 |  |  | 01 Thought about that once again 02 Thought about that once again 03 Thought about that once again |
Agne Jonkute was born in 1974 in Alytus, Lithuania. She graduated painting at the Academy of Fine Arts in Kaunas, (MA). Interested in emptiness, space as a temporal coherence. Works in painting, installation, performance. From 2005 Member of Lithuanian Artists` Association. Granted by Lithuanian Culture Ministry Scholarship (2006-2007; 2012). Aworded in 2005 5th Francophonie games, Niger ( Gold medal); in 2009 The best Lithuanian young artist in the Art fair Vilnius‘ 09; 2003 Vilnius Academy of Fine Arts Rector award. Works exhibited in international art projects, personal exhibitions in Niger, Japan, Italy, Poland, Germany, Croatia, Norway, Rusia, Netherlands, France, Latvia, Estonia, Portugal, Spain, Denmark, Lithuania. Lives and works in Kaunas.
Solo exhibitions
2011 solo exhibition I Thought again about it, Old Town Art Gallery, Vilnius, Lithuania
2008 solo exhibition Lithuaninan Contemporary. Part 1 – Agne Jonkute, Gallery Strenger, Tokyo, Japan
2007 solo exhibition Cavity, Gallery XX, Panevežys, Lithuania
2007 solo exhibition Morning, Klaipeda Cultural Communication Center, Lithuania
2005 solo exhibition Facts of inexistence, Kaunas Gallery Meno Parkas; Gallery ARTima, Vilnius, Lithuania
2003 solo exhibition Self-concept, Kaunas Picture gallery; Vilnius city municipality, Lithuania
Group exhibitions
2011 exhibition Salon d'Automn, Gallery Meno Parkas, Kaunas, Lithuania
2011 workshop and exhibition Tertium organum, St.Donat church, Zadar, Croatia
2011 Lithuanian Pavilion at the 54th Venice Biennale D.Mikšys’ project Behind the White Curtain,
Italy
2010 exhibition Contemporary painting. Postevolution, Klaipeda Art Exhibition Hall, Lithuania
2010 exhibition Contemporary Art from Lithuania, European Central Bank, Frakfurt, Germany
2010 exhibition Landpartie, Museum Abtei Liesborn, Germany
2009 performance festival Fresh Breath, BWA City Gallery, Bydgoszsc, Poland
2009 exhibition Millenium, Gallery Kunstpakhuset, Ikast, Denmark
2009 art fair Vilnius‘ 09, Exhibition Center LITEXPO. Vilnius, Lithuania
2009 exhibition Abstraction and Expressionism – Two Vilnius’ Painting Traditions, Gallery Kair?-Dešin?, Vilnius, Lithuania
2009 exhibition of The Young Lithuanian Artists, Gallery 21, Riga, Latvia
2009 exhibition Art Permanence rule, Klaipeda Cultural Communication Center, Lithuania
2008, 2009 exhibition Lithuania – A new, City Gallery BWA, Bydgoszcz; Gallery Szyb Wilson, Katowic; Contemporary aArt Gallery Olsztyn, Poland; Klaip?da Art Exhibition Hall, Lithuania
2008 exhibition From the rain country, Museum of G.Gounar, Athens, Greece
2008 TPK Art Centre and Arts Plàstiques anniversary exhibition, Gallery TPK Art Centre, Barcelona, Spain
2007 exhibition Horizon, TPK Art Centre, Barcelona, Spain
2007 exhibition KoViKaVi, Kaunas Picture Gallery, Lithuania
2007 exhibition Monologues, Contemporary Art Centre, Vilnius, Lithuania
2007 exhibition Fresh paint, Vaal Gallery, Tallinn, Estonia
2007 exhibition of Marce Katiliute and Agne Jonkute, Stiftelsen 3.14 Gallery, Norway
2006 exhibition Red line, Gallery Ideias emergentes, Porto. Portugal,
2006 exhibition 10 + 1, Kaunas Picture Gallery, Lithuania
2006 exhibition Shoot or Shout – No Escape, Art’s Printing house, Vilnius, Lithuania
2006 exhibition 101.3 KM competition and Collaboration, Contemporary Art Centre, Vilnius, Lithuania
2006 performance festival, BWA City Gallery, Bydgoszsc, Poland
2006 exhibition Invasion, Dortmund Kunstlerhaus, Germany
2006 exhibition Enigma, Gallery Vartai, Vilnius, Lithuania
2006 painting exhibition Tartu Artist association Gallery, Estonia
2005 5th Francopfonie Gam?s, Niamey, Niger
2005 exhibition Sept artistes lithuaniens d‘aujourd‘hui; gallery I’UFM, Montpellier, France
2005 Lithuania-Ukraine artists’ exhibition Homo eraticus, Klaip?da Art Exhibition Hall; gallery Ibid project; Old town dominion; Vilnius, Lithuania
2005 exhibition Salon des Jeunes Createurs, Montrouge, France
2004 XII Vilnius painting triennial Seven rules of painting, Contemporary Art Centre, Vilnius, Lithuania
   |    |    | 01 Silver Conundrum 02 Blue Interconnections 03 Yellow Interconnections 04 Red Interconnections 05 Grey Interconnections 06 Black Interconnections 07 Silver Interconnections #1 08 Blue Interconnections 09 Silver Interconnections #2 |
lives and works in London, Berlin and L.A.
EDUCATION
1996 B.A., Courtauld Institute of Art, London1992 Lincoln-Seligmann Art Prize, Harrow School
SOLO EXHIBITIONS
2010 'Life-Force', Alexia Goethe Gallery
2009 'Demi-Monde', F-ISH Gallery, Hastings
2008 23 Upper Cheyne Row Gallery
2005 ‘Historical Subjects Skull Portraits: Adolph Hitler', Aquarium Gallery, London ‘Love You', Aquarium Gallery, London
2003 ‘British Spies Skull Portraits', Courtauld Institute of Art, London1999 ‘Celebrities Skull Portraits Series', 30 Underwood Street Gallery, London ‘Erection of the Maasai Golgotha', Kenya1998 ‘Super-Models Skull Portraits Series', Victoria & Albert Museum, London
1997 ‘Interconnections', Notting Hill Arts Club, London1996 ‘Atmosphere', The Mark, London1993 ‘Black Circles', Cadogan Gallery, London
SELECTED GROUP EXHIBITIONS
2011 IN BETWEEN, Speicherhallen Hamburg und Werkstattgalerie Berlin, Germany
2008 Gallery Marino, Rome Beijing National Museum (official Olympic Selection of Prints), Beijing Old Harrovian Photographers, Harrow School, London
2007 New Contemporaries, Art Basel, Miami Old Harrovian Artists, Sotheby's, London2006 V Project, Trafalgar Square, London ‘Gothic', Tate Britain, London
2005 ‘Hitler Skull Portrait', Port Elliot Literary Festival, London ‘Religious Subjects Skull Portraits', T1+2 Gallery, London
2004 ‘Pax Britannica', Aquarium Gallery, London ‘Skull Portraits of Jake and Dinos Chapman', Aquarium Gallery, London
2001 ‘What's New from London', Orion Gallery, Ostende ‘Between Heaven & Earth', Museum of Modern Art, Ostende ‘Celebrity Skull Portraits', Museum of Modern Art, Ostende
2000 ‘The Scream', VTO Gallery, London ‘This is the end my friend, the end...', Polstar Art Programme @ Home, London ‘Religious Subjects Skull Portraits', Museum of (Emotions), London1994 ‘Fame Killers', Fete Worse than Death, Hoxton Square, London
PARTICIPATIONS
2011 ArtVilnius, presented by Werkstattgalerie, Berlin, Germany
2009 Art and Design Pavilion, presented by Osborne Samuel Gallery, London
2008 Zoo Art Fair, presented by T1+2 Gallery, London
2006 Zoo Art Fair, presented by T1+2 Gallery, London Chicago Art Fair, presented by T1+2 Gallery, London
2005 Zoo Art Fair, presented by T1+2 Gallery, London
LECTURES
1999 ‘Erection of the Maasai Golgotha', The Courtauld Institute of Art, London ‘Erection of the Maasai Golgotha', The Royal Geographical Society, London
1995 ‘Liberty: The Value of the Koestler Awards Scheme', Independent Art Space, London
PRESS AND PUBLICATIONS
2011 'Unmasking the Identity of Inspiration' Art of England, Harriet Mueller
2010 'Fame. Death and the Gucci's', Homa Nasab, Art Info
2005 ‘Artist Gets Inside Hitler's Head', Paul Arandt, The Guardian
2004 ‘Xray(t)ed Portraits: The Revealing Art of Alexander de Cadenet', Scott Tillett, Photodistrict News
2003 Alexander de Cadenet, Mike Skinner, Black Book Magazine Alexander de Cadenet, Edward Lucie-Smith, Art Tomorrow 'Spy Unmaksed', Jilly Beattie, Daily Mirror
2000 Alexander de Cadenet, Edward Lucie-Smith, Movements in Art since 1945 Cover/Back Cover, 'Edward Lucie Smith', Fidget Magazine
1999 ‘A Post-Pop Spin on Phrenology...The Huge Brightly Coloured Skulls Have Instant Visual Impact', Julia Thrift, Time Out ‘X-Ray Artist Gets Inside the Head of Jonathan Aitken', Cathy Milner, Sunday Telegraph ‘Celebrity X-rays Set for New Art Craze', Vanessa Thorpe, The Observer ‘Artist to Sell Aitken's Skull', Senay Boztas, The Sunday Times 'AlexDECadunet, Saatchi Gallery', Masako Masaoka, Japanese Art World1998 'Skull-Duggery', Shelly Smith, V&A News.
  |   |   | 01 Traum 02 Hier wird Brandenburg sein 03 Tod des Heiligen Adalbert 04 Dienstag 05 Donnerstag 06 Samstag |
1960 Born in Moscow
Education
1976-1980 Attended Academy of Art, Moscow
1982 Admitted as Member of Youth Department of Artists Union, Moscow
Member of "Center", Moscow
Member of "88", Moscow
Member of RAAG, Moscow
1994 Artist in Residence, Brandywine Workshop, Philadelphia
1997Member of The Print Club of New York
Museum and Public Collections
C.A.S.E. Museum of Contemporary Russian Art, Jersey City, New Jersey
Jane Voorhees Zimmerli Museum, Rutgers University, New Brunswick, New Jersey
United Nations, Russian Club, New York
New York Public Library, New York, New York
Museum of Imagination, Hudson, New York
Duke University Museum of Art, Durham, North Carolina
The Fogg Museum of Art, Harvard University, Cambridge, Massachusetts
The Portland Museum of Art, Oregon
The State Russian Museum, St. Petersburg
The State Pushkin Museum, Moscow
Kolodzei Collection of Russian and Eastern European Art, Highland Park, New Jersey; Moscow
Nizhny Novgorod State Art Museum, Novgorod, Russia
Grants & Awards
Grant: Pollack?Krasner Foundation, New York, New York, 1991
Artist in Residence: Brandywine Workshop, Philadelphia, Pennsylvania, 1996
First Prize: Society of Illustrators, New York, New York, 1997
Selected Solo Exhibitions
2009
Alexander Zakharov: Mimi Ferzt Gallery, New York
2008
Alexsander Zakharov: Painting & Photography, Ru Arts Gallery, Moscow
2007
Alexander Zakharov: Paintings and Watercolors, Mimi Ferzt Gallery, New York
Reflection of Reality, Museum of Contemporary Art, Jersey City, New Jersey
2006
Alexander Zakharov: Etchings, Drawings, Paintings…1996 – 2006, Mimi Ferzt Gallery, New York
2005
Alexander Zakharov, Ru Art Gallery, Moscow
2003
New World, United Nations, New York
Big, Little World, Art Gallery Dacha Zhukovka, Moscow
2002
My Mind’s Eye, Mimi Ferzt Gallery, New York
2001
Sentimental Travel, Mimi Ferzt Gallery, New York
1999
Sky, Earth, Water, Mimi Ferzt Gallery, New York
1997
Under the Magnifying Glass, Mimi Ferzt Gallery, New York
1995
New York Scenes, Mimi Ferzt Gallery, New York
1994
Origins of Man, Schoeni Gallery, Hong Kong
1990
Stuart Levy Gallery, New York
Selected Group Exhibitions
2008
“Playground”
Sculpture, painting, photography
Ru Arts Gallery, Moscow
Moscow Art Show, Moscow
Ru Arts Gallery
Miami Basel, Miami
Ru Arts Galery
Bridge Art Exhibition, London,
Ru Arts Galery
2007
Moscow Art Show, Moscow
Ru Arts Gallery
Art expo
Taipei, China,
Khankhalayv Art Gallery
2006
Khankhalayv Art Gallery, Moscow
Moscow Art Show, Ru Art Gallery, Moscow
Art Cafe Gallery, Moscow
2004
Portraits, Mimi Ferzt Gallery, New York
“pen, ink”, Mimi Ferzt Gallery, New York
2003
Paul Sharpe Contemporary Art, New York
2002
New York City Workshop Exhibition, New York Students Art League, New York
2001
Sentimental Travel, Mimi Ferzt Gallery, New York
1999
Nudes, Mimi Ferzt Gallery, New York
Animals in Art, Boston Center for the Arts, Massachusetts
1997
International Print Exhibition, Portland Museum of Art, Oregon
International Miniature Print Exhibition, Connecticut Graphic Arts Center, Norwalk, Connecticut
International Print Show, Barrett House Galleries, Poughkeepsie, New York
Celebrating the Still Life, Mimi Ferzt Gallery, New York
1996
Scratch, Thread Waxing Space, New York
The Sciences: A Cultural Context, New York Academy of Sciences, New York, Binghamton
University Art Museum, New York
1994
Ideal Landscapes, de Saisset Museum, Santa Clara, California
Ascending Angels, Mimi Ferzt Gallery, New York, New York
1993
Mimi Ferzt Gallery, New York
Homosexual Ideology, Russian American Art Collective, New York
8+8, Schoeni Art Gallery, Hong Kong
Old Symbols, New Icons in Russian Contemporary Art, Stuart Levy Gallery, New York
1992
Expectations of a Miracle, Russian Art at Home and Abroad, San Francisco, California
1991
The Russian Bestiaries, Maya Polsky Gallery, Chicago
Soviet Russian Art Exhibition, Granovsky Gallery, Hong Kong
Michael Kizhner Fine Art, Los Angeles, California
1990
The Russian Experiment, Castle Gallery, New Rochelle, New York
Art & Artifacts, Golda Meir Association, New York
1989
Russian 20th Century & Avant?Garde Art Auction, Phillips, London
Hauswedel & Nolte Auction, Hamburg
Furmanny Lane, Galerie Peter Novietsky, Warsaw
Galerie Bodenschatz, Basel, Switzerland
Gallery Blanche, Stockholm, Sweden
1988
Museum of Modern Art, Zagreb, Yugoslavia
Manege Central Exhibition Hall, Moscow
Halla Gwardi, Warsaw, Poland
Maison des Juenes, Moscow
The Union of Artists Gallery, Kyiv, Ukraine
The Armenian Representation Hall, Moscow
1987
New Chamber Art, Arbat Exhibition Hall, Moscow
1986
Manege Central Exhibition Hall, Moscow
1984
Manege Central Exhibition Hall, Moscow
 |  |  | 01 Chart A I 02 Chart A III 03 Meat |
Born on October 8, 1949, Tallinn, Estonia
EDUCATION
1968 - 1973 Estonian Academy of Arts, design
MEMBERSHIPS
1969 SOUP' 69 artists' group
1975 Estonian Artists' Association
1975 - 1991 Soviet Union Artists' Association
1992 Estonian Painters' Association
SOLO EXHIBITIONS
1973 (with Ando Keskküla) Tartu University Café, Tartu, Estonia
1974,1979 Gallery of the Tallinn Art Hall, Tallinn, Estonia
1983 Gallery "Draakon", Tallinn, Estonia
1986 The Art Museum of Estonia, Tallinn
1986 Kohtla-Järve Department of the Art Museum of Estonia, Jõhvi
1986 Pärnu Museum, Pärnu, Estonia
1987 (with Mare Vint) Tartu Artists' House, Tartu, Estonia
1988 Tartu College, Toronto, Canada
1989 (with Mare Vint) Tartu College, Toronto, Canada
1989 Institute of Cybernetics, Tallinn, Estonia
1991 Gallery "G", Tallinn, Estonia
1992 Gallery "Vaal", Tallinn, Estonia
1993 Gallery "Luum", Tallinn, Estonia
1994 "Rüütli" Gallery, Tartu, Estonia
1995 Embassy of Estonia, Stockholm, Sweden
1995 (with Mare Vint) Embassy of Estonia, Washington D.C., USA
1997 Konrad Adenauer Foundation, Tallinn, Estonia
1997 Hotel "Olümpia", Tallinn, Estonia
1998 Color Catalog, Gallery "Deco", Tallinn, Estonia
1998 Co-ordinations, Gallery of the Tallinn Art Hall, Estonia
1998 Haapsalu City Gallery, Haapsalu, Estonia
1998 Paide Vallitorn, Paide, Estonia
1999 Chronology, Works from 1967 - 1998, Rotermanns' Salt Storage Arts Centre, the
Art Museum of Estonia, Tallinn
1999 Frames and Canvases, Gallery "Vaal", Tallinn, Estonia
1999 Art-agency "Haus", Eesti Energia, Tallinn, Estonia
2001 Postcards. Gallery "Deco", Tallinn, Estonia
2001 Postcards and Landscapes. Pärnu City Gallery, Pärnu, Estonia
2002 Balance and Landscapes. Art Hall of Toompea Castle (Estonian Parliament), Tallinn
2003 Texture. Gallery "G", Tallinn, Estonia
2003 Viinistu Art Museum, Viinistu, Estonia
2004 Grand Hotel Viljandi, Viljandi, Estonia
2004 Formulars. Gallery Ühispank. Tallinn, Estonia
2004 Estonian Embassy, Brussels, Belgium
2004 Estonian Drama Theatre, Tallinn, Estonia
2006 Hobusepea Gallery, Tallinn, Estonia
2006 Ugala Theatre Gallery, Viljandi, Estonia
2007 Andres Tolts et Mare Vint. Gallery Chapelle des Ursulines, Lannion, France
2007 Gallery of Tartu Childrens Art School, Tartu, Estonia
2008 Estonian Embassy Paris (with Mare Vint), Paris, France
2009 Endla Theatre, Pärnu, Estonia
2009 Tallinn Art Hall, Tallinn, Estonia
2009 Things. Hobusepea Gallery, Tallinn, Estonia
2009 Haus Gallery, Tallinn, Estonia
2011 St. Jacob Church, Tallinn, Estonia
2011 Saint-Gobain Gallery, Tallinn, Estonia
2012 Kulturhof-Scloss Köniz, Bern, Switzerland
SELECTED GROUP EXHIBITIONS AND INTERNATIONAL
EXHIBITIONS
1969 happening and exhibition, Kabli, Estonia
1969 happening, Pirita, Tallinn, Estonia
1969 SOUP' 69. Pegasus Café, Tallinn, Estonia
1969, 1970, 1971 Tartu University Café, Estonia
1971 Playground. Happening. Heina St., Tallinn, Estonia
1973Estonian Painting. Schwerin Museum, Schwerin, Germany
1974 Man and Field. Exhibition of young artists. Tartu, Saku, Estonia; Pskov, Russia
1974 International workshop, Schwerin, Germany
1974 Drawings. Art Hall, Tallinn, Estonia
1975 Estonian Painting. Moscow, Russia
1975 Estonian Art. Kiev, Ukraine
1976 Estonian Art 1971 - 1975. Tallinn Art Hall, Tallinn, Estonia
1976, 1982 Exhibition of Soviet young artists, Moscow, Russia
1977 Soviet young artist's exhibition. Sofia, Bulgaria
1978 Estonian young artists' exhibition, Moscow, Russia
1978 Estonian Painting. Brussels, Belgium
1978 Estonian Painting. Luxembourg, Luxembourg
1978 Works by Soviet young artists. Berlin, Germany
1979 Estonian Art. St. Petersburg, Russia
1979 Triennial of Young Baltic Art, Vilnius, Lithuania
1980ies International Images, ltd. exhibitions, Pittsburgh, USA
1980, 1981, 1984, 1987 Soviet annual art exhibition, Moscow, Russia
1981 (with Jüri Kask, Ando Keskküla and Rein Tammik) Tartu Art Museum, Tartu, Estonia
1981 Exhibition of Soviet young artists, Tashkent, Uzbekistan
1981, 1984 Baltic Painting Triennial, Vilnius, Lithuania
1982 Soviet young artists' exhibition, Helsinki, Finland
1982 Estonian Painting. Bishkek Art Museum, Bishkek, Kyrgyzstan
1982 Estonian Art. Almaty Art Museum, Almaty, Kazakhstan
1982 Estonian Painting. Venice, Italy
1983 Estonian Painting. Latvian Art Museum, Riga, Latvia
1984 Estonian Painting. Georgian Art Museum, Tbilisi, Georgia
1985 (with Ando Keskküla, Tiit Pääsuke and Olev Subbi) Tallinn Art Hall, Tallinn, Estonia
1985 Soviet Art. Budapest, Hungary; Prague, Czech Republic
1986 Contemporary Art from Tallinn. Kiel City Museum, Kiel, Germany
1986 Interart' 86. Poznan, Poland
1987 Estonian Art. Tsentralnyi Dom Hudozhnika, Moscow, Russia
1987 Rauma Biennale Balticum, Rauma Art Museum, Finland
1987 Estonian Art. Warsaw, Cracow, Poland
1987 ACTA '87. Design, art and crafts, fine arts exhibition. Tallinn Art Hall, Tallinn, Estonia
1987 Object in Art. Tallinn Art Hall, Tallinn, Estonia
1988 (with Jüri Kask and Tiit Pääsuke) Armenian Art Museum, Yerevan
1988 10 Painters from Tallinn. Emil Cederkreuz Museum, Harjavata, Finland
1988 Ars Estonica '88. Group Exhibition of Estonian artists. Tampere Art Museum, Tampere, Finland
1988 Art in Defense of the Natural Environment, International Biennial, Warsaw, Poland
1988/89 following the Idea of the Avant-Gard. The Art Museum of Estonia, Tallinn
1989 6 Painters from Tallinn. Trento, Italy
1989 - 1991 Structure/Methaphysics. Group exhibition of Estonian artists. Finland:
Pori Art Museum, Pori; Helsinki Art Hall, Helsinki; Rovaniemi Art Museum, Rovaniemi; Germany: Kiel City Gallery, Kiel; Sweden: Stockholm Kulturhuset, Lilievalch's art Hall,
Linköping Museum, Linköping
1990 Exhibition of 15 Estonian artists. gallery "GKM", Malmö, Sweden
1990 Idea, Space, material. Tallinn, Estonia
1990 SOUP '69 - 90 (with Ülevi Eljand, Ando Keskküla and Leonhard Lapin). Tallinn Art
Hall, Tallinn; Narva Museum, Narva, Estonia
1991 (with Jüri Kask, Rein Kelpman, Leonhard Lapin and Peeter Mudist) L. Goreman's
Institute, Brussels, Belgium
1991 Summer exhibition, Gallery "Gkm", Malmö, Sweden
1991, 1996 Miniature, International Miniprint Exhibition, Gallery "Gamlebyen", Fredrikstad, Norway
1992 Myth and Abstraction. Estonian contemporary art. Karlsruhe, Germany
1992 Baltic Art during the Brezhnev Era. Selected works from the collection of Norton
and Nancy Dodge. John B. Aird Gallery, Toronto, Canada
1992 Masters of Estonian Avant-Gard. Gallery "Luum", Tallinn, Estonia
1993 ARCO. International art fair, Madrid, Spain
1993 Sollentuna Art Fair, Stockholm, Sweden
1993 Art Cologne. International art fair, Cologne, Grmany
1993 Substance - Unsubstance. The 1st annual exhibition of the Soros Center for
Contemporary Arts, Estonia; Tallinn
1993 Collage in Estonian Art. The Art Museum of Estonia, Tallinn
1994 Collage in Estonian Art. Tartu Art Museum, Tartu, Estonia
1994 Art and Olympic Ideal. Gallery "Sammas", Tallinn, Estonia
1994 Limits of Art. Gallery of the Institute of History, Tallinn, Estonia
1994 Korrespondenz. Group exhibition of Estonian artists. Schwerin, Germany
1995 Europa heute - Estland. Group exhibition of 5 Estonian artists. Gallery " Im
Margarethenhof", Bonn; Gallery "Sperl", Potsdam, Germany
1995, 1996 Pärnu Art Summer. Pärnu, Estonia
1996 Estonian Figurative Art '96. Tallinn Art Hall, Tallinn, Estonia
1996 Abstraction and Abstraction. Tallinn Art Hall, Tallinn, Estonia
1996 Romantik des Nordens. Greiffenhorst Castle, Krefeld, Germany
1996 Bekannt (-) Machung. Ostsee-biennale, Rostock Art Hall, Rostock, Germany
1996 Sofia '96. International Triennial of Painting. Sofia. Bulgaria
1996 Talking Things. Exhibition of Still-life. The Art Museum of Estonia, Tallinn
1996 Tallinn - Moscow 1956 - 1985. Joint exhibition of Estonian and Russian unofficial
art. Tallinn Art Hall, Gallery of the Tallinn Art Hall, City Gallery, Tallinn, Estonia
1997 Mitteleuropa - Osteuropa. Künstler stellen sich vor. Haus der GTZ, Eschborn, Germany
1997 Estonian Art in 70ies. Tartu Art Museum, Estonia
1998 Windows and Views. An exhibition of Estonian art. The Borschette Center,
Brussels, Belgium
1999 Art Summer 1999. Miniature Painting, Pärnu Town Gallery, Estonia
1999 In Memory of the 20th Century Artist. The Art Museum of Estonia, Tallinn
2000 Déjà vu. Estonian Art. Estonian Possibilities. Tallinn Art Hall, Estonia
2000 Art Summer 2000. Everything is Painting. Kuressaare Town Hall Gallery, Estonia
2000 Visiting Cart. The Art Gallery of the Narva Museum, Estonia
2000 Estonian Art at the Turn of the Millenium. Tallinn Art Hall, Estonia
2000 Estonian Art at the Turn of the Millenium. Gallery of Foreign Ministry Berlin, Germany
2000 Line-art. Gent, Belgium
2001 Biennial in Painting. The Nordic Countries & Baltic States. Väsby Konsthall, Sweden
2001 Estonian Art Gallery "Tersaeus" and Dansens Hus, Stockholm, Sweden
2001 Real - realism. Tallinn Art Hall, Tallinn, Estonia
2001 Estonian Painting in the 20th Century. Orangerie du Luxembourg, Paris
2001 Estonian Art. Faulconer Gallery Grinnell College, Grinnell Iowa, USA
2001 Corpus in Spe. Gallery "Deco", Tallinn, Estonia
2001 Corpus. Tallinn City Gallery, Tallinn, Estonia
2001 The Baltics Nonconformist and Modernist Art During the Sowiet Era. Jane Voorhees
Zimmerli Art Museum, New Jersey, USA
2002 Rajangu and Tolts. Gallery "Deco", Tallinn, Estonia
2002 Annual Painting Exhibition. Tallinn Art Hall, Estonia
2002 Art Summer 02: Minimal, Estonian small painting. Pärnu Town Gallery, Pärnu, Estonia
2002 Abstract -Realism. Tartu Artists' House, Tartu, Estonia
2002 Drawing-2002. Tallinn Art Hall, Tallinn, Estonia
2002 The annual exhibition of Estonian Artists Union: Independence of Dependence.
Tallinn Art Hall, Tallinn, Estonia
2002 Brave New Life. Gallery "Dragon", Tallinn, Estonia
2002 Recovery. North-Estonia Regional Hospital, Tallinn, Estonia
2003 Paradise of Painting. Gallery "008", Tallinn, Estonia
2003 Nature Morte. Kohtla-Järve Põlevkivimuuseum. Kohtla-Järve, Estonia
2003 Chart. Gallery "Hobusepea", Tallinn, Estonia
2003 South Estonian Landscapes. Viljandi City Gallery, Viljandi, Estonia
2003 Estonian Art after World-War II. The Art Museum of Estonia, Tallinn, Estonia
2003 Raster. Tartu Art Museum, Tartu, Estonia
2003 Corpus. Art Line Gallery, Tallinn, Estonia
2003 The Annual Exhibition Of Estonian Artist Union. Tallinn Art Hall, Tallinn, Estonia
2004 Ich bin ein Maler. Tallinn Art Hall, Tallinn
2004 Europrojekt. Galerie im Rosenkrug, Neustadt, Germany
2004 Galerie Diakonie-Zentrum, Salzburg, Austria
2004 Art Hall, Obernberg, Austria
2004 Estonian Prints. Retretti Art Zentrum, Finland
2005 Artium Gallery, Bad Birnbach, Germany
2005 Gallery 34, Brussels, Belgium
2005 Identity. Tallinn Art Hall, Tallinn, Estonia
2005 Signe & Guido Sammelselg Collection, Vaal Gallery, Tallinn
Tallinn-München-Tallinn. Aktionforum Praterinsel, Munich, Germany
2006 Pure Painting. The Annual Exhibition of Estonian Painters Union. Gallery of Jõhvi Concert Hall, Jõhvi, Estonia
2006 Tartu Art Hall, Tartu Estonia
2006 Technobia. Tallinn, Art Hall, Tallinn, Estonia
2006 Corpus. Hobusepea Gallery, Tallinn, Estonia
2006 The Annual Exhibition of Estonian Painters Union. Aaspere Gallery, Aaspere, Estonia
2006 Structure&Nature. Chateau de Bourglinster, Luxembourg
2006 Drawings. Tallinn Art Hall, Tallinn
2006 Free Willy. The Annual Exhibition of Estonian Painters Union. Vaal Gallery, Tallinn
2006 Ahead of Time. Estonian Museum of Applied Art and Design, Tallinn
2007 Art of living. The 7 th annual of the Estonian Artists`Association. Tallinn, Estonia
2007 Estonian Landscapes. Tigutorn Gallery, Tartu, Estonia
2008 Vabaduse square. 8 th annual exhibition of Estonian Artists`Association. Tallinn Art Hall, Tallinn
2008 The Annual Exhibition of Estonian Painters Union, Narva Art Gallery, Narva, Estonia
2008 Perfect Circle. The Annual Exhibition of Estonian Painters Union. Art Depoo Gallery, Tallinn
2008 Art Summer. Viinistu Art Museum, Viinistu, Estonia
2008 Ars Baltica. Gallery Berchtoldvilla, Salzburg, Austria
2009 Gallery Melnikow, Heidelberg, Germany
2009 Word of Painting. The Annual Exhibition of Estonian Painters Union. Tartu Artists`House, Tartu, Estonia
2009 Pop for ever, Kumu Art Museum, Tallinn, Estonia?
2009 Gallery Bengelsträter, Düsseldorf, Germany
2009 Letter, Võru City Gallery, Võru, Estonia
2010 Letter, National Library Gallery, Tallinn, Estonia
2010 Blue, Museum of New Art, Pärnu, Estonia
2010 The Annual Exhibition of Estonian Artist`s Union. Tallinn Art Hall, Tallinn, Estonia
2010 Mare Vint, A. Tolts, A. Künnapu Albu Summer Exhibition, Albu Manor House, Estonia
2011 Mystics and Moderns: Painting in Estonia before Glasnost, Zimmerly Art Museum, New Jersey, USA
2011 Abstract. The Annual Exhibition of Estonian Artist´s Union, Tallinn Art Hall, Tallinn, Estonia
2011 Food, Võru City Gallery, Võru, Estonia
2012 Food, Tam Gallery, Tallinn, Estonia
2012 The Annual Exhibition of Estonian Painter´s Union, Pärnu New Art Museum, Pärnu, Estonia
2012 The Annual Exhibition of Estonian Artist`s Union, Tallinn Art Hall, Estonia
PRIZES
1974 Man and Field. Exhibition of young artists, Tartu, Estonia - prize
1976 Exhibition of Soviet young artists Moscow, Russia - prize
1979 Triennial of Young Baltic Art, Vilnius, Lithuania - prize
1980, 1984 Estonian Artist's Union annual painting prize
1984 Baltic Painting Triennial, Vilnius, Lithuania - grand prix
1991 Cultural weekly "Sirp" annual art prize, Tallinn, Estonia
1994 Saku Brewery painting prize, Estonia
1994 Art and Olympic Ideal. Exhibition, Gallery "Sammas", Tallinn, Estonia - grand
prix
1996 UNO Development Program art prize
2000 The Kristjan Raud art prize
2003 Cultural Endowment of Estonia, annual prize
2008 Special grant of the Cultural Endowment of Estonia
2009 The Konrad Mägi art prize
2010 The Order of the White Star, IV class
2012 Honorary member of Estonian Artists`Association
WORKS IN COLLECTIONS
Art Museum of Estonia, Tallinn
Tallinn Art Hall, Tallinn, Estonia
Tartu Art Museum, Tartu, Estonia
Estonian Ministry of Culture, Tallinn
Bank of Estonia, Tallinn
Tartu University, Estonia
EKE-Sadolin, Tallinn, Estonia
Board of Exhibitions, Artists' Union, Moscow, Russia
Museum of Contemporary Russian Art, Moscow, Russia
Ludwig-Forum für internationale Kunst, Aachen, Germany
Schwerin Art Museum, Schwerin, Germany
Sammlung Villany, Brandenburg, Germany
Warsaw Central Bureau for Art Exhibitions, Warsaw, Poland
Gallery "GKM", Malmö, Sweden
Gallery "Oveno", Soppramonte, Italy
City of Rauma, Rauma, Finland
South-Karelian Art Museum, Lappeenranta, Finland
Emil Cederkreutz Museum, Harjavalta, Finland
Helsinki University, Helsinki, Finland
Zimmerli Art Museum, Rutgers University, New Yersey, USA
New York Public Library, New York, USA
New Orleans Art Museum, New Orleans, USA
Viinistu Art Museum, Viinistu, Estonia
Hansapank, Tallinn, Estonia
Contemporary Art Museum Riga, Riga, Latvia
Nordea Bank, Tallinn
Private collections in Estonia, SWitzeland, Denmark, Russia; Sweden, Germany, Finland, USA and Canada
 |  |  | 01 Freshwater Pearl 02 Noble 03 Burma |
born 1968 in Riga, lives and works in Paris since 1996.
