) 06 Bondage(2006) 07 Rosa(2008) 08 Brian(2009) |
Ob Kunstevents, Society- und Glamourpartys oder schwule Szeneveranstaltungen, auf dem roten Teppich mit Filmstars oder im queeren Underground mit Subkulturgrößen – Master Patrick ist mit seiner Kamera immer vor Ort. Als der „Mann mit der schwarzen Ledermaske“ ist der in Freiburg im Breisgau als Patrick Bartsch geborene Multi-Media-Künstler längst zum unübersehbaren, omnipräsenten Szenefigur geworden.
Von Österreich aus führte sein Weg über Frankreich und Köln schließlich nach Berlin. In seiner Ausstellung „Berlin Years“ zeigt Master Patrick nun eine Auswahl seiner in den vergangenen fünf Jahren in der Hauptstadt entstandenen Fotoarbeiten.
Neben klassischer Studiofotografie – inszenierte Porträts beispielsweise von Filmregisseur Rosa von Praunheim und Männeraktstudien – stehen dokumentarische Bilder von Laufstegen, Konzertbühnen und roten Teppichen (mit Bildern u.a. von Tom Cruise und Nina Hagen). Einen ganz besonderen Stellenwert nehmen jedoch seine Momentaufnahmen aus dem vielfältigen queeren Leben in Berlin ein.
Für Master Patrick gibt es keine Perfektion: weder den perfekten Menschen, die perfekte Stadt oder das perfekte Kunstwerk. In jeder seiner Arbeiten wird man Fehler finden: „bewusst gesetzte wie z.B. Steckdosen in einem Porträtbild oder unbewusste wie unkorrigierte Farbspritzer bei Acrylarbeiten“, erklärt Master Patrick. In den für die Ausstellung ausgewählten Arbeiten stehen Schnappschüsse gleichberechtigt neben aufwendigen Inszenierungen, Glamour neben Trash. Weltstars im Rampenlicht finden sich einträchtig neben Underground-Exzentrikern, klassische Dokumentation kollidiert mit dem ironischen Spiel mit Klischee und Banales mit Erhabenen.
    |     |     | 01 A moment of Beauty 02 What are you thinking about? 03 Lolita (1) 04 Schichtarbeit (1) 05 Links, Rechts, Geradeaus 06 Keine Ahnung, wohin der Weg uns führen wird? 07 Lolita (2) 08 Lolita (3) 09 Schichtarbeit (2) 10 I am a lucky girl 11 Hold back the River 12 I am a lucky boy |
Born in 1972 in Rhade, Nord Rhein Westfalen, Germany. Lives and works in Herne (Germany) and Sydney. Started painting in 1996.
Solo exhibitions
2011 Chaffers Gallery, Wellington, NZ
2011 Rahncontemporary GmbH, Zurich
2010 Galeria N2, Barcelona, Spain
2010 Iain Dawson Gallery, Sydney
2009 Chaffers Gallery, Wellington, NZ
2008 The Art Traders, Sydney
2007 The Art Traders, Sydney
2007 Conny Dietzschold Gallery,Sydney
2007 Goethe Institut, Sydney
2006 Kunsthaus Samoticha, Bochum
2006 Galerie E – Damm 13, Hannover
2006 Galeria Arte Trece, Madrid
2006 Galerie Schollbrockhaus, Herne
2005 Galerie Wort + Bild, Vienna
2005 Galerie Lindquist, Castrop Rauxel
2004 Kunsthaus Samoticha, Bochum
2002 Galerie Lindquist, Castrop Rauxel
International Art Fairs
2010 International Art Fair, Auckland, NZ
2010 International Art Fair, Melbourne, AU
2006 Art Madrid, Feria Internacional de Arte
Collective exhibitions
2009 Iain Dawson Galery, Sydney
2008 Galeria Jose de Ibarra, Barcelona
2007 Malkasten, Dusseldorf
2007 Werkstatt Galerie, Berlin
2005 Galerie Schollbrockhaus, Herne
2005 Galería Faustino Aizkorbe, Pamplona, Spain
Sold works
Anwaltskanzlei Lippmann, Hannover – Laatzen
Goethe Institut, Sydney
Seniorenwohnsitz Harkortbogen, Dortmund
Collection Robert Drees, Hannover
Collection Julián Coca, Madrid
Collection Prince Mubarak Al Sabah, Kuwait
Collection Carlo D’Amelio, Rome
Collection Olga Caputi, Rome
Collection David Mikler, Ibiza
Collection Esperanza Aubert, Barcelona
Collection Enrique Sardá-Valls, Sydney
Collection Keith and Marie Wherry, Sydney
Collection Henry Winkler, Darmstadt
And other private collections in:
Madrid, Vienna, Cologne, Lugano,
Melbourne, Sydney and Wellington.
  |   |  | 01 Bath(1) 02 Bath(2) 03 The Shower 04 Le Couple Bleute 05 Hammam |
MITRA FARAHANI was born in Tehran in 1975. From the age of fourteen she studied painting and drawing with various Iranian masters of pictorial art, notably with Gholem Hossein Nami.
After taking a baccalaureat in graphic art in 1992, followed by a degree in graphic art at the AZAD University in Tehran, she moved to Paris in 1998, and took up residence in the Cité Internationale des Arts.
In December 1999 she staged a Happening called ‘You Are Invited to a Funeral’. In 2001, she began a course of video studies at the Ecole Nationale Supérieure des Arts Décoratifs, and made her first documentary. 26 minutes long, this was entitled ‘Just A Woman’. The film was chosen for the Berlin Film Festival and was awarded the Teddy Awards Special Jury Prize.
Her documentary ‘Zohre and Manouchehr’ (67 minutes) was presented at the Berlin Film Festival of 2004. This was later shown in cinemas in France and Canada with the title ‘Taboos’.
In 2005 she made the documentary “Behdjat Sadr: Suspended Time’, a portrait of one of the pioneers of Abstract Expressionist painting in Iran.
In November 2009, as part of the Three Continents Festival, Le Lieu Unique in Nantes presented her one-person multi-disciplinary exhibition. This comprised a video-installation, a painted screen, a group of drawings and some projected films.
Statement
For several years I have been painting screens. These screens have, for me, a direct link with the cinema.
During the first part of my career, painting affected my films. Now, in reverse, it is cinema that makes itself felt in my painting. The influence appears most clearly in the way in which the compositions are affected by the idea of cinematic sequences. The triptychs I made originally have been succeeded by compositions that are screens with multiple panels. Each element or each panel resembles a sequence in a film.
A screen, which gives the possibility of deployment in space, offers important compositional advantages. In particular, it makes it easier to put together a multitude of ideas that can be read both independently and in combination with one another. Screen compositions, and the spatial ambiguity that they permit, allow me more and more to produce the interpenetration of painting and cinema that I have always wanted to create.
Exhibitions
1998 cite des Arts de Paris
1999 Galerie Bernard Lehman, Hambourg, Germany
2001 Galerie Golestan, Tehran, Iran
2009 Le Lieu Unique à Nantes.
 |  | 01 Die Repräsentantin 02 Der Wähler |
 | 01 Balancing Figures |
Born in Iran in 1955
Lives and works in Paris
After studying painting at the University of Tehran, Narmine Sadeg moved to Paris in 1977, and continued her studies at the Ecole des Beaux-Arts, at the Sorbonne, and at the Paris-Diderot University. A former student of Christian Boltanski at the Ecole des Beaux-Arts, she was, in the late 1980s, interested in multi-disciplinary installations.
In the early 1990s she showed her work at the Galerie Giovanna Minelli in Paris, which also represented Thomas Struth, Willie Doherty, Craigie Horsfield, Jean-Luc Moulène and Olivier Blanckart.
In 1992-3 she was awarded the Villa Médicis hors les murs prize. This enabled her to make several visits to the United States. While there she worked on a huge video installation project entitled Tell Me About Art, midway between art installation and documentary film. She was also artist-in-residence at the Center for Advanced Visual Studies at the Massachusetts Institute of Technology (MIT) where she continued her investigations into the field of digital art. During a decade, from 1994 onwards, she concentrated on projects that made use of new media. However, her interest in materials finally led her back once again to sculpture, installation and painting.
Her recent work consists of mobile sculptures. These are half human beings, half toys, apparently delicately balanced. They evoke moments of suspense, of waiting for something to happen.
Narmine Sadeg’s work has been shown in a number of solo and collective exhibitions, in France and elsewhere, most notably at the Galerie Giovanna Minelli in Paris, at the MIT Museum in Cambridge, Massachusetts, at the Centre d’Art Contemporain de la Villa Arson in Nice, and at the Galerie Basilisk in Copenhagen.
Since 2001, Narmine Sadeg has been professor of visual arts at the University of Bordeaux III.
Statement:
At first glance, Narmine Sadeg’s life-size dolls, installed on a steel tube that is thrust through their bodies and ready to sway back and forth with a single push, evoke a feeling of playfulness.
This feeling, however, fades with time. The dolls seem calm and resolute, but their movement is limited and they can do nothing about it – their situation seems tragic. “In my work,” Sadeg says, “I am interested in modes of display that limit the movements of my characters, constrain their actions, and force them to repeat themselves.”