1987 graduated from the Janis Rozent?ls Riga Secondary Art School
1992 studied at the Painting Department of the University of Sunderland (UK)
1994 graduated from the Painting Department of the Latvian Academy of Art 1995 awarded M.A. in arts
Awards
2000 Prix Bornhauser – Molinari (France)
1998 Silver Medal in Arts of Mérite et dévouement français Prix Charles Oulmont (France)
1996 Grand Prix in 4th exposition of Soros Center of Contemporary Art of Riga, Pedvle, Open Air Art Museum, Sabile, Latvia
1995 Painting of The Year, A.S?na Gallery, Latvia
1994 Prix Eva Lange (Sweden)
Soloexhibitions
2010 “Pearls”, Latvian National Museum of Art, Riga, Latvia
2008 “The Mysterious Life of Paintings”, Riga Gallery, Riga, Latvia
2007 “Some Paintings”, Gallery UPB, Liepaja, Latvia
2004 “Discoveries”, Riga Gallery, Riga, Latvia*
2001 “Discoveries”, Gallery Centrs, Riga, Latvia
1999 “Area”, Gallery Dépôt Matignon, Paris, France
1997 “Six Paintings”, Gallery Bastejs, Riga, Latvia
1996 “Quelques Peintures”, Cité Internationale des Arts, Paris, France
1995 “Absolutely Red”, Gallery M6, Riga, Latvia
1995 “Some Paintings”, Gallery M6, Riga, Latvia
1994 “The Nile”, Gallery G&G, Riga, Latvia*
Groupexhibitions
2010 “Gold works”, LNMA**, Exhibition Hall Arsen?ls, Riga, Latvia
2010 “Réalités Nouvelles”, Parc Floral, Paris, France*
2009 “Cool art”, Gallery Alma, Riga, Latvia
2009 “Réalités Nouvelles”, Parc Floral, Paris, France*
2008 “Latvian Contemporary Art”, European Parliament, Brussels, Belgium
2008 “Réalités Nouvelles”, Parc Floral, Paris, France*
2007 “Latvian Contemporary Art”, European Central Bank, Frankfurt am Main, Germany*
2007 “Réalités Nouvelles”, Parc Floral, Paris, France*
2006 “Four Seasons”, Gallery “RU-ART“, Moscow, Russia
2006 “Réalités Nouvelles”, Parc Floral, Paris, France*
2005 “Latvian Art of the Second Half of the XX Century”, LNMA Exhibition Hall Arsen?ls, Riga, Latvia
2005 International Art Fair “Art Moscow”, Moscow, Russia
2005 “Ego“,Contemporary Art Museum of Medellin, Columbia
2005 “Réalités Nouvelles”, Parc Floral, Paris, France*
2004 “Réalités Nouvelles”, Parc Floral, Paris, France*
2004 “Ego”, Espace de la Prairie, Ezanville, France*
2003 “Grands et Jeunes d’Aujourd’hui”, Espace Auteuil, Paris, France*
2003 Gallery Am Tunnel, Luxembourg*
2003 “Abstractionism in Latvian Painting”, LNMA Exhibition Hall Arsen?ls, Riga, Latvia
2002 “Réalités Nouvelles”, Espace Auteuil, Paris, France*
2001 Väsby Biennale, Väsby Konsthall, Upplands Väsby, Sweden*
2001 “Réalités Nouvelles”, Espace Eiffel-Branly, Paris, France*
2001 “Interim”, LNMA Exhibition Hall Arsen?ls, Riga, Latvia
2001 “Colour”, Riga Gallery, Riga, Latvia*
2000 “Réalités Nouvelles”, Espace Eiffel-Branly, Paris, France*
2000 “Grands et Jeunes d'Aujourd’hui”, Espace Eiffel-Branly, Paris, France*
Works in Collections
Latvian National Museum of Art, Riga, Latvia
Contemporary Art Museum of Latvia, Riga, Latvia
Pedvale Open Air Art Museum, Sabile, Latvia
Contemporary Art Museum of Medellin, Columbia
Museum of Ventspils, Latvia
Private Collections in France, Latvia and elsewhe
 | 01 Total Equality |
“Total Equality”
Installation of Lithuanian contemporary artists Brone Neverdauskiene and Monika Zlatauskaite - Grasiene “Total Equality” focuses on our way of socially “dressing up” in predestined uniforms of social habits, behavior, and ethical dogmas.
Colourful, poster-like and naive propaganda on the equality of gender, race, age, religion, sexual orientation or social status presented in the mass media looks ironic, because it does not fit reality. People driven by human nature to avoid the equality at any price The social system educates people, uniform become a proof of someone’s certain abilities and as long as these symbols are supported by an entire system. Artists declare, that despite our race or national differences, we are marked by destiny’s “label” to become a pervert, criminal, looser or yuppie. Maybe this we could call real, personal and political equality? In their work motives of skin are composed from photo fragments of different human body parts. They are woven as fabric using jacquard technique and being sewed into bigger than original child rompers — as if one wandering soul embodies yet another body, thus allowing us to experience social transformation in physical sense.
Brone Neverdauskiene was born in 1977 in Lithuania. She graduated National Academy of Arts, Art Licentiate, achieved the highest degree in art in 2009. She was granted the Lithuanian state scholarship the same year and year 2011. B. Neverdauskiene works as general curator at the Culture Communication Center, Klaipeda, Lithuania. Her artistic interests focus on contemporary art, in fields of objects and installations. Artist creates using experimental textile and mixed techniques. Her works have been exhibited at international projects and art biennials in Denmark, Sweden, Russia, Ukraine, Hungary, Italy, Lithuania.
Group exhibitions:
2011 11th Lulea art biennial, Lulea contemporary art center, Sweden.
“Aesthetics vs Information”, 4th Moscow contemporary art biennial, Z.Cereteli gallery. Moscow, Russia.
2010 2nd media and performances festival „Balaklava odyssey“, Mikhailov fortress in Sevastopol, Ukraine.
2009 Art project “Art permanence rule”, Eskilstuna contemporary art museum, Eskilstuna, Sweden.
Art project “Millenium”, Kunstapakhuset gallery, Ikast, Denmark.
Textile Art Exhibition. “The passionate Textile of Lithuania”. Satelite textile biennial’s TEXTILE 09 exhibition.
2008 Social art project “Artspotting”, Cultural communication center , Klaipeda, Lithuania.
2007 Textile Art Exhibition “Let’s propagate”. Klaipeda Culture Communication Center. Klaipeda. Lithuania
Performance “Sky’s rugs”. Bron? Neverdauskiene and Giedr? Valtaite. TEXTILE07 biennial. Kaunas. Lithuania
2004 IV Inernational Fiber Art Biennial "Trame d'Autore". Citta di Chieri. Italy
2003 I International Triennial of miniature Textile, Szombathely. Hungary
Monika Zaltauskaite – Grasiene was born in 1975 in Kaunas, Lithuania. In 1999 she graduated ESMOD private school, training in materials creating, Textile Department, Paris, France. In 2007 she graduated National Academy of Arts, Vilnius, achieved the Art Licentiate degree. Monika’s artistic focus is programmed jacquard weaving and contemporary media mixes. Such technique is used for creating contemporary art objects. A few last her social art cycles are related to new born child first contacts with environment which are done by touch, smell, sight. Her works have been exhibited at international art projects, personal exhibition in Poland, Lithuania, Belgium. He was awarded in 2001 and 2005 International Kaunas Textile Bienniale prizes, in 2010 awarded by prize in the installation section of Lithuanian young sculptor contest.
Group Exhibitions
2011 11th Lulea art biennial, Lulea contemporary art center, Sweden.
“Aesthetics vs Information”, 4th Moscow contemporary art biennial, Z.Cereteli gallery, Moscow, Russia.
2006 “Black light”, Kaunas castle, Kaunas, Lithuania. Lithuanian days in Poland, Lithuania Textile Art Exhibiton, Lithuania embassy in Poland, Warsawa, Poland.
2005 IV International mini Textile bienniale “Arka” gallery, Vilnius. Junge Textilkunst aus Litauen, Korerpark gallery, Berlin, Germany. “New Lithuania Textile”, Applied Art and Design Museum, Riga, Latvia. V International Textile Bienniale “TEXTILE 05”, M. Zilinskas Art Galery, Kaunas, Lithuania.
2004 Textile Art Biennial „Arka” gallery, Vilnius, Lithuania.
2003 International Textile Biennial, „Right and Wrong Sides“ M. Zilinskas Art Galery, Kaunas, Lithuania.
2002 „Art Market“, installation, group project, „Art territory“ galery, Kaunas Lithuania.
2001 International Textile Biennial „Soft World“, M. Zilinskas Art Galery, Kaunas, Lithuania.
Contemporary Lithuanian Textile, Provincial Centre for Art and Culture Ghent, Belgium.
Solo exhibitions:
2007 “Human”, “Meno parkas gallery, Kaunas, Lithuania.
2005 “Beauty must live”, “Academia” gallery, Vilnius, Lithuania.
2000 Textile and Paintings of Monika, „Egle“ gallery, Kaunas,
Lithuania.
  |  |  | 01 Revers d’eau 02 Jardins de Babylone 03 Zylindre 04 Pentagones |
Phd, French architect and sociologist, was born in Paris 1932.
The architecture led him to sculpture, furniture and jewelry. Sociology leads to Dogon dancers of Mali, then to research in psychiatric hospitals in France, a group therapy based on the use of masks.
Publications: Articles in the journal "Medical Psychology" 1982-85-90-94. "The Mask found" in "Oceania, the mask-going" Ouest France Univ. 1983. Translated by John Bowlby,
"Attachment and Loss" PUF 1978 (child psychiatry).
Collective work of G. I. Gurdjieff. (philosophy) Lausanne, L'Age d'Homme 1992.
Member of the Research Center and Transdisciplinary Studies (CIRET) and the French Society of Psychopathology of Expression and Art Therapy (PETS-AT).
  |   |   | 01 Against the Grain 02 Double Down 03 Billy the Kid 04 They Come to Snuff the Rooster 05 Happy Trails 06 Baselitz in Ecstasy |
Casey Vogt creates ornate, mandala-like compositions that serve
as a backdrop for politically-charged figurative scenes. The most
recent figures explore Americans' relationships to drug use, the War On
Drugs, and the pharmaceutical industry. The backgrounds are composed
of masses of layered dots and myriad colors, recalling a pharmacopoeia
of pills.. They act as a painterly and metaphysical contrast to the
socio-political narratives presented by the figures. With their
euphoric colors and psychedelic compositions, Vogt's work proposes
painting as another mind-altering substance.
EDUCATION
-M.F.A., Miami University, Oxford, OH. 2009.
-B.F.A., cum laude, University of Akron: Myers School of Art, Akron, OH. 2004.
SELECTED EXHIBITS and LECTURES
2009 -MFANow, This is Paint!: Infusion Gallery, Los Angeles, CA. International Painting Exhibition.
Jurors: Nicolette Kwok, Victoria Lu, Edward Lucie-Smith, John Millei, Maura Reilly, Kay
Saatchi, Bernar Venet.
-156th Ohio State Fair: Cox Art Center, Columbus, OH. Group Exhibition.
-Fresh & Witty: Summit ArtSpace, Akron, OH. Group.
-Meaning and Nothingness: Lee Gallery, Oxford, OH. Solo Exhibition.
-Western Spirit Art Show: Old West Museum, Cheyenne, WY. Group.
2008 -Undecided: Harris Gallery, Oxford, OH. Group.
-Oxford to Oxford: Powerhouse Community Arts Center, Oxford, MS. Group.
-Five Minds: John C. Brian Gallery, Yellow Springs, OH. Group.
2007 -Politics: Greenwich Gallery, Cincinnati, OH. Group.
-Steve Levey and Casey Vogt, Akron, OH: Jason Rulnick Gallery, New York, NY. 2-Person.
-17th Artists of Rubber City Juried Show: Mocha Maiden Gallery, Akron, OH. Group. Third Place.
-Young Painters 2007: Miami University, Oxford, OH. National Painting Exhibition.
Juror: Jerry Saltz.
2006 -48 Hours of Making Art: Lake Erie College, Painesville, OH. Invitational.
-Convergence 2006: College of Wooster, Wooster, OH. Group.
-Restless in Akron: Summit ArtSpace, Akron, OH. Group: Guest Curator.
-16th Artists of Rubber City Juried Show: Mocha Maiden Gallery, Akron, OH. Group.
-Fresh Art: Summit ArtSpace, Akron, OH. Group.
2005 -Cockeyed: Experimental Gallery, Akron, OH. Group: Curator.
-Queer/Query: The Church, Akron, OH. Group.
-Intrinsic: Lake Erie College, Painesville, OH. Invitational.
-Engendered: Lake Erie College, Painesville, OH. Invitational.
-Patterns, Rhythms and Cycles: Mt. Scott Art Center, Portland, OR. International Exhibition.
2004 -Turtledoves: The Church, Akron, OH. Solo.
-Culture Fluid: Clemson University, Clemson, SC. National Print & Drawing Exhibition.
-What’s in Marfa, Texas?, LECTURE, Student Art League, Myers School of Art, Akron, OH.
2003 -The Halpert Biennial ’03: Appalachian State University, Boone, NC. National 2-D Exhibition.
-Young Painters 2003: Miami University, Oxford, OH. National Painting Exhibition.
Juror: Barry Blinderman.
-Mute: Anne Arundel Community College, Arnold, MD. National All-Media Exhibition.
-8-Hour Drawings VI: Allegheny College, Meadville, PA. Invitational Group Exhibition.
-8-Hour Drawings VI, LECTURE, Allegheny College, Meadville, PA. Invitational.
-Recent Paintings, LECTURE, Student Art League, Myers School of Art, Akron, OH.
2002 -Mental Masturbation: The Ice House, Akron, OH. Group.
-A Moment of Zen: Projects Gallery, Myers School of Art, Akron, OH. Solo.
-Lunch Counter: Upper Atrium Gallery, Myers School of Art, Akron, OH. Solo.
2001 -Become Lubricated: Projects Gallery, Myers School of Art, Akron, OH. Solo.
-Recent Paintings, LECTURE, Student Art League, Myers School of Art, Akron, OH.
SELECTED GRANTS & AWARDS
-Winner: MFANow International Painting Competition—2009.
-Nominee: Joan Mitchell Foundation Graduate Award—2009.
-Graduate Achievement Award: Miami University—2009.
-Graduate Assistantship: Miami University—2007-2009.
-Finalist: Northern Ohio Live Achievement Award for curating Restless in Akron—2007.
-Finalist: Young Painters Competition—2003, 2007.
-Winner: Ohio Arts Council Grant; Individual Excellence Award—2007.
-Winner: MOCA Cleveland Nesnadny & Swartz Visiting Critics Program—2006.
Visiting Critic: Valerie Oliver Cassell, Assistant Curator Contemporary Museum of Art Houston.
-Winner: University Park Alliance Design Competition—2004.
-Finalist: Alexander Rutsch Award National Works on Paper Exhibition—2003.
-Myers School of Art Materials Grant—2003.
-Daschiell Travel Grant—2003.
-Myers Scholarship—2003.
-Folk Scholarship—2002.
-Roetzel, Cletus & Clara Academic Scholarship—2002.
-2nd Place: Myers School of Art Juried Show—2002.
-Harris Scholarship—2001.
-Myers School of Art Juried Show—2000, 2002, 2003, 2004.
-Dean’s List, University of Akron—1999-2004.
COMMITTEES & ORGANIZATIONS
-SFA Dean’s Student Advisory Council, Miami University—2008-2009.
-Graduate Representative to the Faculty, Miami University—2008-2009.
-Graduate Student Association, Miami University—2007-2009.
-University Graduate Students, Miami University—2007-2009.
-Fine Arts Faculty, Staff, and Majors, Miami University—2007-2009.
-Advisory Committee to the Chair, Myers School of Art—2003.
-President, Student Art League, Myers School of Art—2002-2003.
-Artist-in-Residence Committee, Myers School of Art—2002.
PUBLICATIONS
-The Miami Student, “Grad student gains exposure in international art competition,” February 10,
2009: pg. 2, 1 b/w image.
-Northern Ohio Live, “Awards of Achievement,” October 2007: pg. 30, 1 color image.
-Angle #29, “Abundant Ohio.” November 2006: pg. 17.
-Akron Beacon Journal, “Restless in Akron.” October 8, 2006: pg. E7, 1 b/w image.
-West Side Leader, “Restless in Akron,” October 5, 2006: pg. 6, 1 b/w image.
-Akron Life & Leisure, “Restless in Akron.” September 2006: pgs. 11-14, 3 color images.
-Cleveland Free Times, “Art news.” May 4-10, 2005: pg. 49.
-Channel 3, Cleveland, OH. “Akron painting shows nude Bush being crucified.” Mar. 19, 2003.
TEACHING EXPERIENCE
-Teacher Assistant: Advanced Painting, Miami University—Spring 2009.
-Teacher Assistant: Three-Dimensional Design, Miami University—Spring 2009.
-Professor of Record: Two-Dimensional Design, Miami University—Fall 2008.
  |   |   | 01 Dach des Museum Zadkine 02 Leinwand, Natur,Stahlring, 5m*2m 03 Bilder von Bäumen 04 Sinuzoîde 05 Sinuzoîde 06 Sinuzoîde |
Clément Borderie fängt die Bewegungen der Jahreszeiten ein.
Im Herbst sind die Formen von Clement Borderie, diese sonderbaren Gestelle aus Eisen, mit Maltuch bespannt, um den Wechsel der Zeiten und der Elemente festzuhalten, mit abgefallenem Laub bedeckt. Diese Blätter werden vom Winterwind vertrieben werden, bevor, dann, die Frühlingsregen in die Leinwände eindringen. Staub, Insekten, Pollen, Blüten, Zweige und die Verschmutzungen der Luft lassen sich darauf nieder. Dabei prägen sie dem Tuch ihre Bahnen, ihre Farben, ihre Formen auf. So entstehen die Werke von Borderie in einem Prozess wie dem der Fotografie, nur (zeitlich verzögert) in Zeitlupe. Die Ausdauer seines Vorgehens kommt ihm von weither. Sein Vater André Borderie war Maler, schuf Wandteppiche und bedeutende Keramiken in den 50er Jahren. Mit fünf Jahren, wenn der Junge aus der Schule nach Hause kam, liess er Clément mit chinesischen Pinseln Emaillearbeiten ausführen oder in einer Ecke seines Ateliers für sich zeichnen. Dabei zeigt er ihm, wie man die drei Dimensionen eines Gegenstands in die zwei Dimensionen der Zeichnung überträgt. Eine solche Lehre wird nicht durch das Wort wiedergegeben – André Borderie war eher ein verschlossener Mensch -, sondern im Tun. Ebenso gab es Maria, die Mutter, eine junge Frau aus der Bretagne, die zugleich zurückhaltend und bestimmt war. Auch sie war Malerin.
Am Wochenende füllt sich das Haus in Senlis mit den Freunden des Paares, alle Schriftsteller und Maler, voller Begeisterung. Alle haben Geschichten von dem zu erzählen, womit sie gerade beschäftigt sind, was sich in der Kunstwelt ereignet. Der junge Mann hört ständig zu. Ganz selbstverständlich beschliesst er, in die Schule der Manufaktur von Gobelin einzutreten. Auch da noch tritt er in die Fusstapfen des Vaters, denn dort wurden 20 der 400 Wandteppiche gewebt, die André entworfen hat. Ein engagierter Lehrer unterrichtet dort Kunstgeschichte, nachmittags zeigt er seinen Schülern, worüber er am Morgen gesprochen hat.
Während dieser sechs Jahre empfindet der junge Mann das Bedürfnis, eine eigene Arbeit zu machen, zu malen, nicht länger in dem einzigen Gebiet der Techniken zu bleiben, um in das so viel ungewissere persönlicher Erfahrungen einzutreten. Um das zu erreichen, muss er, das ist ihm klar, nicht nur den derart bewunderten Vater umbringen, sondern sich auch andere Meister gewinnen wie Yves Klein, dessen Feuerbilder oder Körperabdrucke ihn faszinieren und vor allem die Geschichte einer Reise nach Nizza mit einer auf das Dach seines Autos montierten Leinwand. Es gibt auch Buraglio, von dem er in den Werkstätten von Gobelin ein kleine solarisierte Zeichnung entdeckt hat, und Calzolari, der Eiswalzen benutzt, wie er es Jahre später selber tun wird. Jeder dieser Künstler beeinflusst seine Entwicklung, führt ihn zu seinen eigenen Untersuchungen von Empfindungen und Gefühlen.
1988 bemerkt er während des Abbaus einer Ausstellung in der Usine ephemére, wo er eine Installation aus sieben Elementen gezeigt hat, dass diese Objekte ihre Spuren auf dem Boden hinterlassen haben. Da wird ihm bewusst, dass dieses „Bild der Zeit“ das ist, wohin er in seinem Werk gelangen will. Eines Tages sitzt er auf einer Weide und blickt vor sich zwischen seinen Beinen in das Gras: Zeichnen will er nie mehr. Er verlässt die klassischen Werkzeuge, die ihm bis dahin gedient haben, erfindet neue Prozeduren, beginnt, seine Gestelle auszuarbeiten. Ob sie nun als einfache Gerüste erscheinen, die eine Leinwand tragen, oder als eine komplexere Maschine, die von einem Kältegenerator gespeist wird, sie sind immer Träger einer Mission, die ihnen der Künstler erteilt hat, die er in ihrem Ablauf verfolgt.
Selbstverständlich braucht man sehr viel Platz, um diese Strukturen zu konstruieren, mit denen man grosse Formate herstellen kann. 1995 bietet der Verwaltungsdirektor des Hôpital Charles Foix in Ivry Borderie ein Gebäude an. Es ist die alte ehemalige Wäscherei, die er mit Cat Lorgy, auch einem Maler, und mit Patrick Fleury teilt, einem Komponisten und Bildhauer. Diese kleine Gruppe, die unter dem Signet KP5 bekannt ist, erinnert zu einer Zeit, in der der Kunstmarkt die Künstler gegeneinander isoliert, doch die Gemeinschaft und die Verbundenheit, in der André und Maria Borderie in der Nachkriegszeit lebten. Der Direktor von Charles Foix erwartet von seinen neuen Mietern nicht, dass sie Kunsttherapie betreiben. Er ist sosehr überzeugt, dass ihre blosse Anwesenheit die Neugier der Mediziner wecken wird, die sich für ihr Vorgehen interessieren werden und daraufhin ein Centre d’Ammation schaffen werden für die älteren Menschen in geriatischer Behandlung. Er fordert Borderie auf, seine Malmaschinen in den grossen stillen Gärten des Hospitals aufzustellen. Gegenwärtig sind mehrere von ihnen „an der Arbeit“; auf einer davon liegt ein Schneeball, der unaufhörlich auf die Leinwand tropft. So greift die Natur fortwährend ein, bis der Künstler entscheidet, dass das Werk beendet ist. Abgenommen von ihrem Träger, getrocknet und auf Keilrahmen gespannt, teilt es die Zeichen mit, die sich im Laufe von drei oder vier Jahreszeiten eingeschrieben haben.
Wenn man diese Malereien geheimnisvoller Farben und Bewegungen sieht, deren Schönheit manchmal an die der chinesischen pierres de rève denken lässt, wundert man sich nicht, dass Clément Borderie sein Vorgehen in den Texten von Gao Xingjian wiedererkennt: „Die Wogen bedrängen das Ufer“, schreibt der Literatur Nobelpreisträger, „aber bevor sie die Zeit haben, sich zurückzuziehen, werden sie verschlungen in dem lieblichen Geräusch, mit dem die Sandkörner sie aufsaugen, hier und da Spuren von gelblichem Schaum zurücklassend.“ Ganz so, wie es der Maler in seiner Kunst macht, hat der Dichter eine universelle Sprache erfunden, die Orient und Okzident verbindet. Indem er seine Gestelle an derart entfernten Orten aufstellt wie Vole Sacré bei Verdun, Berlin oder Havanna, sammelt Borderie den Staub, den Regen, das Gedächtnis dieser Böden und dieser Städte, gibt Borderie zu entdecken, was sie unterscheidet und was sie gemeinsam haben.
(Christiane Germain)
EXPOSITIONS PERSONNELLES
2006 Château des Templiers de Gréoux- Les-Bains
2005 « Autour du temps » Galerie municipale de Vitry
Château du Rivau, Tours
2004 Atelier d’architecture Frederic Lebard. Ivry sur Seine
« En attendant l’hiver » Dans le cadre de l’Art de Mai à Reillanne (Alpes de Haute -Provence)
2003 « Jardins secrets V » Confrontation avec Nils-Udo, Ivry–sur-Seine
1994 La Box, Bourges
Galerie Barbier-Beltz, Paris
1993 Musée Kiscell, Budapest
1992 Hôpital Ephémère, paris
1991 Galerie Valeix-Henry, Paris
1990 Galerie Casini, Paris
Centre d’art La Base, Levallois-Perret
1989 Usinor-Sacilor, Paris La Défense
1988 Usine Ephémère, Paris
EXPOSITIONS COLLECTIVES
2005 « L’original multiple »Bibliothèque nationale de France .Mois de l’Estampe
2004 « Accrochage d’atelier » Hôpital Charles Foix, Ivry-sur-Seine
2002 « Off shore » Hôpital Charles Foix, Ivry sur seine
Le mois de l’estampe, Atelier Arcay, Paris
2001 « Jardins secrets IV » Hôpital Charles Foix, Ivry sur seine
Maison des Arts, Bagneux
« Fête de l’eau » Wattwiller, Alsace
2000 « Fête de l’eau » Wattwiller, Alsace
Galerie Janos, Paris
« Désherbage » Hôpital Charles Foix, Ivry sur seine
« L’exploradôme » Jardin d’acclimatation, Paris
1999 « Jardins secrets III » Hôpital Charles Foix, Ivry-sur –Seine
Salon de Montrouge
1998 « Paradis Lapin » Institut hongrois, Paris
Biennale d’Issy-les-Moulineaux.
« Appel d’air » Hôpital Charles Foix, Ivry sur seine
1997 « Recyclage » Mausolée L, Paris
« Jardins secrets II L’ange bleu » Hôpital Charles Foix, Ivry-sur-Seine
1996 Centre d’art de Compiègne
1995 « Jardins secrets I » Hôpital Charles Foix, Ivry sur seine>
1994 « Débordements », Parc Juan Miro, Paris
1992 « Parcours Privés », Paris
1991 Château de Barbirey, Dijon
1992 Salon de Montrouge
1991 Château de Barbirey Dijon
1990 Salle de Flore, Dijon
« Vive l’eau », Cité des Sciences et de l’industrie, Paris
Hôtel d’Albret, Paris
Galerie Valleix-Henry, Paris
1989 Usine Ephémère, Paris
BOURSES, AIDES, RESIDENCES
2005 Mehr Licht ! Résidence d’artiste à La Havane, Cuba
2004 Mehr Licht ! Résidence d’artiste à Brandenburg (Allemagne), Poznan (Pologne)
Le vent des forêts, résidence d’artiste, Meuse, France
Résidence d’artistes à Reillane, Provence
2000 Bourse et aide à la création, pour le musée d’art contemporain, Wattwiller, Alsace
1999 « Maroc 99 » Voyage d’artistes Marrakech, Maroc, AFAA
1991 Aide à la création, DAP
COMMANDES
2005 Commanderie de Peyrassol, Flassans-sur-Issole
2002 Sculpture pour le jardin d’acclimatation, Paris
2001 Futur centre d’art de Wattwiller, Alsace
SIAAP, Ville de paris
2000 Estampe pour la collection du Val-de-Marne
Estampe pour la collection Novotel
1997 Commande d’une sculpture pour le siège social de Fenwick-France, St Quentin en Yvelines
COLLECTIONS
2005 Collection Paul Eluard,Mac Val
2003 Collection Fondation Colas
2000 Série de 4 toiles, Mac Va
Estampe pour la paix, Mac Val
1990 Dyptique Ville de Paris
   |   |   | 01 Chut Chut Cher Daniel 02 Colin Maillard 03 La Vanite mise a Nue par ses Thuriferes 04 Broken Dreams 05 Les Epines de La Voluptě 06 Installation von Zeichnungen auf Karton, Dimension variabel, 2011 07 The Fall |
Born 1947 in Boulogne Billancourt. Lives and works in Paris.
1967 Ecole des Beaux arts de Grenoble / Atelier Jean-Marie Pirot
1971-72 Ecole National des Beaux Arts de Paris / Atelier Yankel
Soloexhibitions (Choice)
2008 Pierre Bergé & Associes, Bruxelles
2007 Galerie Larock-Granoff, salon du collectionneur, Paris
Hotel Le Lutétia, Paris.
2006 Exposition dans la ville, Montélimar.
Place Salvador Allende, Bagnolet.
Place Saint-Sulpice, Paris.
"Le Passion", Collégiale Saint-Pierre, Aire-sur-la-Lys.
2005 "L'Ascension", Eglise Saint-Sulpice, Paris.
Sculpture à l'honneur, Cour d'honneur de la Préfecture, Versailles.
2004 "La passion du Christ", Galerie Larock Granoff, Paris.
"La passion du Christ", Eglise Saint-Sulpice, Paris.
2002 Galerie Larock Granoff, Paris.
1998 Galerie Larock Granoff, Paris.
1994 Galerie Jean Briance, Paris.
1993 Galerie Charles Sablon, Paris.
1992 Galerie Charles Sablon, Paris.
1991 Galerie Jean-Pierre Harter, Paris
Galerie Alain de Monbrison, Paris
1985 Galerie Jean-Claude Riedel, Paris.
1980 Musée de Villefranche sur Saône.
Groupexhibitions (Choice)
2007 1 ére Biennale de sculpture, Yerre
"Taille Humaine", Artsénat 2006, Jardin du Sénat, Paris
Parcours sculpture - Artparis, Grand Palais, Paris
2005 "Le lendemain du Kaos", Daniel Hourdé & Amahiguéré Dolo, African Muse Gallery, Paris
1993 "Parcours d'un mécène", Collection Mourtala Diop
(J.Chamberlain, J.Dubuffet, L.Cane, César, Hains, A.Jacquet, A.Kirli,..)
Fairs
2008 ART PARIS, Galerie Larock-Granoff, Paris
2007 ART PARIS, Galerie Nathalie Seroussi, Paris
ART PARIS, Galerie Larock-Granoff, Paris
2006 ART PARIS, Galerie Larock-Granoff, Paris
2005 FIAC, Galerie Larock-Granoff, Paris
2004 FIAC, Galerie Larock-Granoff, Paris
Salon du Carousel, Galerie Philippe Sinseux, Paris
2003 Pavillon des Arts, Genève, Suisse
2002 FIAC, Galerie Larock-Granoff, Paris
2001 Louvre des Antiquaires, Paris
FIAC, Galerie Larock-Granoff, Paris
Salon de Mars, Galerie Larock-Granoff, Genève
2000 Salon de Mars, Galerie Larock-Granoff, Genève
1999 FIAC, Galerie Larock-Granoff, Paris
1998 FIAC, Galerie Larock-Granoff, Paris
1997 FIAC, Galerie Larock-Granoff, Paris
  |   |  | 01 Wasser auf pulverisierten Eisen 02 Wasser auf pulverisierten Eisen 03 Wasser auf pulverisierten Eisen 04 Installationview from the In Between exhibition in Hamburg 05 Talk between Rudolf zur Lippe, Reinhard Kahl and the artists |
Daniel Lergon
born1978 in Bonn, Germany
Lives and works in Berlin, Germany
2000 - 2006 UdK Berlin, class of Prof. Lothar Baumgarten.
Einzelausstellungen | Solo shows
2013 'Siderian Tides', Ivory Press, Madrid
2012 'Rost', Andersen's Contemporary, Copenhagen
2011 'Daniel Lergon: Antumbra', Galerie Christian Lethert, Köln, Germany
‘Whiteout’, Galerie Almine Rech, Paris, France
2010: „Elements“, Almine Rech Gallery, Brüssel
‘lapetus’, Kunstverein Mönchengladbach, Mönchengladbach Germany
2009: „Medusa“, Galerie Almine Rech, Paris
„Metall“, Galerie Christian Lethert, Köln
„3 K“, Andersen’s Contemporary, Kopenhagen
2008 : „States of Matter“, Andersen‘s Contemporary, Berlin
„nimbi“, Galerie Christian Lethert, Köln
„cold fire“, Aerea, Stockholm
2007 „Re“, W.I.P / Galerie Magnus Åklundh, Malmö
„ultra“, Kunstverein Schloss Morsbroich, Leverkusen
„Albedo“, Galerie Andreas Huber, Wien
„K“, Andersen_s Contemporary, Kopenhagen
2006: „Oktave“, Galerie Christian Lethert, Cologne
Gruppenausstellungen | Group shows
2012 ‘Works On Paper’, Zeitkunstgalerie Kitzbühel, Kitzbühel, Austria
Galerie Christian Lethert, Cologne, Germany
2011 ‘Geste. Zufall. Prozess. Neue Abstraktion in der Malerei der Gegenwart’, Nosbaum & Reding Art Contemporain, Luxembourg, Luxembourg
‘Private/Corporate VI’, Daimler Contemporary, Berlin, Germany
‘a painting show’, Autocenter, Berlin, Germany
‘True Faith’,Andersen's Copenhagen, Copenhagen, Denmark
‘GROUPSHOW’, Galerie Christian Lethert, Cologne, Germany
‘Mix The Path’, Heidigalerie, Nantes, France
2010 ‘Farbe in der zeitgenössischen Kunst’, Kunstverein Giessen, Giessen,DE ‘Vantage Points’, Galerie Traversée, Munich, Germany
‘eine Klasse für sich’, Infernoesque, Berlin, Germany
‘Das Voynich Manuskript – eine Künstlersicht auf ein Rätsel’, Kunstverein Aschersleben, Aschersleben, Germany
‘Between Nothingness and Eternity’, Regina Gallery, London, U.K.
‘25’, Sassa Trülzsch, Berlin, Germany
‘Neugierig?’, Kunst- und Ausstellungshalle Bonn, Bonn, Germany
‘Six days of new media’, Linienstr. 127, Berlin, Germany
‘Groupshow’, Galerie Christian Lethert, Cologne, Germany
„Berlin meets Vienna - Salon Österreich“, Kunstverein Aschersleben
2009: „Berlin meets Vienna - Salon Österreich“, Wien
„promises and premises“, Galerie Andreas Huber, Vienna,
„Collaboration“, Autocenter, Berlin, (curated by Gernot Wieland)
„Mirage“, Kottbusser Damm 7, Berlin (with Johannes Kullen, Marion Orfila, Jorinde Voigt)
„Privat“ -Wuppertaler Sammler der Gegenwart / Boros
Collection, Von-der-Heydt-Museum, Wuppertal
Groupshow, Almine Rech Gallery, Brussels (with Don Brown, Sylvie Fleury, Joseph Kosuth, Hedi Slimane, Franz West)
Groupshow, Almine Rech Gallery, Brussels (with Don Brown, R.H.Quaytman, Gabriel Vormstein, Lawrence Weiner)
Galerie Christian Lethert, Cologne, (with N. Beltjens, F. Feehily, L. Fritsch,
I. Knoebel, G. Krebber, K. Richter, S. Schardt, K. Schmitt, K. Sieverding,
M. Sudhues und J. Voigt)
2008: „Target“, TÄT, Berlin, (with Johannes Kullen)
Groupshow, Almine Rech Gallery, Brussels
„State of Mind”, Christian Larsen, Stockholm(curated by John Robert Nilsson)
„Rotating Remains“ (together with Jorinde Voigt), a project realised at
Arco 08 in Madrid for Galerie Christian Lethert, Cologne
„Fiktion.Narration.Struktur”, curated by Andreas Huber, artnews projects, Berlin
“Navigation 01/08”, Galerie Christian Lethert, Cologne
2007: „Exportation“ (curated by Andreas Huber), Galerie T293, Neapel
„Zwei Galerien – eine Ausstellung“, Galerie Christian Lethert und Galerie Erhard Klein, Bad Münstereifel
„Position 02/07", Galerie Christian Lethert, Köln
2006: „presented by“ Claus Andersen at Galerie Andreas Huber, Wien
„Luxkawumm“ mit Jorinde Voigt und Ralf Ziervogel in their appartment in Berlin
„Maleri uden grænser“, Esbjerg Kunstmuseum, Denmark
„Rio“, Artnews Projects, Berlin
„Tanz den Kommunismus“, Schickeria, Berlin
 |  |  | 01 Fishers of Men (2005-2006) 02 Fishers of Men (2005-2006) 03 Saviour Saved |
David Trullo ( Madrid, 1969)
FISHERS OF MEN (2005-2006)
Dyptich, 400 x 50 cm (each 200 x 50), b&w photographs on dibond.
‘Follow me and I will make you Fishers of Men’
St. Matthew, 4-19
‘Fishers of men’ is an essay which explores the representation of masculinity.
It starts with the figure of the Christian apostles, as an example of the ‘homo virtus’, or man of virtues, confronted to the figure of the ‘bear’, a gay man full of hair as the stereotype of the ‘hipermale’ The idea is to compare the use of iconographical items that are common to the representation and appearance of both groups.
The representation of the 12 apostles in western art has barely changed over centuries: it offers a catalogue of references that are used today in very different contexts. For instance, the beard has represented signs of maturity, stability and confidence. Also God and Christ are almost always depicted with a beard since the Middle Ages. For the bears, though, it has become as well a powerful sex-appeal feature.
It is interesting to focus on the case of St. John the Evangelist. He is the only one who seems not to belong to a compact group where it is difficult to identify single ones. He looks young, feminine and beautiful. He is the exception which makes the rule work. The rest of the apostles will be seen today as a homogeneous group that could be described as a ‘sect’. The appearance warns of a particular attitude to life, (in the case of bears of sexual preference) Just by extrapolating all these elements to a new contemporary phenomena, we find that the bears actually copy (Without knowing? Because of lack of historical references?) all the signs that made the apostles a male group which excludes the rest of men. It is amazing how bears reproduce those appearance signs with incredible accuracy: bearded, hairy, corpulent…Even in the ‘bear language’ we can find examples of the endless subcategories that could be based on a particular apostle. Then, St. John the Baptist would be a so called ‘chaser’ (somebody who fancies big hairy men, but who is not a bear himself); Judas could be a ‘leatherbear’, and so on.
The Project is composed of 12 portraits of ‘bearmodels’ who play the role of a particular apostle. They are based on prints and paintings that were very common in Spain in the 17th century. All of them wear or carry objects or symbols that used to help the believer in order to recognize each of them, according to the traditional representation and iconography. They are also identified with names, not the biblical ones but nicknames that are used today, as they are not saints but ordinary people who ‘play holy’ (St. Matthew is now Matt, St. John is Johnny, St. James is Jim, and so on)
The project is to be exhibited in two collections of six images, with a gap in the centre. Six apostles look to the right, and the other six to the left. The empty space in the centre suggests the presence of Jesus. But he is not there: the master is not there anymore. They are left alone.
I am not interested in provoking, or take a particular theme and do a remake, better still I am interested in how symbols and images make us see endless realities, how they all change or adapt to different codes, how people use them to seduce or abuse or control or to be happy. Some people might see this work as a sacrilege, others a joke, hopefully they would use my images as they would use any other: to seduce or abuse or control or to be happy.
David Trullo, Madrid, May 2006
Degree in Fine Arts, Universidad Complutense de Madrid, 1993
Solo Exhibitions
Ecce Homme, Rita Castellote Gallery, Madrid, 2007 *
Heroes, Alcorcón Arts Centre, Madrid, 2004
Vierzenheiligen, Galleria Magenta 52, Milan, Italy, 2004.
Underwear, Larra 10 Gallery, Madrid, 2003.
Alive and Dead, Carmen de la Guerra Gallery, Madrid, 2003.
Memorabilia, C.C. La Canela Arts Centre, Cádiz, Spain 2001.
Better Youth, PhotoEspaña 01, Carmen de la Guerra Gallery, 2001.
Le Bois Humain, Estampa 99, Prints And Editions Fair, Madrid.
Pink Spasm, Carmen de la Guerra Gallery, Madrid, 1999.
Crédito, El Foro, Madrid, 1995.
RGF+DDT (with Roberto González)
Pardo Bazán Gallery, La Coruña, 2007.
Rita Castellote Gallery, Madrid, 2007.
Alcorcón Arts Centre, Madrid, 2007.
Espacio 48 Gallery, Santiago de Compostela, 2007.
Awards, Residencies and Grants
2002 Artist in Residence, Irish Museum of Modern Art, Dublin, Ireland.
2002 3rd Prize, Ibiza Biennale, Spain
1998 'Eros' Photography Prize, El Foro, Madrid.
1997 2º Prize, 'Portrait of a Lady', Polygram Spain.
1994 National prize, XII City ofLeganés Photography Prize, Madrid.
1993 Young Artist Prize, XII Ciudad de Alcorcón Art Competition, Madrid.
1993 Spanish Youth Institute grant for the workshop with Eiichiro Sakata.Rencontres Internationales de la Photographie, Arles, France.
1992 Runner up, Young Images, Amadís Gallery, Youth Institute, Madrid.
Publications
1996-2004 Libro Objeto S.T. Artist's Book, Madrid.
1999 A brand for Y2K, Istituto Europeo di Design, Madrid.
2002 Portraying the dead, Source, Photographic Review, Belfast.
2005 Studija, Visual Arts Review, Latvia.
2006 Arte Fotográfico Magazine, Madrid.
 |  |  | 01 Lichttrichter Detail 02 Geschlossenes System 15 zu 8 03 Intitialen Nr. 2/3 |
 |  | 01 #\\\ and #\\\ 02 (((( |
Elizabeth Ferry blurs the edges between the corporeal and
ethereal. Ranging from simple grids to elaborate stacks of folded
fabric, Ferry composes color and form into rhythms that perpetually,
illusionistically reconfigure themselves. Through carefully cued light
and site specificity, they shift from mundane materials to
enigmatically charged visual sensations. For example, at first glance
Ferry’s grids appear as formal white structures set upon a wall painted
with bright colors. However, a move from side to side reveals that the
edges of the structure are painted with discordant dashes of
fluorescent hues that refract upon the wall. Subverting the fast pace
of everyday transactions between people, places, and information, Ferry
applies abstraction and illusion to offer moments of sensitive
reflection.
Education
2008 MFA, Visual Arts, Sam Fox School of Design and Visual Arts, Washington University in
St. Louis, MO
2005 Post Baccalaureate Studio Art and Art History, Knox College, Galesburg, IL
2004 BA Studio Art, Knox College, Galesburg, IL
2002 Maryland Institute College of Art, Baltimore, MD
New York Studio School of Drawing and Painting, New York, NY
Selected Exhibitions
2009 (upcoming) Cacophonic, Raid Projects, Los Angeles, CA
Optimistic American Discords, Werkstattgalerie, Berlin, Germany
*Recent Paintings, Sangamo Club, Springfield, IL
Recent Paintings, Ilse Avenue, Springfield, IL
306: Chicago Site, Around the Coyote Gallery, Chicago, IL
2008 Slinger 2, Boots Contemporary Art Space, St. Louis, MO
Ateliers #8425, Cité Internationale des Arts, Paris France
306, Hoffman LaChance Contemporary, St. Louis, MO
The hip, the sick and the beautiful! TWENTY 08, Phillip Slein Gallery, St. Louis, MO
Faculty Show, California State Summer School for the Arts, Cal Arts, Velencia, CA
flux, Thesis Exhibition, Washington University, Mildred Lane Kemper Art Museum,
St. Louis, MO
2007 New Work, Des Lee Gallery, St. Louis, MO
1st Annual Loyola Works on Paper, Loyola University, Chicago, IL
Faculty Show, California State Summer School for the Arts, Cal Arts, Velencia, CA
*Moving Through the Landscape: Large Scale Collage and Small Works on Paper,
(solo) Noir Art Emporium, Jacksonville, IL
Point Reyes Painting Invitational, The William Lester Gallery, Point Reyes, CA
MFA1, Des Lee Gallery, St. Louis, MO
Fresh Faces, 20th Street Art Gallery, Sacramento, CA
Selected Awards and Recognitions
2010 The Augustus Saint-Gaudens Memorial, Nominee, Nomination by artist Petah Coyne
2009 MFA Now: The Next Generation of Painting, International painting competition
2008 Artist in Residence, Cité Internationale des Arts, Paris France
John T. Milliken Artist Travel Grant
Marshall Class of 2008, Washington University in St. Louis
Joan Mitchell MFA Fellowship, Nominee
2007 Dedalus Foundation Master of Fine Arts Fellowship, finalist
Top 21 [painters] Under 31, Southwest Art Magazine
2006 Clara Bromeyer Memorial Scholar, Washington University in St. Louis, MO
Selected Publications
2009 MFA Now, International Painting Competition: The Next Generation of Painting,
Volume ii
2008 Some Local Art Please, Allison Sieloff, RiverFrontTimes, Slinger 2 Write Up
Visual Arts Bright Spots, Ivy Cooper, St. Louis Beacon, Slinger 2 Write Up
Review: 70's Vibe at Hoffman LaChance, Ivy Cooper, St. Louis Beacon, 306 Review
2007 Top 21 [painters] Under 31, Southwest Art Magazine, September issue
  |   |   | 01 Psychorealistic Fractal 02 Portable Sunsets 03 Portable Sunset 04 1:a på Moderna, 2008, 05 The incredible Idea that the Clothes hanger is a Christian Invention 06 Interacting Fractal |
born 1931 in Estland
Kungliga Konsthögskolan 1953-58
Professor i måleri vid Kgl Konsthögskolan 1981-91
One man shows
1963 Konstnärshuset, Stocholm
1965 Gummeesons Konstgalleri, Stockholm
1967 Galerie Doktor Glas, Stockholm
1968 Galerie Zunini, Paris
1968 Krognoshuset, Lund
1969 C.R.A.S. Torino
1969 Hantverkshuset, Umeå
1970 Galerie Doktor Glas, Stockholm
1972 Galerie Doktor Glas , Stockholm
1976 Västerås Konstmuseum
1976 Galerie Doktor Glas, Stockholm
1978 Händer, Stockholm
1980 Galerie Blanche, Stockholm
1980 Göteborgs Konsthall, Göteborg
1980 Prins Eugens Waldemarsudde, Stockholm
1982 Centre Culturel Suédoise, Paris
1983 Galerie Blanche, Stockholm
1985 Galerie 1, Göteborg
1986 Konstakademien, Stockholm
1987 Lunds Konsthall, Lund
1987 Norrköpings Konstmuseum, Norrköping
1988 Galerie Blanche, Stockholm
1988 Bror Hjorts Hus, Uppsala
1988 Gävle Konstcentrum, Gävle
1989 Sölvesborgs Konsthall, Sölvesborg
1990 Estonian Art Museum, Kadriorg, Tallinn
1991 Galleri Äpplet, Hälsingborg
1992 Museu do Inga´, Niteroi, Rio de Janeiro
1992 Gamage Gallery, Västerås
1993 Blekinge Läns Museum, Karlskrona
1993 Galerie Doktor Glas, Stockholm
1994 Galleri Bergström, Jönköping
1995 Galleri Deco, Tallinn
1996 Galleri 1, Göteborg
1997 SAK, Stockholm
1999 Konstakademin, Stockholm
1999 Konstens Hus, Luleå
1999 Linnagalleri, Tallinn
2000 Aura Krognoshuset, Lund
2000 Sölvesborgs Konsthall, Sölvesborg
2000 Susanne Pettersson, Norrköping
2002 Galleri Krister Fahl, Stockholm
2002 Jönköpings Konstmuseum, Jönköping
2002 Galleri Tjörnedala, Baskemölla
2004 Blackbox, Norrköping
2005 Konstakademien, Stockholm
2008 Moderna Museet, Stockholm
2010 Tallinn Art Hall Gallery, Tallinn
Group exhibitions (selection)
1966 “The Car In The Art”. Galerie Doktor Glas. Stockholm.
1966 “Contemporary Swedish Sculpture”. Liljevalchs Art Hall, Stockholm
1967 “Current Nordic Art Choiced By Nordic Critics.” Lund Art Hall, Lund.
1969 “Erotic Art.” Liljevalchs Art Hall, Stockholm.
1970 “Reality In Transformation.” Göteborg Art Hall, Göteborg.
1978 “Salvador Allende Solidarity Museum.” Moderna Museet Stockhlm.
1980 “Country Of The Future.” Kulturhuset Stockholm.
1980 “Belgrad 80.” Musée d’art Moderne, Belgrad.
1982 “Icebreakers. Contemporary Swedish Expressionists.”
The Clocktower, New York and 1983 Downy Museum of Art, Califonia.
1989 “The Art-Nationalen.” Globen, Stockholm and Liseberg, Göteborg.
1990 “Le Génie de la Bastille. Portes ouvertes á la Scandinavie.” Paris.
1994 “Model 2000.” Museu National de Belas Artes, Rio de Janeiro.
1995 “Elk In Sunset.” Olle Olssonhuset, Stockholm.
1998 “Stockholm Skulpturtrienal.” Vinterviken, Stockholm.
1999 “Another History.” The Royal Armory, Livrustkammaren, Stockholm.
1999 “Space and Form 2000.” Tallinn.
2006 “The Clouds Between Us.” Moderna Museet, Stockholm.
2007 “The Cultural Katapult.” Haapsalu.
2008 “The Artist As Youngster.” Bror Hjorts Hus, Uppsala.
2010 “Estonian Art In Exil.” KUMU, Tallinn and Tartu Museum Tartu 2011.
2012 “Woodstock.” Växjö Art Hall, Växjö.
2012 “Swedish POP ART 1962 – 1976.” Östergötlands Museum, Linköping
Selected Public Works
Underground Station. “Stadion”, together with Åke Pallarp
“Triumphal Arch, 1989”, Södermalm Stockholm
University Stockholm
Psychological Instituttion, University Göteborg
Astrid Lindgren Children’s Hospital, Stockholm
Films
“The Lonely Heart.” Story by Maria Gripe. Swedish Telivision. 1978
“Enno In the Aquarium.” Swedish Telivision. 1979
“The Knight and the Flea.” Own production. 1999
“Behind the Rainbow.” Own production. 2004
  |  |  | 01 Rostam in late Summer Revisited 02 Rostam in late Summer Revisited 03 Rostam in late Summer Revisited 04 Rostam in late Summer Revisited |
1945 Born in Tehran, Iran
Lives and works in Tehran and Paris
EDUCATION
1969-1970 New York University – Film School – NY, USA
1964 University of the Seven Seas - Orange, California – USA
(Foreign Student Scholarship - The World University Tour)
1963-1969 Arizona State University – Tempe, Arizona, USA (Bachelor of Arts – Applied Arts of the Theater)
1953-1963 Primary and Secondary Education in England
CAREER
1984-2009 Permanent Artistic Director
13 Vanak Street Gallery – Tehran, Iran
XVA Gallery – Dubai
1970-1980 Resident Designer
Iran-America Society Cultural Center – Tehran, Iran
N.I.R.T. Theater Workshop – Tehran, Iran
City Theater – Tehran, Iran International Festival of Arts – Shiraz, Iran
Artistic Director
Zand Gallery – Tehran, Iran
Hayden - Zand Gallery – Washington DC – USA
Member of “La Maison de Artistes”
SELECTED SOLO EXHIBITIONS
1990-2009 Silk Road Gallery – Tehran, Iran
13 Vanak Street Gallery – Tehran, Iran
Hervé Van der Straeten Gallery - Paris, France
Seyhoun Gallery – Tehran, Iran
XVA Gallery – Dubai, UAE
B21 Progressive Art Gallery – Dubai, UAE
Aaran Art Gallery – Tehran, Iran
1970-1990 Iran-America Society Cultural Center – Tehran, Iran
Litho Gallery –Tehran, Iran
Zand Gallery – Tehran, Iran
Farideh Cadot Gallery - Paris, France
Seyhoun Gallery – Tehran, Iran
13 Vanak Street Gallery – Tehran, Iran
Omega Gallery - Athens, Greece
Sheikh Gallery – Tehran, Iran
Evènement du Jeudi – Paris, France
SELECTED GROUP EXHIBITIONS
1980-2009 Salon d'Automne de Paris – Paris, France
Iran Heritage Foundation Show – London, England
“Iranian Contemporary Art“ – Barbican Art Gallery,
London, England
“Regards Persans”- Espace Electra – Paris, France
“Iran Under the Skin” - Case Asia Barcelona, Spain
“Gods becoming men” - Frissiras Athens, Greece Olympic Games
“The Contemporary Persian Scene: The American and European Experience”, Leila Taghinia - Milani Heller Gallery – NYC
Contemporary Art Museum – Tehran, Iran
Christie’s Auction and Preview Exhibition – London, Dubai
“Welcome”- Kashia Hildebrand Gallery, NYC
“Photography Collection” - Centre Georges Pompidou
(2006-2007)
Art Paris – Abu Dhabi, UAE
“Routes” – Waterhouse & Dodd, London
“Demons and D-Artboards”, Rossi & Rossi, London
“In a Different Light”, Osborne Samuel, London
“Continuum”, Sistani Gallery, London
1970-1980 Basel International Art Fair - Basel, Switzerland
Hayden - Zand Gallery – Washington DC, USA
Zand Gallery – Tehran, Iran
Contemporary Art Museum – Tehran, Iran
PUBLICATIONS
Art Asia Pacific Artist Profile – September / October 2009
Contemporary Practices Journal Artist Profile – March 2008
Canvas Magazine Artist Profile – September 2007
Edward Lucie-Smith “Erotica”, The Fine Art of Sex; Hydra Publishing 2002
Edward Lucie-Smith “Art Tomorrow”, Pierre Térrail Editions – Paris 2002
Art Review Magazine February 2002
Paris Musée Editions, France
Editions: London, England “Regards Persans”
The Barbican “Iranian Contemporary Art”; Booth-Clibborn Publications
COLLECTIONS
La Caisse des Dépôts et Consignations Paris, France
Michket Krifa Collection Paris, France
Goulandris Collection Athens, Greece
Contemporary Art Museum Tehran – Iran
Lloyds Bank Geneva, Switzerland
Nemazee Collection New York, USA
Rose Issa Collection London, England
Harmonia Mundi Collection Arles, France
Centre Georges Pompidou Collection Paris, France
Farhad and Shirin Moshiri Collection Tehran, Iran
Cy Twombly Foundation Collection USA
ARTISTS’ TALKS
Art Basel 40, 2009 “Good Words, Good Thoughts and Good Deeds: Art Practice in the Time of Crisis and War”
Lida Abdul, Fereydoun Ave with Sara Raza
   |    |   | 01 Pigmentprints kaschiert auf AluDibond hinter Plexiglas,90x120cm, Ed. 1/5, 2013 02 Pigmentprint kaschiert auf AluDibond 03 Pigmentprint kaschiert auf AluDibond 04 Pigmentprint kaschiert auf AluDibond 05 Pigmentprint kaschiert auf AluDibond 06 Pigmentprint kaschiert auf AluDibond 07 Pigmentprint kaschiert auf AluDibond 08 Pigmentprint kaschiert auf AluDibond |
lebt und arbeitet in Berlin
Auch die Fotogrfie gewinnt ihre Verbindlichkeit nicht mehr aus der Wiedergabe der einzelnen Elemente. Die Aufnahmen von Friedrich Lippe vergegenwärtigen Situationen. "Unterwegs" zwischen Lichtern und Gebäuden oder als Zeugen dessen, wie da Menschen in ein Gegenüber geraten, zueinander, gegeneinander und mit der Stimmung von Orten. Sensible Eindrücke vermitteln Situationen- Verletzlichkeit, aufblitzen, chillen, sinnieren, Verwunderung....
Ausstellungen
2011
Friedrich Lippe - Unterwegs, Werkstattgalerie, Berlin
In Between zwischen Neuer Abstraktion und Neuer Konkrehtheit, Speicherhallen am Brandshof Hamburg
2012
Tarp, Kleipeda Culture and Communication Center, Klaipeda, Litauen
ArtVilnius 2012, Vilnius, Litauen
Fridrich Lippe- Inside the lost identiy, Werkstattgalerie, Berlin
2013
In Between Energie und Materie, On/Off Galerie Hamburg
  |   |   | 01 Königin Luise 02 Big Bugs 03 The 3rd Rome 04 Camera Obscura 05 Original Sin 06 Prodigal Son |
Born in Aktjubinsk, Russia
Lives and works in Berlin, Germany
Education
1972-77 Polygraphic Institute Moscow (painting and graphic art)
1977 first place citation for his Diploma, "Master of Fine Arts"
1978 member of the Association of Painters of Moscow
participates in numerous exhibitions of the Association of Painters and of nonconformist artists, Moscow
1985 moves to the West, lives currently in Germany, Spain and New York
1988-93 studies at the Academy of Fine Arts, Vienna
1993 "Magister artium" of the Academy of Fine Arts, Vienna (painting and graphic art)
Gold medal of the Academy (Fueger Gold Prize)
Solo Exhibitions
2011 "Glory of a New Century", State Russian Museum, St. Petersburg, Russia
2011 "Famous and Infamous", Albemarle Gallery, London
2010 "Metamorphosis And Mimicry", installation in the butterfly garden of Palace Friedrichsruh, Germany
2008 "Metamorphosis And Mimicry", installation in the butterfly garden of Château de Goulaine, Loire-Valley, France
2007 "Metamorphosis And Mimicry", installation in the butterfly garden of Palace Sayn, Germany
2006 Natsoulas Gallery, Davis/California, USA
2005 Experimental Art Foundation, Adelaide, Australia
La Galleria d`Arte Moderna e Contemporeaneo della Reppublica de San Marino
2002 Freud`s Dreams Museum, St. Petersburg, Russia
2001 Galerie Eikelmann, Düsseldorf, Germany
2000 "The Myths of King Ludwig II of Bavaria", Novaja Akademija, St.Petersburg, Russia
1999 Computer-Panorama for the foyer of the King-Ludwig II- Musicaltheatre, Füssen, Germany
1999 Galeria Maria Salvat, Barcelona, Spain
1997 Italian Culture Institute, Berlin, Germany
1994-95 Stuart Levy Fine Arts, New York, USA
Group Exhibitions
2011 "Points of View", CUA Museum of the University of Colorado, Boulder, USA
"Polemically Small", Werkstattgalerie, Berlin
2010 "The Sky In Art", State Russian Museum, St.Petersburg, Russia
10th International Biennial Of Miniature Art, Gornji Milanovac, Serbia, First Prize in the section painting for "Tropical Wesp"
"Polemically Small", Charlie Smith, London
"Heimat", Radierwerkstatt 30links and Willy-Brandt-Haus, Berlin
2009 "Born In The USSR - Russische Kunst aus Deutschland", Auswärtiges Amt, Berlin
Comet Prussia, Werkstattgalerie, Berlin
"Berliner Positionen", Museum Of Contemporary Art, Skopje, Macedonia
"Krieg der Engel", Kunstverein Talstraße, Halle
2008 "Macht des Wassers", Russian State Museum, St.Petersburg, Russia
Democray & Violence, Werkstattgalerie, Berlin
"Contempahrt" (Kunst und Wein), Burgbrohl, Germany
2007 "I believe", Vinzavod Moscow, Special project of the II Moscow Biennale, curator Oleg Kulik
"Mailartissimo", A.S.Popov Central Museum of Communications, St.Petersburg, Russia
2006 "Meditazione sulla Realta", Palazzo della Ragione, Mantova, Italy
"Times of change", Russian State Museum, St.Petersburg, Russia
2005 "Bellum bellum", Galerie Sandmann, Berlin
2004 "Na kurort", Kunsthalle Baden-Baden
"Gods becoming men", Frissiras Museum, Athenas, Greece
2003 "Remembrance - Russian Post-Modern Nostalgia", Yeshiva University Museum, New York (catalogue)
"Fiction of History", Museums Biennale, Krasnojarsk, Russia
"Foreign Visions", Foundation Starke/Berlin and Museum of Contemporary Art Skopje/Macedonia (catalogue)
"Berlin-Berlin", German Ministery of Foreign Affairs, Berlin, Germany (catalogue)
"Naked before Gods", Parnu Museum of New Art, Parnu, Estonia
2002 "Shock and Show" - Festival of International Contemporary Art, Triest, Italy (catalogue)
"A brief history of collage and assemblage, Zimmerly Museum New Brunswick, New Jersey, USA (catalogue)
"Artists of the Ideal", Palazzo Forti, Verona, Italy, (catalogue)
2001 "Between Earth And Heaven", Museum of Modern Art, Ostende, Belgium (catalogue)
2000 - 2001 "Jesus Christus", Russian State Museum Sankt Petersburg and theVatican Museum, San Marino (catalogue)
1999 "Play and Passion", Russian State Museum, Sankt Petersburg, Russia (catalogue)
"A 25 Year Retrospective on Nonconformist Russian Art - The Kolodzei Art Foundation" , Kennan Institute, Washington DC,USA and The Woodrow Wilson Center, Washington DC (catalogue)
1998/99 „American Pop Art - Russian Sots Art“, Frederick Weisman Art Museum, Minnesota University, Minneapolis, USA (catalogue)
1998 „Neo-Academism and Elektronic Art“, Novaja Akademija, St. Petersburg, Russia (catalogue)
1996 Permanent exhibition of the Norton Dodge Collection at the Zimmerly Museum, Rutgers University, New Brunswick, New Jersey, USA
1994 "Monumental propaganda", Smithsonian Institution, Washington DC, USA
"Ideal Landscapes", de Saisset Museum, Santa Clara University, Santa Clara, USA
"Post World New Order: Restructured Myths", Stuart Levy Fine Art, New York, USA
1976-85 participates in numerous exhibitions of the Association of nonconformist artists, Moscow
1976 "First exhibition of the avantgardists", Malaja Gruzinskaja, Moscow
Collections
Works in numerous international official and private collections.
Among them are:
Russian State Museum, St.Petersburg, Russia
Zimmerly Museum of Art, Rutgers University, New Brunswick, New Jersey, USA
La Galleria d`Arte Moderna e Contemporeaneo della Reppublica de San Marino
Hofstra Museum Collection, Hofstra University Hempstead, USA
Museum of Contemporary Art Skopje, Macedonia
Museum Haus am Checkpoint Charlie, Berlin, Germany
Freud`s Dreams Museum, St.Petersburg, Russia
Italian Culture Institute Berlin, Germany
Museum of European Art, Buffalo, New York, USA
Kolodzej Art Foundation, Oklahoma City, USA
Church of Cadaques, Spain
St.Georg-Church, Ulm, Germany
Ministery of Post and Communication, Ulm, Germany
  |  |  | 01 Der Adler 02 Quindici esercizi di salvataggio 03 Installationview from the 04 Installationview from the |
GIANNI MORETTI
Drawing, installation and mixed media techniques are used by Gianni Moretti (born 1978 in Perugia,Italy) in a research focused on trying to reach the highest point of understanding the limits and breaking the structure of various kinds of organisms. His installations are frames precarious and volatile flows up to the edge of collapse, but always under control. Through sign and implement processes that generate assembly reactions linked in an effort to generate, through repetition of actions that affect, disrupt and break up, the forms in a state of perpetual dismantling and reassembling. Lives and works in Milan and Berlin.
EDUCATION
2005 BA Degree in Decorating, Accademia di Belle Arti di Bologna, Italy
PRIZES
2013 Premio SetUp, Bologna (First Prize)
2012 Premio Francesco Fabbri per le arti contemporanee, Treviso (Selected finalist)
2011 Premio Arte Rugabella 2011, Milano (First Prize)
2010 Premio Celeste, Catania (Selected finalist)
Premio Combat, Livorno (Selected finalist)
2007 Premio Arti Visive San Fedele, Milano (Critique Special Prize)
2006 XXIII Premio Oscar Signorini, Milano (First Prize)
Premio Accademia Olimpica Nazionale, Roma (First Prize)
2005 Premio Iceberg 2005, Bologna (First Prize)
2003 Premio Nazionale delle Arti, Roma (First Prize)
RESIDENCES AND WORKSHOP
2012 Workshop Cattedrale fabbrica del Vapore, D.O.C.V.A., Milano
C.A.R.S. Omegna, (VB - Italy) International Artist in Residence Program
2010 GlogauAIR, Berlino (Germany) International Artist in Residence Program
2009 Mongin Art Center, Seoul (South Korea) International Artist in Residence Program
Long Live Romance, Macerata (Italy) International workshop of art and performance curated by Franko B
2007 Harlem Studio Fellowship, New York City (USA) International Artist in Residence Program
COLLABORATIONS
2011 scatolabianca, co-founder of a no profit cultural association involved in promoting internation young contemporary art
2009 Richard Nonas, Down open and Through ( push down, held open, cut through), taking part to the set up of the work, Sant’Elena la seduzione nel segno, collateral event of 52° Esposizione Internazionale d'Arte – La Biennale di Venezia, Venezia, curated by Martina Cavallarin
2008 Il volo (an)negato, installations for the theater-dance piece, Scuola d’Arte Drammatica Paolo Grassi e Piccolo Teatro, Milano
SOLO EXHIBITIONS
2013 DATA ON IMPERFECTION, Factory-art, Berlin (Germany) curated by Martina Cavallarin
2012 Manuale per la perfetta gestione delle emozioni, M.A.R.S., Milano
2011 {to} PUZZLE, Otto gallery, Bologna, curated by Alberto Zanchetta
Inventario perenne, Centro Arti Visive Pescheria, Pesaro, curated by Martina Cavallarin
uno, nessuno…, Il frantoio, Capalbio (GR), curated by Davide Sarchioni
2010 Intermittenza, Changing Role - Move Over Gallery, Napoli, curated by Martina Cavallarin
Paper Heroes, Gaya Art Space, Bali (Indonesia), curated by Martina Cavallarin
2009 Poena Cullei/Osservatorio#1, Basilica Palladiana, Vicenza, curated by Alberto Zanchetta
2008 Settantasette centesimi, Galleria Michela Rizzo Project Room, Venezia, curated by Martina Cavallarin
2007 Del corpo intorno 2005-2007, Montrasio Arte, Milano, essays by Cecilia Antolini e Matteo Galbiati
SELECTED GROUP EXHIBITIONS
2013 La Bell'ra (studi per un monumento all'attezione), Officina delle Zattere, Venezia, curated by Susanna
Sara Mandice
Siate Candidi come colombe ed astuti come serpenti, Galleria Civica d'Arte Celso e Giovanni
Costantini, Castiglions diZoppola, Pordenone, curated by Marco Minuz
Premio Set Up, SetUp Fiera d'arte contemporanea, Bologna, curated by Manuela Pacella
2012 MARS Mission, Ge8 Kunstraum, Dresden (Germany)
W.O.P. works on paper, FABBRIc.a. Contemporary Art, Milano
On cloud seven, C.A.R.S. Cusio Artist Residency Space, Omegna (VB)
Minima Marginalia, Dolomiti Contemporanee - Ex Fabbrica Visibilia, Taibon Agordino (BL)
Undici allunaggi possibili, Palazzo Zenobio per l’arte, Venezia, curated by Martina Cavallarin
Dà fuoco al fuoco / acqua all’acqua / e ciò ti basti, Sala Dogana, Palazzo Ducale, Genova
Chain Reaction cap.1 L’appeso, La sospensione, Still life, ARTcore contemporary art project, Bari, project by Gianni Moretti
2011 Round the Clock, Collateral Event of the 54th International Art Exhibition - la Biennale di Venezia, Spazio Thetis, Venezia, curated by Martina Cavallarin
Follow the broken, Kreuzberg Pavillon Neukölln, Berlin (Germany)
The Others, stand scatolabianca, Torino, curated by Martina Cavallarin
{to} PLOT, ArtVerona 2011, stand Otto gallery, Verona, curated by Alberto Zanchetta
Roma. The road to contemporary art, stand Changing Role - move over gallery, Roma
2010 Adrenalina 1.2, Museo della Centrale Montemartini, Roma, curated by Ferdinando Colloca
Premio.Celeste2010, Fondazione Brodbeck, Catania
Bloom, stand Changing Role - Move Over Gallery, Cologne (Germany)
Un giorno di felicità - miniartextil, ex chiesa di San Francesco, Como, curated by Luciano Caramel
Show V, MMX, Berlin (Germany)
Home Sweet Home, Werkstatt der Kulturen, Berlin (Germany), curated by Irene Pascual
Openstudios, GlogauAIR, Berlin (Germany)
Roma. The road to contemporary art, stand Changing Role, Roma
The Wall, FAC Room, Milano, curated by Matteo Bergamini
Open - Mongin Art Space Open Studio, Mongin Art Space, Seoul (South Korea), curated by Jiyae Choi
2009 Big in Japan, Arcus Project, Ibaraki, (Japan), curated by Doreen Uhlig e Alida Speler
Italian Artists New York, International Studio & Curatorial Program (ISCP), New York City (USA)
Imprimatur 3 The Goldberg’s Variations, 91mQ, Berlin (Germany) curated by Martina Cavallarin
Avvertenze Artistiche, Mercati di Traiano Museo dei Fori Imperiali, Roma
Imprimatur 2, Incubatore di Sant’Elena, Venezia, curated by Martina Cavallarin
Il più profondo è la pelle, MUD Art Foundation, Milano, curated by Donatella Nani e Francesca Fiorella
Harlem States of Mind from Apollo to Lenox, Museo Civico Floriano Bodini, Gemonio (VA), curated by Daniele Astrologo Abadal, Raffaele Bedarida e Francesca Montrasio testi di Chiara Gatti e Matteo Galbiati
Passaggi di Stato (s)materializzazioni di mondi poetici, Spazio per le Arti Contemporanee del Broletto, Pavia, curated by Matteo Bergamini
2008 Tutto in un giorno…, Sala delle Colonne, Milano, curated by Francesca Alfano Miglietti
Nati negli anni 70/80 coll’action scelti bene in tempi estremi, Studio Diecidue citygallery, Vercelli, curated by Giovanna Maulino and Maria Rosa Pividori
Nero, Antico Palazzo della Pretura, Castell’Arquato (PC), curated by Matteo Galbiati
Arte Fiera 2008, stand Montrasio Arte, Bologna
2007 Cohabitations: Studies on Beasts, Plants and Objects, Harlem Studio Fellowship, New York City (USA), curated by Raffaele Bedarida
Serrone Biennale Giovani Monza 2007, Serrone della Villa Reale, Monza, curated by Cecilia Antolini, Matteo Galbiati, Chiara Gatti, Carlo Ghielmetti e Lorenzo Giusti
ArtVerona, stand Montrasio Arte, Verona
Avvenierismo 3535, Orto Botanico Braidense, Milano, curated by Anna Lucia Maria Fraschetti, Maria Campitelli e Mariagrazia Tagliabue
LVII Rassegna Internazionale D’Arte G.B. Salvi, Palazzo Ex Pretura, Sassoferrato (AN), curated by Mauro Corradini
Il male. Premio Arti Visive San Fedele 2006/2007, Galleria San Fedele, Milano curated by Andrea Dall’Asta S.I. e Angela Medesani with Dianiele Astrologo, Chiara Canali, Matteo Galbiati, Chiara Gatti, Angela Orsini, Stefano, Pirovano e Francesco Zanot
Allarmi 3. Nuovo Contingente, Caserma De Cristoforis, Como curated by Cecilia Antolini, Ivan Quaroni, Alessandro Trabucco and Alberto Zanchetta
2006 XXIII Premio Oscar Signorini - Attrazione Frattale. Arte e poetica nella teoria del caos, Studio D’Ars, Milano curated by Ruggero Maggi e Alberto Mattia Martini
Migra-Azione. Azione 3 “migraidentità”, Tenuta Bertottina, Vespolate, Novara, curated by Pino Diecidue and Maria Rosa Pividori
Il Proprio Luogo, Castello Borromeo, Corneliano Bertario-Trucazzano, Milano, curated by Matteo Galbiati, Lorella Giudici, Angela Madesani, Mirtha Paula Mazzocchi e Roberta Ridolfi
Il Viaggio. Essere in/moto. Premio Arti Visive San Fedele 2005/2006, Galleria San Fedele, Milano, curated by Andrea Dall’Asta S.I. e Angela Medesani con Dianiele Astrologo, Chiara Canali, Matteo Galbiati, Chiara Gatti, Angela Orsini e Stefano Pirovano
L’Arte e lo Sport. Premio Accademia Olimpica Nazionale 2006, Piscine Olimpiche, Foro Italico, Roma
2005 Salonprimo 2005, Museo della Permanente, Milano
Premio Iceberg 2005, Sala Borsa, Bologna
  |   |   | 01 Best Worst 02 Eyes on The Prize 03 Smoke I 04 Take Away 05 Smoke II 06 Little Hercules |
Gio Black Peter inszeniert sich in seiner Heimatstadt mit exzessiven Sex-Performance-Shows und –Videos, arbeitet als Maler, Zeichner, Fotograf, Musiker und Gelegenheitsschauspieler. So war er beispielsweise in Bruce LaBruce letztem Film, dem in Berlin gedrehten schwulen Zombie-Trash-Streifen „Otto Or Up With Dead People“, zu sehen.