Narmine Sadeg’s work does not reflect specifically Iranian traits, but offers a consideration of the human condition in a larger sense. Held by the rod that displays them, her characters are silent and reclusive, watching the world from a distance. If we look for what is Iranian in this work, we should perhaps look at the life of the artist herself – at the things that have influenced her concerns. Had she not been born Iranian, and without the events that have affected the recent history of Iran, would the same questions have emerged?
        |         |         | 01 doves on a wire 02 austin's dream 03 love gate 04 a star (Arbeitstitel) 05 die grosse blume (Arbeitstitel) 06 NN 07 peacock dream 08 oT 09 oT 10 peacock garden 11 peacock tower 1 12 peacock tower 1 Seitenansicht 13 peacock tower 2 14 peacock tower 2 Seitenansicht 15 peacock tower 3 16 peacock tower 3 Seitenansicht 17 peacock tower 4 18 peacock tower 4 Seitenansicht 19 peacock tower 5 20 peacock tower 5 Seitenansicht 21 peacock tower 6 22 peacock tower 6 Seitenansicht 23 peacock tower 7 24 peacock tower 7 Seitenansicht |
Natasza Niedziolka
1978 born in Miedzychod/ Polen
2004 - 2008 student at Kunstakademie Düsseldorf, in the group of Prof. Tal R
2008 master student with Prof. Tal R
Lives and works in Berlin
GROUP SHOWS
2009 “The first day of spring”, Werkstattgalerie, Berlin
2008 „Knorke Gören“ , Kwadrat, Berlin
2007 „Bye bye Acapulco“, Acapulco, Düsseldorf
61.Bergische Kunstausstellung , Galerie der Stadt Remscheid
Institut für zeitgenössische Beobachtung , Wien
61. Bergischer Kunstpreis , Museum Baden- Solingen
Regarding Düsseldorf 2., 701e.V
2006 „Jamboree“, MÖMA, Mönchen-Gladbach
„Hurra Hurra Hurra“, MÖMA, Mönchen-Gladbach
„Bretter die die Welt bedeuten“, Acapulco, Düsseldorf
2005 „Sterne Kometen“, Kunstfabrik, Wuppertal
SOLO SHOWS
2007 „I only cry because it looks good“, Villa de bank, Enschede/ Holland
![untitled sin nombre aus der Serie [:tandem]
Collaborative work together with Robert Flynt
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/thumbs/120_7.jpg) ![untitled sin nombre aus der Serie [:tandem]
Collaborative work together with Robert Flynt
unique inkjet print with mixed media, diptych, each 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/thumbs/120_10.jpg) | ![untitled sin nombre aus der Serie [:tandem]
Collaborative work together with Robert Flynt
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/thumbs/120_8.jpg)  | ![untitled sin nombre aus der Serie [:tandem]
Collaborative work together with Robert Flynt
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/thumbs/120_9.jpg)  | 01 untitled sin nombre aus der Serie [:tandem] 02 untitled sin nombre aus der Serie [:tandem] 03 untitled sin nombre aus der Serie [:tandem] 04 untitled sin nombre aus der Serie [:tandem] 05 Estruvo: uno 06 Estruvo: siete |
The [:tandem]-series
Robert Flynt and Nicolas Spinosa met in April of 2009 to see how a collaborative body of work could be made between a photographer and painter.
The artists shared strong interest in the performative act in relation to the making of visual art, with an intensive focus on the body and its re-presentation.
Flynt, the photographer, works extensively with performance artists and dancers, both as models for his work and as a collaborator with many dance and theater projects. This is his first collaboration with another visual artist.
Spinosa, the painter, works in an extremely performative, quasi-ritualistic fashion, using his own body as the primary carrier of pigment, subsequently altered with hand applied elements.
Their initial meeting consisted of three intensive photo shoots built around Spinosa’s practice: initially he served as a model for Flynt’s idiosynchratic shooting technique: tracing the body with flashlights in a completely dark room over relatively long exposure periods. Then Flynt traced Spinosa during the “performing” of his painting creations, following the body as it was painting, imprinted, traced and drawn on large sheets of paper on the studio floor. Additional shooting with completed earlier paintings on both the walls and floor of the studio created additional imagery, and Spinosa was also actively engaged in the making of the photographs through drawing with light (via other flashlights), as well as through conventional mark making.
Flynt subsequently edited the photographic images, using many for his own work, often layered or sequenced with found imagery. The modified digital files were emailed to Spinosa, who had them printed out as light-jet prints and then further drew and painted on these already collaborative images.
The final products are naturally unique images, neither entirely photographs nor paintings, the result of a multifaceted “conversation” between the two artists, where the line between one individual’s aesthetic and the other’s has become almost completely blurred.
The conversation continues following an intensive 5 day residency in Berlin, creating a large series of new underlying images that will be developed over the coming months. The results will be some entirely photographic work (Flynt’s), the 10 meter floor “performed” painting (Spinosa’s), and, primarily, the combined multi-media works on paper that will be the fusion series, “TANDEM”
His own work aims to investigate which place has been left for the body facing the impossible: death. what names, graphism and inscriptions can the body offer.
He has been involved in Visual Arts since he was very young when he began to attend to
workshops and schools of Visual Arts in Buenos Aires (Argentina). In 1992, he began
his studies at the P. Pueyrredón National School of Arts in Buenos Aires and in 1996 he
graduated as Painting Professor. In addition he has attended Photography Courses and
seminars on Aesthetics, Philosophy, Humanities and Visual Culture. At present he lives
in Barcelona.
Solo Exhibitions
2009 Tejidos, Centre Cultural la Casa Elizalde, Barcelona
2008 Tejidos, Centre Catalá de Rosario, Argentina / Centro Cultural Unión Latina,
Montevideo, Uruguay
2007 Aquí Estuvo, Casal de Catalunya en Buenos Aires, Argentina
2006 nicolas spinosa: malerei; PESCH internatinales Design, Köln, Alemania
“Los bivos no pueden fazer el offizio de los muertos”, Espacio Miscelánea,
Barcelona
2004 … entre la carne y el descarne…, Galería Lleonart, Barcelona
1999 Galería Art Centre; Mataró, Barcelona
Galería Lleonart; Barcelona
Menos me hospeda el cuerpo; Exposición parte del espectáculo "Estamos un
poco perplejos", Cia. LaVuelta; Sitges Teatre Internacional, Sitges, Barcelona
2001 Il y va d’un certain pas; bcnet Gallery; Barcelona
,de-là; Galería Lleonart; Barcelona
2000 Recorridos; Galería A&Rte. SEIQUER; Madrid
En extrañas cosas moro. Morando extrañadamente; Facultat de Be lles Arts,
Barcelona
La obscenidad no existe. Existe la herida; La Nau Ivanow; Barcelona
1999 Art Expo Jove; Galería Art Centre; Fira de Barcelona, Barcelona
1992 Círculo Médico de Buenos Aires; Morón, Buenos Aires
1991 Instituto de Educación Cooperativa; Morón, Buenos Aires
Group Exhibitions
2009 Evento #2 El Globo de Juan, Estaleiro Cultural Velha-a-Branca, Braga
2008 Galería Marte Upmarket, Montevideo, Uruguay
Síntesi: Tallers Oberts 2008, Museu Maritim de Barcelona, Barcelona
Galería SETBA – Zona d’Art, Barcelona
2007 Glocal Bodies, Primo Piano Living Gallery, Lecce, Italia
Premiere; Galerie Angelika Kallenbach, Bonn, Alemania
2006 Premios Art-Fad 2006; FAD Sala d’Exposicions, Barcelona
Síntesi: Tallers Oberts 2006; Centre de Cultura Contemporánia de Barcelona
Colores catalanes, Künslerfahnenfestival, Museum “Alte Universität”, Eppingen,
Germany
2005 VI Salon Internacional de Pequeño Formato, MX ESPAI, Barcelona
Vento di Sciroco, Castello Aragonese, Reggio Calabria, Italia
2004 MAC; Centre Civic Barceloneta; Barcelona
BAC! V -Barcelona Art Contemporani, V -; La Santa – CCCB – Area Tangent,
Barcelona
2003 III Certamen Internacional de Pintura Jove, Fundació Barceló, Palma de Mallorca
2002 Venus d'ailleurs ; Palais des Nations, ONU; Ginebra
18 artistes; Galería Art Centre, Barcelona
1999 Artists' Books Exhibition; Moufflon Bookshop; Nicosia, Chipre
4ª Fira d’Art d’Andorra; Galería Art Centre; Caldea, Andorra
2000 Anthology; Artists’ Books Exhibition; Moufflon Bookshop; Nicosia, Chipre
Tria i Remena; 5ª Fira d’Art d’Andorra; Galería Art Centre; Caldea Andorra
1996 XX Años, 361 Imágenes por la Memor ia y la Justicia; Pza. de Mayo, Buenos
Aires
Spinosa-Guerrieri-Chujman, Pinturas; Centro Cultural Piedras; Buenos Aires
1991 Museo Histórico y de Artes Gral. San Martín; Morón, Buenos Aires
1990 Museo Municipal de Bellas Artes B. Quinquela Martín; Buenos Aires
1989 Museo Histórico y de Artes Gral. San Martín, Morón. Buenos Aires
Casa de la Cultura Hugo del Carril; Merlo, Buenos Aires
1988 Caja Nacional de Ahorro y Seguro; Buenos Aires
 |  |  | 01 From the series This is not a woman 02 From the series This is not a woman 03 From the series This is not a woman |
Born in 1983 Tehran- Iran.
Education: doctorate of medicine.
Art education: Mahe Mehr Art institution; Aydin Aghdashlou painting classes; Behnam Kamrani painting classes.
Exhibitions
2009 “The other” curated by Ali Ettehad- Mohsen Gallery- Tehran
2009 Florence biennale 2009- Florence- Italy
2009 “Auto-Portraits” curated by Ali Ettehad- Azad Art Gallery- Tehran
2009 “Magic-Shadow Show”: a music performance- Azad Art Gallery- Tehran
2009 “Na”- Azad Art Gallery- Tehran
2009 “Self”- Ovenden Contemporary Art- online exhibition
2008 “Faber-Castel” art festival- Damonfar- Niavaran cultural center- Tehran
2001 group exhibition- Afarinesh Andisheh cultural center- Tehran
Statement:
Women have always been recognized by certain criteria through history. By their beauty, attraction, and sexiness which have been described by some characteristics. As Blanchot says the word “woman” gives a certain meaning to a human being. A creature that is much more than what world known her to be. “This is not a woman” series aim to show a new eroticism, to delete a woman as we know her and create her again. All the works are self-portraits, reflecting my very own feelings as a woman, my social limitations and my freedom of thoughts. In spite of the fact that most of these feelings are due to personal experiences; I guess they can be extended to the general situation of women in Iran and many other countries.
  |   |   | 01 Aus der Serie "Hands on Knees-Shoulder to Shoulder" 02 Aus der Serie "Hands oon Knees-Shoulder to Shoulder" 03 Aus der Serie "Selfportrait" 04 Aus der Serie "Solitary" 05 Aus der Serie "Selfportrait" 06 Aus der Serie "Solitary" |
Through out my work I strive to question personal identity within an urban environment whilst communicating with the people I photograph.
Since the age of 19 I was selected to be the official photographer for Mick Jones’s aka (The Clash) new band Carbon Silicon.
Having just graduated from the BA Photography (Hons) at The London College of Communication, one of the most prestigious photography colleges in Europe, I was awarded first prize by Hotshoe photographic magazine and Photoshot Picture Library for the series “Hands on Knees” at the degree show. Offering me a years paid Internship at Photoshot where I am currently working full time.
2006 - 2009 London College Of Communication
BA Photography
2005 - 2006 Chelsea College Of Art and Design, London.
Foundation in Art and Design - Merit
2000 - 2005 Millfield School, Somerset.
EXHIBITIONS
(2005)
New Talent @ The Atkinson Gallery, Street Somerset.
(2006)
Foundation @ Mill Bank, Chelsea College of Art, London.
(2007)
Snakes and Monkeys @ Finewell Gallery, Goldborn Road, London.
(2009)
Real Life @ Area 10, Peckham, London
(2009)
BA Photography (Hon) Degree Show @ The Well Gallery, London College of Communication.