Die Bilderwelten des in Guatemala als Giovanna Andrade geborenen und im Alter von fünf Jahren in die USA emigrierten Künstlers beschäftigen sich gleichermaßen mit der sexuell aufgeladenen queeren Subkultur und der farbenfrohen New Yorker Straßenkunst.
Gio Black Peter verwendet für seine Zeichnungen vorgefundene Materialien wie z.B. U-Bahnpläne und Plakate als Malgrundlage. Seine expressiven Kunstwerke werden so in vielschichtiger Weise zu einer Reminiszenz an das alte New York - ein mit Graffiti bedeckter Dschungel, in dem das Gefühl der Gesetzlosigkeit regierte und jede Nacht ein neues wildes Abenteuer versprach.
  |   |   | 01 Ohne Titel aus der Serie Estasi 02 Ohne Titel aus der Serie Estasi 03 Ohne Titel aus der Serie Estasi 04 Ohne Titel aus der Serie Corpi 05 Ohne Titel aus der Serie Corpi 06 Ohne Titel aus der Serie Corpi |
Born 1963 in Modena
He lives and works in Modena and Milano.
Soloxhibitions (Choice)
1990: Unione Culturale F. Antonicelli, Turin
1996: Fondazione Mudima, Milano
1998: Galerie d’Arte Moderna, Bologna
2001: Galerie der Stadt Waiblingen
2003: Mimmo Scognamiglio, Napoli
Galerie Triebold, Basel
Otto Gallery, Bologna
2005: Galleria Oredaria Arti Contemporanea, Rom
Fondazione Bandiera, Varese
2006: Tutti Santi, Otto Gallery, Bologna
Fuoco, Image Furini Arte Contemporeanea, Arezzo
Estasi, Galerie Henze& Ketterer & Triebold, Basel
2007: D406 Galleria d’Arte Contemporanea, Modena
Mimmo Scognamiglio, Napoli
Istituto Italiano di Cultura, Lubljana
2009: La Lune en Parachute, Epinal
Ricordati il cuore, Goethe2, Bolzano
2010: Oredaria Arti Contemporanee und Arnold Mondadori, Santa Maria del Popolo, Rom
Werkstattgalerie und Galleria Nove, Berlin
Groupexhibitions (Choice) between 2003-2009
Cromofobie, Ex Aurum, Pescara
Silent Dialogues, ACG Art Gallery, Atene
Schmerzhaft genial, WGZ Bank, Düsseldorf
Some from Bern, Some from Elsewhere, Museum Liner, Appenzel
Von Expressionismus zur Expressivität, GHK Galerie, Basel
Sovereign Art Prize, Bonhams, London
Barbara Behan, London
Sorprendimi, GAM, Bologna
Über Menschen, Schiller Museum, Weimar
Four Ways, Galleria d'Arte Moderna, Udine
Il segno della croce, MMMAC Paestum, Salerno
Minimalia, PS1, New York
The Opening, S.M.A.K. Stedelijk Museum, Grand
Wahrnehmung des Körpers, Kunstverein Steyr
Young Italian Artist, Museum of Modern Art, Singapore
Aufteilung, Städtische Galerie, Dresden
Collections
Galleria d’Arte Moderna Bologna, Italy
Kunstmuseum Bonn
Museum of Art Fukujama
Galleria Civica Modena
Museo d’Arte Moderna et Contemporanea di Trento et Rovereto
Kunsthalle Stuttgart
Museum of Modern Art Toronto
Museum der Stadt Waiblingen
Bibliography
D. Eccher/D. Auregli: Giovanni Manfredini. Quaderni della G.A.M., Bologna, 1998
Gianluca Ranzi: Giovanni Manfredini. Mudimadue Edizioni, 2000
Alberto Fiz: VIVI, Giovanni Manfredini. F. Girondini Edizioni, 2000
Helmut Herbst. Giovanni Manfredini. Museum Waiblingen (Hrsg.), 2001
P. Valduga/G. Manfredini: Manfred. Mondadori, 2003
Giovanni Manfredini: Tutti Santi. Logos Edizione, Modena, 2007
Schmerzhaft genial – Künstler und ihre Krankheitsbilder. Hrsg. von Ulrike Damm. Damm und Lindar Verlag, Berlin, 2008
 |  |  | 01 Coercion 02 Enfraction 03 Lacerate |
Grant Vetter’s Rendition paintings are slathered with sinewy
gobs of fleshy hues. The works effect the transcendent painterliness
of Abstract Expressionism, but also the corporeal gore and almost
forensic examination of mutilated skin. The word “rendition” implies a
subjective experience or recollection, but is also defined as
“deportation for war crimes” and “torture by proxy.” Although Abstract
expressionism was often seen as a symbol of democratic freedom and
individual expression, Vetter explicitly takes up the themes of trauma,
subjection and oppression as it relates to the current War on Terror.
Education
2009 M.F.A. University of California, Irvine, emphasis in Critical Theory
2008 M.A. Masters of Art in Communication, EGS (European Graduate School)
2005 B.F.A. Art Center College of Design
Solo Shows
2009
Ab-Extradition, Constant Gallery, Culver City, Los Angeles, Ca. (catalog)
Group Shows
2010 (upcoming)
Capitalism in Question (because it is), juried by Daniel Joseph Martinez
Pitzer Gallery at the Center for Social Inquiry, Claremont, Ca. (catalog)
2009
Monster Monger and Retailers of Other Strange Satellites: Part II
Compact Space, Los Angeles, Ca.
Monster Mongers and Retailers of Other Strange Satellites: Part I
LA Art, Culver City, Ca. (catalog)
Set Pieces, UAG Gallery, University of California, Irvine, Ca.
MFA Conversations: Part I, curated by Marla Koosed
I-5 Gallery, Brewery Art Complex, Los Angeles, Ca.
Welcome to the Neighborhood!, curated by Morgan Wells
Tight Space, Santa Ana, Ca.
Abstraction Now, curated by Franklin Hill Perrell,
Firehouse Plaza Art Gallery, Garden City, NY.
Analogus, juried by Lucy Lippard
Runnels Gallery, Eastern New Mexico University, NM. (catalog)
2008
Brand 37, Works on Paper: Here and Now, juried by Kim Abeles
Brand Art Center, Glendale, Ca. (catalog)
On, Of, and About Paper, curated by Shelly Bancroft and Peter Nesbett
OCCCA (Orange County Center for Contemporary Art) Santa Ana, Ca. (catalog)
Classicism, Modernism and Beyond: Lasting Traditions and Current Trends in Painting
curated by Darby Bannard, Gallery RFD, Swainsboro, Ga.
Number Two, UAG Gallery, University of Irvine, Ca.
Transforming Matter, curated by Marjorie Kaye, Caladan Gallery, Beverly, Ma.
2007
Acute: Small Works from 22 Los Angeles Artists, Room Gallery, Irvine Ca. (catalog)
Catalyst Retrospective, curated by Michael Ano, Catalyst Gallery, Irvine, Ca.
Wonderoom, curated by Sami Sieglbaum and Elana Melissa Hill, Catalyst Gallery, Irvine, Ca.
2006
JSA (Jim Shaw’s Army), curated by Pentti Monkonen, Rental Gallery, Chinatown, Ca
  |  |  | 01 Mitte 2012 später 02 Anfang 2007 03 1. Hälfte 2008 04 Installationview from Hamburg IN BETWEEN exhibition |
Hanns Kunitzberger
1955
Geboren in Salzburg.
1971
Studium an der Universität «Mozarteum» für Musik und darstellende Kunst, Salzburg.
1975
Diplom für Bühnenbild, Kostüm, Theatermalerei. Anschließend Meisterklasse, Assistenz am Theater.
1978-1982
Studium der Theater- und Filmregie.
ab 1980
Neben der Tätigkeit für Theater und Film im In- und Ausland nehmen Malerei und Plastik einen immer wesentlicher werdenden Schwerpunkt in seiner bildnerischen Entwicklung ein.
1982
Arbeit an Skulpturen, unter anderem an der Skulptur «Gustav Mahler»: Kopf gebrannte Tonerde, auf Lindenzweig und Fichtenstamm. (Katalog, Haus der Musik, Verlag Ch. Brändstätter Wien 2000).
Begegnung mit Catherine.
1983
Zieht nach Wien.
Beschäftigung mit Musik und Klang, auch in Verbindung mit Malerei.
1986-1987
Opern-Konzepte und Fortsetzung der Vorarbeit für zwei eigene Filmprojekte:
«Gustav Mahler. Das Lied von der Erde», Musik-Film-Biographie, 180 Minuten.
«Die Schöpfung», Musik-Film, 90 Minuten. Das Projekt «Die Schöpfung» wurde von Hanns Kunitzberger seit 1984 in mehren Arbeitsphasen aus Entwürfen und Modellen, Manuskripten, Skulpturen, Film, Malerei und Musik entwickelt. Darunter die Arbeit am Opern-Libretto «Das Paradies».
Realisation eines Kurzfilms zu dem Lied von Gustav Mahler «Ich bin der Welt abhanden gekommen».
1987-1995
Atelier im südlichen Niederösterreich.
Arbeitet dort zurückgezogen, unterbrochen von einigen Auslandsaufenthalten mit seiner Frau.
1991
Malerei wird Haupttätigkeit.
1991-1995
Malerei-Zyklus «Die Schöpfung».
Publikation «Hanns Kunitzberger, Ausgewählte Arbeiten 1990-1995».
Fertigstellung der Textfassung «Die Schöpfung. Eine szenische Beschreibung.»
1995
Atelier in Wien.
Beginn der Arbeit an Bildnisse und Abbilder.
1996
Erst mit der Entwicklung der Arbeit an Bildnisse und Abbilder, stimmt er
erstmals einer Präsentation seiner malerischen Arbeit in der Öffentlichkeit zu.
1997-1998
Künstlerhaus Wien:
Ausstellungsbeteiligung, «Sinnlicher Sommer», Katalog 1997.
Ausstellungsbeteiligung, «Raum!» Aussen/Innen-Raum/Welt (Katalog 1998).
1999
Künstlerhaus Wien: Ausstellung Hanns Kunitzberger «Bildnisse» Malerei 1996-1999.
Publikationen: «Hanns Kunitzberger. Bildnisse. Malerei 1996-1999» und der Textband
«Hanns Kunitzberger. Die Schöpfung. Eine szenische Beschreibung.» ÖKK Verlag 1999.
2000-2001
«Stille. An die Unaufrichtigkeit.» ein Interdisziplinärer Diskurs, Dauer 13 Monate.
Hanns Kunitzberger: Projektidee, Konzept, Leitung.
(Erwähnt in: Jacques Le Rider, Österreich-Tagebuch, Kursiv 7-1/2/00, Linz 2000).
2002-2005
Arbeit an «Abbild 2002-2005» 16 großformatige Gemälde, variables Konzept für Raum und Wand.
2002-2004
Künstlerhaus Wien, Ausstellungsbeteiligungen:
«Salon 2002» (Katalog 2002).
«Genius Loci» Linde Waber (Katalog 2003).
Theodor Körner Preis.
Galerie Traklhaus Salzburg:
Ausstellung der Kunstankäufe des Landes Salzburg, Traklhaus 2001-2003 (Katalog 2003).
Künstlerhaus Wien, «Niemandsland» Ausstellungsbeteiligung mit dem Essay
«Kunst im öffentlichen Raum ist unmöglich», (Katalog Künstlerhaus 2004).
2005
Erzbischöfliches Dom- und Diözesanmuseum Wien:
Ausstellung Hanns Kunitzberger «Abbild und Bildnis» Malerei im Dialog mit Exponaten der Sammlung sakraler Malerei und Skulptur des Museums.
Minoriten-Galerien im Priesterseminar Graz, «Aktuelle Kunst in Graz»:
Ausstellung Hanns Kunitzberger «Abbild und Bildnis» Malerei.
Österreichisches Museum für angewandte Kunst MAK Wien / Wien Modern 2005:
Aufführung «ABBILD» Raum für 16 Bilder und ein Streichquartett.
Malerei, Projektidee, Konzept: Hanns Kunitzberger. III.Streichquartett: Beat Furrer. KNM Quartett Berlin.
(Katalog wien modern 2005)
2006
Fertigstellung von «abbild.», 55 Minuten. Film von Hanns Kunitzberger, entstanden während der Aufführung ABBILD im MAK Wien 2005, als darüber hinausreichender Zugang zu diesem Thema.
Künstlerhaus Wien:
Retrospektive Ausstellung «Hanns Kunitzberger. Die Orte der Bilder. Malerei 1996-2006».
Zum Anlass: Symposium zu Bildfragen mit Gesprächsrunden, Filmmatinee und Konzerten.
Präsentationen des Films von H. K. «abbild.».
Akademie der Künste Berlin:
Präsentation des Films von H. K. «abbild.».
Niederösterreichisches Landesmuseum St. Pölten:
Ausstellungsbeteiligung «Spektrum Farbe, Kunst der Gegenwart».
2007
Preis der Österreichischen Postsparkasse.
Künstlerhaus Wien:
Ausstellungsbeteiligung «Exitus» (Katalog 2007).
Publikationen:
«Hanns Kunitzberger. Die Orte der Bilder. Malerei» und «Die Orte der Bilder. Symposium»
Hg. Künstlerhaus Wien, ÖKK Verlag 2007.
2008
Galerie Elisabeth Michitsch Wien:
Ausstellung Hanns Kunitzberger «Malerei».
Galerie Judith Walker, Schloss Ebenau, Weizelsdorf-Klagenfurt, Österreich:
Ausstellungsbeteiligung, «Monochromie und Reduktion»
mit Bernard Aubertin, Hans Bischoffshausen, Heinz Mack, Ludwig Wilding, Gerhard Trieb, Jakob Gasteiger, Chen Xi, Hanns Kunitzberger, Tone Fink, Christina Renggli.
Schloss Wolfsberg, Wolfsberg, Österreich:
Ausstellung «Hanns Kunitzberger Malerei».
2009
«Hanns Kunitzberger ABBILD» Malerei, Ausstellung an 3 Orten in Frankfurt am Main:
Dom St. Bartholomäus - MMK-Zollamt - Haus am Dom/Lichtfuge.
Präsentation des Films von H. K. «abbild.».
Zum Anlass Symposium: 'Was stellt die Kunst dar, wenn sie nichts darstellt?,'
Neue Überlegungen zum Verhältnis von Kunst und Religion, Moderation Joachim Valentin,
mit Johannes Hoff, Gerhard Larcher, Eckhard Nordhofen, Frank Schmidt.
Galerie Judith Walker, Festspielausstellung in Salzburg an zwei Orten:
Ausstellungsbeteiligung, «ECHOES» mit Heinz Mack, Bernard Aubertin,
Hans Bischoffshausen, Bruno Gironcoli, Tone Fink, Hanns Kunitzberger, Karl Prantl,
Markus Prachensky, Meina Schellander, Reimo Wukounig.
Sala Terrena und Max-Gandolph-Bibliothek, Universität Salzburg, Residenz Salzburg.
Oktober 2009
Lebt und arbeitet in Berlin
2010
Minoriten Graz, Österreich:
Ausstellungsbeteiligung, «RELIQTE» Profan-Sakrale Bilddiskurse.
GK Galerie König Berlin:
Ausstellung «Hanns Kunitzberger Malerei»
Zur Ausstellung: Prof. Dr. Bernd Wolfgang Lindemann,
Kunsthistoriker, Direktor der Gemäldegalerie der Staatlichen Museen zu Berlin.
2011
GK Galerie König Hanau:
Ausstellung «Hanns Kunitzberger Malerei»
Zur Ausstellung: Dr. Frank Schmidt, Kunsthistoriker, wissenschaftlicher Direktor Kunsthalle Emden.
2012
25. März - 6. Mai
KunstHaus Potsdam:
Ausstellung «Hanns Kunitzberger, Abbild ohne Ähnlichkeit»
Zur Ausstellung: Guido Faßbender,
Kurator Berlinische Galerie, Landesmuseum für Moderne Kunst, Fotografie und Architektur.
23. September bis 30. November
Galerie Judith Walker, Schloss Ebenau, Weizelsdorf-Klagenfurt, Österreich:
Ausstellungsbeteiligung, «Monochromie und Reduktion II» mit Hans Bischoffshausen, Bernard Aubertin, Tone Fink, Hanns Kunitzberger, Heinz Mack, Christina Renggli, Rudi Stanzel.
  |   |  | 01 Kreuzstele 02 Cathedra II 03 Morgen 04 Zwei und Eins 05 Cathedra II |
Hartmut Stielow
1957 geboren in Benthe/Hannover
1977-83 Studium der Bildhauerei an der Hochschule der Künste, Berlin
1983 Ernennung zum Meisterschüler von Prof. Bernhard Heiliger
1982 Gründung der Gruppe „ODIOUS“,
Mitglieder: Gisela v. Bruchhausen, Klaus Duschat,
Klaus H. Hartmann, Gustav Reinhard, Hartmut Stielow, David Lee Thompson
1992 seit 1992 Dozent an der Werkakademie für Gestaltung, Hannover
Seit 1995 Tätigkeit als Kurator für verschiedene Stiftungen
1995 Förderpreis der Darmstädter Sezession
2000 – 05 Mitglied im Vorstand des
International Sculpture Center (ISC), USA
2004 Gründung des International Sculpture Center Europe (ISC E)
Seit April 2005 sculpture network
Einzelausstellungen (Auswahl)
1987 Galerie in Fonte, Berlin (K)
1988 Kunstverein Springhornhof, Neuenkirchen
1989 Galerie Schilling, Schorndorf
1990 Kirche und bildende Kunst, Gehrden, mit Ricardo Saro (K)
1991 Galerie Scheffel, Bad Homburg, Volker Bartsch und Ernest Altes
Korten Hoef, Hilversum, Holland mit Volker Bartsch
1993 Galerie Stübler, Hannover
Schloß Agathenburg mit Volker Bartsch (K)
1995/96 „Orte der Stille“, Ausstellungstournee mit Ricardo Saro in Kirchen u.a. in
Lüneburg, Osnabrück, Hannover (K)
1996 Galerie Linneborn, Berlin
Galerie von Loeper, Hamburg mit Croissant, Fischer, Altes und Beacley
1996 „Orte der Stille“ Istanbul mit Ricardo Saro, Türkei
Arche, Wolfsburg
1997 Kunstverein Salzgitter (K)
1998 Galerie Scheffel, Bad Homburg
Kunststiftung Celle mit Sammlung Robert Simon, Französischer Garten
2000 Galerie Robert Drees, mit Helga Olufson
bei Hamann, Hamelrath, Hamburg
2002 Galerie Robert Simon, mit Giso Westing, Hannover
2006 Galerie Scheffel, Bad Homburg
Museum Zollhaus Simbach am Inn
2007 Galerie haw, Aventoft
2008 Kunstmuseum Celle mit Sammlung Robert Simon
Ausstellungsbeteiligungen (Auswahl)
1982-1989 Freie Berliner Kunstausstellung
1983 „Materialien-Elemente-Ideen“, Berlinische Galerie (K)
1985 „Bericht 85“, Kunsthalle Berlin
1986 Sammlung Berlinische Galerie,
Martin Gropius Bau, Berlin
1988 „KUNSTüberall“, Salzgitter
„Skulptur in Beriln 1968-88“ Georg Kolbe Museum, Berlin
1989 4. Trienale Fellbach Kleinplastik
1989/90 Skulptur Begreifen, Sprengel Museum, Hannover (K)
1990 Plastik zum Begreifen, Brandenburg
1991 Pauli-Kloster, Brandenburg
Amtshaus, Gartow
Internationale Skulpturen, Rudolf Wilde Park, Berlin (K)
Skulptura Ulm `91
Sammlung der Berlinischen Galerie, Dublin (K)
1992 „Neue Darmstädter Sezession“, Darmstadt (K)
1. Gehrdener Skulpturenausstellung, Kunstverein Gehrden (K)
„Kunst und Norm. Normen künstlerischer Weltsicht“, Berlin (K)
1993 10 aus Europa für Potsdam, Potsdam (K)
„Kleinplastik in Norddeutschland“, Garbsen
1994 Landesgartenschau Fulda (K)
Galerie Terbrüggen, Heidelberg
Galerie Scheffel, Bad Homburg
Galerie „Kasino“, Wehningen
Kunstverein Springhornhof, Neuenkirchen
„Wintergärten“, Hannover (K)
1995 Dom Bardowick
Westwendischer Kunstverein
„Versteckte Kunst“ Henriettenstift, Hannover
1996 Darmstädter Sezession, Darmstadt (K)
Skulpturenweg Rheinland-Pfalz, Kaiserslautern (K)
1997 Verband der Metallbildner, Tokio, Japan (K)
Art Frankfurt, Galerie Scheffel
„Blickachsen I“, Kurpark Bad Homburg und
Galerie Scheffel, Bad Homburg (K)
Skulpturenpark Heidelberg
1998 Bildhauerzeichnungen, Westwendischer Kunstverein
Darmstädter Sezession, Darmstadt (K)
Sammlung Robert Simon, Kunstmuseum Celle
1999 Art fair, Köln
„Blickachsen II“, Bad Homburg
Galerie Linneborn, Berlin
2000 Art Frankfurt
Galerie Nothelfer, Berlin
2001 „7 Künstler, 7 Tage, 7 Stunden“ Internet-Performance, Web-TV,
Kunstmuseum Celle
„30 Jahre Galerie Nothelfer“, Berlin
Fall/Winter Exhibition, Museum Grounds for Sculpture, Hamilton,
New Jersey
2002 Darmstädter Sezession, Darmstadt
Mutamentum, Ausstellungstournee, Italien (Florenz und Chianti),
Deutschland (Fulda), Florida (Carol Springs und West Palm Beach)
2004 Darmstädter Sezession, Darmstadt
Theodor-Zink-Museum Kaiserslautern
NEUE KUNST IN ALTEN GÄRTEN, Gehrden
2005 Outdoor museum of art, Chattanooga TN
2007 shanghai sculpture park und yue hu museum of art
Im kleinen Format, Galerie Scheffel, Bad Homburg
2008 Flint Institute of Arts, Flint, Michigan USA
2009 kulturelle Landpartie, Skulpturengarten Damnatz
2010 shanghai sculpture park und yue hu museum of art
Kleinplastik in Norddeutschland, Galerie Kolbien, Garbsen
2011 Darmstädter Sezession, Darmstadt
Kunstwandel, Rheden
Symposium
1985 BeZüge, Kunstverein Springhornhof,
Neuenkirchen, mit ODIOUS (K)
1990 Symposium Lützowplatz 90, Berlin (K)
1991 1. Wendlandsymposium, Quarnstedt (K)
1993 10 aus Europa für Potsdam, Potsdam (K)
1996 Skulpturen Rheinland-Pfalz (K)
2002 V. Internationales Bildhauersymposium – Stahl 2002 -, Schwerin
2004 Chattanooga Workshop, USA
2006 VI. Internationales Bildhauersymposium – Stahl 2006 -, Schwerin
Arbeiten im öffentlichen Raum
Parkfriedhof Neuköln, Berlin (ODIOUS)
„Zeit-Wege-Zeit“, BuGa, Berlin (ODIOUS)
„Große Parabel“, Landratsamt Ostalbkreis, Aalen
„BeZüge“, Neuenkirchen (ODIOUS)
Umweltbundesamt, Berlin
Schulzentrum, Harsefeld
Skulpturenpfad Universität Ulm
Lützowplatz, Berlin
Quarnstedt, Gartow
Fw. Lilienthal-Barbara Kaserne, Delmenhorst
„10 aus Europa für Potsdam“, Potsdam
Rathaus Gehrden
Verkehrspolizeistaffel Leer am Emstunnel
Trippstadt, Pfalz
Pfaffenhofen
Stadtmuseum, Bad Homburg
Kreissparkasse, Gehrden
KGS, Ronnenberg
Fairgrounds, Hamilton NJ, USA
Shanghai, Sculpturen Park
Bahnhofsplatz Celle
Sammlungen
Senat von Berlin
Berlinische Galerie, Berlin
Bundesinnenministerium, Bonn
Umweltbundesamt, Berlin
Baden-Württemberg, Stuttgart
Land Niedersachsen
Sammlung Robert Simon, Bomannmuseum, Celle
Stadtmuseum, Bad Homburg
Sammlung Kreissparkasse Hannover
Grounds for Sculpture, Hamilton, New Jersey, USA
Sammlung Niedersächsische Landesbank
ODIOUS Einzelausstellungen (Auswahl)
1983 Kutscherhaus, Berlin (K)
Ausstellungshalle Köln-Deutz und Josef-Haubrich-Hof, Köln
1984 Galerie im Kornhaus und Garten Mack, Kirchheim/Teck
Galerie „Kultur unterm Turm“, Stuttgart
1985 „BeZüge“ Symposium und Sommerausstellung,
Kunstverein Springhornhof, Neuenkirchen (K)
„März-Ausstellung“, Berlin (K)
1986 Galerie Hartje, Frankfurt (K)
1988 Villa Stuck, München (K)
Rupertinum, Salzburg
Galerie im Körnerpark, Berlin
Städtische Kunsthalle, Mannheim
Galerie Birgit Terbrüggen, Sinsheim
1989 Stadtgalerie Saarbrücken
Museum Bochum
Skulptura Ulm (K)
Freilichtgalerie Ludwigsburg
ODIOUS Ausstellungsbeteiligungen (Auswahl)
1984 Kunst in der Stadt Rottweil
1985 „Quergalerie im Eisstadion“, Berlin (K)
„Die Gegenwart der Skulptur – Skulptur der Gegenwart, Bremen (K)
„Große Kunstausstellung Nortrhein-Westfalen“, Düsseldorf (K)
1987-89 „Momentaufnahme“, Staatliche Kunsthalle, Berlin
Espaco Cultural, Joao Pessoa, Brasilien
Fundacao Promotora de Exposicoes,
Blumenau, Brasilien
Museu de Arte de Sao Paulo, Brasilien
Porto Alegre, Brasilien
Curitiba, Brasilien
Caracas, Venezuela
Künstlerhaus, Wien
„Eberhard Rothers zu Ehren“, Berlinische Galerie, Martin-Gropius-Bau, Berlin
 |  |  | 01 Breakthrough 2007 Acryl, Leinwand 160x 130 cm 02 Roundabout 2011 Acryl, Leinwand 180x 160 cm 03 Fine Tuning 2007 Acryl, Leinwand 160x 130 cm |
geb. 1954 in Bochum
1972- 1977 Studium an der Gesamthochschule,Universität Essen,
Fachbereich 4, Kunsterziehung und Gestaltung, Malerei
seit 1977 Tätigkeit als freier Maler in Düsseldorf und Duisburg
1993-2004 Leiter der „Grossen Kunstausstellung NRW Düsseldorf“
2000 Gastlektor an der Kunstakademie in Vilnius, Litauen
2004 Gastaufenthalt Shenzhen Fine Art Institute, Shenzhen, VR China
2005 Umzug nach Litauen,
2007- 12 Gastlektor an der Kunstakademie in Vilnius
lebt in Vilnius
Einzelausstellungen, Auswahl
1980 Galerie Koppelmann, Leverkusen
1983 Galerie am Schlosswall, Osnabrück
1985 Galerie Gabi Kraushaar, Düsseldorf
1992 Forum Vebikus, Schaffhausen, Schweiz
Städtische Galerie im Museum Folkwang, Essen
1996 Galeria Krytykow Pokaz, Warschau, Polen
1998 Galerie der Kunstakademie Vilnius, Litauen
Ciurliono Museum, Kaunas, Litauen
2000 Galerie Baal, Bielefeld
2002 Museum der Kunstakademie Xian, VR. China
Museum Zhu Qi Zhan, Shanghai, VR. China
Die Enge, Installation im Museum der Stadt Lüdenscheid
2003 Galerie der Stadt Remscheid, Remscheid
2008 Galerie Vartai, Vilnius, Litauen
Ciurlionio Museum, Zilinskas Galerie, Kaunas, Litauen
Galerie Meno Parkas, Kaunas, Litauen
Galerie NB, Viborg, Dänemark
2009 Galerie NB; Roskilde, Dänemark
Galerie der Kunstakademie, Vilnius, Litauen
2010 Galerie Alma, Riga, Lettland
2011 Antanas Mon?ys Museum, Palanga, Litauen
2012 Galerie Walter Bischoff, Berlin
Gruppenausstellungen, Auswahl
1977 Forum junger Kunst, Museum Bochum und Städtische Galerie Wolfsburg
1977- 2003 Grosse Kunstausstellung NRW Düsseldorf, Kunstpalast Düsseldorf
1978 Westdeutscher Künstlerbund, Karl- Ernst- Osthaus- Museum, Hagen
1983 41 Künstler aus der BRD, Zentrales Künstlerhaus, Moskau, UdSSR
1984 80 von 400, Mathildenhöhe Darmstadt
1985 Forum junger Kunst, Museum Bochum und Städtische Galerie Wolfsburg
1988 Zwischenbilanz, Kunstverein Krefeld
Museum Baku, Baku, UdSSR
1990 Knotenpunkt, 32 Künstler aus Düsseldorf und Chemnitz
Künstler aus NRW, Kulturzentrum Kammgarn, Schaffhausen, Schweiz
Kunstminen, Kunstmuseum Düsseldorf
1993 Darmstädter Sezession, Mathildenhöhe Darmstadt
1994 Wir hier, Westdeutscher Künstlerbund, Kunsthalle Recklinghausen
1995 Darmstädter Sezession, Mathildenhöhe Darmstadt
Grosse Kunstausstellung München
1996 Im Zusammenhang der Dinge, Museum Bochum
1999 Künstler und Künstlerinnen aus NRW, Yang Huang Art Museum, Peking,
He Xianguing Art Gallery, Shenzhen, VR. China
2000 Dialogausstellung, Japan Jahr, Teloy Mühle, Meerbusch
Westdeutscher Künstlerbund, Museen der Stadt Lüdenscheid
2001 Koreanisch- Deutsche Künstler, Städtisches Museum Seoul, Korea
2002 Godo Galerie, Seoul, Korea
Kein Strich zuviel, Städtische Galerie Lüdenscheid
2003 Beijing International Art Biennale, Beijing, VR. China
2004 Hommage a Leos Janacek, Haus der Kunst Brünn, Tschechien
12. Malerei Triennale, Contemporary Art Centre, Vilnius, Litauen
2007 13. Malerei Triennale, Contemporary Art Centre, Vilnius, Litauen
2008 Vilnius Art Scene after 2000, Latvian National Museum of Art, Riga, Lettland
2009 2. Quadriennal of Lithuanian Contemporary Art, Lithuanian Exhibition and Convention Centre, Vilnius, Litauen
Arbeiten im öffentlichen Besitz:
Museum Kunstpalast Düsseldorf, Stiftung Wilhelm Lehmbruck Museum, Duisburg, Museen der Stadt Lüdenscheid, Museum Bochum, Ministerium für Kultur NRW, Landtag NRW, Düsseldorf, LVA Rheinland, Düsseldorf, Wehrbereichsverwaltung Düsseldorf, Direktion Telekom, Düsseldorf, Neuss, Duisburg, Bundessprachenamt Hürth, Museum Zhu Qi Zhan, Shanghai, China, Ciurliono Museum, Kaunas, Litauen. Modernaus Meno Centras, Vilnius, Litauen
  |  |  | 01 Syria_Lines I 02 Syria_at_the_Shoreline_II 03 Syria_Lines II 04 Installationview from IN BETWEEN exhibition Hamburg |
HELLA BERENT
Seit 2010 Mitglied des Deutschen Künstlerbundes
Hella Berent (* 1948 in Thedinghausen bei Bremen) ist bildende Künstlerin. Sie lebt in Köln, „setzt sich aber gern der Fremde aus“ (Berent), so dass ihr künstlerisches Werk durch längere und kontinuierliche Auslandsaufenthalte geprägt ist. Eine zentrale Rolle nimmt die Auseinandersetzung mit dem Begriff des Raumes ein. In dem Zustand der ungebundenen Bewegung, geprägt von Freiheit, zentriert sie die Wahrnehmung als Reflexion des Raumes. Licht, Bewegung und Farbe stehen im Kontext des Gewohnten, reflektieren das Wiedererkennen des Sehens.
Berent agiert dabei vielseitig und legt sich nicht von vornherein auf eine bestimmte Gattung fest. Die Wahl des künstlerischen Mediums richtet sich auch nach den örtlichen Begebenheiten. So entstehen Rauminstallationen, Skulpturen, Fotografien, Zeichnungen, Künstlerbücher oder Gedichte.
Leben und Werk
Nach dem Abitur in Bremen studierte Hella Berent von 1968 bis 1976 an der Hochschule für Bildende Künste in Hamburg bei Kai Sudeck, KP Brehmer und Reiner Ruthenbeck sowie an der Universität Hamburg. 1977 erfolgte der erste längere Auslandsaufenthalt in Italien (DAAD). Weitere Arbeitsreisen führten die Künstlerin u.a. in die USA, nach Indien und immer wieder in den Orient (Ägypten, Türkei, Syrien und Iran). 1985 erhielt sie das Villa-Massimo-Stipendium der deutschen Akademie in Rom.
Seit 1998 hält sich Berent wiederholt am .ekwc im niederländischen ´s-Hertogenbosch auf, wo sie intensive Studien der Blauglasur-Technik betreibt. 2010 war sie Gast im Field Institute auf der Raketenstation der Stiftung Insel Hombroich in Neuss.
Berents künstlerisches Werk ist von Offenheit und Neugier geprägt. Sie stellt sich einem bestimmten Phänomen und begibt sich dann in eine konzentrierte Bewegung, die zu intensiven Recherchen in viele Richtungen und ungewöhnlichen Orten führt.
In den 1980er Jahren war die Auseinandersetzung mit der Farbe Schwarz vorherrschend. Seit den 1990er Jahren widmet sie sich mit hoher Intensität der Erforschung der Farbe Blau. Ihre akribischen Recherchen zu den Ursprüngen des Ägyptisch Blaus, die sie sowohl in Bibliotheken als auch an unterschiedliche Meere führt, stehen in enger Verbindung mit der praktischen Herstellung von blau glasierten Tonziegeln, die die Grundlage ihrer skulpturalen Arbeiten sind. Denken, Fühlen und Wissen sind die Komponenten, die ihr künstlerisches Schaffen bestimmen.
Residency | Arbeitsaufenthalt
2010 The Field Institute, Museum Insel Hombroich. Artist Fellowship
2008 ekwc Iran Project, Artist Fellowship ’s-Hertogenbosch, Die Niederlande
2003 . ekwc Project dutch souvenirs ’s-Hertogenbosch, Die Niederlande
2002 . ekwc Artist Fellowship ’s-Hertogenbosch, Die Niederlande
1998 . ekwc Artist Fellowship ’s-Hertogenbosch, Die Niederlande
1998 Artist in Residence, Djerassi Foundation, Woodside, Kalifornien und Neu Mexiko, USA
Preise und Stipendien
1991 Hella Berent, Rom, Exil der Heiterkeit, Karl Kerber Verlag, Sonderfonds der VG BILD-KUNST zur Förderung von Verlagspublikationen
1987 Kunstfonds - Stipendium, Bonn, BRD
1986 Karl Hofer Preis, Berlin, BRD
1985 Stipendium Villa Massimo, Rom, Italien
1984 Friedrich Vordemberge – Stipendium, Köln, BRD
1983 Alfred Krupp von Halbach Stiftung, Katalog für ‚Junge Künstler’ ,BRD
1983 Preis für junge Künstler ’83, Land Nordrhein-Westfalen, BRD
1981 Stipendiaten ‘81, Stipendium, Stadt Hamburg, BRD1981 Ars Viva 81 Preis,
verliehen vom Kulturrat der Deutschen Industrie BDI, BRD
1977 DAAD Stipendium, Florenz, Italien
Lehraufträge
2008 Gastlehrauftrag an der Haute École d’Arts Appliqués, Genf, Schweiz
2003 Gastlehrauftrag an der Haute École d’Arts Appliqués, MINIMALISMUS, Genf, Schweiz
2002 Gastprofessur ZEICHNUNG Internationale Sommerakademie für visuelle Kunst, Salzburg, Österreich
2001 Gastprofessur STEIN Internationale Sommerakademie für visuelle Kunst, Salzburg, Österreich
2001 Workshop The Burnt Blue 6th Of October, Universität Kairo, Ägypten
1995 Lehrauftrag im Künstlercamp,The different perspectives in the work of women, Dhaka, Bangladesh
1992 Gastprofessor, Internationale Akademie für Bildende Kunst und Design, Pentiment, Hamburg,
1991 Gastlehrauftrag, Kunstakademie, Trondheim, Norwegen
1991 Gastlehrauftrag, Hochschule für Bildende Künste, Hamburg, BRD
Vorträge, Lesungen
2008 Entwurf aus einer anderen Welt - Oberflächen der Architekturen, Universität zu Köln , Humanwissenschaftliche Fakultät
2008 Paradox am anderen Ufer, Galerie Kunstraum 21, Köln
Lesung Hella Berent, Text H.B. zu: Risk of Light, Galerie Claudia Delank, Köln
2007 See - Light, Film+Text, Licht in der zeitgenössischen Kunst, Symposium, Museum Ludwig, Köln,
1997 Consciousness, Burckhardt Haus, Evangelisches Institut, Gelnhausen, BRD
1996 Schatten Stoff Linie Stein, Universität zu Köln, Fakultät für Kunst und Design, Köln, BRD
1994 Zeichnen, Burckhardt Haus, Evangelisches Institut, Gelnhausen, BRD
1992 The Colour Black, Max Müller Bhavan, Bombay, Indienj
1991 Light in the Double Exposure, Max Müller Bhavan, Bombay, Indien
Arbeiten in öffentlichen Sammlungen und Museen
Altonaer Museum, Hamburg
Artotheken in Bonn, Köln, München, Oldenburg
Bibliothek im Eis, Antarktis
Deutsche Bank, Mumbay, Indien
Deutsche Bank, Südamerika
.ekwc, ’s-Hertogenbosch, Die Niederlande
Kunst- und Museumsbibliothek, Stadt Köln, Köln
Kunsthalle Bielefeld, Bielefeld
Kunsthalle Hamburg, Hamburg
Neues Museum Weserburg, Bremen
Städtische Galerie im Lenbach Haus, München
Museum Ludwig, Köln
Staatskanzlei Stuttgart, Stuttgart
Sammlung der Deutschen Bank
Sammlung Hermann Buchholz, Hamburg
Sammlung Wolfgang Hanck, Neuss
Sammlung Hoffmann, Berlin
Karin und Uwe Hollweg Sammlung, Bremen
Sammlung Manfred Klette, Köln
St. Agnes Kirche, Köln
West LB, Düsseldorf
Arbeiten im öffentlichen und privaten Raum (Installation)
2010 Sechsundneunzig Ziegel Skulptur für das Büro, Privatsammlung Hamburg
2005 Watercolors on Walls privater Raum, Wangerooge
2004 Fünfzig Ziegel Skulptur für das Büro, Privatsammlung Hamburg
2000 Have Sunk Spiegelinstallation, Castel S. Elmo, Neapel, Italien
1999 Greek Field 80 Köpfe von Antinoo, Cuma, Neapel, Italien
Haus des Flüchtlings roter Ziegelstein, Bruneck, Italien
Bad der Diana im Fluß Rienz, Marmor schwarz/weiß, Bruneck, Italien
1996 Pool Echo Buchskulptur, Metallbox im Boden, Privatsammlung, Köln
Time -Timelessness Kunst und Architektur, Galerie Mirchandani, Bombay, Indien
1995 Athanatos Steininstallation im öffentlichen Raum, Oldenburg
1994 The Mirror oneness being beyond, Buchskulptur, Metallbox in der Erde, Landeskulturzentrum Salzau
Einzelausstellungen
2014 asleep with the devil BLUE COLOR CHART, Kunsthaus Kunstverein Potsdam, Potsdam
2013 GREEK FIELD Hella Berent
80 teste di Antinoo, Facoltà di Lettere e Filosofia SUN, S.Maria Capua Vetere, Napoli
HELLA BERENT - THERESA REUSCH, Jagla - Ausstellungsraum, Köln
2012 BOOK Space TANK OF TIME
HELLA BERENT Künstlerbücher 1977 – 2012, Stefan Schuelke, Fine Books, Köln
2010/11 Hella Berent 1977 – 2010 Künstlerbücher TANK OF TIME
Gedanken Korridore Gefühle Transition Of Time
Kunst- und Museumsbibliothek der Stadt Köln, im Museum Ludwig, Köln
2010 ANTEROOM Blue with Mirror , FIH Field Institute, Stiftung Insel Hombroich, Neuss
2008 Risk of Light , (Passagen, mit Thierry Girard) Galerie Claudia Delank, Köln
Blaue Lagune, Antiquariat Gundel Gelbert, Köln (K)
Der Fluß ist mein Bräutigam , Galerie Kunstraum 21, Köln
2007 SURFACE deconstructed Hella Berent , Museum of Contemporary Art, Esfahan, Iran
2005 HELLA BERENT Ägyptisch Blau – Skulpturen Zeichnungen Fotografien
Pulverturm und Stadtmuseum Oldenburg (K)
HELLA BERENT_FOTOGRAFIEN , Galerie Brigitte Seinsoth zu Gast in der Glocke, Bremen
2003 BLAUER STEIN, Kunstraum 21, Köln (K)
A Touch Of A Drawing, Van der Grinten Galerie, Köln
2002 Zeichnungen + Objekte, Galerie Brigitte Seinsoth, Beim Steinernen Kreuz, Bremen (K)
Zeichnungen = Objekte, Galerie pro arte, Hallein Szbg., Österreich
THE BURNT BLUE 1998/2002, EKWC, ‘s-Hertogenbosch, NL
Zeichnungen + Objekte, Kunstraum 21, Köln
2001 The Burnt Blue II, Goethe Institut, Kairo, Ägypten (K)
1999 Das Verschwinden der Landschaft, Büro für Fotos, Köln
Water Colors, Galerie Ulrich Mueller, Köln
1998 The Burnt Blue I , European Ceramic Work Centre, ’s- Hertogenbosch, NL
Hella Berent, Galerie Brigitte Seinsoth zu Gast in der Glocke, Bremen
1997 Meeresspiegel
Rocca Paolina, Centro Espositivo della Provincia (mit C. Ciussi, F. Corneli) Perugia, Italien(K)
Über die Linie, Galerie Beim Steinernen Kreuz, Brigitte Seinsoth, Bremen
1997 EYESEE, Godobertuskapelle, Gelnhausen (Fkft. a. M.)
Wangerooge am Meer, Büro für Fotos, Köln
1996 Zeichnung, Zeitkunstgalerie Ferdinand Maier, Köln
Blaustein, Sassen Galerie, Verviers, Belgien
1995 Stein, Skulpturen für Oldenburg (mit M. Fujiwara, K. Prantl), Oldenburg (K)
1994 One Indian Light Night, Jo’s Garage, Bonn
Between The Ending And The Next,Galerie Beim Steinernen Kreuz, Bremen
1st Floor - Black Meadow, Speicherhalle (WerkStadt Bonn), Graurheindorf, Hafen, Bonn
1993 Bücher und, Antiquariat Constantin Post, Köln
The Essence, Paszti - Bott Galerie, Köln
ATHANASY - The Fire Consuming Otherness, India International Center, New Dehli, India
Die Immanenz des Raumes, Galerie Erhard Klein, Bonn
1992 gemalte Bücher, Literaturhaus, Hamburg
Judasohren, St. Agnes Kirche, Köln (K)
XXXXIV NERO, Galerie La Nuova Pesa, Rom, Italien (K)
BLACK OUT - murena helena, Künstlerhaus, Göttingen
1991 Strichlagen , Artothek, Köln
gemalte Bücher, Antiquariat Beim Steinernen Kreuz, Udo Seinsoth, Bremen
1990 Glut der Unterscheidung, Galerie Bauer & Bloessl, Nürnberg
Von Teppichen und BergenGalerie Paszti - Bott, Köln (mit Jo Schultheis)
Nervenland, Galerie H. J. Müller, Köln (mit Jo Schultheis) (K)
1989 Orfeo, Im Fortgang einer Geschichte..., Dany Keller Galerie, München
1988 Eisschrank im Kopf, in der Sonne, unter freiem Himmel, Galerie Manfred Rieker, Heilbronn
Lavori Romani, Dörrie * Priess Galerie, Hamburg (K)
1987 Das lachende Weltgewicht, Dany Keller Galerie, München
Kunstfonds, Kunstraum Kunstfonds, Bonn (mit B. Rohrbach)
1985 Hella Berent - Hilka Nordhausen
Galerie Ulrich Dörrie, weltbekannt.e.v., Hamburg (K)
1984 In dem See liegt das Wasser …, Dany Keller Galerie, München (K)
Der Aufbruch in die Ambivalenz der Augen beim Betrachten,Hamburger Kunsthalle, Hamburg
Die Besteigung der Nähe, Oldenburger Kunstverein, Oldenburg (K)
1983 Gegenläufe und Mauern dazwischen, Buch - Handlung - Welt, Hamburg
upside down - Gefühlsstürze oder die Grube des Wunderbaren
Städtische Galerie im Lenbachhaus, Kunstforum Maximilianstraße, München (K)
1982 upside down, am Grad der Seele entlang ,Red Bar, New York City, USA (mit W. Woessner) (V)
1980 Zeichnungen, Objekte a strati, Fotos, Filme, Künstlerhaus, Hamburg (K)
1979 Und da steht man sich auf einmal gegenüber, Fotografie Installation Ägypten,
Gallery Without A Gallerist, Köln (mit W. Woessner)
  |  |  | 01 Silkscreens 02 Silkscreens 03 Silkscreens 04 Installationview from Hamburg IN BETWEEN exhibition |
Ingeborg Lüscher
Geboren 1936 in Freiberg / Deutschland
Lebt in Tegna / Tessin
Ausstellungen
2013
Dive & Run quartier21 Wien
2012
Wenn Fernes nahe rückt. Monika Huber und Ingeborg Lüscher,
Kunstsammlungen der Ruhr-Universität Bochum
Ingeborg Lüscher. Die andere Seite, Hamburger Bahnhof, Berlin
Landschaft als Weltsicht Kunstsammlungen Chemnitz
Sport in Art Museum of Contemporary Art, Krakau
2011
Winterwelten Aargauer Kunsthaus Aarau
William Kentridge, Ingeborg Lüscher CAMPAGNE PREMIÈRE Berlin
Weltsichten. Landschaft in der Kunst vom 17. bis zum 21. Jahrhundert
Kunsthalle Kiel
2010
Weltsichten - Schwerpunkt 20. Jahrhundert
Kunstsammlungen der Ruhr-Universität Bochum
Werke 50 international renommierter Künstler Museum Villa Haiss,
Zell am Harmersbach
Beyond Credit - Contemporary Art and Mutual Trust SANAT LIMANI
Istanbul
Weltsichten. Landschaft in der Kunst...Kunstsammlungen der Ruhr-
Universität Bochum
ONE SHOT! Football and contemporary art B.P.S.22 Charleroi
Ingeborg Lüscher: Zaubererfotos Kunstmuseum Luzern
2008
Ingeborg Lüscher: The Game Is Over Museum für angewandte Kunst, Wien
Play it - Kunst und Spiel Play it, Stuttgart
2007
herz:rasen die Fußballausstellung Künstlerhaus Wien
Rubin - Institut für moderne Kunst Nürnberg 1967-2007 Institut für
moderne Kunst Nürnberg
Video Lounge Kunsthaus Zürich
2006
Swiss Made 1 Kunstmuseum Wolfsburg
Eine Frage (nach) der Geste Hochschule für Grafik und Buchkunst, Leipzig
Fußball goes Art Kunsthalle Wien
Geld schießt keine Tore! Opelvillen Rüsselsheim
Die Schönheit der Chance Kunstverein Nürnberg
ngeborg Lüscher Museum Wiesbaden
OUTDOORS Danielle Arnaud contemporary art, London
Glanz und Globalisierung hartware medien kunst verein, Dortmund
Hundert Küsse sind besser als einer Galerie Krinzinger, Wien
Nouvelles Collections Centre Pasquart, Biel/Bienne
2005
Rundlederwelten Martin Gropius Bau, Berlin
2004
Contested Fields Des Moines Art Center
15 Jahre Deichtorhallen Deichtorhallen, Hamburg
DER BALL IST RUND! Museum Moderner Kunst Stiftung Wörlen, Passau
Eine kurze Zeit...lang Dany Keller Galerie, Eichelhardt
Ingeborg Lüscher, Tomas Eriksson ARGE Kunst Bozen
Ingeborg Lüscher. Viveri Polifonici Mart Trento e Rovereto
2003
Menschen Volpinum Kunstsammlung, Wien
2003
"G 2003" - Kunstgipfel am Lago Maggiore "G 2003", Vira Gabarogno
2002
Eva Schlegel - Connected Galerie 422, Gmunden
2001
Ingeborg Lüscher / Carsten Nicolai Kunstsammlungen Chemnitz
Ausgesucht von Eva Schlegel und Erwin Wurm Galerie Krinzinger, Wien
9. Biennale de l´Image en Mouvement Centre pour l´image contemporaine, Genf
49. Biennale Venedig 2001 Biennale Venedig
2000
Ingeborg Lüscher, Keith Tyson "One of Each" Galerie Krinzinger, Wien
ARCHE Jahresausstellung Kunstverein Bad Salzdetfurth, Bodenburg
1997
4. Biennale de Lyon 1997 Biennale Lyon
1992
Visionäre Schweiz Kunsthalle Düsseldorf
documenta 9 documenta, Kassel
Visionäre Schweiz Kunsthaus Zürich
Visionäre Schweiz Reina Sofía, Madrid
1980
39. Biennale Venedig 1980 Biennale Venedig
1972
documenta 5 documenta, Kassel
Sammlungen
ARS AEVI - Museum Of Contemporary Art Sarajevo
ARSENALE NOVISSIMO - Spazio Thetis, Venedig
DZ BANK Kunstsammlung, Frankfurt
Museum van Hedendaagse Kunst, Antwerpen
Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland, Bonn
Volpinum Kunstsammlung, Wien
     |      |      | 01 Öl auf Leinwand, je 210x170cm, 2012 02 Öl auf Leinwand, je 100x126cm, 2010 03 Öl auf Leinwand, je 210x510cm, 2010 04 For a song and 100songs 05 For a song and 100songs 06 For a song and 100songs 07 TALKING WATER 08 TALKING WATER 09 TALKING WATER 10 oil, pigments and mixed media on canvas, 11 Installationview from In Between exhibition Hamburg, Alte Oberpostdirektion 12 Installationview from In Between exhibition Hamburg, Alte Oberpostdirektion 13 Installationview from In Between exhibition Hamburg, Alte Oberpostdirektion 14 Installationview from In Between exhibition Hamburg, On/Off Galerie 15 oil on canvas, 270x200cm, 2012 |
born in Bienebek near Kiel
1976-81 Study of Arts with Prof. Manfred Grossmann, Hamburg
Lives and works in Hamburg
Exhibitionlist (Choice)
1982
Institute for Art and Urban Resources PS1, New York
1983
Barclay Gallery, Southampton
Dubelle Fine Arts, New York
Elisabeth Lindemann Galerie, Hamburg
1984
Arlington Gallery, Santa Barbara
Evangelic Acdemy, Hamburg
Institute for Art and Urban Resources PS1, New York
1985
Light Gallery, New York
Galerie Winter, Hamburg
Evangelic Academy, Hamburg
1986
Evangeliic Center, Rissen
1987
Bugenhagenchurch, Lübeck
Galerie Marion Moffat, Hamburg
"Kunstbahn", Hamburg
1988
Church Haseldorf, Schleswig-Holstein
1989
World Economic Forum, Davos
Sender Freies Berlin, Berlin
Warschauer Autum '89, Festival for contemporary Music, Warschau Kathedral
Dom zu Lübeck, Lübeck
1990
Galerie im Schloss, Arolsen
1991
Wratislava Cantans Festival Breslau, Breslau
Kunstverein Bremerhaven, Bremerhaven
1992
"Du sollst nicht töten", Uraufführung, St. Petri-Kirche, Lübeck
1993
"Room of Silence", Mediale, Hamburg
"Empor", Deutsches Haus Flensburg
Casavanti Art, Wiesbaden
1994
Guardini Stiftung, Kloster Zangenberg
SHMF-Wanderausstellung Schleswig-Holstein
1996
Neues Museum, Salem
1997
Galerie Gmurzynska, Köln
"Red and Blue", Gütersloh
"Farben, Gold und Geometrie", Kunsthaus Boskamp, Hohenlockstedt
"Prayer for Danzig" together with A. Bloch, St.Marienkirche, Danzig
1999
Sotheby's "Die blaue Blume", Hamburg
Andachtsraum Hospital zum Heiligen Geist, Hamburg
2000
"New Paintings", Museum Castle Reinbek, Reinbek
"Paperworks", Hospital zum Heiligen Geist, Hamburg
"New Works", Sotheby's München
Meditationsroom in Colorado, USA
Works for Goumet-Restaurant "Margaux", Berlin
2001
Landesmuseum Schloss Gottorf, Schleswig.
BBDO, Berlin
Tryptichon zu "Meine Toten schweigen tief", Concert and Reading, SHMF, Lübeck
2002
Hohenloher Kunstverein, Langenburg
"Prayer for Danzig", Sankt Nicolai Kirche, Eckernförde
Gesamtgestaltung der Capell of Sa Barrala, Mallorca
2003
Beteiligung"Am Scheideweg, christliche Motive in der zeitgenössischen Kunst", Kunsthalle der Villa Kobe, Halle
Azul y Rojo, Caspellers, Mallorca
Art Cologne, Köln
2004
Retrospektive Soloexhibition at Museum Ludwig, Staatliches Russisches Museum, St. Petersburg
2006
"Andy Warhol meets Ingeborg zu Schleswig-Holstein", VONDERBANK Art Galleries
Art Seasons, Mallorca
European Youth Festival, Thalia Theater Hamburg
Exhibition in Binisalem, Mallorca
Farbreise – Paintings by Ingeborg zu Schleswig-Holstein, Kulturzentrum Salzau
2008
Kunstverein Salzdetfurth
Far West Gallery, Zhuhai, China
2009
Collection Falckenberg, Phoenix Kulturstiftung, Hamburg
2011
Werkstattgalerie und Gallerie Nove, Berlin
Galerie Modem, Paris
Art Vilnius, presented by Werkstattgalerie,
In Between (Groupexhibition) at Speicherhallen Hamburg and Werkstattgalerie
2012
Vilnius Academy of Arts, Lithuania, together with Rudolf zur Lippe
In Between (Groupexhibition) Klaipeda Communication and Culture Center, Lithuania
Art Vilnius, presented by Werkstattgalerie,
Cutlog Paris 2012 artfair
3rd Baltic Biennale St.Petersburg
2013
In Between Energy and Matter, Alte Oberpostdirekton and On/Off Gallery, Hamburg by Werkstattgalerie
Ingeborg zu Schleswig-Holstein-Malerei, Werkstattgalerie, Berlin
 |  |  | 01 Carrera ! 02 Candy 03 Once upon a time |
Der Begriff des Fetischismus geht in seinen Ursprüngen zurück auf das lateinische facticius, des Gemachten oder Künstlichen und auf das französische fétiche, das Zaubermittel. Im modernen Sprachgebrauch lassen sich grob drei Arten des Fetischismus unterscheiden:
° die Verehrung bestimmter Gegenstände im Glauben an übernatürliche Eigenschaften,
° eine Form der Sexualität, die sich auf bestimmte Objekte richtet,
° im Marxismus die Verkehrung eines gesellschaftlichen Verhältnisses von Menschen in ein Verhältnis von Waren.
In jedem Fall ist das fetischisierte Objekt—welches auch eine bestimmte Verhaltensweise oder eine körperliche oder psychische Eigenschaft sein kann—ein pars pro toto, der Teil, der für das Ganze steht, ein Symbol.
In den letzten Jahrzehnten sind die Fetischkulturen sexueller Minderheiten in das öffentliche Bewusstsein gedrungen, teils durch eine an Sensationen orientierte Medienlandschaft, teils als Modell einer ehemals stigmatisierten, doch nun vermeintlich befreiten und emanzipierten Bevölkerungsgruppe. Als Folge dieser Emanzipation entstanden auch kommerzielle Strukturen, welche den Bedarf an Fetischartikeln, Veranstaltungen und Kontaktangeboten decken. Diese Fetischkultur ist definiert durch eine gemeinsame Sprache an Symbolen und Codes, welche über Länder- und auch Kulturgrenzen hinweg gesprochen und verstanden wird. Diese gemeinsame Sprache wirkt identitätsstiftend, indem sie die zwei fundamentalen Fragen der Identitätsbildung beantwortet: Wodurch unterscheide ich mich von anderen? Was habe ich mit anderen gemeinsam? Abgrenzung und Zugehörigkeit.
Gleichzeitig verleiht die Kommerzialisierung dieser Fetischkultur der Sexualität die Qualität einer Ware, welche auf Webseiten, in Läden und auf den internationalen Veranstaltungen dieser Szene konsumiert wird. Fetischsexualität ist assoziiert mit Begriffen wie Ekstase, Exzess, einem Sich-gehen-lassen, Sinnlichkeit, und Erotik, welche gut zu kommerziellen Werbebotschaften passen. Der Akt des Konsums—als Lifestyle begrifflich geadelt--wiederum löst zwei fundamentale Fragen des Konsumenten/Fetischisten --Wer will ich sein? Was brauche ich dazu?—und zwingt ihm die Doppelrolle von Verbraucher und Produkt auf.
Diese konsumistische Fetischisierung betrifft alle Aspekte der Sexualität und dringt bis in die intimsten Sphären mitmenschlicher Beziehungen vor. Verhalten, Sprache, die Aneignung und Betonung männlicher oder weiblicher Eigenschaften, das Verhältnis zum Körper und seine Formung, sexuelles Rollenverhalten, auch die Wahl des Sexualpartners werden hiervon vielfach geleitet. Die kommerziellen Markennamen der Fetischwelt selbst erlangen eine Art Meta-Fetischcharakter.
Während die Entwicklung vom Symbol zur Ware verläuft, kehrt diese Bilderserie den Weg um und führt die Ware auf das Symbol zurück. Dabei durchschreitet sie mehrere Ebenen: Von der Ware zum Fetisch, vom Teil zum Ganzen, und von dort auf dessen zugrunde liegende emotionale Dynamik. Nicht überraschend für einen Psychiater, verortet Jan Großer die emotionalen Wurzeln von Sexualität an sich, aber der Fetischsexualität im Besonderen, in der Kindheit und begeht einen doppelten Tabubruch: Die übliche Sicht auf das Kind als nicht-sexualisiertes Wesen wird in Frage gestellt, sowie die verbreitete Darstellung schwuler (und männlicher) Sexualität als Allzeit-bereit-bühne zur Selbstdarstellung und sinnentleerte Dauerparty. Unter der glatten Oberfläche der Fetischwelt liegen die Sehnsüchte, Ängste und Hoffnungen erwachsener Männer.
Während die Bilder nicht im strengen Sinne autobiografisch sind, sind sie doch das Resultat der Auseinandersetzung des Künstlers mit seiner eigenen Sexualität, seinen Erfahrungen als schwuler Mann sowie seiner langjährigen Arbeit als Psychiater mit gesellschaftlichen Randgruppen in London, welchen sich die Frage: Wer bist Du? Mit schmerzhafter Dringlichkeit stellt.
  |   |   | 01 Desaster(2008) 02 Missing(2008) 03 Suspect(2008) 04 Mother Delta (Anna Sabac el Cher) 05 Morgensglück (Ehepaar Gertrud Perlig & Gustav Sabac el Cher) 06 Vater & Sohn vor Wasserpyramiden" |
Jean-Ulrick Désert is a visual artist living and working between USA and Europe.
His conceptually based projects vary from Sculpture, Photography, Video, Prints, Performance and deal with shifts in perception and the fluidity of meanings.
Citizen: American/USA, born in Port-Au-Prince (Haïti)
Lives and works in Berlin (Germany) and New York City (USA)
SOLO EXHIBITIONS AND PROJECTS
2006
• Postkarten von meinen Lieben ( Postcards from my Loves) : Public works Billboard installation at Marienplatz Train station Munich, Underwritten by the « Kunst am Bau » program of Quivid & the Baureferat München (Munich Municipal Department of Construction), organized by Frau Monika Pemler, Munich (Germany)
• «The Passion» « Ein Spiel/viele Welten » (One Game/Many worlds ), Stadtmuseum München & Haupstadtmünchen Kulturreferat (Munich Historical Museum and Munich Municipal Council of Art), Official cultural event of the FIFA World Soccer Cup 2006, organized by Patricia Müller, Munich (Germany)
2005
• Das BURQA Projekt : An den Grenzen meiner Träume begegnande ich dem Geist meines Doppelgängers ( The Burqa Project : On the Borders oif My Dreams I Encountered My Double’s Ghost), Installation in collaboration with the exhibit « Xenopolis/Von der Faszination und Ausgrenzung des Fremden », Liftarchiv im Kreisverwaltungsreferat München (Exhibition space within the Department of immigrations of the City of Munich), Munich (Germany)
2004
• Jn.Ulrick Désert, Kunstverein Wolfsburg (The Art Society of Wolfsburg), organized by Dr. Prof. Justin Hoffman, Wolfsburg (Germany)
•The White Man Project, Artist in Residence–Project #14, Solo Exhibition project, BRUCE-Brave New Art Foundation, organized by Hester Chan and Sebastiaan Bokhorst, Rotterdam (The Netherlands)
• Métamorphoses Sublimes from the series « Lock Your Mind Exhibition », Apartman Projesi (in partnership with SOX36, Berlin), Tunel Asmalimescit Beyoglu, organized by Süreyyya Evren & Stephan Kurr, Istanbul (Turkey)
2002
• The BURQA Project : On The Borders Of My Dreams I Encountered My Doubles’Ghost, Point of Entry Exhibition Series. Solo project installation, The Lower Eastside Tenement Museum and the Lower Manhattan Cultural Council (LMCC), organized by Moukhtar Kocache director LMCC and Dr.Ruth J. Abram présidente, New York (USA)
• Das BURQA Projekt : An den Grenzen meiner Träume begegnande ich dem Geist meines Doppelgängers (The BURQA Project : On The Borders Of My Dreams I Encountered My Doubles’Ghost), Solo Exhibition project, SOX36 Das Schaufenster, organized by artist-curators Naomi Potter and Stephan Kurr, Berlin (Germany)
GROUP EXHIBITIONS & PROJECTS
2009
• Guten Morgen Preußen (Good Morning Prussia) «Komet Preußen (Comet Prussia) » Werkstattgalerie, Berlin Germany
• Invisible(Berlin) Wall «Save Berlin » Stadtbad-Wedding in Partnership with Ex-Berliner Magazine, Daniel Borden curating-organizer, Berlin Germany
• Paint-by-Number Trophies «Signs taken For Wonders» Jack Shainman Gallery, Isolde Brielmaier curator, New York (USA) *Catalogue
• Shrine of the Divine Negress No.1 (Schrein der Göttlichen Négress Nr.1) « 10th Havana Biennial / Integration & Resistence in the Global Age » representing Germany & Haiti, Cabañas K
Curatorial team : José Manuel Noceda, Margarita González, Nelson Herrera Ysla, Ibis Hernández Abascal, Margarita Sánchez Prieto, José Fernández Portal, Dannys Montes de Oca Moreda, Havana (Cuba). Project support from IFA/Institut für Auslandsbeziehungen e.V., Stuttgart and TA Projects Berlin (Germany) *Catalogue
• Negerhosen2000 Blondies&Brownies « Kreyol Factory : Islands & Their Worlds/ Les iles & leurs mondes » La Grande Halle de la Villette, Yolande Bacot curator, Paris (France)
•White Lessons(Lecture) « Re/Positioning – Critical Whiteness / Perspectives of Color » Neue Gesellschaft für Bildende Kunst, Berlin (Germany)
2008
• Stimme des Herzen « Glück gehabt » NGBK Public Art project, Bernauer Strasse UBahn/Subway Billboard, Berlin (Germany) *Catalogue
• « Democracy and Violence » Werkstattgalerie Berlin (Germany)
• Untitled Paint-by-Number No.1« Strich und Faden » Kunstraum Richard Sorger, organized by Tulip Enterprises, Berlin (Germany)
• « Kunst für München –Quivid ’08 » Wettbewerbsgewinner und Realisierungen 2005–2008, München Baureferat, Munich (Germany)
• Negerhosen2000 and The Burqa Project: On the Borders of My Dreams I Encountered My Double’s Ghost in « Infinite Island : Contemporary Caribbean Art » , The Brooklyn Museum, curator Tumelo Mosaka, New York (USA)
2007
• Negerhosen2000–The Travel Albums, « Die Tür für eine andere Zukunft aufmachen » ( Open the Doors towards an Alternative Future ), Neues Problem Galerie, organized by Uwe Jonas & Birgid Schumacher, Berlin (Germany)
2006
• Codex Testimoniorum Amoris and Les Toiles de in « Sexwork: Art Myth Reality », Neue Gesellschaft für Bildende Kunst & Haus am Kleispark & Kunstraum Bandhanien, organized by Stéphane Bauer, Boris von Brauchitsch, Katharina Kaiser, Maika Leffers, Jörg Leidig, Judith Siegmund,
Ulrike Solbrig Berlin (Germany) * Catalogue
2005
• ABCs of My Private Life and Negerhosen2000 in « Living for the City », Brooklyn Institute of Contemporary Art Inaugural Project Exhibition, BICA-The Brooklyn Institute of Contemporary Art/ Jack Shainman Gallery, organized by curators Isolde Brielmaier and Trevor Shoonmaker, New York (USA)
• Codex Testimoniorum Amoris in « Xenopolis/ Von der Faszination und Ausgrenzung des Fremden » (Of The Fascination and Marginalization of The Other»), Rathausgalerie, organized by curators Dr.Angela Koch and Conceptual Artist Pia Lanzinger underwritten by the Landeshauptstadt München Kulturreferat & The Villa Waldberta, Munich (Germany)
• Artistic Sampler Dossier in « Über Schönheit / About Beauty, Web Component Exhibition : http://www.ueber-beauty.com », Haus der Kulturen der Welt (Maison des cultures du Monde), curator Shaheen Merali, Berlin (Germany)
2004
• Les Toiles de Jouy in « Zeichnung », The Schwules Museum, organized by comissaires Jörg Leidig and Wolfgang Theis, Berlin (Germany)
• Suicidal Meditations/Woolworth Building (video projection) in « Veni Vidi Video II », Studio Museum Harlem, organized by curator Christine Kim, New York (USA)
• Die Hosen runter lassen in « Anatomically Correct », 473 Bdwy Gallery, organized by curator Kóan Jeff Baysa, New York (USA)
2003
• Suicidal Meditations Of My Own Death in « Apotheke Mitte Kunstausstellung », organized by Artists Hans Booy & Paulus Fugers, Berlin (Germany)
• Die Hosen runterlassen in « SUBVERSIV, ‘Sieben fotografische Positionen aus Berlin » Kunst(B)handlung Ausstellungsraum, organized by artist Rinaldo Hopf, Munich (Germany)
2001
• Surrender, La Main / Surrender, Le Chapeland, in « Surrender, I want to give you my devotion, Nimm hin es ist mein Geist und Sinn», Aeroplastics Damasquine Contemporary Arts Gallery, organized by curator Rafael von Uslar, Brussels (Belgium)
• Negerhosen2000 in « Blondinchen und Braeunchen, Weiss Weiss bin auch ich », Aktionsforum Praterinsel, (Large Scale installation), Landeshauptstadt München Kulturreferat, curator Rafael von Uslar Munich (Germany)
• Negerhosen2000 : Post Cards From Germania in l’Exposition de la Maison, Galerie de la Cité Internationale des Arts, organized by fondatrice Mme. Simone Brunau, Paris (France)
2000
• Negerhosen2000 in « Blondies and Brownies: Aspects of Multiculturalism and Racism at the End of the Century », Torch Gallery, organized by curator Rafael von Uslar, Amsterdam (The Netherlands)
• Interior Lives:La vie Parisienne du Duke and Duchess de Windsor in « Sur La Thème de Paris », Galerie de la Cité Internationale des Arts, organized by director-founder Mme.Simone Brunau, Paris (France)
• Pillar in « Vier KUNSTVLAAI4 Art Fair Amsterdam » pour Jim Beard Gallery and Projects, in collaboration with artist Ingrid Jejina, Westergasfabriek, Amsterdam (The Netherlands)
• The Hip Decadence of Reductive Glamour in « Stadt München Biennial » At the Hotel Winston/ Gallery Stadt München, organized by artist-curator Simon Ferdinando, Amsterdam (The Netherlands)
1993–1999 Museum Exhibition Designer
Ralph Applebaum Associates New York. Clients : Sotheby’s, Whitney Museum, Corcarran