British Art Now @ Werkstattgallery
PUBLICATIONS
(2007-2009)
• HMV
• The Sunday Times Colour Supplement
• Mojo Magazine
• Q Magazine
• UNCUT Magazine
• The Sun Newspaper
• The Daily Star Magazine
• Now Magazine
• New Magazine
• NME
 |  | 01 On the Way to Democracy(2009) 02 Crash(2009) |
 |  |  | 01 Men of Allah(07) 02 Men of Allah(06) 03 Men of Allah(04) |
Born in 1975, Tehran, Iran
EDUCATION
1994 Economics, University of Tehran, Iran
1994 Photography study under the direction of Mr. Massoud Massoumi
EXHIBITIONS
2009 ‘Iran Inside Out’, Chelsea Art Museum, New York, USA
2009 ‘Looped and Layered’, Thomas Erben Gallery, New York, USA
2009 ‘Raad O Bargh’ 16 artists from Iran, Galerie Thaddaeus Ropac, Paris, France
2009 ‘Unveiled: New Art from the Middle-East’, Saatchi Gallery, London, UK
2008 ‘Today’s Woman’, solo exhibition, B21 Gallery, Dubai, UAE
2008 ‘Men of Allah’, solo exhibition, GaleriArtist, Istanbul, Turkey
2007 ‘Wonders of Nature’, solo exhibition, B21 Gallery, Dubai, UAE
2007 ‘Within and Without’, group exhibition, NoMoreGrey Gallery, London, UK
2007 ‘Melancholy of the Everyday’, solo exhibition, Studio 1.1, London, UK
2006 ‘Iran.com, Iranian Art Today’, group exhibition, Museum fur Neue Kunst, Freiburg, Germany
2005 ‘Beyond Black’, group exhibition, The Third Line gallery, Dubai, UAE
2004 ‘Turning points: Seven Iranian Artists’, group exhibition, LeRoy Neiman Gallery, Columbia University, NY, USA
2004 ‘The Fragmented Mirror’, group exhibition Casa Asia, Barcelona, Spain
2004 ‘Persian Gardens’, video installation, group exhibition, Museum of Contemporary Art in Tehran, Tehran, Iran
2004 ‘Paris Photo’, group exhibition, Le Carrousel du Louvre, Paris, France
2003 ‘Water, The First Element’, group exhibition, National Art Gallery, Malaysia
2003 ‘Lucky Charms’, group exhibition, Gallery Golestan, Tehran, Iran
2003 Solo exhibition, Silk Road Gallery, Tehran, Iran
2002 Cameraman for the short film Hoviat and for the TV program Iran News Channel
2002 Participated in the cinematographic activities of the weekly Cinema Djahan Magazine
2002 Responsible of the International Cinema section of Hadaf Newspaper
2002 Participates in the Art section of Sedayeh Edalat Newspaper
2002 Photographer for the short film Shab
2000 Responsible for the section Cinema at Teheran Avenue Net side until now
1999 Painting group exhibition at the Mojhdeh Gallery in Tehran
1999 Painting group exhibition of Non Frontiers Artists in Hotel Laleh
1995 Agfa Photography Competition in Germany
COLLECTIONS
British Museum, London, UK
Charles Saatchi Collection, London, UK
Devi Art Foundation, Delhi, India
Nothing in Haerizadeh image is quite as it seems. His photographs reflect the colours and composition of everyday life. However, through techniques and devices, he proceeds to trash the absolute realism of photography by subverting the image, literally from within. By splitting, mirroring and twisting his images, disorientating and unseen depths come to light - engaging the viewers to reconstruct reality for themselves. Various aspects of his cultural heritage helped foster a strong graphic sensibility and bold playfulness, such as Persian ornamentation, patterns and compositions that can be found in carpets, architecture, traditional mirror works and miniature paintings.
Statement:
Men of Allah portray the artist trapped in the female figure and disguised in chador robes.
For this series, Ramin found inspiration in ‘Taaziye’ theatre, the
religious plays popular during the Qajar period (and still active today
during Ashura celebrations), whose particularity was that women’s
roles were played by men, who are still considered the only sex
suitable for the profession. One of the most popular scenes was the
wedding of Imam Hossein’s brother; Ghassem in which the character
wearing the white bridal gown is, notably, a bearded man.
Taking off on this farce, Ramin has placed his own portrait (himself a
thickly bearded man) within the guise of a chador-clad female. Challenging
the norms of contemporary Iranian society by digging up its
rich, and very often conflicting, cultural history, Haerizadeh offers
a resourceful and pointed criticism with his characteristic sense of
humour.
 |  | 01 Sophie Scholl 02 Morsal Obeidi |
Geboren 1955 in Freiburg
Abitur am humanistischen Friedrich-Gymnasium
Studium der Kunst, Ethnologie, Psychologie und Religionswissenschaften
in Freiburg, San Francisco und Bremen. Diplom als Kunsttherapeut 1981
Studienaufenthalte in Paris und Barcelona. Von 1984 – 87 Arbeit als Kunsttherapeut
in der Forensischen Abteilung der Karl-Bonhoeffer-Nervenklinik in Berlin
Seit 1988 freischaffender Künstler mit Wohnsitz in Berlin
Seit 1988 zahlreiche Ausstellungen und Ausstellungsbeteiligungen im In- und Ausland
Die wichtigsten Ausstellungsorte der letzten Jahre:
Akademie der Künste, Berlin; PS1 Museum, New York; Künstlerhaus Bethanien, Berlin;
Atatürk Cultural Center, Istanbul; Leslie-Lohman Foundation, New York; Museum of UCLA, Irvine, Los Angeles; Museo del Chopo, Mexico City; Circulo Bellas Artes, Madrid; Museo Universitario, Sao Paulo; Sri Aurobindo Exhibition Hall, Pondicherry, Indien; Deutsch Foundation, Lausanne; Kaskadenkondensator, Basel; 3.Berliner Kunstsalon, Arena, Berlin
Kuratorische Tätigkeit für die Akademie der Künste, Werkstattgalerie und Boudoir, alle Berlin; Galeria Carmen de la Guerra, Madrid; Kunstbehandlung, München
Zahlreiche Veröffentlichungen in Büchern und Magazinen.
Zwei Fotokunstbände: „Amore“, 2006 und „Subversiv“, 2004, beide im Konkursbuchverlag Claudia Gehrke, Tübingen.
Mitherausgeber „Mein schwules Auge“ #3, 2006; #4, 2007; #5, 2008
Kurzfilm „Without Sin there is no Glamour“, 2000, aufgeführt auf internationalen Festivals
Die wichtigsten Stipendien:
Istanbul-Stipendium des Berliner Senats; Käthe-Dorsch-Stipendium, Berlin; Delfina Studio Grant, New York; Civitella d’Agliano-Stipendium des Kunstfonds, Bonn
Projektförderung durch Elledorado e.V., Berlin
Werke in internationalen Sammlungen, u.a. Neuer Berliner Kunstverein; Sammlung Henning,
Berlin; Sammlung Allianz, Berlin; Sammlung Theis, Berlin; Sammlung Arnold Stadler, Berlin; Schwules Museum, Berlin; Elton John Collection, London; Joram Deutsch Foundation, Lausanne; Coleccion Visible, Madrid; Leslie-Lohman Foundation, New York; Wessel & O’Connor Gallery, New York; Tom of Finland Foundation, Los Angeles; James A. McIntosh Collection, Detroit; Thomas W. Sokolowski Collection, Pittsburgh; Sotheby’s, Singapur.
EINZELAUSSTELLUNGEN (AUSWAHL)
2008 “Human Unity - Auroville Portraits”, Ashram Gallery, Pondicherry, Indien
2007 "Pavilion of Love - Auroville Portraits", Gallery Square Circle, Auroville, Indien
“Münchner Factory”, Ausstellungsraum Jürgen Bahr, Köln
2006 "Karma", 3. Berliner Kunstsalon, Berlin
2005 "Subversive", Art@Large Gallery, New York
"Subversivo", Galleria Babele, Mailand
"Münchner Factory", Kunst(B)handlung, München
2004 “Amore – Fotografien”, Schwules Museum, Berlin
“Rinaldo´s Salon”, Kunst(B)handlung, München
"Golden Nudes", Galerie Faubourg, Amsterdam
2003 "Werkschau", Kunst(B)handlung, München
"Golden Queers", Adonis Art Gallery, London
2002 “Werkschau”, Kunst(B)handlung, München
Movin´Art Gallery, Berlin
2001 “Golden Queers”, Kunstbehandlung, München
„Golden Queers”, Mesaoo Wrede Galerie, Hamburg
„Golden Queers”, Neuwerk Kunsthalle, Konstanz (mit Marianne Hopf)
2000 „Embryo”, Forum Alstertal, Hamburg
1998 “Golden Queers”, Wessel + O´Connor Gallery, New York
1996 “Embryo”, Galerie Wolf, Berlin
1994 Atatürk Cultural Center / Goethe Institut, Istanbul
Torhaus Wellingsbüttel, Hamburg
1993 Schwules Museum, Berlin (mit Martin von Ostrowski)
1992 “Goldene Pubertät”, Deutsch Foundation, Musee d´Art Contemporain, Lausanne
„Goldene Pubertät“, Galerie im Körnerpark, Berlin (mit Marianne Hopf)
1991 „Die Weisse Rose“, Galerie Pfundt, Berlin
1988 Nassauischer Kunstverein, Wiesbaden
GRUPPENAUSSTELLUNGEN (AUSWAHL)
2008 “Colleccion VISIBLE – Stories of Love”, Tour durch verschiedene Museen in Lateinamerika. bisher: Museo MAC Ibirapuera, Sao Paulo; Museo del Chopo, Mexico City
“Mein schwules Auge 5”, Werkstattgalerie, Berlin
“Demokratie & Gewalt”, Werkstattgalerie, Berlin
„Go Pink!“, GoGallery, Amsterdam
“La VIH en Rose”, Circulo de Bellas Artes, Madrid
“Märchenwald”, Ausstellungsraum Jürgen Bahr, Köln
2007 “Sex & Christ”, Werkstattgalerie, Berlin
„Mein schwules Auge 4“, Werkstattgalerie, Berlin
“Transretratos”, Circulo de Bellas Artes, Madrid
2006 "30 x 30", Kunst(B)handlung, München
"La Mirada Gay", Galeria Carmen De La Guerra, Madrid
"Happy", Treehouse Gallery, Amsterdam
"3 x Different", Galerie Faubourg, Amsterdam
"Mein Schwules Auge 3", Schwules Museum, Berlin
2004 "Postcards from the Edge", Brent Sikkema Gallery, New York
“Neo-Erotique”, Art@LargeGallery, New York
2003 "Forbidden Visions", Leslie-Lohman Foundation, New York
"Subversiv", Kunst(B)handlung, München
2002 “Berliner Ensemble”, Art-pro-Art, Lahr
Mesaoo Wrede Galerie, Hamburg
Kaskadenkondensator, Basel
2001 Eröffnungsausstellung, Mesaoo Wrede Galerie, Hamburg
„Cross Female”, Kunstverein Pforzheim
2000 „Cross Female”, Künstlerhaus Bethanien, Berlin
Ausbrüche, Kulturbrauerei, Berlin
1998 “Istanbul / Berlin”, Künstlerhaus Bethanien, Berlin
1997 “Positionen schwuler Kunst / Goodbye to Berlin“, Akademie der Künste, Berlin
1996 “Model Home”, PS1 Museum, New York
“Art”, Galerie Wolf, Berlin
1995 “Pervert”, Fine Arts Gallery, University of California, Irvine, Los Angeles
1994 „Boudoir in Exile”, PS1 Museum, New York
“Eros and Identity”, Stuart Levi Fine Arts, New York
1993 “Aids Projekte”, Neue Gesellschaft für bildende Kunst (NGbK), Berlin
“Thema: Aids”, Osthaus Museum, Hagen
1991 „White Heat”, Wessel + O´Connor Gallery, New York
„Double Meanings / Dobles Sentidos”, NGbK, Berlin und MARS Art Space, Phoenix, USA
1990 „Queer”, Wessel +O´Connor Gallery, New York
1988 „Vollbild Aids“, NGbK, Berlin; Deutsch Foundation, Lausanne; Dampfzentrale, Bern
![untitled / sin nombre aus der Serie [:tandem]
Collaborative work together with Nicolas Spinosa
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/thumbs/123_1.jpg)     | ![untitled / sin nombre aus der Serie [:tandem]
Collaborative work together with Nicolas Spinosa
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/thumbs/123_2.jpg)     | ![untitled / sin nombre aus der Serie [:tandem]
Collaborative work together with Nicolas Spinosa
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/thumbs/123_3.jpg)     | 01 untitled / sin nombre aus der Serie [:tandem] 02 untitled / sin nombre aus der Serie [:tandem] 03 untitled / sin nombre aus der Serie [:tandem] 04 3 skulls 05 hand to hand 06 shouldergirdle 07 different gentleman 08 difficult language 09 Marry one another 10 big mouth 11 hearthead 12 2 skeletons 13 sliceskull mask 14 big backbone 15 incisions shoulder |
The [:tandem]-series
Robert Flynt and Nicolas Spinosa met in April of 2009 to see how a collaborative body of work could be made between a photographer and painter.