EDUCATION
1993 Master: Columbia University GSAPP,
Thesis year Prof. Bernard Tschumi, Prof. Stanley Allen, New York
1985 BArch: Cooper Union for the Advancement of Art and Architecture.
Thesis year Prof. John Hejduk, Prof. Bernard Tschumi, Prof. Peter Eisenman, New York
ART GRANTS / AWARDS & RESIDENCIES
2009 IFA Institut für Auslandsbeziehungen (Germany) : Havana Biennial Representation Support
2006 Kunst am Bau Commission : Landeshaupstadt München Baureferat/ Quivid & Department of City Construction, Munich (Germany)
2006 Pilot Projekt Gropiusstadt : Artist in Residence Program, Berlin (Germany)
2006 Villa Waldberta : Stadtmuseum Muenchen & Landeshauptstadt München Kulturreferat, One month residency, and Grant Feldafing (Germany)
2005 Pilot Projekt Gropiusstadt : Artist in Residence Program, Berlin (Germany)
2005 Villa Waldberta : Landeshauptstadt München Kulturreferat, Three month residency and Grant, Feldafing (Germany)
2004 Lower Manhattan Cultural Council’s Residency Program: The Woolworth Building Studios, Six month Studio and Grant, New York (USA)
2004 BRUCE Gallery - Brave New Art Foundation : Artist in Residence Project #14, One month Artist residency and Grant, Rotterdam (The Netherlands)
2002 Lower Manhattan Cultural Council & The Lower Eastside Tenement Museum : « Point of Entry » Grant and Exhibition New York (USA)
2001 Cité Internationale des Arts : Artist in Residence Fellowship Grant, One year artist residency, Studio underwritten by Ministère des Affaires Étrangères & Raoul Ricci Fondation, Paris (France)
BIBLIOGRAPHIE
Stuart Hall, Identités and cultures. Politiques des Cultural Studies, Translated from the English by Christophe Jaquand, Series initiated by Maxime Cervulle, Cover Art by Jean-Ulrick Désert :
Negerhosen 2000 (2001-2007), Éditions Amsterdam 2007 Paris ISBN 978-2-915547-43-62007
Thomas Spear (Editor), Une Journée haïtienne, Forward by Edouard Maunick, Cover Artwork : Jean-Ulrick Désert Rara des Jacobins (2007), Co-publication by Mémoire d'encrier & Présence africaine 2007 Montreal–Paris, ISBN 978-2-923153-84-1 & ISBN 978-2-7087-0784-9
Boris von Brauchitsch, Sexwork - Kunst Mythos Realität: Art Myth Reality, Cover Artwork by Jean-Ulrick Désert : Les Toiles de Jouy–Thailand (2004), Éditions Kehrer Verlag für Kunst, Kultur und Fotografie, 2007 Heidelberg, ISBN-10: 3939583170/ ISBN-13: 978-3939583172
Tumelo Musaka/ Annie Paul/ Nicollandte Ramirez, Infinite Island: Contemporary Caribbean Art, p.100–105, Co-publication by The Brooklyn Museum & Philip-Wilson 2007 New York & London, ISBN 085667641 1 EAN 97808566777 641 3
Jean-Pierre Frimbois, Art actuel des caraïbes–confluences and émergence, p.80–85, Art Actuel #52/ Septembre–Octobre 2007 Paris
Angela Koch, In Tolerable between-construction of Strangeness and Alterity and the Potential of Tolerance in the Self, using the example of The Burqa-Project by Jn.Ulrick Désert : Dangerous Crossings : The Grammar of Tolerance– editors–Farida Heuck/ Ralf Homann/ Pia Lanzinger, German and English p.166–178, Publisher Verlag Silke Schreiber 2006 Munich, ISBN: 3-88960-087-5
Trevor Schoonmaker Deborah Grant and Jean-Ulrick Désert: Looking to Read p. 7–9 in the exhibition catalogue Fine Print, Isolde Brielmaier–Editor and Co-publication of the Ramapo College of New Jersey & Ramsey Press 2006 New Jersey
Holland Cotter, Fanciful to Figurative to Wryly Inscrutable : New York Times July 8,2005
Pekka Rantanen (University of Tampere, Finland), Non-Documenatry burqa pictures on the internand / Ambivalence and the politics of representation International Journal of Cultural Studies, Sage Publications 2005 London/ Thousand Oaks CA/ New Dehli, Volume 8(3):829-351 DOI:10.1177/1367877905055681
Ranjani Gopalarathinam, Fit for Kings (BICA), Time Out New York Jul28-Aug3,2005
Tania Baar, Suche Ehemann mit EU-Pass «Xenopolis»-eine Ausstellung in der Rathausgalerie erzählt von der Faszination und Ausgenzung des Fremden : SüddeutscheZeitung SZ Extra Austellungen & Literatur #108, 18.05.2005 p.9
Cornelia Gockel, Faszination und Ausgrenzung Die Ausstellung «Xenopolis» erzählt vom Umgang mit Fremden : SüddeutscheZeitung #109, 13.05.2005 p.37 (B35)
Editeurs–Sonja Beijering/ Simon Ferdinando/ Renée Ridgway Migrating Identity– Transmission Reconstruction, catalogue d’éxposition , Éditions SEB Foundation 2004 Pays Bas , p.104 ISBN: 90-8546-022-0
Hans-Adelbert Karweik, Zuckersüß, doch recht bitter Wolfsburgurger Nachrichten 01.Oktober 2004, p.39,
Kunst:100.000 Bierdeckel mit Literatur, Arbeiten von Jn.Ulrick Désert Wolfsburger Allgemeine 18.Sep.2004 p.25
Lebkuchenherzen im Kunstverein,Neue Austellung von Jn.Ulrick Désert- Burqa Projekt Wolfsburger Allgemeine 17.Sep’04 p.21
Hans-Adelbert Karweik, Goandhe-Zitat auf Bierdeckeln Wolfsburgurger Nachrichten 17.September 2004, p.33
Matthias Reichelt die Geschichte des SOX36 Kunstforum International Bd.170 Mai-Juni 2004 p.263-265 Ruppichteroth Germany & Éditions TZ-Verlag
Jörg Sundermeier, The First Fist is the Deepest TAZ (Tages Zeitung) 03.03.2004 p.25 Berlin Germany
Stephan Kurr/Naomi Potter SOX36 Programm 2000-2002 Schauram in Kreuzberg, caralogue de les installations, Éditions Enrich Weiß Verlag 2002 Bamberg Germany, ISBN 3-9285 82 7
Erica Pearson, LMCC/tenement Museum Point Of Entry Installations ACI-Public Art Review USA Fall/Winter 2003 p.32-34
Rafael von Uslar & Irmtrud Wojak–éditeurs Blondies and Brownies weiß weiß bin ich auch ich, Catalogue d’éxposition, Allemand–Anglais, Éditions Klartext 2001 Essen Germany, ISBN 3-89861 000 4, 190 pages,
Andrea Naica-Loebell, Was war los in München 1950-2000, p.131, Éditions Sutton Verlag GmbH 2002 Erfurt ISBN 3-89702-439-X
Dr.Justin Hoffmann, Blondies and Brownies/Aktionsforum Praterinsel-Wurzelkeller, Springerin, Bd.VII Heft2, 2001, p.75/76 Autriche
Klaus Brenninger, Momente/Stadtcafe München, SüddeutscheZeitung 26.03.2001
Bernd Müller, Negerhosen2000/Ein ungewöhnliches Kunstprojekt in München, in: Sergej München 03.2001, p.40 Germany
Gordon Brent Ingram/ Anne-Marie Bouthillandte/ Yolanda Randter–éditeurs Queers in Space, essai principal par Jean-Ulrick Désert Queer Space p.16–25, Éditions Bay Press 1997 Seattle Washington USA
LECTURES / TEACHING (Guest critic) EXPERIENCES
2009 White Lessons & the Lagom Project-Whiteness in the works of Jean-Ulrick Désert, Neue Gesellschaft für Bildende Kunst (NGBK), Berlin (Germany)
2007 Caribbean Diasporic Practice First Person, Brooklyn Museum, New York (USA)
2007 Untitled Romances on Sexwork, Neue Gesellschaft für Bildende Kunst (NGBK), Berlin (Germany)
2006 Neither here nor there, Union College, New York (USA)
2006 Neither here nor there, American Studies Association, Oakland (USA)
2006 Jn.Ulrick Désert, A multi-media practice, California College of Arts, San Francisco (USA)
1998 Museum Exhibition/ Installation Design Principles, (Cours) Adult program, NY University (USA)
1997 The Post Mortem Re-Construction of Jacqueline Lee Bouvier Kennedy Onassis in « Don't Make Me Read You: Practice, Desire, Mandaphysics » The Cooper Union Irwin S. Chanin School of Architecture Lecture Series, New York (USA)
1995 Queer Space University of Southern California, Los Angeles (USA)
California College of Arts, San Fransisco CA, invited by director Mabel Wilson
The Cooper Union (School of Art) New York, invited by Prof. Lorna Simpson
Princandon University (School of Architecture) New Jersey, invited by Prof. Mabel Wilson
Columbia University (New York–Paris program) New York, invited by director Danielle Smoller
Columbia University (Paris–New York program) New York, invited by Prof. Christian Biecher
Parsons School of Design (AED program) New York, invited by Prof. Mabel Wilson
Yale University (GAD program) New Haven, invited by Prof. Laura Kurgan
City College New York (Design program) New York, invited by Prof. Pander Lynch
 |  |  | 01 Overload 02 Overloaded 03 Overloading |
Jon Barwick constructs mixed-media paintings that acknowledge
the hyper-paced, technology-driven, media-saturated society of the
Twenty-First Century. The multi-layered compositions reflect the
complexities of the information age, and capture the singular moment of
everything happening at once. Imagery for these works originate as
drawings and doodles but are scanned, photographed, printed, or redrawn
before reaching the final composition. By maintaining a dialogue
between the hand-drawn and computer-generated, Barwick creates visual
metaphors for our day-to-day interaction with technology. The
resultant fields of color and imagery are at once beautiful and
overwhelming. They present a sublimation of information.
Education
2009 MFA, The University of Georgia, Athens, GA
2005 BFA, Magna Cum Laude, Columbus State University, Columbus, GA
2004 Study Abroad, London, UK
Exhibitions
2009 Die Zeit of Drawing, Climate Gallery, New York, NY
A-Bomb, Artoconecto, Miami, Fl
Six By Six Gallery, New York, NY
Cornerstone, Workspace Harlem, New York, NY
This Is Paint, Infusion Gallery, Los Angelos, CA
NYAXE Gallery, Palo Alto, CA
Movers and Shakers, Museum of Contemporary Art, Atlanta, GA
2008 Jon Barwick: Recent Work, The Art Spot Gallery, Atlanta, GA
Overload, Athens Institute of Contemporary Art, Athens, GA
Athica Emerges, Athens Institute of Contemporary Art, Athens, GA
Double Take, UGA Alumni Center, Atlanta, GA
Mondohomo, Atlanta,GA
Classicism, Modernism, and Beyond, Gallery RFD, Swainsboro, GA
2007 Postcards from the Edge, James Cohan Gallery, New York, NY
Night of 1000 Drawings, Artist’s Space, New York, NY
Freshly Minted, UGA Alumni Center, Atlanta, GA
Mondohomo, Atlanta, GA
Georgia Society of Contemporary Painters, Athens, GA
Art Talk, Public Critique, Lamar Dodd School of Art, Athens, GA
2006 Meritage Gallery, Columbus, GA
Awards
2009 Nominee Joan Mitchell Foundation Grant
MFA Now International Painting Competition Winner
2008 Southern Competition Winner, New American Paintings
Teaching Assistantship, University of Georgia, Athens, GA
2007 Teaching Assistantship, University of Georgia, Athens, GA
2006 Graduate Assistantship, University of Georgia, Athens, GA
Southern Competition Winner, New American Paintings
2005 Best Art Award, Arden Journal
Friends of Art Scholarship, Columbus State University, Columbus, GA
2004 Fort Scholarship, Columbus State University, Columbus, GA
Passailaigue Art Endowment, Columbus State University, Columbus, GA
Publications
2008 New American Painting, vol. 76
2007 Georgia Strange
2006 New American Paintings, vol. 64
2005 Arden Journal
2003 Columbus Ledger-Enquirer
1999 Playgrounds Magazine
Professional Experience
2008-2009 Instructor on Record, Intermediate Painting, Advanced Drawing, Lamar Dodd School of Art
2007-2008 Instructor on Record, Aqueous Media, Intermediate Drawing, Lamar Dodd School of Art
2006 Teaching Practicum, Lamar Dodd School of Art
Gallery Assistant, Lamar Dodd School of Art
Collections
The Columbus Museum, Columbus, GA
  |   |   | 01 Gino 02 Gino 03 Gino 04 Gino 05 Gino 06 Gino |
Louisiana photographer and painter, received a Masters of Fine Art from the University of New Orleans. His work has been exhibited extensively in America and Europe, he now lives and works in Paris.
EXHIBITIONS:
Duplex Expo, Paris, 2006
New Orleans Museum of Art, group exhibition, April 2005
“CLASSICISM SUBVERTED: Gay Art in the 21st Century” Paris, France, April 2005
"Gods Becoming Men" The Frissiras Museum, Athens, June, 2004
"Naked Before God" The Museum of New Art, Pärnu, Estonia June, 2003
JONATHAN WEBB: Solo Exhibition, Arabesque Gallery Paris November, 2002
JONATHAN WEBB: Group Exhibition, Marigny Gallery, New Orleans, 2000
JONATHAN WEBB: Solo Exhibition, Marigny Gallery, New Orleans, Louisiana, 1999
JONATHAN WEBB: Group Exhibition, Throckmorton Fine Arts, New York, New York, July 1998
JONATHAN WEBB: Solo Exhibition, The Gallery of Southern Photographers, New Orleans, Louisiana, November 1997
MASTERS THESIS EXHIBITION. UNO Fine Arts Gallery, New Orleans, Louisiana December 1997
GRADUATE GROUP SHOW. UNO Fine Arts Gallery November 1997
THE CONTEMPORARY ARTS CENTER: 20th ANNIVERSARY SHOW. New Orleans, Louisiana (January 1997)
JONATHAN WEBB: Group Exhibition, The Gallery Of Southern Photographers, New Orleans, Louisiana (December, 1996)
PHOTOGRAPHY GROUP SHOW. LESLIE-LOHMAN GALLERY. New York, New York (May 30-July 24th, 1995)
WORKS ON PAPER: RECENT DRAWINGS, PRINTS AND PHOTOGRAPHS. Louisiana State University, Baton Rouge, Louisiana (April 7-May 10th, 1995)
THE BODY PHOTOGRAPHIC. The Contemporary Arts Center, New Orleans, Louisiana (January 28-March 5th, 1995)
TWO MAN EXHIBITIONS (WITH ROBERTO RINCON)
CUERPO HUMANO. University Nacional De Costa Rica Heredia,
Costa Rica (October, 1996)
AMOR SAGRADO Y PROFANO. Museo Del Jade. San José, Costa Rica (December 15th 95-January 18, 1996)
PUBPLICATIONS:
Male Bodies: A photographic History of the Nude 2004, Emmanuel Cooper
ADAM: The Male Figure in Art Edward Lucie-Smith, 1998
Ars Erotica Edward Lucie-Smith; 1997
  |  |  | 01 Mischtechnik auf Karton, 200cm*150cm, 2011 02 Mischtechnik auf Karton, 200cm*150cm, 2011 03 Mischtechnik auf Karton, 200cm*150cm, 2011 04 Mischtechnik auf Karton, 200cm*150cm, 2011 |
1945 geboren in Radebeul bei Dresden, aufgewachsen in Gronau/Westfalen.
1965 Übersiedelung nach Berlin
1965-69 Studium an der Staalichen Akademie für Grafik, Druck und Werbung, Berlin
1969 Staatsexamen. Seitdem tätig als freischaffender Künstler.
1972-78 Gründungsmitglied der Gruppe "Aspekte" in Berlin
1975 Kritikerpreis 1974 Verband der Deutschen Kritiker e.V.
Studienaufenthalt in der Villa Massimo, Rom
1984 1.Preis im Art-Künstlerwettbewerb "Deutsche Landschaft heute"
Einzelausstellungen
1967 Galerie am Abend, Berlin
1968 Galerie Miniature, Berlin
1970 Galerie Lietzow, Berlin
1971 Galerie Ostheimer, Frankfurt
Galerie Lietzow, Berlin
1974 Paula Modersohn-Becker-Haus, Bremen
1975 Galerie Lietzow, Berlin
1976 Galerie APEX, Göttingen
1977 Kunsthalle Kiel
Kunsthalle Recklinghausen
Museum Oberhausen
"Neun Bewerber um das Annemarie- und Will-Grohmann-Stipendium, Staatliche Kunsthalle Baden-Baden
1978 Galerie APEX, Göttingen
1980 Kunsthalle Düsseldorf
1982 "18 Bilder einer Sammlung" Galerie Rampoldt, Berlin
"Bier, 2*Biederbick und Vogelgesang" Staatliche Kunsthalle Berlin
1984 "Frühe Arbeiten" Galerie Lietzow, Berlin
1988 Städtisches Museum Göttingen
Galerie APEX
Städtisches Museum Oldenburg
Ausstellungsbeteiligungen (Auswahl)
1967-72 diverse Beteiligungen u.a. in Berlin, Hamburg, München,
Stuttgart
1973 "Fetisch Jugend-Tabu Tod" Haus am Waldsee, Berlin
Kunsthalle Kiel
"Prinzip Realismus", Akademie der Künste Berlin, Recklinghausen, Freiburg, München
"Politische und gesellschaftliche Karikaturen", Wilhelm-Busch-Museum, Hannover
"Mit Kamera, Pinsel und Spritzpistole- Realistische Kunst in
unserer Zeit", Städtische Kunsthalle Recklinghausen
"Zielscheibe Mattscheibe", Westdeutscher Rundfunk, Köln, Rathaus der Stadt Marl, Bildergalerie der Stadt Bergkamen, Rathaus der Stadt Neheim-Hüsten
"Das Neue Portrait", Galerie Abis, Berlin
1974 "Prinzip Realismus" verschiedene Städte Skandinaviens
"Liebe und Tod", Stolberger Burg, Stolberg, Salon de la Jeune Peinture, Paris, X.Biennale de Menton, Menton
"It's Wonderful life", Galerie Poll, Berlin
"Prinzp Realismus", Kunstverein Konstanz
"18 Deutsche Zeichner", Staatl. Kunsthalle Baden-Baden
1975 "Les Tendedances Actuelles de la Peinture en Allemagne" Centre Culturel de la Ville de Toulouse
"Der Einzelne und die Masse", Ruhrfestspiele Recklinghausen
1976 Neuerwerbungen der Berlinischen Galerie
Künstlerhaus Bethanien, Berlin
5 Jahre APEX, Göttingen
1977 "Berlin Now", Goethe House New Yorck
Documenta 6, Kassel
"D-Realismus", Kunstverein Kassel
"Aspekte Großstadt", Berlin, Hannover, Frankfurt, München, Edinburgh, London
1978 Fourth Triennale- India (sieben Deutsche Realisten)
Neu Dehli (Zeichnungen von Realisten)
Galerie Poll, Berlin, Amersfort, Paris
"Partei ergreifen" Ruhrfestspiele Recklinghausen
"Ugly Realism" Institute of Contemporary Arts, London
"Internationaler Realismus heute" Kunstverein Hamburg
1979 "Neue Formen des Realismus", Warschau, Recklinghausen
"Kunst in Berlin von 1960 bis heute", Berlinische Galerie, Berlin
"European Dialogue", The Third Biennale of Sydney
"Hommage a Rouault", Musee des Beax-Arts, Mons
1980 "Forms of Realism Today", Museum of Contemporary Arts, Montreal, Toronto, Vancouver
"Liebe, Dokumente aus unserer Zeit", Kunsthalle Darmstadt, Kunstverein Hannover
"Realism and Expressionism in Berlin", Frederick S. Wight Art Gallery, University of California, Los Angeles
"Große Düsseldorfer Kunstausstellung", Kunstpalast Ehrenhof, Düsseldorf
1981 "Dimension 81, Neue Tendenzen der Zeichnung", Kunstverein München, Berlinische Galerie, Berlin
"Große Düsseldorfer Kunstausstellung", Kunstpalast Ehrenhof, Düsseldorf
1982 "Gefühle und Härte" (Kunst in Berlin), Kulturhuset, Stockholm
1983 "Mensch und Landschaft in der zeitgenössischen Malerei und Grafik", Moskau Leningrad
"Realistische Zeichnungen, 8 Künstler aus der Bundesrepublik Deutschland", Neue National Galerie, Berlin
"Großstadtdschungel", Kunstverein München
"Köpfe und Gesichter", Kunsthalle, Darmstadt
1984 "Die Vergangenheit der Zukunft", Schloß Wolfsburg
"Otto-Nagel-Preis 1984", Alte Nazareth Kirche, Berlin
"Der Krieg trifft jeden ins Herz", Ausstellung Belorussischer und Westberliner Künstler in Minsk und Berlin
"Deutsche Landschaft Heute", Orangerie Schloß Charlottenburg, Berlin
1985 "Die andere Eva", Kunstpalast Ehrenhof, Düsseldorf
"Krankheit und Kranksein", Institut für Arzneimittel, Berlin
"Der Grimm auf Märchen", Universitätsmuseum für Bildende Kunst, Magdeburg
"Das Selbstportrait im Zeitalter der Fotografie", Würtembergischer Kunstverein Stuttgart, Akademie der Künste, Berlin
"Allegorien- Realismusbewegung 1945-1985, Kunst in der Bundesrepublik Deutschland", Neue Nationalgalerie, Berlin
1986 "1936 verbotene Bilder- 1986 Vielfalt der Bilder", Deutscher Künstlerverbund, Bonn
"Köpfe", Galerie Poll, Berlin
"Große Kunstausstellung NRW Düsseldorf", Kunstpalast Ehrenhof, Düsseldorf
"15 Berliner Künstler in Brasilien", Sao Paulo, Porto Alegre, Rio de Janeiro, Recife
1987 "Ecce Homo", Alte Brüderkirche Kassel, Grot Kerk Leenwarden, Hospitalhof Stuttgart
"Momentaufnahme", Staatliche Kunsthalle Berlin, Joao Pessoa Paraiba, Blumenau Sao Paulo
"Ich und die Stadt", Martin Gropius Bau, Berlin
"Schrecken und Hoffnung", Hamburger Kunsthalle, Münchner Stadtmuseum, Staatliche Gemäldegalerie Moskau, Erimitage Leningrad
"Positionen des Realismus 1967-1972-1987", Galerie Poll, Berlin
 |  | 01 Code 303 – Händel |
born 1947 in Räpina, Estonia
Education: 1966–71 studied architecture at the Estonian State Art Institute
Solo Exhibitions:
2005 Haus Gallery, Tallinn, Estonia
Estonian Bank Gallery, Tallinn, Estonia
2004 Hobusepea Gallery, Tallinn, Estonia
2003 Tartu Art Museum, Estonia
Tallinn Art Hall Gallery, Estonia
Gallery Draakon, Tallinn, Estonia
Gallery Deco, Tallinn, Estonia
Valga City Gallery, Estonia
Taagepera Castle Gallery, Estonia
2002 Gallery Promenad, Hyvinkää, Finland
Gallery Minna, Kuopio, Finland
?iurlonis National Museum, Kaunas, Lithaunia
Gallery Kay Forsblum, Helsinki, Finland
2001 Museum of Rakvere, Rakvere City Gallery, Estonia
Raatuse Gallery, Tallinn, Estonia
Zimmerli Art Museum, New Jersey, USA
Art Museum of University of Tartu, Estonia
2000 Latvian Press House Gallery, Riga
Raatuse Gallery, Tallinn, Estonia
1999 Pärnu City Gallery, Estonia
Kuressaare Castle Gallery, Estonia
1998 Gallery Laterna Magica, Helsinki, Finland
Gallery Ruben Forni, Bruxelles, Belgium
1997 Tartu Art Museum, Estonia
Art Museum of Estonia
1996 Helsinki Art Hall Studio, Finland
Latvia Museum of Foreign Art, Riga
1995 Finnish Museum of Architecture, Helsinki
1994 Gallery D’Arte, Helsinki, Finland
Gallery Titanik, Turku, Finland
1994 Gallery Ephémare, Montigny-le-Tilleul, Belgium
Matisse Museum, Le Cateau-Cambresis, France
1992 P.u.n.k.t. Gallery, Hamburg
Gallery Roma, Liepaja, Latvia
1991 Alvar Aalto Museum, Jyväskylä, Finland
1987 Pori Art Museum, Finland
Art Museum of Estonia
1986 Stockholm City Theatre, Sweden
1975 Langsam Gallery, Armadale, Australia
Selected group exhibitions: 2005 12 Künstler aus Tallinn, Actioncenter, Munich, Germany
2004 “WWW.Transeuropa”, Kulturverband Favoriten, Wien
2000 Word Wild Flags. Liege, Aachen, Knokke, Luxembourg
1998 Estonian Painting,Borchette Centre, Bruxelles
1996 Silence of Land. Väinö Aaltonen Museum, Finland
1994 Graveurs Baltes. Gallery Détour, Jambes, Belgium
Pro Natura Baltica. Helsinki, Tallinn, Stockholm, Lübeck
Island Project. International Multimedia Workshop, Gdansk, Poland
1993 Rationalized Eternity. Contemporary Art Centre of Vilnius, Lithuania
1992 Contemporary Art from Estonia, Latvia and Lithuania. Walter Phillips Gallery, Banff, Canada
1975 Harku ’75. National Institute of Experimental Biology, Harku, Estonia
1973 Saku ’73. Estonian Institute of Agriculture, Saku, Estonia
1969 SOUP ’69. Café Pegasus, Tallinn
Selected installations
2003 “Clock of Freedom”, Tallinn City (with Kristel Jaanus)
2003 “Labyrinth”, Viinistu Art Museum, Estonia
2001 Fire-installation “Ode to the Officer”, Festival “Kananahk”, Rakvere, Estonia
1999 “Mirrored Cross”, Paide City, Estonia
1998 “Suprealistic City II”, Huittinen City, Finland
1994 “Estonian Forest I”, São Paulo 22. Biennial
1992 “Broken Time”, Rostock Art Museum, Germany
1991 “Order and Spontaneity II”, Stockholm Kulturhall, Sweden
1991 “Socialist Work”, Linköping, Kalmar, Stockholm Art Museums, Sweden
1990 architecton “Tree”, Helsinki City, Finalnd
1990 “Obelisk to Substance”, Kotka ,Finland
1990 architecton “Urania”, Groningen ,Holland
1989 “Noah’s Ark”, Helsinki Art Hall, Finland
1987 “Homage to Finland” Pori Art Museum, Finland
Books
“On Architecture – in Life and Ethics”. Umea, 2006.
“Dokument ja loovus” (Document and creativity). Sirbi Raamat, Tallinn, 2005.
“Avangard” (Estonian avant-garde art). Tartu University. Tartu, 2003.
“Tühjus. Void.” Estonian Art Academy. Tallinn, 2003.
“Tühjus ja ruum. Void and Space”. Estonian Art Academy. Tallinn, 1998.
“Kaks kunsti” (Two Arts). Kunst. Tallinn, 1997.
“Pimedystä valoon” (Estonian avant-garde art). Otava. Helsinki, 1996.
“Void and Space”. Helsinki University of Technology. Helsinki, 1994.
Organisations:
1998–2001 Academica Gustaviana Foundation
1998–2000 Union of Estonian Architects, member of Court of Honour
1981 Union of Estonian Architects
1977 Estonian Artists´ Association, Association of Estonian Printmakers
Awards:
2003 Estonian Graphic Association prize of Year
2001 The Estonian State´s Order of the White Star of IV Class
1997 The Baltic Watercolor Triennial prize
1997 The Estonian State’s Cultural prize
1989 The Kristjan Raud Prize for painting, Estonia
1989 Tallinn City Art prize
1987 Soviet architectural prize
1974 Tokyo Print Biennial prize
1973 Ljubljana Print Biennial prize
Works in collections:
Art Museum of Estonia, Estonian Museum of Architecture, Estonian Bank, Helsinki City Art Museum, Alvar Aalto Museum (Jyväskylä, Finland), Contemporary Art Museum of Armenia (Jerevan), Bridgestone' Art Museum (Japan), Cooremans' Institute (Brussels, Belgium), Cremona Foundation (Minneapolis, USA), ?iurlionis Art Museum (Kaunas, Lithuania), Frankfurdt Museum of Architecture (Germany), Zimmerli Art Museum (New Jersey, USA), Kaleva Art Collection (Oulu, Finland), Kiasma (Helsinki), New York Library, Niemisto Foundation (Helsinki, Finland), Oulu Art Museum (Finland), Pori Art Museum (Finland), National Gallery of Sweden (Stockholm, Sweden), Sydney Museum of Contemporary Art (Australia), Skopje Art Museum (Slovenia), Bank of Finland, Tallinn Art Hall, Tartu Art Museum, Tretjakov Gallery (Moscow), Vaasa University, Art Collection of the White House (Washington, USA), Russian Museum (St. Petersbourg), Walker Art Centre (Minneapolis, USA),Villany Art Collection (Brandenburg, Germany), Viinistu Art Museum and numerous private collections.
  |   |   | 01 Steininstallation aus Narvik Granit 02 Narvik-Granit Stein Detail 03 Narvik-Granit Stein Detail 04 Steininstallation aus Narvik Granit 05 Steininstallation aus Narvik Granit 06 Steininstallation aus Narvik Granit |
Makoto Fujiwara
1938
geboren in Gifu, Japan
1958 - 64
Studium an der städtischen Akademie der Schönen Künste in Kyoto
1966
Stipendium der französischen Regierung; Ecole des Beaux Arts in Paris bei
Prof. Couturier
1967
Akademie der Bildenden Künste in Wien bei Prof. Wotruba
seit 1967
verschiedene internatione Bildhauersymposien
1972
Stipendium des Berliner Künstlerprogramms des D.A.A.D.
1974 - 88
Lehrtätigkeit (Steinbildhauerei) an der Hochschule der Künste Berlin
1988 - 2003
Professor an der Fachhochschule Hannover
Arbeiten
1964 Suzuka
1964 – 66 Kitagi-shima
1966 Ecole des Beaux Arts de Paris
1967 Akademie der Künste Wien
1967 Wien Prater
1972-79 Berlin / Mauern(Bayern)
1974 - 87 Hochschule der Künste Berlin
1974 Fichtelgebirge
1987 Fachhochschule Hannover
1989 Brunnen für das Rathaus Wörthsee
1990 Relief Larvik
1991 Moskus
2004 Norge
2005 Gildekarree Hannover
Zusammenarbeiten
1971-72 Gartengestaltung Langwasser Nürnberg mit Hiroshi
Mikami
1978 Urnenfriedhof Berlin mit Claudia Ammann Michael Bayer
1998 Oldenburg mit Karl Prantl
1990 Gartengestaltung für die Fachhochschule Hannover mit Studenten der
Bildhauerklasse FH Hannover
1990 Larvik Torv mit Architekt Raugland Kunstakademie Studenten
Alanushochschule Bonn, Kunstakademie Oslo, Hiroshima City Univ.,
Fachhochschule Hannover
2000 Stein für Sarajevo mit Martin Kuhn
Wettbewerbe
1983 Internationale Gartenbau Ausstellung München
1985 Bundesgartenschau Berlin Grabzeichen
1987 Bundesanstalt für Geowissenschaft und Rohstoffe Hannover mit Udo Dagenbach
1987 Botanischer Garten Berlin
1996-97 Kolpingwerk in Hettstedt mit Martin Kuhn
Symposien
1967 Krastal Kärnten
1970 Mauthausen
1970 St. Margarethen
1970 Federsee
1971 Urbanum Nürnberg
1972 -76 St. Margarethen Projekt Stephans-Platz Wien
1974 Bad Kreuznach
1974 Embiente Friedhof Neumarkt / Oberpfalz
1974 Projekt Berliner Teufelsberg
1980 Bremen
1985 Norge
1985 Sommer Akademie Salzburg
1986 Kranoldplatz Berlin
1987 Wannsee Berlin
1988 Nordhorn
1991 Salzburg
1994 Hall in Tirol
1996 Norge
2004 Sandoh
 |  |  |
1960 mietete Mary Bauermeister in der Lintgasse 28 in Köln eine Wohnung im Dachgeschoss, wo zwischen März 1960 und Oktober 1961 mehrere Konzerte, Ausstellungen und intermediale Veranstaltungen stattfanden. Die kulturellen Veranstaltungen im Atelier Bauermeister gehörten zu den ersten „Prä-Fluxus-Veranstaltungen“ und hatten auf die Künstler der späteren Fluxus-Bewegung einen großen Einfluss. Avantgardistische Dichter, Komponisten und bildende Künstler wie Hans G Helms, David Tudor, John Cage, Christo, George Brecht und Nam June Paik veranstalteten damals auf ihre Einladung hin unkonventionelle Konzerte „neuester Musik“, Lesungen, Ausstellungen und Aktionen. Mary Bauermeisters „Prä-Fluxus“-Aktivitäten trugen erheblich zur Entwicklung der Kölner Kunstszene bei.1967 heiratete sie Karlheinz Stockhausen.
1962 hatte Bauermeister ihre erste Einzelausstellung im Amsterdamer Stedelijk Museum mit Arbeiten der Jahre 1958 bis 1962 und gleichzeitiger, ganztägiger Aufführung elektronischer Musikstücke unter der Leitung des Komponisten Karlheinz Stockhausen und anderen Komponisten, zu denen gleichzeitig Stockhausens Partituren in Vitrinen in unmittelbarer Nähe zu den Werken Bauermeisters gezeigt wurden. Im Oktober 1962 reiste sie, angezogen durch die vitale Pop Art, nach New York. Im Künstlerkreis von Pop Art, Nouveau Réalisme und Fluxus pflegte sie Freundschaften mit Robert Rauschenberg, Jasper Johns, Niki de Saint Phalle und Jean Tinguely. In New York feierte Bauermeister beachtliche künstlerische Erfolge. In den 1960er Jahren stellte sie regelmäßig in der Galeria Bonino in der 57. Straße aus.
Von der zweidimensionalen Zeichnung entwickelte sich das Werk Bauermeisters zunehmend in den Raum hinein – über Relief- und Materialbilder gelangte sie schließlich zu den sogenannten Linsenkästen, der wohl geheimnisvollsten Werkgruppe der Künstlerin, mit der ihr 1964 der Durchbruch auf dem New Yorker Kunstmarkt gelang. In zum Betrachter hin offenen, weißen Holzkisten schuf Bauermeister kleine Welten aus glänzendem Glas, Lupen, Linsen und Prismen, hinterlegt von feinen Tuschezeichnungen und aufgetragenen Texten. Diese Kästen bieten mit ihren zwei oder drei gläsernen Bildebenen Raum für die Gedanken und Ideen der Künstlerin und sollen den Betrachter zur genauen Beobachtung anregen.
In den 1970er Jahren kehrte Mary Bauermeister nach Deutschland zurück und begann sich mit Grenzwissenschaften wie Geomantie zu beschäftigen. Die dabei gewonnenen Erkenntnisse nutzte sie für die Planung von Gärten, die sie für öffentliche und private Auftraggeber weltweit ausführte. Heute lebt die Künstlerin in Rösrath bei Köln.
Anlässlich ihres 70. Geburtstags erwarb das Kölner Museum Ludwig ihre 1963 entstandene Wandinstallation Needless needles und richtete eine Werkschau aus (bis 23. Januar 2005). Im Jahr 2007 erwarb das Schweriner Museum Arbeiten der Künstlerin und installierte einen permanenten Kunstraum mit diesen Werken neben den Ausstellungsräumen ihres verehrten Vorbildes Marcel Duchamp. Diese Werke bestehen u.a. aus der Musicbox (1968), Rotes Magnetbild (1959), Studiofetisch (1970) und Fünf Totenhemden (1963) aus der Serie Ready Trouvées als Hommage an Marcel Duchamps Ready Mades.
Ausstellungen
Gruppenausstellungen
2008/2009: Now Jump., Festival, Station 1, Nam June Paik Art Center, Yongin-si
Einzelausstellungen
1962: Stedelijk Museum, Amsterdam
1963: Haags Gemeentemuseum, Den Haag
1963: Stedelijk van Abbe Museum, Eindhoven
1964-70: Galeria Bonino, New York City (diverse Einzelausstellungen)
1972: Mittelrhein-Museum, Koblenz
1991/92: Galeria Bonino, New York City
1998: Mary's and Ben's Lustspiel Galerie Schüppenhauer, Köln (mit Benjamin Patterson)
2004: Needless Needles Museum Ludwig, Köln
2010/2011: Welten in der Schachtel, Wilhelm-Hack-Museum, Ludwigshafen
2011: Renaissance of Optics, Volkshochschule Aachen.
Literatur und Kataloge
Karlheinz Stockhausen, electronische muziek & Mary Bauermeister, schilderijen. Stedelijk Museum, Amsterdam 1962. (Wanderausstellungskatalog: 2. bis 25. Juni 1962 Stedelijk Museum; Stedelijk Van Abbemuseum, Eindhoven; Groninger Museum). 24 ungezählte S.
Bauermeister: paintings and constructions. Galeria Bonino, New York [1967]. (Ausstellungskatalog: 17. März bis 18. April 1964, Galeria Bonino). 28 ungezählte S.
Historisches Archiv der Stadt Köln (Hrsg.): Das Atelier Mary Bauermeister in Köln 1960–62 : intermedial, kontrovers, experimentell. Emons, Köln 1993, ISBN 3-924491-43-7. 215 S.
Lara Mallien: Musik sehen, Bilder hören. Ein Portrait über Mary
Bauermeister. In Oya 09/2011. (Onlineversion).
Christel Schüppenhauer (Hrsg.): Mary Bauermeister: „all things involved in all other things“. Galerie Schüppenhauer, Köln 2004, ISBN 3-926226-57-9. 96 S. und 1 Interview-CD
Reinhard Spieler: Welten in der Schachtel. Mary Bauermeister und die experimentelle Kunst der 1960er Jahre. Kerber Art, Wilhelm-Hack-Museum, Ludwigshafen, 2. Oktober 2010 bis 16. Januar 2011, Bielefeld/Leipzig/Berlin 2010
  |   |  | 01 Bath(1) 02 Bath(2) 03 The Shower 04 Le Couple Bleute 05 Hammam |
MITRA FARAHANI was born in Tehran in 1975. From the age of fourteen she studied painting and drawing with various Iranian masters of pictorial art, notably with Gholem Hossein Nami.
After taking a baccalaureat in graphic art in 1992, followed by a degree in graphic art at the AZAD University in Tehran, she moved to Paris in 1998, and took up residence in the Cité Internationale des Arts.
In December 1999 she staged a Happening called ‘You Are Invited to a Funeral’. In 2001, she began a course of video studies at the Ecole Nationale Supérieure des Arts Décoratifs, and made her first documentary. 26 minutes long, this was entitled ‘Just A Woman’. The film was chosen for the Berlin Film Festival and was awarded the Teddy Awards Special Jury Prize.
Her documentary ‘Zohre and Manouchehr’ (67 minutes) was presented at the Berlin Film Festival of 2004. This was later shown in cinemas in France and Canada with the title ‘Taboos’.
In 2005 she made the documentary “Behdjat Sadr: Suspended Time’, a portrait of one of the pioneers of Abstract Expressionist painting in Iran.
In November 2009, as part of the Three Continents Festival, Le Lieu Unique in Nantes presented her one-person multi-disciplinary exhibition. This comprised a video-installation, a painted screen, a group of drawings and some projected films.
Statement
For several years I have been painting screens. These screens have, for me, a direct link with the cinema.
During the first part of my career, painting affected my films. Now, in reverse, it is cinema that makes itself felt in my painting. The influence appears most clearly in the way in which the compositions are affected by the idea of cinematic sequences. The triptychs I made originally have been succeeded by compositions that are screens with multiple panels. Each element or each panel resembles a sequence in a film.
A screen, which gives the possibility of deployment in space, offers important compositional advantages. In particular, it makes it easier to put together a multitude of ideas that can be read both independently and in combination with one another. Screen compositions, and the spatial ambiguity that they permit, allow me more and more to produce the interpenetration of painting and cinema that I have always wanted to create.
Exhibitions
1998 cite des Arts de Paris
1999 Galerie Bernard Lehman, Hambourg, Germany
2001 Galerie Golestan, Tehran, Iran
2009 Le Lieu Unique à Nantes.
   |   |   | 01 Balancing Figures 02 I'm a good girl 03 No one 04 without Title 05 without Title 06 Arms 1 07 Saw |
Born in Iran in 1955
Lives and works in Paris
After studying painting at the University of Tehran, Narmine Sadeg moved to Paris in 1977, and continued her studies at the Ecole des Beaux-Arts, at the Sorbonne, and at the Paris-Diderot University. A former student of Christian Boltanski at the Ecole des Beaux-Arts, she was, in the late 1980s, interested in multi-disciplinary installations.
In the early 1990s she showed her work at the Galerie Giovanna Minelli in Paris, which also represented Thomas Struth, Willie Doherty, Craigie Horsfield, Jean-Luc Moulène and Olivier Blanckart.
In 1992-3 she was awarded the Villa Médicis hors les murs prize. This enabled her to make several visits to the United States. While there she worked on a huge video installation project entitled Tell Me About Art, midway between art installation and documentary film. She was also artist-in-residence at the Center for Advanced Visual Studies at the Massachusetts Institute of Technology (MIT) where she continued her investigations into the field of digital art. During a decade, from 1994 onwards, she concentrated on projects that made use of new media. However, her interest in materials finally led her back once again to sculpture, installation and painting.
Her recent work consists of mobile sculptures. These are half human beings, half toys, apparently delicately balanced. They evoke moments of suspense, of waiting for something to happen.
Narmine Sadeg’s work has been shown in a number of solo and collective exhibitions, in France and elsewhere, most notably at the Galerie Giovanna Minelli in Paris, at the MIT Museum in Cambridge, Massachusetts, at the Centre d’Art Contemporain de la Villa Arson in Nice, and at the Galerie Basilisk in Copenhagen.
Since 2001, Narmine Sadeg has been professor of visual arts at the University of Bordeaux III.
Statement:
At first glance, Narmine Sadeg’s life-size dolls, installed on a steel tube that is thrust through their bodies and ready to sway back and forth with a single push, evoke a feeling of playfulness.
This feeling, however, fades with time. The dolls seem calm and resolute, but their movement is limited and they can do nothing about it – their situation seems tragic. “In my work,” Sadeg says, “I am interested in modes of display that limit the movements of my characters, constrain their actions, and force them to repeat themselves.”
Narmine Sadeg’s work does not reflect specifically Iranian traits, but offers a consideration of the human condition in a larger sense. Held by the rod that displays them, her characters are silent and reclusive, watching the world from a distance. If we look for what is Iranian in this work, we should perhaps look at the life of the artist herself – at the things that have influenced her concerns. Had she not been born Iranian, and without the events that have affected the recent history of Iran, would the same questions have emerged?
![untitled sin nombre aus der Serie [:tandem]
Collaborative work together with Robert Flynt
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/thumbs/120_1.jpg) ![untitled sin nombre aus der Serie [:tandem]
Collaborative work together with Robert Flynt
unique inkjet print with mixed media, diptych, each 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/thumbs/120_4.jpg) | ![untitled sin nombre aus der Serie [:tandem]
Collaborative work together with Robert Flynt
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/thumbs/120_2.jpg)  | ![untitled sin nombre aus der Serie [:tandem]
Collaborative work together with Robert Flynt
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/thumbs/120_3.jpg)  | 01 untitled sin nombre aus der Serie [:tandem] 02 untitled sin nombre aus der Serie [:tandem] 03 untitled sin nombre aus der Serie [:tandem] 04 untitled sin nombre aus der Serie [:tandem] 05 Estruvo: uno 06 Estruvo: siete |
The [:tandem]-series
Robert Flynt and Nicolas Spinosa met in April of 2009 to see how a collaborative body of work could be made between a photographer and painter.
The artists shared strong interest in the performative act in relation to the making of visual art, with an intensive focus on the body and its re-presentation.
Flynt, the photographer, works extensively with performance artists and dancers, both as models for his work and as a collaborator with many dance and theater projects. This is his first collaboration with another visual artist.
Spinosa, the painter, works in an extremely performative, quasi-ritualistic fashion, using his own body as the primary carrier of pigment, subsequently altered with hand applied elements.
Their initial meeting consisted of three intensive photo shoots built around Spinosa’s practice: initially he served as a model for Flynt’s idiosynchratic shooting technique: tracing the body with flashlights in a completely dark room over relatively long exposure periods. Then Flynt traced Spinosa during the “performing” of his painting creations, following the body as it was painting, imprinted, traced and drawn on large sheets of paper on the studio floor. Additional shooting with completed earlier paintings on both the walls and floor of the studio created additional imagery, and Spinosa was also actively engaged in the making of the photographs through drawing with light (via other flashlights), as well as through conventional mark making.
Flynt subsequently edited the photographic images, using many for his own work, often layered or sequenced with found imagery. The modified digital files were emailed to Spinosa, who had them printed out as light-jet prints and then further drew and painted on these already collaborative images.
The final products are naturally unique images, neither entirely photographs nor paintings, the result of a multifaceted “conversation” between the two artists, where the line between one individual’s aesthetic and the other’s has become almost completely blurred.
The conversation continues following an intensive 5 day residency in Berlin, creating a large series of new underlying images that will be developed over the coming months. The results will be some entirely photographic work (Flynt’s), the 10 meter floor “performed” painting (Spinosa’s), and, primarily, the combined multi-media works on paper that will be the fusion series, “TANDEM”
His own work aims to investigate which place has been left for the body facing the impossible: death. what names, graphism and inscriptions can the body offer.
He has been involved in Visual Arts since he was very young when he began to attend to
workshops and schools of Visual Arts in Buenos Aires (Argentina). In 1992, he began
his studies at the P. Pueyrredón National School of Arts in Buenos Aires and in 1996 he
graduated as Painting Professor. In addition he has attended Photography Courses and
seminars on Aesthetics, Philosophy, Humanities and Visual Culture. At present he lives
in Barcelona.
Solo Exhibitions
2009 Tejidos, Centre Cultural la Casa Elizalde, Barcelona
2008 Tejidos, Centre Catalá de Rosario, Argentina / Centro Cultural Unión Latina,
Montevideo, Uruguay
2007 Aquí Estuvo, Casal de Catalunya en Buenos Aires, Argentina
2006 nicolas spinosa: malerei; PESCH internatinales Design, Köln, Alemania
“Los bivos no pueden fazer el offizio de los muertos”, Espacio Miscelánea,
Barcelona
2004 … entre la carne y el descarne…, Galería Lleonart, Barcelona
1999 Galería Art Centre; Mataró, Barcelona
Galería Lleonart; Barcelona
Menos me hospeda el cuerpo; Exposición parte del espectáculo "Estamos un
poco perplejos", Cia. LaVuelta; Sitges Teatre Internacional, Sitges, Barcelona
2001 Il y va d’un certain pas; bcnet Gallery; Barcelona
,de-là; Galería Lleonart; Barcelona
2000 Recorridos; Galería A&Rte. SEIQUER; Madrid
En extrañas cosas moro. Morando extrañadamente; Facultat de Be lles Arts,
Barcelona
La obscenidad no existe. Existe la herida; La Nau Ivanow; Barcelona
1999 Art Expo Jove; Galería Art Centre; Fira de Barcelona, Barcelona
1992 Círculo Médico de Buenos Aires; Morón, Buenos Aires
1991 Instituto de Educación Cooperativa; Morón, Buenos Aires
Group Exhibitions
2009 Evento #2 El Globo de Juan, Estaleiro Cultural Velha-a-Branca, Braga
2008 Galería Marte Upmarket, Montevideo, Uruguay
Síntesi: Tallers Oberts 2008, Museu Maritim de Barcelona, Barcelona
Galería SETBA – Zona d’Art, Barcelona
2007 Glocal Bodies, Primo Piano Living Gallery, Lecce, Italia
Premiere; Galerie Angelika Kallenbach, Bonn, Alemania
2006 Premios Art-Fad 2006; FAD Sala d’Exposicions, Barcelona
Síntesi: Tallers Oberts 2006; Centre de Cultura Contemporánia de Barcelona
Colores catalanes, Künslerfahnenfestival, Museum “Alte Universität”, Eppingen,
Germany
2005 VI Salon Internacional de Pequeño Formato, MX ESPAI, Barcelona
Vento di Sciroco, Castello Aragonese, Reggio Calabria, Italia
2004 MAC; Centre Civic Barceloneta; Barcelona
BAC! V -Barcelona Art Contemporani, V -; La Santa – CCCB – Area Tangent,
Barcelona
2003 III Certamen Internacional de Pintura Jove, Fundació Barceló, Palma de Mallorca
2002 Venus d'ailleurs ; Palais des Nations, ONU; Ginebra
18 artistes; Galería Art Centre, Barcelona
1999 Artists' Books Exhibition; Moufflon Bookshop; Nicosia, Chipre
4ª Fira d’Art d’Andorra; Galería Art Centre; Caldea, Andorra
2000 Anthology; Artists’ Books Exhibition; Moufflon Bookshop; Nicosia, Chipre
Tria i Remena; 5ª Fira d’Art d’Andorra; Galería Art Centre; Caldea Andorra
1996 XX Años, 361 Imágenes por la Memor ia y la Justicia; Pza. de Mayo, Buenos
Aires
Spinosa-Guerrieri-Chujman, Pinturas; Centro Cultural Piedras; Buenos Aires
1991 Museo Histórico y de Artes Gral. San Martín; Morón, Buenos Aires
1990 Museo Municipal de Bellas Artes B. Quinquela Martín; Buenos Aires
1989 Museo Histórico y de Artes Gral. San Martín, Morón. Buenos Aires
Casa de la Cultura Hugo del Carril; Merlo, Buenos Aires
1988 Caja Nacional de Ahorro y Seguro; Buenos Aires
  |   |   | 01 Aus der Serie "Hands on Knees-Shoulder to Shoulder" 02 Aus der Serie "Hands oon Knees-Shoulder to Shoulder" 03 Aus der Serie "Selfportrait" 04 Aus der Serie "Solitary" 05 Aus der Serie "Selfportrait" 06 Aus der Serie "Solitary" |
Through out my work I strive to question personal identity within an urban environment whilst communicating with the people I photograph.
Since the age of 19 I was selected to be the official photographer for Mick Jones’s aka (The Clash) new band Carbon Silicon.
Having just graduated from the BA Photography (Hons) at The London College of Communication, one of the most prestigious photography colleges in Europe, I was awarded first prize by Hotshoe photographic magazine and Photoshot Picture Library for the series “Hands on Knees” at the degree show. Offering me a years paid Internship at Photoshot where I am currently working full time.
2006 - 2009 London College Of Communication
BA Photography
2005 - 2006 Chelsea College Of Art and Design, London.
Foundation in Art and Design - Merit
2000 - 2005 Millfield School, Somerset.
EXHIBITIONS
(2005)
New Talent @ The Atkinson Gallery, Street Somerset.
(2006)
Foundation @ Mill Bank, Chelsea College of Art, London.
(2007)
Snakes and Monkeys @ Finewell Gallery, Goldborn Road, London.
(2009)
Real Life @ Area 10, Peckham, London
(2009)
BA Photography (Hon) Degree Show @ The Well Gallery, London College of Communication.
British Art Now @ Werkstattgallery
PUBLICATIONS
(2007-2009)
• HMV
• The Sunday Times Colour Supplement
• Mojo Magazine
• Q Magazine
• UNCUT Magazine
• The Sun Newspaper
• The Daily Star Magazine
• Now Magazine
• New Magazine
• NME
   |    |    | 01 On the Way to Democracy(2009) 02 Crash(2009) 03 oT(2009) 04 oT(2010) 05 oT(2011) 06 Belle Ile 07 oT(2012) 08 oT(2012) 09 oT(2012) |
Pascual Jordan, geb. 1964 in Hamburg,
lebt und arbeitet in Berlin
Studium an der Hochschule für darstellende Kunst und Musik in Graz.
1986 zog er nach Rom wo er das Malen anfing, seine Bilder wurden in mehreren Austellungen in Rom, in Ponza/ Isola di Ponza und Abano gezeigt.
2005 Einzelaustellung in der Galerie Mannsbild,
2005 Galerie " il Polittico " Rom
2007 Werkstattgalerie, Berlin.
2008 Werkstattgalerie Berlin
2009 Werkstattgalerie Berlin
2011 Art Vilnius
Inbetween, Speicherhallen Hamburg
At the Horizon of Time, Werkstattgalerie
2012 Galleria Nove, Berlin
  |   |   | 01 Blaue Gußbox 02 Getauchte Tafeln (Musterstapel M) 03 Kunststoff Gußboxen 04 Paperpools 05 Rote Gußbox 06 Paperpools |
geboren 1963 in Celle
lebt und arbeitet in Berlin
1984-1991
Studium an der HBK Braunschweig, der Ecole des Beaux Arts, Nîmes
und der School of Visual Arts, New York
2002
Jahresstipendium New York (International Studio and Curatorial Program)
1999
Stipendium der Barkenhoff-Stiftung, Worpswede)
1997
Villa Massimo, Rom-Preis (Aufenthalt 2003)
1994
Jahresstipendium Bildende Kunst des Landes Niedersachsen
1992
Arbeitsstipendium des Kunstfonds, Bonn
1991
Projektstipendium Deutsch Französisches Jugendwerk
1990
DAAD-Jahresstipendium für New York
Einzelausstellungen (Auswahl)
2010
Galerie Max Weber/Six Friedrich, München
2009
Museum für konkrete Kunst, Ingolstadt
Batagianni Gallery, Athen
Goethe Institut Vilnius, Litauen
2008
Galerie Six Friedrich/Lisa Ungar, München
2007
Kunstverein Aichach
2005
Fath-Contemporary, Mannheim
2004
Kunstverein Ruhr, Essen
2003
Kunstmuseum Celle
2002
Kunstverein Arnsberg
2000
Galerie Brandstetter & Wyss, Zürich
Galerie Grita Insam, Wien
1998
Kunstraum Neue Kunst, Hannover
1997
Staatliches Museum Schwerin
Stark Gallery, New York
1996
Kunstraum Neue Kunst, Hannover
1995
Kunstverein Wolfenbüttel
Ausstellungsbeteiligungen (Auswahl)
2010
Rathke/Schreiber/Splitt, Galeriea 72, Muzeum Chelm, PL
Wilhelm Mundt/Rainer Splitt/Peter Zimmermann
Galerie Max Weber/Six Friedrich, München
2009
Skulptur_2, Kienzer/Splitt/Tandon/Tagwerker Galerie Lisi Hämmerle, Bregenz
la nature morte n´est pas morte Museum Langmatt, Baden, Schweiz
Splitt/Krüger Gesellschaft für Kunst und Gestaltung, Bonn
Magie der Farbe Kunsthalle Osnabrück
2008
take what you like Silkeborg ArtMuseum, Denmark
2007
10118 New York Kunsthalle Lingen (Giradet, Melhus, Splitt, Kater, Ganzenmüller)
active constallations Brno House of Art, Czech Republic
abstract Galerie Robert Drees, Hannover (C.Dahlhausen, P.Kekarainen,
R.Splitt, B.Zoderer)
2006
sabotage of reality Batagianni Gallery, Athen (Ch.Benhelima, T.Koganezawa,
R.Splitt, D.Tzamouranis)
was wäre ich ohne dich...40 Jahre Deutsche Kunst Galerie der Hauptstadt Prag,
floating forms Wilhelm Hack Museum, Ludwigshafen
sculpture@city-nord Hamburg
Minimal Illusions Villa Merkel, Esslingen
2005
Passion des Sammelns Stiftung Federkiel, Leipzig
schon vergeben Sondershow Sammlung Reinking, Art Cologne, Köln
2004
Neues in den Sammlungen Lafrenz/Reinking Neues Museum Weserburg, Bremen
Color Based paintigs Galerie Bergner+Job, Mainz
2003
Boden, Demand, Hoch, Hoffmann, Kempter, Schatz, Splitt Villa Massimo, Rom
2002
Don Chinnati Foundation, Marfa
Der Auftrag der Farbe Nassauischer Kunstverein Wiesbaden
2001
Künstlerräume - Sammlerräume Kunstmuseum Sankt Gallen
Neuerwerbungen Staatliches Museum Schwerin
Wiedersehen Galerie Brandstetter & Wyss, Zürich
Stefan Eberstadt/Rainer Splitt/Gerold Tagwerker Palais Thurn & Taxis, Bregenz
2000
Expo 2000 Hannover
Frank Gerritz, Daniel Huntziker, Rainer Splitt Galerie Brandstetter & Wyss, Zürich
1999
Reto Boller/Urs Fischer/Rainer Splitt Raum für aktuelle Kunst, Luzern
1998
Jill Baroff, Frank Gerritz, Karin Sander, Rainer Splitt, Beat Zoederer
Kunstraum Neue Kunst, Hannover
1997
Fishing for shapes Projektraum Voltmerstraße, Hannover;
Künstlerhaus Bethanien, Berlin
 |  |  | 01 Men of Allah(07) 02 Men of Allah(06) 03 Men of Allah(04) |
Born in 1975, Tehran, Iran
EDUCATION
1994 Economics, University of Tehran, Iran
1994 Photography study under the direction of Mr. Massoud Massoumi
EXHIBITIONS
2009 ‘Iran Inside Out’, Chelsea Art Museum, New York, USA
2009 ‘Looped and Layered’, Thomas Erben Gallery, New York, USA
2009 ‘Raad O Bargh’ 16 artists from Iran, Galerie Thaddaeus Ropac, Paris, France
2009 ‘Unveiled: New Art from the Middle-East’, Saatchi Gallery, London, UK
2008 ‘Today’s Woman’, solo exhibition, B21 Gallery, Dubai, UAE
2008 ‘Men of Allah’, solo exhibition, GaleriArtist, Istanbul, Turkey
2007 ‘Wonders of Nature’, solo exhibition, B21 Gallery, Dubai, UAE
2007 ‘Within and Without’, group exhibition, NoMoreGrey Gallery, London, UK
2007 ‘Melancholy of the Everyday’, solo exhibition, Studio 1.1, London, UK
2006 ‘Iran.com, Iranian Art Today’, group exhibition, Museum fur Neue Kunst, Freiburg, Germany
2005 ‘Beyond Black’, group exhibition, The Third Line gallery, Dubai, UAE
2004 ‘Turning points: Seven Iranian Artists’, group exhibition, LeRoy Neiman Gallery, Columbia University, NY, USA
2004 ‘The Fragmented Mirror’, group exhibition Casa Asia, Barcelona, Spain
2004 ‘Persian Gardens’, video installation, group exhibition, Museum of Contemporary Art in Tehran, Tehran, Iran
2004 ‘Paris Photo’, group exhibition, Le Carrousel du Louvre, Paris, France
2003 ‘Water, The First Element’, group exhibition, National Art Gallery, Malaysia
2003 ‘Lucky Charms’, group exhibition, Gallery Golestan, Tehran, Iran
2003 Solo exhibition, Silk Road Gallery, Tehran, Iran
2002 Cameraman for the short film Hoviat and for the TV program Iran News Channel
2002 Participated in the cinematographic activities of the weekly Cinema Djahan Magazine
2002 Responsible of the International Cinema section of Hadaf Newspaper
2002 Participates in the Art section of Sedayeh Edalat Newspaper
2002 Photographer for the short film Shab
2000 Responsible for the section Cinema at Teheran Avenue Net side until now
1999 Painting group exhibition at the Mojhdeh Gallery in Tehran
1999 Painting group exhibition of Non Frontiers Artists in Hotel Laleh
1995 Agfa Photography Competition in Germany
COLLECTIONS
British Museum, London, UK
Charles Saatchi Collection, London, UK
Devi Art Foundation, Delhi, India
Nothing in Haerizadeh image is quite as it seems. His photographs reflect the colours and composition of everyday life. However, through techniques and devices, he proceeds to trash the absolute realism of photography by subverting the image, literally from within. By splitting, mirroring and twisting his images, disorientating and unseen depths come to light - engaging the viewers to reconstruct reality for themselves. Various aspects of his cultural heritage helped foster a strong graphic sensibility and bold playfulness, such as Persian ornamentation, patterns and compositions that can be found in carpets, architecture, traditional mirror works and miniature paintings.
Statement:
Men of Allah portray the artist trapped in the female figure and disguised in chador robes.
For this series, Ramin found inspiration in ‘Taaziye’ theatre, the
religious plays popular during the Qajar period (and still active today
during Ashura celebrations), whose particularity was that women’s
roles were played by men, who are still considered the only sex
suitable for the profession. One of the most popular scenes was the
wedding of Imam Hossein’s brother; Ghassem in which the character
wearing the white bridal gown is, notably, a bearded man.
Taking off on this farce, Ramin has placed his own portrait (himself a
thickly bearded man) within the guise of a chador-clad female. Challenging
the norms of contemporary Iranian society by digging up its
rich, and very often conflicting, cultural history, Haerizadeh offers
a resourceful and pointed criticism with his characteristic sense of
humour.
  |   |   | 01 WALL NEAR THE SEA 02 RAILWAY BY THE WALL 03 TABLE 1 04 ORIFICE, toned fiberbased siler print, 28 x 52cm, 2000 05 FRAGMENT IN MIST |
born 1961 in Kaunas, Lithuania.
From 1982 to 1987 he studied at the Lithuanian Art institute (presently – Vilnius Art Academy). In 1988 he became a member of Lithuanian Photo Artists Association. 2005 -2009 head of Lithuanian Photo Artists Association Klaipeda department.
Remigius Treigys lives and works in Klaipeda, Lithuania.
Scholarships, grants and awards:
1992 Young artist scholarship of Ministry of Culture of the Republic of Lithuania
2003, 2004, 2010 scholarship of Lithuanian Ministry of Culture.
2004 Robert Bosch scholarship
2005 Arts Link scholarship, New York, USA
2006 – 2007 State Scholarship of the Republic of Lithuania
2006 award of Lithuanian Photo Artists Association
Artist in residence:
2000 PROARTIBUS center, Eken, Finland.
2008 Raum Sylt Quelle, Germany
2009 KLEE, Schwerin, Germany
Works in collections:
Odense Photography Art Museum, Odense, Denmark
Siauliai Photography Museum, Lithuania
Lithuanian Association of Photographers, Vilnius
Lithuanian Art Museum, Vilnius
PROARTIBUS Center, Eken, Finland
Solo exhibitions
2011
„Tamara from Graz“, Baroti gallery, Klaip?da, Lithiuania
2009
„Outside look“, Schwerin artists assocition gallery, Schwerin, Germany
„City of my memory”, Vilnius, National gallery, Vilnius, Lithuania
2008
“Last day in Venice”, photography festival ,,Warsaw summer”, Ateneum Mlodych, Warsaw, Poland
“City of my memory”, Vilnius, Bonn city museum, Germany
2007
„Remigijus Treigys: Recent Works“, Art Gallery, Siauliai, Lithuania
2006
“Remigijus Treigys: Time,” ESDVIK Exhibition Hall, Stockholm, Sweden
2005
Gallery PF, Poznan, Poland
“21 day in Berlin “, Giedr? Bartelt gallery, Berlin
Šiauliai Photography museum, Lithuania
2003
“Distant Nudes”, Giedre Bartelt Gallery, Berlin
2000
Vladimir Sobolev Gallery, Eken, Finland
Moncio Museum, Palanga, Lithuania
Gallery Prospektas, Vilnius, Lithuania
1998
Galeira “Chlodna 20”, Suwalki
Galeria “K-2”, Goldap
Galeria “Pod Arkadami”, Lomza
Augustowskie Placowki Kultury – Miejski Dom Kultury, Augustow
1996
Nadbaltyckie Centrum Kultury, Gdansk
Museum of Photography, Siauliai
Baroti Gallery, Klaipeda
1995
Museum of Photography, Riga
Galeria FF, Lodz
1994
Exhibition of Photography, Gallery “Bohema”, Klaipeda
1991
Exhibition of Photographpy, Vilnius Gallery of Photography, Vilnius
1989
Exhibition of Photography, Art Exhibition Palace, Vilnius
Group Exhibitions
2011
Behind the White Curtain, Lithuanian Pavilion at the 54th Venice Biennale, Venice , Italy
2010
“Boredom“, National gallery, Vilnius, Lithuania
2009
TTL outlook, ,,Soviart”, Kiev, Ukraine
2008
Pinhole strategies 2, Prospektas gallery, Vilnius, Lithuania
Shifting spaces , Giedr? Bartelt gallery, Berlin, Germany
2007
“Tradition and Contemporary Trends,” Manezh Exhibition Hall, Moscow
“Lithuanian Days,” Art Gallery, Lvov, Ukraine
2006
“Lithuanian Photography Yesterday and Today,” House of Photography, Bratislava, Slovakia
“Venice,” Antonas Moncys, Palanga, Lithuania
2005
1st biennial of Lithuanian contemporary fine arts, Centre of contemporary Art, Vilnius
2004
“Contemporary Landscape Photography from Baltic Areas”, The Gallery at the Arts Institute at Bournemouth. UK
2003
“TTL point of view”, ARTeritorija gallery, Kaunas, Lithuania
2002
Projekt Baimes, Gallery Arka, Vilnius, Lithuania
Project Trasuojanti, Vilnius Art Academy, Lithuania
2001
Preussisch Blau, Potsdam, Germany
2000
Artists in Residence PRO ARTIBUS,Ekenas,Finland.
First exhibition of photography from Lithuania 25.5-25.6
Second exhibition of works produced in Ekenas 14.7-28.7
New Works, Vilnius Gallery of Photography, Vilnius
1999
Photography from Lithuania, Prague House for Photography, Prague
Gallerry PLAISIREN Stokholm.
1998
Post-modernism in Photography, Siauliai Photography Museum,Lithuania.
Lithuanian Art in 10 Years, Contemporary Art Center, Vilnius
1997
North-West, Art Festival, Moscow
1996
A. Budvytis, R. Treigys, G. Trimakas, Associazone Italio – Franceze, Bologna, Lithuania Art Festival
1995
Art in Lithuania ’95, Contemporary Art Center, Vilnius
1994
Baltic Photography, Galleries: “Hyppolyte”, “Finnfoto”, Helsinki
1993
Borderlands. Contemporary Photography from the Baltic States, Street Level Photography Gallery and Workshop, Glasgow
Subjective Documents, Vilnius Contemporary Art Center, Vilnius
Das Gedachtnis der Bilder – Baltische Photokunst heute, Stadtgalerie, Sophiennhof, Kiel, Kunsthalle, Rostock, Berlin, Riga, Vilnius, Gdansk, Copenhagen
1992
Exhibition of Photography, Gallery “Zebra”, Raseborg
Exhibition of Photography, Gallery “Langas”, Vilnius
Baltic Photography, Museum of Art Photography, Odense
International Photography Symposium, Kuressare
1991
Lithuanian Photography, Museum of Photography, Helsinki
Still-Life, Vilnius Gallery of Photography, Vilnius
Exhibition of Photography, Artist House, Klaipeda
1990
Several Photographers, Art Exhibition Palace, Vilnius
Exhibition of Photography, Roy Boy Gallery, Chicago
1989
Experimental and Surrealistic Photography, Ciurlionis Art Center, Chicago
1986
Young Photographers, Exhibition Palace, Klaipeda
![untitled / sin nombre aus der Serie [:tandem]
Collaborative work together with Nicolas Spinosa
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/thumbs/123_1.jpg)  | ![untitled / sin nombre aus der Serie [:tandem]
Collaborative work together with Nicolas Spinosa
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/thumbs/123_2.jpg)  | ![untitled / sin nombre aus der Serie [:tandem]
Collaborative work together with Nicolas Spinosa
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/thumbs/123_3.jpg)  | 01 untitled / sin nombre aus der Serie [:tandem] 02 untitled / sin nombre aus der Serie [:tandem] 03 untitled / sin nombre aus der Serie [:tandem] 04 2 skeletons 05 big backbone 06 incisions shoulder |
The [:tandem]-series
Robert Flynt and Nicolas Spinosa met in April of 2009 to see how a collaborative body of work could be made between a photographer and painter.
The artists shared strong interest in the performative act in relation to the making of visual art, with an intensive focus on the body and its re-presentation.
Flynt, the photographer, works extensively with performance artists and dancers, both as models for his work and as a collaborator with many dance and theater projects. This is his first collaboration with another visual artist.
Spinosa, the painter, works in an extremely performative, quasi-ritualistic fashion, using his own body as the primary carrier of pigment, subsequently altered with hand applied elements.
Their initial meeting consisted of three intensive photo shoots built around Spinosa’s practice: initially he served as a model for Flynt’s idiosynchratic shooting technique: tracing the body with flashlights in a completely dark room over relatively long exposure periods. Then Flynt traced Spinosa during the “performing” of his painting creations, following the body as it was painting, imprinted, traced and drawn on large sheets of paper on the studio floor. Additional shooting with completed earlier paintings on both the walls and floor of the studio created additional imagery, and Spinosa was also actively engaged in the making of the photographs through drawing with light (via other flashlights), as well as through conventional mark making.
Flynt subsequently edited the photographic images, using many for his own work, often layered or sequenced with found imagery. The modified digital files were emailed to Spinosa, who had them printed out as light-jet prints and then further drew and painted on these already collaborative images.
The final products are naturally unique images, neither entirely photographs nor paintings, the result of a multifaceted “conversation” between the two artists, where the line between one individual’s aesthetic and the other’s has become almost completely blurred.
The conversation continues following an intensive 5 day residency in Berlin, creating a large series of new underlying images that will be developed over the coming months. The results will be some entirely photographic work (Flynt’s), the 10 meter floor “performed” painting (Spinosa’s), and, primarily, the combined multi-media works on paper that will be the fusion series, “TANDEM”
SELECTED SOLO EXHIBITIONS & INSTALLATIONS:
2009 Heartgalerie, Paris
2008 Antipodes festival, Le Quartz, Brest, France
Haven Arts Center, Bronx, NY
Brattleboro Museum of Art, Brattleboro, VT
2006 Katzen Arts Center, American University (“Body Languages” with Mary Coble) Washington, DC
2004 ClampArt, New York, NY
G2 Gallery, Scottsdale, AZ
Maus Habitos, Porto, Portugal
2001 Wessel+O’Connor Gallery, New York ([Your] Numbered Days artist book)
Maus Habitos, Porto & Igreja da Misericordia, Leiria, Portugal: Partial Disclosures installation (catalog)
2000 Centro Cultural de Belém, Lisbon, Portugal : Partial Disclosures installation
University of Rhode Island, Kingston, RI : Partial Disclosures installation
The Schoolhouse Center, Provincetown, MA
1998 C.E.P.A. Gallery, Buffalo, NY: Blind Trust installation (“Ruins in Reverse” exhibitions/catalog)
Cabrillo College, Aptos, CA: : Partial Disclosures installation
1997 Witkin Gallery, New York, NY
Gomez Gallery, Baltimore, MD
Houston Center for Photography, Houston, TX (catalog; essay by Mark Johnstone)
Colgate University, Hamilton, NY
“The Works” International Arts Festival, Edmonton, Canada: Blind Trust installation
G. Gibson Gallery, Seattle, WA
1996 Craig Krull Gallery, Santa Monica, CA (Compound Fracture, Twin Palms monograph premier)
New Arts Program Gallery, Kutztown, PA: Frail Shelter installation
Donna Beam Fine Art Gallery, UNLV, Las Vegas, NV: Blind Trust installation
1995 Craig Krull Gallery, Santa Monica, CA
G. Gibson Gallery, Seattle, WA
1994 Temple University Gallery, Philadelphia, PA: Blind Trust installation/artist book; text by Chris Packard
Gomez Gallery, Baltimore, MD
1993 Nye Gomez Gallery, Baltimore, MD
1992 Witkin Gallery, New York, NY (Lifejacket artist book/catalog; texts by K. Larsen, J. McMahon, R. Ehmke)
Anderes Ufer, Berlin, Germany (installation)
Galerie Fotomania, Rotterdam, The Netherlands
University of the Arts, Philadelphia, PA : Skin Deep installation
1991 Southern Light Gallery, Amarillo, TX
1990 Witkin Gallery, New York, NY
1988 Midtown Y Photography Gallery, New York, NY
Photographic Resource Center, Boston, MA: Shallow Anatomies installation
1986 Chicago Books, New York, NY (window installation)
1985 Nexus Gallery, Atlanta, GA (installations)
C.E.P.A. Gallery, Buffalo, NY: public bus installation project
1984 MoMing Gallery, Chicago, IL (installations)
The Harkness Center, New York, NY
1983 Maison Jean Villar & Manufacture Laugier, Avignon, France
DTW Gallery, New York, NY
1981 Bates College, Lewiston, ME (with Jacqui Wong/catalog, essay by Brian Wallis)
SELECTED COLLECTIONS:
The Metropolitan Museum of Art, New York
The Museum of Modern Art, New York
The International Center of Photography, New York
Los Angeles County Museum of Art
Museum of Fine Arts, Houston
The Baltimore Museum of Art
The Kinsey Institute, Bloomington, IN
Worcester (MA) Art Museum
Nash Editions Collection
The Contemporary Museum, Honolulu, HI
City of Phoenix, AZ
 |  |  | 01 Black Friday 02 Blackfield 03 Lucent Embrace |
Roni Feldman applies the blurred, ethereal nature of airbrushed
acrylic to paint multitudinous human features. He forms tensions
between individual and crowd, abstraction and representation. Using
varying degrees of matte and gloss black paint, the imagery may be
invisible at first glance, but as viewers pass before them, the figures
refract revealing an elaborate composition. In them, whirls of figures
celebrate, mourn, protest, consume, dance, and embrace alongside others
that drown, burn, and dissolve. Feldman’s crowds evoke the power and
ecstasy of unified intention alongside a potential descent into mob
mentality. The compositions recall the idealistic pursuit of 1960's
psychedelia, van murals, and other airbrush art forms, but in Feldman’s
work, airbrushed paint is like a thin veil that separates utopia and
dystopia, civilization and chaos.