The artists shared strong interest in the performative act in relation to the making of visual art, with an intensive focus on the body and its re-presentation.
Flynt, the photographer, works extensively with performance artists and dancers, both as models for his work and as a collaborator with many dance and theater projects. This is his first collaboration with another visual artist.
Spinosa, the painter, works in an extremely performative, quasi-ritualistic fashion, using his own body as the primary carrier of pigment, subsequently altered with hand applied elements.
Their initial meeting consisted of three intensive photo shoots built around Spinosa’s practice: initially he served as a model for Flynt’s idiosynchratic shooting technique: tracing the body with flashlights in a completely dark room over relatively long exposure periods. Then Flynt traced Spinosa during the “performing” of his painting creations, following the body as it was painting, imprinted, traced and drawn on large sheets of paper on the studio floor. Additional shooting with completed earlier paintings on both the walls and floor of the studio created additional imagery, and Spinosa was also actively engaged in the making of the photographs through drawing with light (via other flashlights), as well as through conventional mark making.
Flynt subsequently edited the photographic images, using many for his own work, often layered or sequenced with found imagery. The modified digital files were emailed to Spinosa, who had them printed out as light-jet prints and then further drew and painted on these already collaborative images.
The final products are naturally unique images, neither entirely photographs nor paintings, the result of a multifaceted “conversation” between the two artists, where the line between one individual’s aesthetic and the other’s has become almost completely blurred.
The conversation continues following an intensive 5 day residency in Berlin, creating a large series of new underlying images that will be developed over the coming months. The results will be some entirely photographic work (Flynt’s), the 10 meter floor “performed” painting (Spinosa’s), and, primarily, the combined multi-media works on paper that will be the fusion series, “TANDEM”
SELECTED SOLO EXHIBITIONS & INSTALLATIONS:
2009 Heartgalerie, Paris
2008 Antipodes festival, Le Quartz, Brest, France
Haven Arts Center, Bronx, NY
Brattleboro Museum of Art, Brattleboro, VT
2006 Katzen Arts Center, American University (“Body Languages” with Mary Coble) Washington, DC
2004 ClampArt, New York, NY
G2 Gallery, Scottsdale, AZ
Maus Habitos, Porto, Portugal
2001 Wessel+O’Connor Gallery, New York ([Your] Numbered Days artist book)
Maus Habitos, Porto & Igreja da Misericordia, Leiria, Portugal: Partial Disclosures installation (catalog)
2000 Centro Cultural de Belém, Lisbon, Portugal : Partial Disclosures installation
University of Rhode Island, Kingston, RI : Partial Disclosures installation
The Schoolhouse Center, Provincetown, MA
1998 C.E.P.A. Gallery, Buffalo, NY: Blind Trust installation (“Ruins in Reverse” exhibitions/catalog)
Cabrillo College, Aptos, CA: : Partial Disclosures installation
1997 Witkin Gallery, New York, NY
Gomez Gallery, Baltimore, MD
Houston Center for Photography, Houston, TX (catalog; essay by Mark Johnstone)
Colgate University, Hamilton, NY
“The Works” International Arts Festival, Edmonton, Canada: Blind Trust installation
G. Gibson Gallery, Seattle, WA
1996 Craig Krull Gallery, Santa Monica, CA (Compound Fracture, Twin Palms monograph premier)
New Arts Program Gallery, Kutztown, PA: Frail Shelter installation
Donna Beam Fine Art Gallery, UNLV, Las Vegas, NV: Blind Trust installation
1995 Craig Krull Gallery, Santa Monica, CA
G. Gibson Gallery, Seattle, WA
1994 Temple University Gallery, Philadelphia, PA: Blind Trust installation/artist book; text by Chris Packard
Gomez Gallery, Baltimore, MD
1993 Nye Gomez Gallery, Baltimore, MD
1992 Witkin Gallery, New York, NY (Lifejacket artist book/catalog; texts by K. Larsen, J. McMahon, R. Ehmke)
Anderes Ufer, Berlin, Germany (installation)
Galerie Fotomania, Rotterdam, The Netherlands
University of the Arts, Philadelphia, PA : Skin Deep installation
1991 Southern Light Gallery, Amarillo, TX
1990 Witkin Gallery, New York, NY
1988 Midtown Y Photography Gallery, New York, NY
Photographic Resource Center, Boston, MA: Shallow Anatomies installation
1986 Chicago Books, New York, NY (window installation)
1985 Nexus Gallery, Atlanta, GA (installations)
C.E.P.A. Gallery, Buffalo, NY: public bus installation project
1984 MoMing Gallery, Chicago, IL (installations)
The Harkness Center, New York, NY
1983 Maison Jean Villar & Manufacture Laugier, Avignon, France
DTW Gallery, New York, NY
1981 Bates College, Lewiston, ME (with Jacqui Wong/catalog, essay by Brian Wallis)
SELECTED COLLECTIONS:
The Metropolitan Museum of Art, New York
The Museum of Modern Art, New York
The International Center of Photography, New York
Los Angeles County Museum of Art
Museum of Fine Arts, Houston
The Baltimore Museum of Art
The Kinsey Institute, Bloomington, IN
Worcester (MA) Art Museum
Nash Editions Collection
The Contemporary Museum, Honolulu, HI
City of Phoenix, AZ
 |  |  | 01 Mascara 02 oT 03 AutoDaFe |
Roberto Rincon Resumé
Born In Caracas, Venezuela. Lived in the New Orleans, Louisiana (USA) from 1988 to 2005. Now lives and works in London, England.
Solo Exhibitions
Roberto Rincon
Ariodante Gallery, New Orleans: June 4-July 2, 200
Photographs
Ariodante Gallery, New Orleans: September 6-October 4, 2003
Photographs
The Center, New Orleans: June 20-July 31, 2003
The Seven Virtues and Other New Works
511 Marigny Studios, New Orleans: October 2001
Studio Show
511 Marigny Studios, New Orleans: April 29-May 27, 2000
Group Exhibitions
Classicism Subverted
Plat du Jour, Paris: April 7-28, 2005
Gallery Photographers
Cole Pratt Gallery, New Orleans: July 6- August 3, 2002
Gallery Photographers
Cole Pratt Gallery, New Orleans: November 3-December 2, 2001
Typical Men!
-The Gallery of Modern Art, Glasgow, Scotland: October 28, 2001-January 27 2002
-Firstsite @ The Minorities Gallery, Colchester, Essex, England: July 9-September 8, 2001
-Djanogly Art Gallery. Nottingham, England: March 3-April 22, 2001
Between Earth and Heaven
New Classical Movements in the Art of Today
Museum of Modern Art, Ostend, Belgium: March-October, 2001
Education
1995-1997 University of New Orleans
Masters of Arts in Fine Arts, Photography and Printmaking
1989-1994 University of New Orleans
Bachelors of Arts in Fine Arts, Studio Option (Photography)
 |  |  | 01 Black Friday 02 Blackfield 03 Lucent Embrace |
Roni Feldman applies the blurred, ethereal nature of airbrushed
acrylic to paint multitudinous human features. He forms tensions
between individual and crowd, abstraction and representation. Using
varying degrees of matte and gloss black paint, the imagery may be
invisible at first glance, but as viewers pass before them, the figures
refract revealing an elaborate composition. In them, whirls of figures
celebrate, mourn, protest, consume, dance, and embrace alongside others
that drown, burn, and dissolve. Feldman’s crowds evoke the power and
ecstasy of unified intention alongside a potential descent into mob
mentality. The compositions recall the idealistic pursuit of 1960's
psychedelia, van murals, and other airbrush art forms, but in Feldman’s
work, airbrushed paint is like a thin veil that separates utopia and
dystopia, civilization and chaos.