BORN in Los Angeles, CA
Lives and works in Los Angeles, CA
EDUCATION
2008 Claremont Graduate University, M.F.A.
2002 College of Creative Studies at U.C.-Santa Barbara, B.A.
SOLO EXHIBITIONS
2011 XOXO, Sloan Fine Art, New York, NY
Shadowlighter, Armory Arts Center, Pasadena, CA
2010 Eclipse, Toomey-Tourell Fine Art, San Francisco, CA
Black Flash, L2Kontemporary, Los Angeles, CA
2009 Here and Now, ARTRA, Los Angeles, CA (catalog)
Collective Dissolve III, Wilson Street Gallery, Sydney, Australia
2008 Collective Dissolve II, Peggy Phelps Gallery, Claremont, CA (catalog)
Collective Dissolve, Toomey-Tourell Fine Art, San Francisco, CA
2006 The Space of Heaven, Stanford University Art Spaces, Stanford, CA
2005 From LA to SF, Pence Gallery, Davis, CA
2002 The Girls of Isla Vista, Sullivan-Goss Fine Art, Santa Barbara, CA
SELECTED GROUP EXHIBITIONS
2011 Surveillance, Performance Art Institute, San Francisco, CA, curated by Hanna Regev
+1, Sloan Fine Art, New York, NY
Polemically Small, Garboushian Gallery, Beverly Hills, CA, curated by Edwrad Lucie- Smith and Max Presneill
Tel-Art-A-Phone, Beacon Arts Center, Los Angeles, CA, curated by Mat Gleason
Red, Toomey-Tourell Fine Art, San Francisco, CA
Year One, Commonspace, Los Angeles, CA
Year One, Raid Projects, Los Angeles, CA
2010 Polemically Small, Charlie Smith Gallery, London, UK, curated by Edward Lucie-Smith
L_ove A_lways, Gallery Lara, Tokyo, Japan
L_ove A_lways, Gallery Eitoeiko, Tokyo, Japan
Nice to Meet You, Sloan Fine Art, New York, NY
Aqua, Toomey- Tourell Fine Art, Miami, FL
Inaugural Exhibition, Kaycee Olsen Gallery, Culver City, CA
Optimistic American Dischords, Werkstatt Gallery, Berlin, Germany, curated by Edward Lucie-Smith
Spring Fling, L2Kontemporary, Los Angeles, CA
Trade Show, Zirrat Bankasi Gallery, Ankara, Turkey (catalog)
Cacophonic, RAID Projects, Los Angeles, CA
Cacophonic, Bentley Projects, Phoenix, AZ
New Paintings, Wilson Street Gallery, Sydney, Australia (catalog)
Art San Diego, Durden & Ray, San Diego, CA
Durden & Ray Presents, Phantom Galleries, Long Beach, CA
2009 Zoom, Torrance Art Museum, Torrance, CA (catalog)
Nel Vostro Spazio/ In Your Space, Giacomo Projects, Venice, Italy
Trade Show, Isfa University Gallery, Istanbul, Turkey (catalog)
Over/Flow, Cerritos College Gallery, Cerritos, CA
Fourth of July Show, Jancar/McCorckle Projects, Los Angeles, CA
Wide Angle III, Cal State Long Beach Museum of Art, Long Beach, CA
Discovered/ Undiscovered, Smog Shoppe, Culver City, CA (catalog)
Supersonic, Los Angeles Art Fair, Los Angeles, CA (catalog)
The 210 Show, Project 210, Pasadena, CA
2008 Ten, Toomey-Tourell Fine Art, San Francisco, CA
Overhung, Concrete Walls, Los Angeles, CA
Don't Be Shy, Peggy Phelps Gallery, Claremont, CA
Black and White, Wilson Street Gallery, Sydney, Australia
New Paintings, Canvas Gallery, Seattle, WA
Us vs. Them, See Line Gallery, Santa Monica, CA
Portable A3, Front Magazine and Artists Helping Artists, Antwerp, Belgium
Political Disco, Santee Project Space, Los Angeles, CA
The Benefit Exhibition, Duncan Miller Gallery, Culver City, CA
2007 Flow Fair, Toomey-Tourell Fine Art, Miami, FL
Portable A3, Front Magazine and Artists Helping Artists, Portland, OR
Velocity, Claremont Art Museum, Claremont, CA
The Fourth Leg, East Gallery, Claremont, CA
The Media, City of Brea Gallery, Brea, CA
Art Chicago, Toomey-Tourell Fine Art, Chicago, IL
Things that are in the News or Should Be, Second City Gallery, Long Beach, CA
Figurations, Claremont City Hall, Claremont, CA
Red Dot, Toomey-Tourell Fine Art, New York, NY
2006 Flow Fair, Toomey-Tourell Fine Art
2004 Big, Toomey-Tourell Fine Art, San Francisco, CA
Lumen, Felix Kulpa Gallery, Santa Cruz, CA
The Clockwatchers, Pence Gallery, Davis, CA
Scope Arts, Toomey-Tourell Fine Art, Los Angeles, CA
Women Union Gallery, Cal State Sacramento University
2003 What You See Is What You Get, Temple Gallery, Los Angeles, CA
2002 Angel Show, Reynolds Gallery, Montecito, CA
GRANTS AND FELLOWSHIPS
2011 CCI ARC Grant (formerly the Durfee Grant)
2009 MFA Now Prize
2008 Walker/ Parker Memorial Fellowship
Claremont Graduate University Travel Grant
2007 Claremont Graduate University Fellowship
2003 International Art Award for Mixed-Media, Golden Key Honors Society
2002 International Art Award for Painting, Golden Key Honors Society
Abrams Prize Grant for the Arts
UC- Santa Barbara Graduation Speaker
2001 John E. Profant Memorial Scholarship for the Arts
PRINT, TELEVISION, RADIO
2011 Roni Feldman Gets the Durfee, Autonomie.com, Grant Vetter
Behind the Colors: Interview with Roni Feldman, Bloginity.com, Chrissy Crwaford
Art in LA, Art.es, Beatrice Chassepot
XOXO, NYArtBeat.com
XOXO, artcat.com
XOXO, fecalface.com
Brewery Artists, VBS.tv
Pinceladas y otros Condimentos, FM Cultura Argentina, Interview with Stella Sidi, Jan 1
2010 Black Flash, Art Ltd., Constance Mallinson
Changing of the Guard, Artillery Magazine
Optimistic American Dischords, Kunst Magazin
2009 Zoom, Catalog, Torrance Art Museum
ARTRA, Catalog, Torrance Art Museum and RAID Projects
Wide Angle III, Catalog, Long Beach Art Museum
Prism Review, University of La Verne Press
Here and Now ARTRA Curatorial- Proud to Present, Tucker Neel
2008 Collective Dissolve, Front Magazine
Collective Dissolve, artbusiness.com
2007 Art Notes from the Road, Orange County Register, Richard Chang, June 24
Mediated Media, Brea Star Progress, Jaimee Lynn Fletcher, June 7
Bring It On, Long Beach Press Telegram, Shirlie Gottlieb, April 27
The Media, Catalogue, City of Brea Gallery
2006 The Painting Gourmet, Television Interview with Darlene Carmen
The Space of Heaven, Palo Alto Weekly, March 15
The Space of Heaven, Stanford Report, March 15
2005The Clockwatchers, Davis Enterprise, Suzanne Minich, February 5
ACADEMIC EXPERIENCE
2010-11 Otis College of Art and Design, Foundation Academic Coordinator
2010 Otis College of Art and Design, Educational Associate
2009-10 Otis College of Art and Design, Instructor
SELECTED COLLECTIONS
Gary Greener and Bret McAllister, Los Angeles, CA
Tim Campbell- Los Angeles, CA
Queen Latifa- Los Angeles, CA
Roland Reiss and Dawn Arrowsmith- Los Angeles, CA
Edward Lucie-Smith, London, UK
William Moreno- Los Angeles, CA
Jane Callister and Phil Argent- Santa Barbara, CA
The Toga Group- Sydney, Australia
Beatrice and Laurent Chassepot- Los Angeles, CA
Jane Park Wells- Pasadena, CA
Jimi Gleason- Newport Beach, CA
Dr. Howard and Fran Berger- Beverly Hills, CA
Max Presneill, Los Angeles, CA
Katrina Mohn, Chicago, IL
Andrew Waxman- New York, NY
Ryan Cabrera- Los Angeles, CA
Frank Goss- Santa Barbara, CA
Laurent and Beatrice Chassepot- Los Angeles, CA
Chris and Jessica Christion, Los Angeles, CA
Dr. Alexander Kashef- Sausalito, CA
Dr. Richard A. Auhll- Santa Barbara, CA
Julian Kuo- Sydney, Australia
Brian Kresin- Santa Barbara, CA
Eileen Hendren- Davis, CA
Katrien Verheyen- Antwerp, Belgium
Kurt Helfrich- London, UK
Anne Collins- New York, NY
Ilana Friedman- Singapore
Desiree Pascual- San Francisco, CA
Brian Langston- London, UK
Wendell Gladstone- Los Angeles, CA
Alix Sloan- New York, NY
Asad Faulwell- Los Angeles, CA
Andreas and Beth Gahan- Seattle, WA
Heather Lembke- Los Angeles, CA
Rachel Warkentin, Portland, OR
Lucas and Michelle Slavik- San Francisco, CA
Hai Nguyen- San Francisco, CA
Natalia Lopez- Argentina
     |      |      | 01 Chinaink on paper, 300*150cm, 2010 02 Chinaink on paper, 100*80cm, 2010 03 Chinaink on paper, 300*80cm, 2011 04 Chinaink on paper, 300*150cm, 2012 05 Talking Water 06 Installation at Klaipeda Culture and Communication Center, Lithuania 07 Installation at Fondazione Sergio Vacchi 08 Chinaink on paper, 100x80cm, 2012 09 Chinaink on paper, 100x80cm, 2012 10 Installation in Rimini 11 Chinaink on paper, 100x80cm, 2012 12 Installtionview Casanovas Traum 13 Installationviem from Hamburg In Between exhibition 2013 14 Installationviem from Hamburg In Between exhibition 2013 15 Installationviem from Hamburg In Between exhibition 2013 |
lives and works in Kloster Hude and Berlin.
Rudolf zur Lippe, dipl. rer. pol. Dr. phil. Hist.,
Since 1960 Student of Graf Dürckheim
1968 Habilitation by Theodor W. Adorno „Sozialphilosophy and Asthetics“.
Different chairs as Prof. in Frankfurt, Oldenburg and Witten/Herdecke.
Since 1981 Fellow at Wissenschaftscolleg in Berlin.
Initiator of „Karl Jaspers lectures to the questions of our time“.
Founder of the Trust „Forums of cultures to questions of our time“
Since 2005 Member of the „Initiativ Humboldt Forum Berlin“.
Exhibitions and Projects (Choice)
1964 Hannah Griesbach Heidelberg (together with René Laubies, Pariser „Nuagist“)
1963 – 65 Stagebuilding and Regisseurassistenz in Heidelberg and Paris,
Stages in Heidelberg 1959 und Turin 1966
1967/8 48 Collages in Berlin together with Bernhard Heiliger and Alexander Camaro.
1968 Film on Maurice Bejard (50 Min.) Stylanalysis.
1983 The Body – firstWerkzeug of Cultures“ at Berliner Festspielen.
1987 ff „Geometrisation of Mankind and the World“, travelling exhibition J.L. Barault, Paris ,University Torun, Poland, National Center fort the Performing Arts, Mumbai India, University Oldenburg, University Bielefeld, Rautenstrauch-Joost Museum für Völkerkunde, Cologne.
2008 „Vijecnica renata“, „Gegen das Entweder-Oder, auf der Suche nach neuen Wegen des Denkens, Handelns und Fühlens“ , Sarajevo with Goethe Institut.
2009 „Evolution und Geometrisierung“ für das „Jahr der Wissenschaft 2009“
2010 „Das Denken zum Tanzen bringen-Gestische Malerei“ Werkstattgalerie, Berlin
Marktkirche Hannover
2011 Galerie Modem, Paris
Art Vilnius, presented by Werkstattgalerie, Berlin
In Between (Groupexhibition) at Speicherhallen Hamburg
and Werkstattgalerie
2012 Vilnius Academy of Fine Arts, Lithuania
KCCC (Art Hall), Kleipeda, Lithuania
Art Vilnius III
Fondazione Vacchi, Siena
The Image Conference at 3rd Mediations Biennale
Poznan, Polen
Casanavas Traum, Werkstattgalerie, Berlin
2013 IN BETWEEn ENergy and Matter, Alte Oberpostdirektion
und On/Off Galerie, Hamnburg
Collections,
Berlinische Galerie, Akademie der Künste Berlin,
Private collections in Germany, France, Swiss, Thailand, Litauen, Italien
  |   |   | 01 goyu 02 iub 03 bljyh 04 loek 05 uiyt 06 kui |
(born in 1972, Rimini, Italy) ??is an Italian artist who explores different styles and universes with an extremely versatile talent. Starting his university career in mechanical engineering at the Univeristy of Bologna he moved soon to a humanistic studies graduating with honors in modern architecture in Florence. It’s in Florence that he met Mr Walter Bellini, director of the contemporary gallery "Ken's art gallery", with which started a profitable collaboration that will end in his first exhibition. In the meantime he decided to come along his career with an aesthetics’ study that will end in a second graduation at the University of Bologna in the course “Arte e Disegno”. In 2006 is invited to take part at a collective exhibition on “Contemporary Young artists in Emilia Romagna” curated by Vanja Strukelj at Palazzo Pigorelli in Parma.?In 2007 is present at BAC, audio-visual art festival in Barcelona. From 2010 is taking a class of “Techniques’ and Technologies’ of painting” at LAba academy in Rimini. Since 2000 is a teacher in the Art department of a school in Rimini and keeps on exploring his artistic vision. The interest of urban context and landscape architecture maturated in his university career and often applied in his works, brought him to travel a lot in several countries (New York, San Francisco, Singapore, Madrid, Berlino, Londra, Parigi...). Wrote about him: Gianluca Marziani, Chiara Canali, Olivia Spatola, Chiara Argenteri, Francesca Baboni, Stefano Verri e Vanja Strukelj.
EXPOSITIONS
2013 In Between Energyy and Matter, Hamburg, Germany
2012 Stefano Ronci - Lost Identity, Werkstattgalerie, Berlin
2011
Spazio Fumetto, "wow", a cura di " Fondazione Milano Expo 2015". Milano – space comic “wow” curated by milano expo 2015 foundation
2009
ARTE FIERA ART FIRST, VERONA
GRAFIQUE ART GALLERY, OUTVERO, BOLOGNA
GRAFIQUE ART GALLERY, ROSSOBLU, BOLOGNA
MANDELLI ARTE CONTEMPORANEA, CENTOINGIRO, CURATED BY SERGIO MANDELLI MILANO
ASSOCIAZIONE CULTURALE MARIA SORGATO, IL MESTIERE DI VIVERE", NOALE (VE)
GRAFIQUE ART GALLERY, LA MATERIA DEL SEGNO, BOLOGNA
2008
FABBRICA, RN 7565, CURATED BY ANGELO GRASSI, GAMBETTOLA (FC)
GRAFIQUE ART GALLERY, FIL(M) ROUGE, CURATED BY CHIARA ARGENTERI, BOLOGNA
MUSEO INTERNAZIONALE LUIGI MAGLI, EXPANDED UNREAL, CURATED BY CAMILLA BOEMIO, TOLENTINO ARTE FIERA ART FIRST, VERONA
2007
GALLERIA STUDIO.RA CONTEMPORANEA, “VIDEOFUSION1”, COLLECTIVE EXHIBITION CURATED BY GABRIELE PERRETTA, ROMA
GALLERIA SPAZIOINMOSTRA, “TAG”, COLLECTIVE EXHIBITION CURATED BY CHIARA CANALI, MILANO
CAFFÈ LETTERARIO, “ANICONISM”, CURATED BY CAMILLA BOEMIO, ROMA
GRAFIQUE ART GALLERY, “SIGNS”, COLLECTIVE EXHIBITION CURATED BY CHIARA ARGENTERI, BOLOGNA
KUSTART, IL TORCHIO ARTE CONTEMPORANEA, BOLZANO
FIERA INTERNAZIONALE D’ARTE, IL TORCHIO ARTE CONTEMPORANEA, STRASBURGO
GALLERIA IL SOLE CONTEMPORANEA, BIG SMALL, ROMA
GALLERIA IL TORCHIO, “ARMIEBAGAGLI”, MILANO
BAC FESTIVAL, FESTIVAL DELLE ARTI AUDIO-VISIVE, BARCELLONA
2006
GRAFIQUE ART GALLERY, CURATED BY GIANLUCA MARZIANI, BOLOGNA
GRAFIQUE ART GALLERY - COLLECTIVE EXHIBITION CURATED BY ANTONELLA CINELLI E LUCA GIOVAGNOLI, BOLOGNA
“RUOTE MERAVIGLIANTI” - STELLATA, ROCCA POSSENTE, GALLERIA ARTÈ - BONDENO, CIVICA GALLERIA D’ARTE MODERNA E CONTEMPORANEA COLLECTIVE ITINERANT EXHIBITION CURATED BY ROBERTO RODA E PATRIZIO BODIN MUSEO MARINO MARINI, FINALISTA PREMIO CELESTE, FIRENZE
PALAZZO PIGORELLI , “CONFINI”, COLLECTIVE EXHIBITION CURATED BY VANJA STRUKELJ, PARMA
2005
GALLERIA IL SOLE CONTEMPORANEA, A CURA DI GIANLUCA MARZIANI, ROMA
NTARTGALLERY, “NEL CASO VI INTERESSI L’INFINITO”, CURATED BY OLIVIA SPATOLA, BOLOGNA
ARCHIVIO DI STATO, MEDITERRANEO D’ARTE, CURATED BY CLAUDIO CRESCENTINI. ROMA.
MAGAZZINI DEL SALE, FINALISTA AL PREMIO CELESTE, SIENA
SALONE INTERNAZIONALE D’ARTE, BENCIVART GALLERY, COLONIA
MEDITERRANEO D’ARTE: DA GIORGIO DE CHIRICO ALL’ERA DELLA GLOBALIZZAZIONE, MUSEO D’ARTE DELL' '800 E '900, COSENZA
2004
GALLERIA DELL'IMMAGINE, MOVING PORTRAITS, CURATED BYI ILARIA BALENA, RIMINI
GALLERIA LIMITI INCHIUSI, “FUORI LUOGO”, TESTO IN CATALOGO DI STEFANO VERRI, CAMPOBASSO
SET THE SCENERY OF "ANÀNKE" WITH TEXT OF THE POEM STEFANO LUNEDEI, TEATRO ROSASPINA, RIMINI
2003
GALLERIA DI SANTA CROCE, FIGURE PAESAGGI ARTIFICI, CURATED BY ANNAMARIA BERNUCCI E FABIO FIORI, CATTOLICA
2002
GALLERIA COPPEDÈ, LE PAUSE DEL TEMPO, RIMINI
  |   |   | 01 3..6..9 Seconds Of Light 02 3..6..9 Seconds Of Light 03 3..6..9 Seconds Of Light 04 Farenheid 51'52'' 05 Farenheid 51'52'' 06 Farenheid 51'52'' |
I am concerned with fields like film, photography, slide shows and video projection. Above all, I try to combine all these areas of visual art for the purpose of creating multimedia scenographies, installations, projections as well as performance.
In the last years I carried out by myself or in cooperation with other creators projects ranging from big commercial production to experimental artistic ones. I realized multimedia shows, photography and film documentation. I cooperated in creating exhibitions, concerts, theatrical performance. I also ran film workshops for youth.
I cooperated with theatre “Komuna Otwock”, the Foundation “Brulion”, music band “Transkapela”, Katarzyna Kozyra, the Gallery “Dziekanka”, National Gallery of Art Zach?ta, the Centre of Contemporary Art, the Publishing House “Stop Over Press”, the Publishing House “Wydawnictwo Czarne”, “Cinema” Theatre as well as “Academia” Theatre.
I took part in such festivals like: Vidi Wall - Vienna 1998; Filmschau in Zacheta National Gallery of Art - Warsaw 2000; Neighbours for Neighbours Festival - Warsaw 2006; Terra Polska - Berlin 2006; The Malta International Theatre Festival - Pozna? 2006; Festival “Film Polska” – Berlin 2008.
In 2007 I developed individual exhibition „Stillleben” in the Gallery of Polish Institute in Berlin, and multimedia project on the occasion of 50th Anniversary of the Rome Treaties in the Museuminsel in Berlin.
Recently I have been cooperating with some music clubs and DJs. I made for them visual space and transform interiors with live projections.
Currently I work with artistic agency “IDFX” in Warsaw and realize my own projects.
  |   |   | 01 Formation 02 Holon 03 Movement Motion 04 New Worldorder 05 Installationview at Brandshofer Deich, In Between Exhibition 2011 06 Installationview at Brandshofer Deich, In Between Exhibition 2011 |
1954 in Norden geboren
1976 bis 1981 Studium an der Hochschule der Künste Berlin bei Fred Thieler, Meisterschüler
1979 Gründung der Künstlergruppe und Galerie 1/61 Berlin
1982 PS1-Stipendium in New York
1983 Kunstpreis "Glockengasse", Köln
1983 Philip Morris-Preis "Dimensionen IV – Neue Malerei in Deutschland"
Lebt und arbeitet in Berlin
Permanent Presentation:
128 Paintings by ter Hell on 9 levels at the Sofitel Berlin / Hotel Schweizerhof, Budapester Str. 25, D–10787 Berlin.
Ständige Präsentation:
128 Werke von ter Hell auf 9 Etagen im Sofitel Berlin / Hotel Schweizerhof, Budapester Str. 25, D–10787 Berlin.
Einzelausstellungen | solo exhibitions
1978 Galerie Georg Nothelfer, Berlin
1979 Galerie 1/61, Berlin
Forum für aktuelle Kunst, Berlin (Zeichnungen)
1981 "ter Hell 80/81", Galerie Georg Nothelfer, Berlin
Internationaler Kunstmarkt Köln 81
1982 "Kompliment an Alle", Trilogie, P.S. 1, New York
1983 Galerie Tilly Haderek, Stuttgart
Galerie Peccolo, Livorno
Galerie Fahnemann, Berlin
"Bezüge II", Neuer Berliner Kunstverein, Berlin
Dany Keller Galerie, München
1984 Galerie Wallner, Malmö
"The Car", Aktion mit Skulptur/Foto/Mode/Musik/Film, Berliner
Mauer
"Bezüge VII/MEK", Galerie Löhrl, Mönchengladbach
"Sofa-Serie", Galerie Tilly Haderek, Stuttgart
"Minus gleich plus", Mora, Berlin
"MEK HH Glas" XPO Galerie, Hamburg
1985 "Sofa-Serie", Galerie Fahnemann, Berlin
"Raum 41", Raum 41, Bonn
Mappe Vera Hell (Zeichnungen), Mora, Berlin
"de Koenig Serie", Galerie B. Jacob, Oldenburg
1986 Galerie Hartz und Klier, Tübingen
"Dynamit 13", Galerie Fahnemann – art cologne
"Bezüge XIV – Kunst und Freibier", Rosenthal, Selb
1987 "ter Hell, Malerei 78 - 87", Galerie Pels-Leusden, mit Galerie
Fahnemann, Berlin
1989 Galerie Manfred Giesler, Berlin
Galerie Mezzano Deplana, Berlin
1990 Lightband Galerie, Berlin
1991 A.R.T. Galerie, Düsseldorf
1993 Galerie Manfred Giesler, Berlin
1996 Galerie Manfred Giesler und Georg Nothelfer, Berlin
1997 Genthiner 11, Berlin
1998 "Unternehmen-Kunst", kunSTück Art-Consulting, Berlin
2000 Dorint Hotel Schweizerhof, Berlin
2001 Genthiner 11, Berlin
2003 "Liebe & Hass", Kunsthaus Norden
"Das kreative Prinzip", Richard-Heizmann-Museum Niebüll
2004 "Mindshape", Genthiner 11, Berlin
2007 "1997–2004", Lys Wakeman Galerie, Berlin
2009 Freies Museum Berlin
Gruppenausstellungen | group exhibitions
1978 Kunstmarkt Düsseldorf
1979
"Alkohol, Nikotin fff", Galerie am Moritzplatz, Berlin
ART 10/79, Basel
"12 Räume – 12 Künstler", DAAD Galerie, Berlin
"1/61", Eröffnungsaustellung der Galerie 1/61, Berlin
1980
"1/61", Abschlußausstellung der Galerie 1/61, Berlin
"Junge Kunst aus Berlin", Goethe-Institut München in Zusammenarbeit mit dem Senator für Kulturelle Angelegenheiten Berlin. Gezeigt in Berlin, München, London, Singapur und anderen Orten – bis 1982
Deutscher Künstlerbund, Hannover
Große Kunstausstellung, München
Neue Gruppe, Haus der Kunst
1981
"Ten Young Painters from Berlin", Goethe-Institut, London
"Szenen der Volkskunst", Volkskultur-Subkultur-Massenkultur, Württembergischer Kunstverein, Stuttgart
"Forum Junge Kunst 81", Wolfsburg, Düsseldorf, Kiel
"Bildwechsel – Neue Kunst aus Deutschland", Akademie der Künste, Berlin
ART 12/81, Basel
"Situation Berlin", Museum Nizza, Kunsthalle Wilhelmshaven
"Phoenix" Alte Oper, Frankfurt
Deutscher Künstlerbund, Kunsthalle Nürnberg
"Dimension 81 – Neue Tendenzen der Zeichnung", München, Berlin, Düsseldorf
"Kunst für den Bund", Sammlung der BRD, Bonn, Recklinghausen
"10 x Malerei", Zusatzausstellung zu Chaim Soutine, Landesmuseum Münster
"Gefühl & Härte", Neue Kunst aus Berlin, Kulturhuset Stockholm, Kunstverein München
"Zeichnung heute", 2. Internationale Jugendtriennale der Zeichnung, Nürnberg, Lausanne, Lissabon
ART 13/82, Basel
"Dada Montage Konzept", Berlinische Galerie, Berlin
Galerie Inter Art, Basel
"Trivial ein Signal" (mit Peter Angermann, Horst Gläsker und Rainer Mang), Städtische Galerie Regensburg
Galeria Academia, Salzburg (Jubiläumsausstellung)
Galeria Peccolo, Livorno (mit Reinhard Pods und Gerd Rohling)
"Made in New York", Paintings and Sculptures by four contemporary German Artists – Thomas Bernsten, ter Hell, Barbara Quandt, Klaus Schmitt – Goethe-Institut, New York
1981
"Sieben im Kutscherhaus", Sammlung Dr. Stober, Berlin
"New European and American Drawing", Piran, Jugoslavien
1983
"Xenophilia", The Clocktower Institute for Art and Urban Resources, New York
"generics + + +", Neuer Berliner Kunstverein, Berlin
Internationaler Kunstmarkt Köln
Galerie Fahnemann, Berlin
"Berliner Maler zu Gast im ZDF", Mainz-Lerchenberg
"Dimension IV – Neue Malerei in Deutschland", Nationalgalerie, Berlin / Haus der Kunst, München / Kunsthalle Düsseldorf
Deutscher Künstlerbund, Nationalgelerie und Martin-Gropius-Bau, Berlin
1984
"Neue Malerei Berlin", Kästner-Gesellschaft, Hannover
"Kunstlandschaft Bundesrepublik Deutschland", Stuttgart, Ulm, Reutlingen
Aktion "Götterdämmerung, Spray auf Glas", aus Anlaß der Salomé-Ausstellung in der Galerie Raab, Berlin
1985
"Neuerwerbungen 1975 - 1985", Nationalgalerie Berlin
"Kunst in der Bundesrepublik Deutschland 1945 - 1985", Nationalgalerie Berlin
"Drawings – 12 Artists from Berlin", Wanderausstellung Goethe-Institut Kairo
1986
"Images of Shakespeare", Technische Universität Berlin / Ausstellungsraum in der Grundkreditbank, Berlin
"Berlin Aujourd´hui", Musée de Toulon, Toulon, Frankreich
"7. Internationale Biennale der Grafik", Mulhouse, Frankreich
"Von Beuys bis Stella", Kupferstichkabinett Berlin
"Art Fair", Los Angeles
"Kunst in Berlin von 1870 bis heute, Sammlung der Berlinischen Galerie", Berlinische Galerie, Martin-Gropius-Bau, Berlin
1987
"Berlin Art 1961 - 1987", MOMA, New York und San Francisco Museum
"Momentaufnahme", Kunsthalle Berlin
"Darmstädter Sezzesion", Darmstadt
"Dallas – Berlin", Crescent Gallery, Dallas
"Bremer Kunstpreis", Kunsthalle Bremen
"desire for life", Pictures from Berlin, Goethe-Institute der USA und Kanada
"Standort 87", Galerie Pels-Leusden, Berlin
1989
"Eberhard Roters zu Ehren", Berlinische Galerie
"Wortlaut", Galerie Schüppenhauer, Köln
"Malerei des 20. Jahrhunderts", Martin-Gropius-Bau, Berlin
"Von der klassischen Moderne bis zur Gegenwart", Galerie Pels-Leusden, Berlin
"Kunst in Berlin von 1900 bis heute", Centro de Arte Moderna, Lissabon
1990
"Ambiente Berlin", Biennale Venedig
"Berliner Kunststücke", Museum Leipzig, Altes Museum Berlin
1991
"Berliner Kunst seit 45", Museum in Riga und St. Petersburg
1992
Sammlung der Berlinischen Galerie, Berlin
1995
Forum Hotel, Hamburg
Maritim Pro Arte Hotel, Berlin
1996
Kunstverein Schwetzingen
30 Jahre Galerie Wewerka, Berlin
Forum Hotel an den Elbbrücken, Hamburg
1999
"Deutsche Kunst nach 1945", Kunstmuseum Bonn
"100 Jahre Kunst im Aufbruch", Berlinische Galerie, Bonn, Grenoble, Valencia, Porto, Budapest
2002
"Ambrosia", Galerie im Abgeordnetenhaus Berlin
2003
"Der Text ist die Lüge", Galerie Dany Keller, München
"Ich bin’s – Zwischenspiel V", Berlinische Galerie im Kunstforum der Grundkreditbank Berlin
2005
"Toteninsel", Kunstfaktor Produzentengalerie, Berlin
"Kunst pur", im Rondell des Bundesministerium des Inneren, Berlin
"Kein Ende der Geschichte", Schlierbach/Hessen, Kunst im öffentlichen Raum
2008
"Die aufregende Kunst des 20. Jahrhunderts", Neue Nationalgalerie, Berlin
"Berliner Kunstschau", Voß-Palais, Berlin
"Eine Dekade – 10 Einsichten", Kunstfaktor Produzentengalerie, Berlin
Werke in öffentlichen Sammlungen | works in public collections
Nationalgalerie Berlin
Berlinische Galerie, Berlin
Kunsthalle Nürnberg
Kunsthalle Wilhelmshaven
Kunsthalle Emden
Europaparlament Straßbourg
Deutsche Bank, Berlin und Luxemburg
 |  | 02 Wand Richtung Süden |
geb.1946 in Chmelnickis, Ukraine
1975-1980 Studium der Monumentalmalerei an der Kunsthochschule [ heute Kunstakademie] in Vilnius
lebt und arbeitet in der Nähe von Vilnius
Viaceslavas Jevdokimovas Karmalita, kam aus der Ukrainenach Vilnius um Malerei zu studieren und ist dort heimisch geworden. Er hat sich für die Arbeit in der Einsamkeit entschieden und sich in einem ehemaligen Bauernhof in der Nähe von Vilnius zurückgezogen wo die Tage einen gleichmässigen Rhythmus haben. In dem mit einem Ofen beheizten Holzhaus verweilt er sogar an kältesten Wintertagen, wenn ringsherum tiefer Schnee liegt. Einsamkeit und Stille sind ihm nötig um besondere Konzentration für sein Schaffen zu erlangen. Er malt, zeichnet, liest und hört Jazz im selben sparsam ausgestatteten Zimmer mit Büchern und sich stapelnden Farbtuben, schaut durch ein Fenster auf ein einziges Motiv- einen alten Garten mit Obstbäumen. Aus diesen Beobachtungen entstehen karge Bilder in Grau mit reichen Schattierungen. Seinen Worten nach wird bei ausdauerndem Malprozess mit vielen dichten Farbschichten, das Gesehene wieder vernichtet. Die monochromen fast reliefartigen Bilder, die Jahreszeiten und Tagesverlauf, Licht und Dämmerung sensibilisieren das Empfinden. Es gibt die künstlerische Verwandschaft zu dem französischen Maler Eugene Leroy und dem litauischen Maler Eugenijus Antanas Cukermanas, aber mit Verzicht auf Farbigkeit und bewusst starker Rohheit.
Ausstellungsbeteiligungen seit 1985
Ausstellungen, Auswahl
2003 „Malerei, Assemblagen, Zeichnungen“, Galerie Kaire- Dešine, Vilnius
2007 „Malerei, Zeichnunge“, Kunstgalerie, Jonava
2008 „Kuras, Martinenas, Karmalita, Ähnlich, Unähnlich“, Galerie Arka, Vilnius
2012 Galerie Meno Niša, Vilnius
![untitled sin nombre aus der Serie [:tandem]
Collaborative work together with Robert Flynt
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/120_1.jpg)
![untitled sin nombre aus der Serie [:tandem]
Collaborative work together with Robert Flynt
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/120_2.jpg)
![untitled sin nombre aus der Serie [:tandem]
Collaborative work together with Robert Flynt
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/120_3.jpg)
![untitled sin nombre aus der Serie [:tandem]
Collaborative work together with Robert Flynt
unique inkjet print with mixed media, diptych, each 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/120_4.jpg)
![untitled / sin nombre aus der Serie [:tandem]
Collaborative work together with Nicolas Spinosa
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/123_1.jpg)
![untitled / sin nombre aus der Serie [:tandem]
Collaborative work together with Nicolas Spinosa
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/123_2.jpg)
![untitled / sin nombre aus der Serie [:tandem]
Collaborative work together with Nicolas Spinosa
unique inkjet print with mixed media, 42cm*30cm, 2010](http://www.werkstattgalerie.org/content/artists/123_3.jpg)