Born in Los Angeles, CA
Lives and works in Los Angeles, CA
EDUCATION
2008 Claremont Graduate University, M.F.A.
2002 College of Creative Studies at UC- Santa Barbara, B.A.
SOLO EXHIBITIONS
2009 “Collective Dissolev III”, Wilson Street Gallery, Sydney, Australia
2008 “Collective Dissolve II”, Toomey-Tourell Fine Art, San Francisco, CA
"Collective Dissolve I", Peggy Phelps Gallery, Claremont, CA
2006 “The Space of Heaven”, Stanford University Art Spaces, Stanford, CA
2005 “From LA to SF”, Pence Gallery, Davis, CA
2002 “The Girls of Isla Vista”, Sullivan-Goss Fine Art, Santa Barbara, CA
SELECTED GROUP EXHIBITIONS
2009 "Wide Angle III", Cal State Long Beach Museum of Art, Long Beach, CA
"Discovered/Undiscovered", Smog Shoppe, Culver City, CA
"Supersonic", Los Angeles Art Fair, Los Angeles, CA
"Trade Show", Istanbul, Turkey
"This is Paint", Infusion Gallery, Los Angeles, CA, Curated by Judy Chicago
"Over/Flow", Cerritos College Art Gallery, Norwalk, CA
"Fourth of July Show", Jancar/McCorckle Projects, Los Angeles, CA
2008 "Ten", Toomey-Tourell Fine Art, San Francisco, CA
"Way Too Overhung", Concrete Walls, Los Angeles, CA
"Don't Be Shy", Peggy Phelps Gallery, Claremont, CA
“Black and White”, Wilson Street Gallery, Sydney, Australia
“New Paintings”, Canvas Gallery, Seattle, WA
“Us vs. Them”, See Line Gallery, Santa Monica, CA
“Portable A3”, Front Magazine and Artists Helping Artists, Antwerp, Belgium
“Political Disco”, Santee Project Space, Los Angeles, CA
“The Benefit Exhibition”, Duncan Miller Gallery, Culver City, CA
2007 “Flow Fair”, Toomey-Tourell Fine Art, Miami, FL
“Portable A3”, Front Magazine and Artists Helping Artists, Portland, OR
“Velocity”, Claremont Art Museum, Claremont, CA
“The Fourth Leg”, East Gallery, Claremont, CA
“The Media”, City of Brea Gallery, Brea, CA
“Art Chicago”, Toomey-Tourell Fine Art, Chicago, IL
“Things that are in the News or Should Be”, Second City Gallery, Long Beach, CA (Juror: Meghan Daum)
“Figurations”, Claremont City Hall, Claremont, CA
“Red Dot”, Toomey-Tourell Fine Art, New York, NY
2006 “Flow Fair”, Toomey-Tourell Fine Art
2004 “Big”, Toomey-Tourell Fine Art, San Francisco, CA
“Lumen”, Felix Kulpa Gallery, Santa Cruz, CA
“The Clockwatchers”, Pence Gallery, Davis, CA
“Scope Arts”, Toomey-Tourell Fine Art, Los Angeles, CA
“Women” Union Gallery, Cal State Sacramento University
2003 “What You See Is What You Get”, Temple Gallery, Los Angeles, CA
2002 “Angel Show”, Reynolds Gallery, Montecito, CA (Juried)
“Juried Show”, UCSB Museum, Santa Barbara, CA (Juried)
AWARDS & HONORS
2009 MFA Now Prize
2008 Walker/ Parker Memorial Fellowship
Claremont Graduate University Travel Grant
2003 Mixed-Media International Art Award, Golden Key Honors Society
2002 Painting International Art Award, Golden Key Honors Society
Abrams Prize Grant for the Arts
UCSB Graduation Speaker
2001 John E. Profant Memorial Scholarship for the Arts
1998 American Legion Scholarship Award for Leadership and Honor
CANEC Merit Scholarship
1997 Palisades Scholarship for Art and Public Presentation
TEACHING EXPERIENCE
2009 Otis College of Art and Design, Continuing Education, Adjunct Faculty- Tromp L'oeil
Otis College of Art and Design, Continuing Education, Adjunct Faculty- Color and Light through Landscape Painting
2008 Chaffey College, Teaching Assistantship- Portfolio Development
Chaffey College, Teaching Assistantship- 2D Design, Online Course
CGU, Graduate Seminar Coordinator- Religion and Contemporary Art Discussion Group
2007 University of La Verne, Teaching Assistantship- 2D Design
CGU Graduate Seminar Coordinator- Political Art Discussion Group
CGU, Seminar- Running an Art Business
2002 UCSB, Discussion Leader- Student Colloquium
UCSB, Discussion Leader- Student Colloquium
LECTURES
2009 National Art School, Sydney, Australia
World on Fire Conference, Claremont, CA
Santa Barbara City College, Santa Barbara, CA
2008 Chaffey College, Rancho Cucamonga, CA
CURATORIAL EXPERIENCE
2008 Political Disco, Santee Plaza, Los Angeles, CA
2003 WYSIWYG, LA Women's Building, Los Angeles, CA
2002 Art for Peace, Gallery 1434, Santa Barbara, CA
2001 Unlimited, CCS Gallery, Santa Barbara, CA
BIBLIOGRAPHY
2007 “The Media”, Catalogue
2002 Spectrum Art Journal
Into the Teeth of the Wind, Cover
2001 Into the Teeth of the Wind, Cover
PUBLICATIONS
5/1/2008 “Collective Dissolve”, Front Magazine
6/24/2007 “Art Notes from the Road”, Orange County Register, Richard Chang
6/7/2007 “Mediated Media”, Brea Star Progress, Jaimee Lynn Fletcher
4/27/2007 “Bring It On”, Long Beach Press Telegram, Shirlie Gottlieb
3/15/2006 “The Space of Heaven”, Palo Alto Weekly
3/15/2006 “The Space of Heaven”, Stanford Report
2/5/2004 “The Clockwatchers” Davis Enterprise, Suzanne Minich
MEDIA APPEARANCES
2006 "The Painting Gourmet", Interview by Darlene Carmen, Television
 |  |  | 01 El trono de Elegwa III 02 El trono de Elegwa II 03 El trono de Elegwa I |
 |  | 01 Paint Stacked and Framed (Black) 02 Paint Stacked and Framed (White) |
Ryan Peter Miller uses paint as both his material and subject.
Each of Miller’s works expresses an inventive application of paint. In
one work, he applies paint as multitudinous stacked units in a tower.
In another work he casts acrylic paint as puzzle pieces. In a third
piece, Miller casts a full body self portrait in white acrylic paint.
For Miller, paint is raw material, loaded with turgid historical
significance, that can be grouped and restructured into non-traditional
supports. Miller calls painting a democratic process, reflective and
responsive to history and culture, but with endless potential for
evolution and re-contextualization.
EDUCATION
2008 Arizona State University, Masters of Fine Arts, Drawing and Painting
2001 University of Georgia, Bachelor of Fine Arts, Drawing and Painting
EMPLOYMENT
2009-10 ASU, Gallery Director
ASU, Gallery Exhibitions, Faculty Associate
ASU, Senior Exhibitions and Portfolio, Faculty Associate
Paradise Valley Community College, Drawing 1, 2, & 3, Adjunct Faculty
Paradise Valley Community College, Figure Drawing 1, 2, & 3, Adjunct Faculty
Paradise Valley Community College, The Portfolio, Adjunct Faculty
PROFESSIONAL EXPERIENCE AND RESIDENCIES
2009 Vermont Studio Center, Johnson, VT
2008 Internship, Bentley Gallery, Scottsdale, AZ
Artist Assistant to Pat Steir
2001-02 Artist Assistant, Deljou Art Group, Atlanta, GA
AWARDS AND GRANTS
2009 Vermont Studio Center Artist’s Grant. Vermont Studio Center, Johnson, VT.
2008 MFA Now Juried International Painting Competition Award Winner
Graduate Tuition Fellowship. Arizona State University
2007 Graduate Tuition Fellowship. Arizona State University
2005 Graduate Tuition Fellowship. Arizona State University
2001 Honorable Mention. Lyndon House Arts Center 26th Juried Exhibition. Lyndon House, Athens, GA
2000 Vince Dooley Scholarship. University of Georgia
SOLO EXHIBITIONS
2009 Do I have to paint you a picture? Six Squared, ASU Polytechnic Campus, Mesa AZ.
AIN’TING. Eye Lounge, Phoenix, AZ
2008 AIN’TING: Master’s Thesis Exhibition. Arizona State University
2000 RYJARPAINTCO: collaborative paintings by ryan miller and jarad smith. University of Georgia
INTERNATIONAL JURIED EXHIBITIONS
2010 This is Paint! MFA Now Juried International Painting Exhibition. TBD. Jurors Judy Chicago and Adam Rogers
JURIED EXHIBITIONS
2009 Bookish, Phoenix Airport Museum, Phoenix, AZ. Juror Gary Martelli.
Art for Health. Hope Hall, ASU. Phoenix, AZ.
North American Graduate Art Survey. University of Minnesota. Minneapolis, MN. Juror Christopher Atkins
2008 Juried All Media Exhibition. Palos Verdes Art Center. Palos Verdes, CA.
MFA Juried Summer Exhibition. Arizona State University.
Juror Dennita Sewell
2008 Mass Consumption: the influences of popular culture on Contemporary Art. Mesa Arts Center, Mesa, AZ. Juror Greg Escalante
Mosaic: Cultural Identity in America. Museum of Anthropology,
Arizona State University. Jurors Claire Schneider and John Spiak
Big Ideas Small Frames. Dinnerware Artspace. Tucson, AZ
2007 MFA Juried Summer Exhibition. Arizona State University. Juror Lara Taubman
2001 Lyndon House Arts Center 26th Juried Exhibition. Athens, GA.
Juror James Dean
GROUP/INVITATIONAL EXHIBITIONS
2009 Night Gallery Group Exhibition. Tempe, AZ
Art Detour. Eye Lounge, Phoenix, AZ
Offhand. Gallery 100, Arizona State University
Love Letters. Modified Arts, Phoenix, AZ
2008 6X6. Eye Lounge, Phoenix, AZ
ABBA (A Buncha Book Artists): TXT MSGS. Arizona State University
Night Gallery Group Exhibition. Tempe, AZ
Number Ones. LAS Gallery, Phoenix, AZ
Rubbish Revival. Tempe City Hall, Tempe, AZ
Nathan Cummings Travel Grant Exhibition. Arizona State University
Art Detour. Eye Lounge, Phoenix, AZ
2007 Nathan Cummings Travel Grant Exhibition. Arizona State University
Plastic Fantastic. Arizona State University
2004 Bunker. The Clean Room, Carrboro, NC
New Works by Elisha Conrad and Ryan Miller. The Grit, Athens, GA
2003 Group Show. The Grit, Athens, GA
2002 The Latest Show on Earth. Transmetropolitan, Athens, GA
2001 All-star Liberation Front. Chase Street Warehouse, Athens, GA
The Most Recent Show on Earth. University of Georgia
2000 NUCI’S Space Grand Opening. Nuci’s Space, Athens, GA
INTERFACE IV. Quality Warehouse, Athens, GA
CURO SYMPOSIUM 2000. Tate Gallery. UGA, Athens, GA
Drawings 2000. Lamar Dodd School of Art. UGA, Athens, GA
PUBLICATIONS
2008 Phoenix New Times Blog, “Arty Girl: "Ain'ting" by Ryan Peter Miller
at Eye Lounge,” December 22, 2008
http://blogs.phoenixnewtimes.com/uponsun/2008/12/arty_girl_ainting
_by_ryan_pete.php
AZCentral.com, “1/2: First Fridays: Q&A with artist Ryan Peter Miller,” December 6, 2008
http://www.azcentral.com/ent/arts/articles/2008/12/26/20081226phx-
firstfriday1227.html
Craftzine.com, April 7, 2008
http://blog.craftzine.com/archive/2008/04/skull_crayon_art.html
2002 New American Paintings, Issue 40
The International Economy, Fall
PROFESSIONAL ORGANIZATIONS
2008-09 Member/Treasurer of Eye Lounge Artist Collective
http://www.eyelounge.com/home/
2008-09 Member of ABBA (A Buncha Book Artists), ASU
   |   |   | 01 Doubles 02 Tales out of Innsmouth 03 Avid 04 The Gullet and the Crumpet 05 The Up 10000 06 The Statement 07 Against Nature |
Born 1977, Lives and Works in London.
2004 - 2007 Royal Academy of Art: MA in Fine Art
2000 - 2003 Middlesex University: BA (Hons)
In Fine Art ( 1st Class )
EXHIBITIONS
DEC 2009- Solo Show- Charliesmithlondon
2009 Werkstattgalerie, Berlin
2009 New London School, Groupshow, Galerie
Schuster, Berlin
2008 Kust an Weihnachten, Groupshow, Frankfurt
2008 The Future Can Wait, Groupshow, London
2008 Brahaus Five Gallery, Solo Show, Frankfurt,
Germany
2008 The Smallest Art Fair in The World, Group
Show (Curated by Anna Kustera), Anna Kustera
Gallery, New York
2008 A Stain Upon The Silence, Groupshow, St.
Martins College Of Art, London
2008 Anticipation, Group show (curated by Kay
Saatchi, Catriona Warren) London
2008 UK Best Graduates, Group Show, White Box
Gallery, New York
2008 Changing Role Gallery, New London School
(curated by Zavier Ellis & Simon Rumley), Rome
and Naples
2008 Thomas Williams Fine Art, Boundaries, Solo
Show, London
2008 Icons, Primo Alonso Gallery, Group show,
London
2008 Mark Moore Gallery, New London School,
(curated by Zavier Ellis, Max Presneill & Simon
Rumley) Los Angeles
2007 Atlantis Gallery, The Future Can
Wait (curated by Zavier Ellis & Simon Rumley)
London
2007 Royal Academy, RA Schools Show, London
2006 Lennon Weinberg, RA5, New York
2006 Sachler Gallery, Premiums Show, Royal
Academy, London
2006 Wisniez Castle, Royal Academy Show,
Krakow, Poland
2005-07 Royal Academy, Summer Exhibition, London
2005 Hollow Salon, 50 Selected artists, London
2004 Florence Trust, 12 Award winners Show,
London
2003 Mighty Painting, Group show, London
2002 De Blop, Survey Show, London
Art Fairs
2009 Art Roma, Rome
2009 Art Rotterdam, Rotterdam
2009 Pulse art Fair, New York
2008 Scope London, London
2008 Scope New York, New York
AWARDS & RESIDENCIES
2007 Chelsea Arts Club Travel Award
2005 Sturdley Award
2004 British Institute Award
2003 - 2004 Florence Trust Studio Award
PUBLICATIONS
www.ModernEdition.com
Sexuality in Art
The Times Magazine
Saatchi after Saatchi- Ginny Dougray-July 2008
Anticipation Londons Best Graduates
Bon International No.12
15 Young Masters- Freire Barnes
Miser and Now- Issue 10
Q&A
Sunday Times- Aug 2007
Art Fair Review-Richard Clayton
The Times-0ctober 2007
Oh you pretty things- Derwent May
COLLECTIONS
Sir Norman Rosenthal, London
Kaye Saatchi, London
David Roberts, London
Carlos Frogossi, New York
Neville Tulli, Mumbai, India
Pasquale Garrachio, London
Zavier Ellis, London
Werner Grub, London and Germany
Simon Rumely, London
Private collections in Germany, Italy, U.S.A,
Switzerland and U.k.
  |   |  | 01 Leben ist Kurz- Hans Joachim und Annegret 1938 02 Schichtenlandschaften 03 Windspiel 04 Windspiel und Kartoffeln 05 Windspiel |
1958 born in Pritzwalk, grown up in Bad Saarow
1976 highschool graduation in Hoyerswerda
1976-78 employee training in ceramics in Saalfeld
1978-83 University of Arts Berlin Weißensee,
Master of Arts in sculturing and ceramics.
1983 free artist in Spremberg und Klein Loitz
Member of VBK later BVBK
1993 Main Price of the Euro-Biennale Niederlausitz
1994 Member of GEDOK-Brandenburg
1995 Stipendium in Rio de Janeiro
1996 Winner of >Kunst am Bau<
Investitionsbank des Landes Brandenburg and
Kreiskrankenhaus Herzberg
1997-98 Stipendium of Käthe-Dorsch-Stiftung
Solo exhibitions and Groupexhibitions 1990-2007 (selection):
Rio de Janeiro, Museu de Arte Moderna.
Bonn, Frauenmuseum.
Cottbus, Brandenburgische Kunstsammlungen.
Ludwigshafen, Wilhelm-Hack-Museum.
Itschewan (Armenien).
Imperia (Italien).
Potsdam, Waschhaus, Staudenhofgalerie, Galerie M, Filmmuseum.
Berlin, Verein Bildener Künstler, Sophien-Edition.
Cottbus, Galerie Eva Blobel, Essag Hauptverwaltung.
Senftenberg, Laubag Hauptverwaltung.
Frankfurt/Oder, Galerie Junge Kunst, Galerie B.
Krefeld, Dresden, Rostock, Senftenberg, Zielona Gora und Opole (Polen), Brüssel, Aachen, Kassel, Lübeck, Kiel.
Recklinghausen, Galerie Art Consulting.
Berlin, Vertretung des Landes Brandenburg.
>SpannungsmomenteKöpfe< (S.K.Bolduan, M.Götze, C.Gröszer).
Teilnahme an 15 internationalen Symposien u.a. in Brasilien, Italien, Armenien.
Europa-Biennale für LAND-ART, Objektkunst und Multimedia 1 und 2.
Kunstverein Schloss Wiligrad
Bautzener Kunstverein, Galerie Budissin.
Collections and Art in public space (selection):
Museum Junge Kunst Frankfurt/Oder.
Brandenburgische Kunstsammlungen Cottbus.
Kunstsammlung Lausitz.
Museu de Arte Moderna, Rio de Janeiro.
Investitionsbank des Landes Brandenburg, Potsdam.
Kreikrankenhaus Herzberg.
Essag Hauptverwaltung.
Laubag Hauptverwaltung.
Carl-Thiem-Klinikum, Cottbus.
Amtsgericht Hoyerswerda.
Kreissparkasse Finsterwalde.
BUGA Cottbus.
Sparkasse Spree-Neiße Cottbus and many private collections.
    |     |     | 01 3..6..9 Seconds Of Light 02 3..6..9 Seconds Of Light 03 3..6..9 Seconds Of Light 04 Farenheid 51'52'' 05 Farenheid 51'52'' 06 Farenheid 51'52'' 07 Farenheid 51'52'' 08 Farenheid 51'52'' 09 Farenheid 51'52'' 10 Farenheid 51'52'' 11 Farenheid 51'52'' 12 Farenheid 51'52'' |
I am concerned with fields like film, photography, slide shows and video projection. Above all, I try to combine all these areas of visual art for the purpose of creating multimedia scenographies, installations, projections as well as performance.
In the last years I carried out by myself or in cooperation with other creators projects ranging from big commercial production to experimental artistic ones. I realized multimedia shows, photography and film documentation. I cooperated in creating exhibitions, concerts, theatrical performance. I also ran film workshops for youth.
I cooperated with theatre “Komuna Otwock”, the Foundation “Brulion”, music band “Transkapela”, Katarzyna Kozyra, the Gallery “Dziekanka”, National Gallery of Art Zach?ta, the Centre of Contemporary Art, the Publishing House “Stop Over Press”, the Publishing House “Wydawnictwo Czarne”, “Cinema” Theatre as well as “Academia” Theatre.
I took part in such festivals like: Vidi Wall - Vienna 1998; Filmschau in Zacheta National Gallery of Art - Warsaw 2000; Neighbours for Neighbours Festival - Warsaw 2006; Terra Polska - Berlin 2006; The Malta International Theatre Festival - Pozna? 2006; Festival “Film Polska” – Berlin 2008.
In 2007 I developed individual exhibition „Stillleben” in the Gallery of Polish Institute in Berlin, and multimedia project on the occasion of 50th Anniversary of the Rome Treaties in the Museuminsel in Berlin.
Recently I have been cooperating with some music clubs and DJs. I made for them visual space and transform interiors with live projections.
Currently I work with artistic agency “IDFX” in Warsaw and realize my own projects.
    |    |    | 01 Ikarus (2008) 02 Die Nacht (2007) 03 Die Spielzeit (2008) 04 Die Szene (2009) 05 DieFlucht (2008) 06 Der neue Standard (2008) 07 oT (2009) 08 oT (2009) 09 Benjamin und Pauline (2009) 10 Manipulation (2009) |
1980 geboren in Kostiukowka, Gebiet Gomel, Belarus.
1998-2004 Studium an der Belarussische Staatliche Akademie der Künste, Minsk
seit 2006 Dozentin an der Belarussische Staatliche Akademie der Künste, Lehrstuhl für Zeichnung
seit 2008 Aspirantin an der Belarussische Staatliche Akademie der Künste, Kunstgeschichte und Kunsttheorie.
Preise
1997 1. Preis des I. Republikanischen Kunstwettbewerbs Junger Künstler, Belarus
2002 Spezialpreis der Staatsregierung Tczew (Polen) und der Gruppe experimentale Keramik der “Schule Romano Ragneri”(Itali) auf III. Internationalen Festival der Theater und bildende Künste ”Zdarzenia”, Tschew, Polen.
2009 1.& 2. Preis des “Earth Day Art Contest “ organisiert durch die Botschaft der Vereinigten Staaten von Amerika in Minsk, Belarus
Gruppenausstellungen (Auswahl)
2000 “Die Neuen Namen”, Palast der Künste, Minsk, Belarus
2001 II. Internetionales Festival der Theater und bildende Künste”Zdarzenia”, Tschew, Polen
“Liebe, Labyrinthe” Galerie “Zilbel”, Minsk, Belarus
2002 “5 Frauen”, Galerie ”Terre des Hommes, Minsk, Belarus
“Die Zeit steht nicht“, Galerie “Palace of Art”, Minsk, Belarus.
2003 “Kino nicht für alle” Museum der Belarussische staatliche Akademie der Künste,Minsk
“Formazione concreta”, Staatliches Museum Deruta, Italien
2004 “Die Wanderung ohne Zeit”, Galerie Palace of Art, Minsk, Belarus
2005 “Die bunten Farben der Belarus”, Galerie “ Stella”, Paris, France
2006 “Posttradition”, Ausstellung der Belarussische Künstlerverbands, Sektion “Malerei”
2007 “8th International Pienkow Art Workschop”, Museum der Akademie der Künste Poznan,
2008 “Die neue Zeit” Ausstellung der Meisterschüler der Belarussischen Staatlichen Akademie der Künste, Galerie “Palace of Art”, Minsk, Belarus
2009 “Earth Day Art Exibition” organisiert durch die Botschaft der Vereinigten Staaten von Amerika in Minsk, Galerie der Puschkinbibliotek, Minsk, Belarus
Einzelausstellungen
2009 – “Identifikation”, Museum der Zeitgenössischen Künste, Minsk,
Belarus
    |     |     | 01 Formation 02 Holon 03 Krass Abgehakt 04 Smashed 31.3.2010 05 Revolutionäre Energie 06 Robinsons 27th Anniversary 07 Movement Motion 08 Freies Museum Berlin ist ein vitales Kunstwerk 09 Organisierte Revolutionäre Energie ist Key 10 Germany Triptychon (I) 11 Germany Triptychon (II) 12 Germany Triptychon (III) |
1954 in Norden geboren
1976 bis 1981 Studium an der Hochschule der Künste Berlin bei Fred Thieler, Meisterschüler
1979 Gründung der Künstlergruppe und Galerie 1/61 Berlin
1982 PS1-Stipendium in New York
1983 Kunstpreis "Glockengasse", Köln
1983 Philip Morris-Preis "Dimensionen IV – Neue Malerei in Deutschland"
Lebt und arbeitet in Berlin
Permanent Presentation:
128 Paintings by ter Hell on 9 levels at the Sofitel Berlin / Hotel Schweizerhof, Budapester Str. 25, D–10787 Berlin.
Ständige Präsentation:
128 Werke von ter Hell auf 9 Etagen im Sofitel Berlin / Hotel Schweizerhof, Budapester Str. 25, D–10787 Berlin.
Einzelausstellungen | solo exhibitions
1978 Galerie Georg Nothelfer, Berlin
1979 Galerie 1/61, Berlin
Forum für aktuelle Kunst, Berlin (Zeichnungen)
1981 "ter Hell 80/81", Galerie Georg Nothelfer, Berlin
Internationaler Kunstmarkt Köln 81
1982 "Kompliment an Alle", Trilogie, P.S. 1, New York
1983 Galerie Tilly Haderek, Stuttgart
Galerie Peccolo, Livorno
Galerie Fahnemann, Berlin
"Bezüge II", Neuer Berliner Kunstverein, Berlin
Dany Keller Galerie, München
1984 Galerie Wallner, Malmö
"The Car", Aktion mit Skulptur/Foto/Mode/Musik/Film, Berliner
Mauer
"Bezüge VII/MEK", Galerie Löhrl, Mönchengladbach
"Sofa-Serie", Galerie Tilly Haderek, Stuttgart
"Minus gleich plus", Mora, Berlin
"MEK HH Glas" XPO Galerie, Hamburg
1985 "Sofa-Serie", Galerie Fahnemann, Berlin
"Raum 41", Raum 41, Bonn
Mappe Vera Hell (Zeichnungen), Mora, Berlin
"de Koenig Serie", Galerie B. Jacob, Oldenburg
1986 Galerie Hartz und Klier, Tübingen
"Dynamit 13", Galerie Fahnemann – art cologne
"Bezüge XIV – Kunst und Freibier", Rosenthal, Selb
1987 "ter Hell, Malerei 78 - 87", Galerie Pels-Leusden, mit Galerie
Fahnemann, Berlin
1989 Galerie Manfred Giesler, Berlin
Galerie Mezzano Deplana, Berlin
1990 Lightband Galerie, Berlin
1991 A.R.T. Galerie, Düsseldorf
1993 Galerie Manfred Giesler, Berlin
1996 Galerie Manfred Giesler und Georg Nothelfer, Berlin
1997 Genthiner 11, Berlin
1998 "Unternehmen-Kunst", kunSTück Art-Consulting, Berlin
2000 Dorint Hotel Schweizerhof, Berlin
2001 Genthiner 11, Berlin
2003 "Liebe & Hass", Kunsthaus Norden
"Das kreative Prinzip", Richard-Heizmann-Museum Niebüll
2004 "Mindshape", Genthiner 11, Berlin
2007 "1997–2004", Lys Wakeman Galerie, Berlin
2009 Freies Museum Berlin
Gruppenausstellungen | group exhibitions
1978 Kunstmarkt Düsseldorf
1979
"Alkohol, Nikotin fff", Galerie am Moritzplatz, Berlin
ART 10/79, Basel
"12 Räume – 12 Künstler", DAAD Galerie, Berlin
"1/61", Eröffnungsaustellung der Galerie 1/61, Berlin
1980
"1/61", Abschlußausstellung der Galerie 1/61, Berlin
"Junge Kunst aus Berlin", Goethe-Institut München in Zusammenarbeit mit dem Senator für Kulturelle Angelegenheiten Berlin. Gezeigt in Berlin, München, London, Singapur und anderen Orten – bis 1982
Deutscher Künstlerbund, Hannover
Große Kunstausstellung, München
Neue Gruppe, Haus der Kunst
1981
"Ten Young Painters from Berlin", Goethe-Institut, London
"Szenen der Volkskunst", Volkskultur-Subkultur-Massenkultur, Württembergischer Kunstverein, Stuttgart
"Forum Junge Kunst 81", Wolfsburg, Düsseldorf, Kiel
"Bildwechsel – Neue Kunst aus Deutschland", Akademie der Künste, Berlin
ART 12/81, Basel
"Situation Berlin", Museum Nizza, Kunsthalle Wilhelmshaven
"Phoenix" Alte Oper, Frankfurt
Deutscher Künstlerbund, Kunsthalle Nürnberg
"Dimension 81 – Neue Tendenzen der Zeichnung", München, Berlin, Düsseldorf
"Kunst für den Bund", Sammlung der BRD, Bonn, Recklinghausen
"10 x Malerei", Zusatzausstellung zu Chaim Soutine, Landesmuseum Münster
"Gefühl & Härte", Neue Kunst aus Berlin, Kulturhuset Stockholm, Kunstverein München
"Zeichnung heute", 2. Internationale Jugendtriennale der Zeichnung, Nürnberg, Lausanne, Lissabon
ART 13/82, Basel
"Dada Montage Konzept", Berlinische Galerie, Berlin
Galerie Inter Art, Basel
"Trivial ein Signal" (mit Peter Angermann, Horst Gläsker und Rainer Mang), Städtische Galerie Regensburg
Galeria Academia, Salzburg (Jubiläumsausstellung)
Galeria Peccolo, Livorno (mit Reinhard Pods und Gerd Rohling)
"Made in New York", Paintings and Sculptures by four contemporary German Artists – Thomas Bernsten, ter Hell, Barbara Quandt, Klaus Schmitt – Goethe-Institut, New York
1981
"Sieben im Kutscherhaus", Sammlung Dr. Stober, Berlin
"New European and American Drawing", Piran, Jugoslavien
1983
"Xenophilia", The Clocktower Institute for Art and Urban Resources, New York
"generics + + +", Neuer Berliner Kunstverein, Berlin
Internationaler Kunstmarkt Köln
Galerie Fahnemann, Berlin
"Berliner Maler zu Gast im ZDF", Mainz-Lerchenberg
"Dimension IV – Neue Malerei in Deutschland", Nationalgalerie, Berlin / Haus der Kunst, München / Kunsthalle Düsseldorf
Deutscher Künstlerbund, Nationalgelerie und Martin-Gropius-Bau, Berlin
1984
"Neue Malerei Berlin", Kästner-Gesellschaft, Hannover
"Kunstlandschaft Bundesrepublik Deutschland", Stuttgart, Ulm, Reutlingen
Aktion "Götterdämmerung, Spray auf Glas", aus Anlaß der Salomé-Ausstellung in der Galerie Raab, Berlin
1985
"Neuerwerbungen 1975 - 1985", Nationalgalerie Berlin
"Kunst in der Bundesrepublik Deutschland 1945 - 1985", Nationalgalerie Berlin
"Drawings – 12 Artists from Berlin", Wanderausstellung Goethe-Institut Kairo
1986
"Images of Shakespeare", Technische Universität Berlin / Ausstellungsraum in der Grundkreditbank, Berlin
"Berlin Aujourd´hui", Musée de Toulon, Toulon, Frankreich
"7. Internationale Biennale der Grafik", Mulhouse, Frankreich
"Von Beuys bis Stella", Kupferstichkabinett Berlin
"Art Fair", Los Angeles
"Kunst in Berlin von 1870 bis heute, Sammlung der Berlinischen Galerie", Berlinische Galerie, Martin-Gropius-Bau, Berlin
1987
"Berlin Art 1961 - 1987", MOMA, New York und San Francisco Museum
"Momentaufnahme", Kunsthalle Berlin
"Darmstädter Sezzesion", Darmstadt
"Dallas – Berlin", Crescent Gallery, Dallas
"Bremer Kunstpreis", Kunsthalle Bremen
"desire for life", Pictures from Berlin, Goethe-Institute der USA und Kanada
"Standort 87", Galerie Pels-Leusden, Berlin
1989
"Eberhard Roters zu Ehren", Berlinische Galerie
"Wortlaut", Galerie Schüppenhauer, Köln
"Malerei des 20. Jahrhunderts", Martin-Gropius-Bau, Berlin
"Von der klassischen Moderne bis zur Gegenwart", Galerie Pels-Leusden, Berlin
"Kunst in Berlin von 1900 bis heute", Centro de Arte Moderna, Lissabon
1990
"Ambiente Berlin", Biennale Venedig
"Berliner Kunststücke", Museum Leipzig, Altes Museum Berlin
1991
"Berliner Kunst seit 45", Museum in Riga und St. Petersburg
1992
Sammlung der Berlinischen Galerie, Berlin
1995
Forum Hotel, Hamburg
Maritim Pro Arte Hotel, Berlin
1996
Kunstverein Schwetzingen
30 Jahre Galerie Wewerka, Berlin
Forum Hotel an den Elbbrücken, Hamburg
1999
"Deutsche Kunst nach 1945", Kunstmuseum Bonn
"100 Jahre Kunst im Aufbruch", Berlinische Galerie, Bonn, Grenoble, Valencia, Porto, Budapest
2002
"Ambrosia", Galerie im Abgeordnetenhaus Berlin
2003
"Der Text ist die Lüge", Galerie Dany Keller, München
"Ich bin’s – Zwischenspiel V", Berlinische Galerie im Kunstforum der Grundkreditbank Berlin
2005
"Toteninsel", Kunstfaktor Produzentengalerie, Berlin
"Kunst pur", im Rondell des Bundesministerium des Inneren, Berlin
"Kein Ende der Geschichte", Schlierbach/Hessen, Kunst im öffentlichen Raum
2008
"Die aufregende Kunst des 20. Jahrhunderts", Neue Nationalgalerie, Berlin
"Berliner Kunstschau", Voß-Palais, Berlin
"Eine Dekade – 10 Einsichten", Kunstfaktor Produzentengalerie, Berlin
Werke in öffentlichen Sammlungen | works in public collections
Nationalgalerie Berlin
Berlinische Galerie, Berlin
Kunsthalle Nürnberg
Kunsthalle Wilhelmshaven
Kunsthalle Emden
Europaparlament Straßbourg
Deutsche Bank, Berlin und Luxemburg
 | 01 The Fear of Leaving the House |
was born to two figurative American painters, Lani Irwin and Alan Feltus. Growing up in an eclectic environment, I learned that there is nothing unusual, and that the fabric of the world need not remain mysterious. I am a strong believer in Henri Cartier-Bresson's saying that "there is no aesthetic peculiar to photography or drawing".
From 1987 I grew up in central Italy. In 1999 I moved to Edinburgh where I obtained a BA and Mdes in design.
In collaboration with my brother, I completed our award winning stop-motion animated film 'Solo Duets' (2005). Written and directed by Joseph, and with miniature portrait sculpture by myself, it is a strongly poetic and pictorial collaboration. Together we held two solo exhibitions of photography in Italy, a multitude of group shows, art fairs, film festivals and even design fairs across the world, and are currently working towards a solo exhibition in London, and the completion of a new animated film.
Experience
• 2009 ARTE magazine (Italy), full article on FeltusFeltus in the February issue.
• 2009 Live performance photography for "Der Kaufmann von Venedig" (The Merchant of Venice), directed by Burkhard Schmiester at the Severins Burg Theater, Cologne
• 2008 Photography and poster design for "La Giovine Italia", written and directed by Marco Costa, performed at Teatro de'Servi, Rome
• 2008 director of photography for “The Apple”
• 2007- promotional design for “Il Buio Intorno” (working title), directed by Marcello & Nicola Mercalli.
• 2000, 2003, 2007 Catalogue design for Lani Irwin.
• 2008 Web design for tobiasfeltus.com, feltusfeltus.com, laniirwin.com, feltusfecit.com
• 2007 Directing “Conscious Life” for Aereogramme & Chemikal Underground Records.
• 2006-2007 Official gig photography and Promotional photography for Aereogramme.
• 2006-2007 Stills photography and animation for the Polite/Caledonia TV/STV documentary for the Ballads Of The Book project album (Chemikal Underground) and Official gig photography.
• 2007 Photography and album sleeve design for HoboTalk’s ‘Homesick for Nowhere’.
• 2006 Photography and album sleeve design for Ainslie Henderson’s ‘Growing Flowers By Candlelight’.
• 2006 Scottish Advertising Awards ad campaign photography.
• 2005-07 residency at Edinburgh College of Art.
• 1997-1998 Photogravure, darkroom and photography technician for the Civitella Ranieri Center, working with for Gordon Knox, Joanna Rajkowska and Sandra Ramos. Umbertide, Italy.
• 1997 Channel One News, (U.S.A.) show number 1477, "Earthquake in Assisi", air date Wednesday November 26, 1997. Interviewed extensively on camera and assisted with other aspects of the filming.
• 1997-1998 Volunteer worker at the Basilica of San Francesco, Assisi, Italy, sorting through the rubble of the fallen 14th century ceiling vault to retrieve Giotto and Cimabue fresco fragments.
Education
2004 MDes in Design and Applied Arts/Furniture Design at Edinburgh College of Art.
2003 BA(Hons) in Design and Applied Arts/Furniture Design at Edinburgh College of Art.
Solo Exhibitions
• 2009 "Domestic Zirkus", Whitecross Gallery, London, UK
• 2009 "FeltusFeltus", Citizens Theatre, Glasgow, UK
• 2006 "UNTITLED" - Feltus Feltus, EntroTerra, Milano, Italy
• 2006 "UNTITLED" - Feltus Feltus, Arte.Novaglio, Brescia, Italy
Art Exhibitions
• 2009 Salon, Whitecross Gallery, London, UK
• 2009 Abroad, Galleria EntroTerra, Milan, Italy
• 2007 ‘Solo Duets’- City Art Centre, Edinburgh, UK
• 2007 Arte Vicenza, Italy
• 2007 Demone Meridiano, ArTobe, Italy
• 2006 CAP-I-CUA, Galeria MiTO, Barcelona, Spain
• 2006 Lineart, Ghent, Belgium
• 2006 ICONARTS: WINNER of the European Arteam Prize, Museo Civico di Arte Contemporanea, Albissola Marina (SV), Italy
• 2006 56^ Rassegna Internazionale d'Arte G.B. SALVI, Italy
• 2005 Art(Verona, Italy
• 2005 Promenade: Arte ed il Circo, Italy
International Film Festivals
Conscious Life:
• 2008 ‘Conscious Life’ and ‘My Best Shot’ - Kinofest, Bucharest, Romania
• 2008 Babelgum Online Film Festival
• 2007 Amiens International Film Festival (France), Marbella International Film Festival, Umbria Film Festival (Spain).
Solo Duets:
• 2008 Cortoons (Italy), 4th International Animation and Short Film Festival (Russia)
International Film Festival Etiuda&Anima (Poland)
• 2007 Amiens International Film Festival (France), Umbria Film Festival (Italy), Open Roads: New Italian Cinema (U.S.A), Anima Mundi (Brazil), Maremetraggio International Short Film Festival (Italy), Fesival du Cinéma Italien, (France) - WINNER Prix du Milleur Court-Metrage, La Settimana Corta, Nuovi Sentieri (Italy), Cortinquieti (Italy),
• 2006 Tehran International Animation Festival (Iran), nominated for the Nastri d'Argento Cortometraggi 2006 (Italy), International Animation Film Festival Animateka, (Slovenia), AniFest, (Hungary), I Castelli Animati, (Italy), Tallinn Black Nights Film Festival (Estonia), Leeds International Film Festival (UK), PISAF 2006 (Korea), Holland Animation Film Festival (Netherlands), 36th Kyiv IFF Molodist (Ukraine), Norwich International Animation Festival (UK), 3rd China International Animation and Digital Arts Festival (China), 5th International Best of Short Films Festivals, La Ciotat (France), Hiroshima International Animation Festival (Japan), Krok International Animation Festival (Russia), 46th Krakow Film Festival (Poland) - WINNER - Solo Duets - Silver Dragon for Best Animated Film, Jim Poole Scottish Short Film Award 2006 (UK) - WINNER Best Scottish Short Film '06, AniFest (Czech Republic) - WINNER Special Jury Prize,
• 2005 Bradford Animation Festival, (UK), 59th Edinburgh International Film Festival (UK)
Design Exhibitions
• 2005 DesignUK MILANO 2005, Milan
• 2004 DesignUK SELECTION 2004 (London), NewDesigners - One Year On - (London)
• 2003 Urban Interiors (London), DESIGN UK Pick of 2003 (London), ON/OFF (London), NewDesigners 2003 (London)
 |  |  | 01 Dreamboat Annie 02 Wolf 1 03 Daphne 3 |
Zachari Logan is a 28 year old Canadian artist who uses his own body as subject exclusively. Logan engages personal narratives that question historic masculine tropes, which continue to inform and shape contemporary male identity. Logan's narratives, situated within Neo-classical, Renaissance and Baroque styles, utilize themes of male bravado, heroism and narcissism often found in historic genre paintings. With these various themes, Logan juxtaposes the mundane realities of contemporary life using common-place costuming and props. Logan is interested in creating self-anxious queer narratives which contextualize marginalized male identities within the canon of visual art.
Zachari Logan has exhibited his work widely in both Canada and internationally and has been featured and reviewed
Exhibitions
*(Upcoming, August 2010) Duality, ArteVistas Gallery, Barcelona, Spain.
*(Upcoming, May 2010) Poser, Galerie ZEPHYR, Montreal, Que.
*Beautiful Losers, Envoy Gallery at Headquarters Studio, New York, NY.
*The Lazarus Drawings, Galerie La Petite Mort, Ottawa Ont.
(Upcoming, May 2010) I see myself in you, Bronx Art Space, New York, NY.
(upcoming, April 2010) Gasoline Rainbow, Gallery CS-13, Cincinnati, Ohio.
PULSE Art Fair NYC, ‘Beautiful Losers’ presented by Spinello Gallery, Miami Fl.
Saint Sebastien Forever, Galerie Oberkampf, Paris France.
2009
When I Grow Up, (collaboration with Sophie Calle) Galerie Jean Roch Dard. Paris, France.
NUDE Manifest, Manifest Gallery. Cincinnatti, Ohio.
Summer Camp, Exile Gallery. Berlin, Germany. July 2009
Zachari Logan @ Envoy, Envoy Enterprises, 131 Chr
![untitled sin nombre aus der Serie [:tandem]
Collaborative work together with Robert Flynt
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/120_7.jpg)
![untitled sin nombre aus der Serie [:tandem]
Collaborative work together with Robert Flynt
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/120_8.jpg)
![untitled sin nombre aus der Serie [:tandem]
Collaborative work together with Robert Flynt
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/120_9.jpg)
![untitled sin nombre aus der Serie [:tandem]
Collaborative work together with Robert Flynt
unique inkjet print with mixed media, diptych, each 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/120_10.jpg)
![untitled / sin nombre aus der Serie [:tandem]
Collaborative work together with Nicolas Spinosa
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/123_1.jpg)
![untitled / sin nombre aus der Serie [:tandem]
Collaborative work together with Nicolas Spinosa
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/123_2.jpg)
![untitled / sin nombre aus der Serie [:tandem]
Collaborative work together with Nicolas Spinosa
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/123_3.jpg)
